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  1. Gender and romance in Chaucer's Canterbury tales
    Author: Crane, Susan
    Published: 1994
    Publisher:  Princeton Univ. Press, Princeton, NJ

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  2. Gender and the Gothic in the fiction of Edith Wharton
    Author: Fedorko, Kathy A.
    Published: 2010
    Publisher:  University of Alabama Press, Tuscaloosa

    Eventually, in her last completed novel and her last short story, Wharton imagines human beings who are comfortable with both gender selves. Fedorko's study challenges existing views of the nature of Wharton's realism as well as the nature and... more

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    Eventually, in her last completed novel and her last short story, Wharton imagines human beings who are comfortable with both gender selves. Fedorko's study challenges existing views of the nature of Wharton's realism as well as the nature and importance of her fiction that defies that categorization. It provides a provocative approach to Wharton's handling of and response to gender and complicates current assumptions about her response to the feminine and the maternal Using feminist archetypal theory and theory of the female Gothic, Fedorko shows how, in sixteen short stories and six major novels written during four distinct periods of her life, Wharton adopts and adapts Gothic elements as a way to explore the nature of feminine and masculine ways of knowing and being and to dramatize the tension between them. A distinction in her use of the form is that she has both women and men engage in a process of individuation during which they confront the abyss, the threatening and disorienting feminine/maternal. Wharton deconstructs traditional Gothic villains and victims by encouraging the reader to identify with those characters who are willing to assimilate this confrontation with the feminine/maternal into their sense of themselves as women and men. In the novels with Gothic texts Wharton draws multiple parallels between male and female protagonists, indicating the commonalities between women and men and the potential for a fe/male self. - Eventually, in her last completed novel and her last short story, Wharton imagines human beings who are comfortable with both gender selves. Fedorko's study challenges existing views of the nature of Wharton's realism as well as the nature and importance of her fiction that defies that categorization. It provides a provocative approach to Wharton's handling of and response to gender and complicates current assumptions about her response to the feminine and the maternal

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780817391843; 0817391843
    Subjects: Psychological fiction, American; Women and literature; Gothic fiction (Literary genre), American; Femmes et littérature; Roman noir (Genre littéraire); Masculinité dans la littérature; Féminité dans la littérature; Relations entre hommes et femmes dans la littérature; Identité sexuelle dans la littérature; Rôle selon le sexe dans la littérature; Masculinity in literature; Femininity in literature; Man-woman relationships in literature; Gender identity in literature; Sex role in literature; Psychological fiction, American; Women and literature; Gothic fiction (Literary genre), American; Femmes et littérature; Féminité dans la littérature; Gothic fiction (Literary genre), American; Identité sexuelle dans la littérature; Masculinité dans la littérature; Psychological fiction, American; Relations entre hommes et femmes dans la littérature; Roman noir (Genre littéraire); Rôle selon le sexe dans la littérature; Women and literature; Femininity in literature; Gender identity in literature; Man-woman relationships in literature; Masculinity in literature; Sex role in literature; Gothic fiction (Literary genre), American; Psychological fiction, American; LITERARY CRITICISM ; American ; General; Women and literature; Gothic novel; Sekseverschillen; Verenigde Staten; Letterkunde; Masculinité (psychologie) ; Dans la littérature; Féminité (psychologie) dans la littérature; Femmes et littérature ; États-Unis ; Histoire; Sexisme ; Dans la littérature; Roman gothique ; États-Unis; Relations hommes femmes dans la litterature; Hommes ; Psychologie ; Dans la littérature; Femmes ; Psychologie ; Dans la littérature; Roman; Criticism, interpretation, etc; History
    Other subjects: Wharton, Edith 1862-1937; Wharton, Edith 1862-1937; Wharton, Edith (1862-1937); Wharton, Edith 1862-1937; Wharton, Edith 1862-1937; Wharton, Edith; Wharton, Edith ; Critique et interprétation; Wharton, Edith
    Scope: Online Ressource (xvii, 198 pages)
    Notes:

    Includes bibliographical references (pages 181-188) and index. - Print version record

    Print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  3. The battle of the sexes in science fiction
    Author: Larbalestier, Justine
    Published: 2002
    Publisher:  Wesleyan University Press, Middletown, Conn.

    The battle of the sexes in science fiction is an account of the role of women and feminism in the development of American science fiction during its formative years, the mid-20th century. more

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    The battle of the sexes in science fiction is an account of the role of women and feminism in the development of American science fiction during its formative years, the mid-20th century.

     
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  4. Gender and the city in Euripides' political plays
    Author: Mendelsohn, Daniel Adam
    Published: 2002
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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  5. Seeing together
    friendship between the sexes in English writing, from Mill to Woolf
    Author: Luftig, Victor
    Published: 1993
    Publisher:  Stanford Univ. Press, Stanford, Calif.

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  6. Gender and the Gothic in the fiction of Edith Wharton
    Author: Fedorko, Kathy A.
    Published: 1995
    Publisher:  Univ. of Alabama Press, Tuscaloosa [u.a.]

    Using feminist archetypal theory and theory of the female Gothic, Fedorko shows how, in sixteen short stories and six major novels written during four distinct periods of her life, Wharton adopts and adapts Gothic elements as a way to explore the... more

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    Using feminist archetypal theory and theory of the female Gothic, Fedorko shows how, in sixteen short stories and six major novels written during four distinct periods of her life, Wharton adopts and adapts Gothic elements as a way to explore the nature of feminine and masculine ways of knowing and being and to dramatize the tension between them. A distinction in her use of the form is that she has both women and men engage in a process of individuation during which they confront the abyss, the threatening and disorienting feminine/maternal. Wharton deconstructs traditional Gothic villains and victims by encouraging the reader to identify with those characters who are willing to assimilate this confrontation with the feminine/maternal into their sense of themselves as women and men. In the novels with Gothic texts Wharton draws multiple parallels between male and female protagonists, indicating the commonalities between women and men and the potential for a fe/male self Eventually, in her last completed novel and her last short story, Wharton imagines human beings who are comfortable with both gender selves. Fedorko's study challenges existing views of the nature of Wharton's realism as well as the nature and importance of her fiction that defies that categorization. It provides a provocative approach to Wharton's handling of and response to gender and complicates current assumptions about her response to the feminine and the maternal

     
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  7. The coupling convention
    sex, text, and tradition in black women's fiction
    Author: Du Cille, Ann
    Published: 1993
    Publisher:  Oxford Univ. Press, New York u.a.

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  8. Distant desire
    homoerotic codes and the subversion of the English novel in E. M. Forster's fiction
    Author: Bakshi, Parminder Kaur
    Published: 1996
    Publisher:  Lang, New York u.a.

    Distant Desire focuses on the homoerotic desire coded in all of Forster's novels and illustrates how Forster's aesthetics have been formed by the homoerotic tradition of English Literature. The theme of male friendship occurs in every novel and is... more

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    Distant Desire focuses on the homoerotic desire coded in all of Forster's novels and illustrates how Forster's aesthetics have been formed by the homoerotic tradition of English Literature. The theme of male friendship occurs in every novel and is connected with the theme of journey. The ideal of male love is conceived as a distant desire. The underlying theme of male friendship in Forster's narratives constantly subverts the conventional, heterosexual plot of the novels. This work combines an interpretation of homoerotic themes with the cultural theories of the nineteenth and twentieth centuries, such as Classicism and Orientalism.

     
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  9. Chaucer's approach to gender in the Canterbury Tales
    Author: Laskaya, Anne
    Published: 1995
    Publisher:  Brewer, Cambridge

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  10. The art of rupture
    narrative desire and duplicity in the tales of Guy de Maupassant
    Author: Stivale, Charles J.
    Published: 1994
    Publisher:  Univ. of Michigan Press, Ann Arbor

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  11. The mythographic Chaucer
    the fabulation of sexual politics
    Author: Chance, Jane
    Published: 1995
    Publisher:  Univ. of Minnesota Press, Minneapolis [u.a.]

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  12. Hommes et femmes dans l'oeuvre d'Ingeborg Bachmann
    déchirure et altérité
    Author: Grimm-Hamen, Sylvie
    Published: 1994
    Publisher:  Presses Univ. de Nancy, Nancy

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  13. Obsession and culture
    a study of sexual obsession in modern fiction
    Author: Brink, Andrew
    Published: 1996
    Publisher:  Fairleigh Dickinson Univ. Press [u.a.], Madison [u.a.]

    Obsession and Culture proposes that male sexual obsessions are the driving force of culture and are most clearly seen in fiction. Examples could be multiplied many times, but the main objectives of this study are to show how the work of five male... more

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    Obsession and Culture proposes that male sexual obsessions are the driving force of culture and are most clearly seen in fiction. Examples could be multiplied many times, but the main objectives of this study are to show how the work of five male authors coheres within a framework of psychodynamic theory and to stimulate enquiry along these lines. Many twentieth-century novelists speak for a male psycho-class needing imaginative externalization of obsessive sexual fantasies of control of women. Attraction, avoidance, and guilt are powerful motivators for writers and readers alike, and the moral ambiguity of serial monogamy, as well as other forms of exploitative sexuality, prompt certain writers to construct symbolic expiation and repair in fiction. Psychobiography is combined with fantasy analysis to suggest the pervasiveness in modern fiction of the wish to conquer and to control women and to atone for the guilt.

     
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  14. Passion made public
    Elizabethan lyric, gender, and performance
    Author: Henderson, Diana E.
    Published: 1995
    Publisher:  Univ. of Illinois Press, Urbana [u.a.]

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  15. T. S. Eliot
    mystic, son and lover
    Author: Childs, Donald J.
    Published: 1997
    Publisher:  St. Martin's Press, New York

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  16. Siren songs
    gender, audiences, and narrators in the Odyssey
    Author: Doherty, Lillian Eileen
    Published: 1995
    Publisher:  Univ. of Michigan Press, Ann Arbor

    Odysseus is famous for resisting the appeal of the Sirens, but does the Odyssey itself exert a seductive influence on its female audiences? Doherty argues that it does, especially by contrasting its female characters in the roles of listener and... more

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    Odysseus is famous for resisting the appeal of the Sirens, but does the Odyssey itself exert a seductive influence on its female audiences? Doherty argues that it does, especially by contrasting its female characters in the roles of listener and storyteller. Odysseus courts and rewards supportive female characters like Arete and Penelope by treating them as privileged members of the audience for his own tale of his adventures. At the same time, dangerous female narrators - who, like Helen or the Sirens, threaten to disrupt or revise the hero's story - are discredited by the narrative framework in which their stories appear In a synthesis of audience-oriented and narratological approaches, Doherty examines the relationships among three kinds of audiences: internal, implied, and actual. Internal audiences are made up of characters in the work itself. The Odyssey, rich in storytelling episodes, uses such characters to build patterns of audience response, which in turn allow us to sketch an implied or model audience for the epic as a whole. But while this implied audience includes females as well as males, the epic addresses the two genders differently. Males are addressed as a group of peers, while females are addressed as individuals whose most important ties are to individual males. Like the hero, the epic woos the individual female reader by inviting her to identify with the faithful Penelope Actual audiences, composed of historical individuals, are not compelled to accept the response the epic models for them; but when the model corresponds to gender roles in a reader's own culture, there may be unconscious incentives to accept it. Siren Songs contributes to the growing body of feminist work in the fields of classics and literary criticism while making the fruits of research available to a nonspecialist audience. All Greek is translated and critical terminology is clearly defined. The book will be especially useful to those who study and teach the Odyssey at the college level and above, whether in English, comparative literature, classics, or general humanities courses

     
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  17. Anxious masculinity in early modern England
    Author: Breitenberg, Mark
    Published: 1996
    Publisher:  Cambridge Univ. Press, Cambridge u.a.

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  18. Echoes of desire
    English Petrarchism and its counterdiscourses
    Author: Dubrow, Heather
    Published: 1995
    Publisher:  Cornell University Press, Ithaca ; London

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  19. The descent of love
    Darwin and the theory of sexual selection in American fiction, 1871 - 1926
    Author: Bender, Bert
    Published: 1996
    Publisher:  Univ. of Pennsylvania Press, Philadelphia, Pa.

    Upon its publication in 1871, Charles Darwin's The Descent of Man and Selection in Relation to Sex sent shock waves through the scientific community and the public at large. In an original and persuasive study, Bert Bender demonstrates that it is... more

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    Upon its publication in 1871, Charles Darwin's The Descent of Man and Selection in Relation to Sex sent shock waves through the scientific community and the public at large. In an original and persuasive study, Bert Bender demonstrates that it is this treatise, rather than any of Darwin's earlier works, that provoked the most immediate and vigorous response from American fiction writers These authors embraced and incorporated Darwin's theories, insights, and language, creating an increasingly dark and violent view of sexual love in American realist literature In The Descent of Love, Bender carefully rereads the works of William Dean Howells, Henry James, Elizabeth Stuart Phelps, Sarah Orne Jewett, Kate Chopin, Harold Frederic, Charles W. Chesnutt, Edith Wharton, and Ernest Hemingway, teasing from them a startling but utterly convincing preoccupation with questions of sexual selection

     
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  20. Dialectique du masculin et du féminin dans l'oeuvre d'Hélène Cixous
    Author: Cremonese, Laura
    Published: 1997
    Publisher:  Schena [u.a.], Fasano

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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 8875149844
    RVK Categories: IH 28161
    Series: Università degli Studi <Verona> / Facoltà di Lingue e Letterature Straniere: Tesi della Facoltà di Lingue e Letterature Straniere ; 3
    Subjects: Mannen; Relations entre hommes et femmes dans la littérature; Vrouwen; Frau; Man-woman relationships in literature; Feminismus; Männlichkeit <Motiv>; Weiblichkeit <Motiv>; Männlichkeit; Weiblichkeit
    Other subjects: Cixous, Hélène <1937-> - Critique et interprétation; Cixous, Hélène <1937->; Cixous, Hélène (1937-)
    Scope: 158 S.
  21. Intimate commerce
    exchange, gender and subjectivity in Greek tragedy
    Author: Wohl, Victoria
    Published: 1998
    Publisher:  Univ. of Texas Press, Austin, Tex.

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  22. Reshaping the sexes in Sense and sensibility
    Author: Perkins, Moreland
    Published: 1998
    Publisher:  Univ. Press of Virginia, Charlottesville [u.a.]

    Moreland Perkins's Reshaping the Sexes in "Sense and Sensibility" is an accessible yet sophisticated exploration of Jane Austen's revision and reversal of sexual stereotypes. He argues that Austen's first published novel embodies her most sustained... more

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    Moreland Perkins's Reshaping the Sexes in "Sense and Sensibility" is an accessible yet sophisticated exploration of Jane Austen's revision and reversal of sexual stereotypes. He argues that Austen's first published novel embodies her most sustained effort at correcting dominant concepts of gender in her era. Through an engaging, often witty analysis of the text, he demonstrates how the novel's protagonists deviate from ruling ideas of their sexes and reveal Austen's own feminist tendencies.

     
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  23. Necessary madness
    the humor of domesticity in nineteenth-century American literature
    Author: Camfield, Gregg
    Published: 1997
    Publisher:  Oxford Univ. Press, New York, NY [u.a.]

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  24. Elizabethan women and the poetry of courtship
    Author: Bell, Ilona
    Published: 1998
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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  25. The dialogue of marriage in contemporary German and Latin American short stories
    Author: Geldrich-Leffman, Hanna
    Published: 1999
    Publisher:  Lang, New York [u.a.]

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