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  1. Radical Tragedy
    Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries, Third Edition
    Author: Dollimore, Jonathan
    Published: 2010; ©2010
    Publisher:  Macmillan Education UK, London

    Cover -- Title -- Copyright -- Contents -- Acknowledgements -- Foreword by Terry Eagleton -- Preface to the reissued Third Edition -- Introduction to the Third Edition -- i September 1914 -- ii September 2001 -- iii September 1939 -- iv Art and... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

     

    Cover -- Title -- Copyright -- Contents -- Acknowledgements -- Foreword by Terry Eagleton -- Preface to the reissued Third Edition -- Introduction to the Third Edition -- i September 1914 -- ii September 2001 -- iii September 1939 -- iv Art and Humanism -- v Humanism and Materialism -- vi Returns -- vii Knowledge and Desire -- Notes -- Bibliography -- Introduction to the Second Edition -- i Tragedy and Politics -- ii Containment/Subversion -- iii Reading Contradictions -- iv Marginality (1) -- v Subjectivity or Writing of/f the Unitary Self -- vi God and Man -- vii Feminism, Sexualities and Gender Critique -- viii The Return to History: Marginality (2) -- ix History Reading Theory -- x Reproducing Shakespeare -- xi Shakespeare and Statecraft -- Notes -- PART I: RADICAL DRAMA: ITS CONTEXTS AND EMERGENCE -- 1 Contexts -- i Literary Criticism: Order versus History -- ii Ideology, Religion and Renaissance Scepticism -- iii Ideology and the Decentring of Man -- iv Secularism versus Nihilism -- v Censorship -- vi Inversion and Misrule -- 2 Emergence: Marston's Antonio Plays (c. 1599-1601) and Shakespeare's Troilus and Cressida (c. 1601-2) -- i Discontinuous Identity (1) -- ii Providence and Natural Law (1) -- iii Discontinuous Identity (2) -- iv Providence and Natural Law (2) -- v Ideology and the Absolute -- vi Social Contradiction and Discontinuous Identity -- vii Renaissance Man versus Decentred Malcontent -- PART II: STRUCTURE, MIMESIS, PROVIDENCE -- 3 Structure: From Resolution to Dislocation -- i Bradley -- ii Archer and Eliot -- iii Coherence and Discontinuity -- iv Brecht: A Different Reality -- 4 Renaissance Literary Theory: Two Concepts of Mimesis -- i Poetry versus History -- ii The Fictive and the Real -- 5 The Disintegration of Providentialist Belief -- i Atheism and Religious Scepticism -- ii Providentialism and History.

     
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