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  1. Subject to display
    reframing race in contemporary installation art
    Author: González, Jennifer
    Published: 2008
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262072861; 0262072866
    RVK Categories: LH 69100 ; LO 94036
    Subjects: Installations (Art); Art, American; Art, American; Minority artists; Race in art
    Scope: XIII, 297 S., Ill., 26 cm
    Notes:

    Literaturangaben
  2. The urban scene
    race, Reginald Marsh, and American art
    Author: Higginbotham, Carmenita
    Published: [2015]
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 170783
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    "Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers"--Provided by publisher The urban artist -- Reading public spaces -- Girl watching in the city -- The art of slumming -- Seeing poverty

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271063935
    Subjects: Race in art; City and town life in art; Art, American; African Americans in art
    Other subjects: Marsh, Reginald (1898-1954)
    Scope: x, 211 Seiten, Illustrationen, 27 cm
    Notes:

    Includes bibliographical references (pages 175-201) and index

    The urban artistReading public spaces -- Girl watching in the city -- The art of slumming -- Seeing poverty.
  3. Consuming stories
    Kara Walker and the imagining of American race
    Author: Peabody, Rebecca
    Published: [2016]; © 2016
    Publisher:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2017:4883:
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 174735
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    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    419892
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    Location:
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    Signature:
    B 27502
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    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction : Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520288928
    RVK Categories: LI 99999
    Subjects: Race in art; African Americans in art; Silhouettes; Installations (Art)
    Other subjects: Walker, Kara Elizabeth
    Scope: VII, 208 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 183-194
  4. Adrian Piper
    race, gender, and embodiment
    Author: Bowles, John Parish
    Published: 2011
    Publisher:  Duke University Press, Durham, NC

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2012:2751:
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    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    LH 60250 B787
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    Location:
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    Signature:
    A 38678
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    Location:
    Hochschule für Bildende Künste, Bibliothek
    Signature:
    J. Piper : 5
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    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    15-12028
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0822348969; 0822349205; 9780822348962; 9780822349204
    RVK Categories: LI 99999 ; LH 60250 ; LH 65870
    Subjects: Race in art; Gender identity in art
    Other subjects: Piper, Adrian (1948-)
    Scope: xiv, 335 Seiten, 16 ungezählte Seiten, Illustrationen, Karten, 25 cm
    Notes:

    Literaturverzeichnis: Seite 299-318

    Introduction: Adrian Piper's performance of race and the moral question of racism -- Contingent and universal : Adrian Piper and the minimalist ideal -- Hypothesis : modernism and the woman artist's studio -- May 1970 : art and activism -- Catalysis : feminist art and experience -- Food for the spirit : transcendence and desire -- "Acting like a man" : the mythic being and black feminism -- Conclusion: the mythic being and the aesthetics of direct address.
  5. Colouring the Caribbean
    race and the art of Agostino Brunias
    Author: Bagneris, Mia L.
    Published: 2018
    Publisher:  Manchester University Press, Manchester

    "'Colouring the Caribbean' offers the first comprehensive study of Agostino Brunias's intriguing pictures of colonial West Indians of colour - so called 'Red' and 'Black' Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race - made... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "'Colouring the Caribbean' offers the first comprehensive study of Agostino Brunias's intriguing pictures of colonial West Indians of colour - so called 'Red' and 'Black' Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race - made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias's paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias's work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time."--Cover page 4

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1526120453; 9781526120458
    RVK Categories: LI 99999
    Series: Rethinking art's histories
    Subjects: Race in art; Imperialism in art
    Other subjects: Brunias, Agostino
    Scope: xv, 256, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index
  6. Envisioning others
    race, color, and the visual in Iberia and Latin America
    Contributor: Patton, Pamela A. (Hrsg.)
    Published: 2015
    Publisher:  Brill, Leiden [u.a.]

    Location:
    Universitätsbibliothek Bielefeld
    Signature:
    EF260 E6O8
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    Location:
    Universitäts- und Landesbibliothek Düsseldorf
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    kuny188.p322
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    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 60592
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    Source: Union catalogues
    Contributor: Patton, Pamela A. (Hrsg.)
    Language: English
    Media type: Book
    ISBN: 9789004269170; 9789004302150
    Series: The medieval and early modern Iberian world ; 62
    Subjects: Art, Spanish colonial; Art, Spanish; Art, Brazilian; Art, Portuguese; Race in art; Other (Philosophy) in art; Rasse <Motiv>; Künste
    Scope: XIV, 368 S., Ill., Kt.
  7. Consuming stories
    Kara Walker and the imagining of American race
    Author: Peabody, Rebecca
    Published: [2016]; © 2016
    Publisher:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    4' 2021/379
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    Location:
    Universitätsbibliothek Dortmund
    Signature:
    KF-Wal 460/406
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    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/K WALKER.08 4 2016
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    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520288928
    Subjects: Race in art; African Americans in art; Silhouettes; Installations (Art); Person of Color <Motiv>; Installation <Kunst>; Rasse <Motiv>; Kunst
    Other subjects: Walker, Kara Elizabeth; Walker, Kara (1969-)
    Scope: vii, 208 Seiten, Illustrationen, 27 cm
    Notes:

    Includes bibliographical references and index
  8. Race on display in 20th- and 21st-century France
    Author: Knox, Katelyn E.
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

    Race on Display in 20th- and 21st-Century France argues that the way France displayed its colonized peoples in the twentieth century continues to inform how minority authors and artists make immigrants and racial and ethnic minority populations... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 981100
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    Location:
    Max-Planck-Institut zur Erforschung multireligiöser und multiethnischer Gesellschaften, Bibliothek
    Signature:
    LB 48185 Knox 2016
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    Race on Display in 20th- and 21st-Century France argues that the way France displayed its colonized peoples in the twentieth century continues to inform how minority authors and artists make immigrants and racial and ethnic minority populations visible in contemporary France Civilized into the civilizing mission: the gaze, colonization, and exposition coloniale children's comics -- Self-spectacularization and looking back on French history -- Writing, literary Sape, and reading in Mabanckou's Black Bazar -- Looking back on Afropea's Origins: Léonora Miano's Blues pour Elise as an Afropean mediascape -- Anti-white racism without races: French rap, whiteness, and disciplinary institutionalized spectacularism

     
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    Source: Staatsbibliothek zu Berlin
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 9781781383094
    RVK Categories: IH 1546 ; IH 93430 ; LB 48185
    Series: Contemporary French and francophone cultures ; 42
    Subjects: Race; Race in literature; Race in art
    Scope: X, 229 Seiten, Illustrationen
    Notes:

    Teilweise Ausschnitte der originalen französischsprachigen Forschungsmaterialien inklusive Übersetzung ins Englische
  9. Subject to display
    reframing race in contemporary installation art
    Author: González, Jennifer A.
    Published: [2011]; © 2008
    Publisher:  MIT Press, Cambridge, Massachusetts ; London, England

    Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes Gonzalez, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All of the five American installation artists Gonzalez considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space or power of display in settings that mimic the very spaces that they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, they have also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as "artifacts" and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780262516020
    RVK Categories: LO 94036
    Subjects: Installations (Art); Art, American; Art, American; Minority artists; Race in art; Rasse <Motiv>; Installation <Kunst>
    Scope: xiii, 297 Seiten, Illustrationen, 26 cm
    Notes:

    Includes bibliographical references (p. [251]-277) and index
  10. Kara Walker
    my complement, my enemy, my oppressor, my love ; [catalog publ. on the occasion of of the exhibition at Walker Art Center, Minneapolis, Minnesota, February 17 - May 13, 2007 ...]
    Published: 2007
    Publisher:  Walker Art Center, Minneapolis

    Location:
    Bayerische Staatsbibliothek
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  11. The racial unfamiliar
    illegibility in Black literature and culture
    Author: Brooks, John
    Published: [2022]
    Publisher:  Columbia University Press, New York

    "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231205023; 9780231205030
    RVK Categories: LO 94000
    Series: Literature now
    Subjects: American literature; African American art; African Americans; Race in literature; Race in art; African Americans in literature; African Americans in art; African Americans; Literary criticism
    Scope: xi, 287 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  12. Kara Walker
    my complement, my enemy, my oppressor, my love ; [catalog publ. on the occasion of of the exhibition at Walker Art Center, Minneapolis, Minnesota, February 17 - May 13, 2007 ...]
    Published: 2007
    Publisher:  Walker Art Center, Minneapolis

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  13. Race on display in 20th- and 21st-century France
    Author: Knox, Katelyn E.
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

    Race on Display in 20th- and 21st-Century France argues that the way France displayed its colonized peoples in the twentieth century continues to inform how minority authors and artists make immigrants and racial and ethnic minority populations... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Race on Display in 20th- and 21st-Century France argues that the way France displayed its colonized peoples in the twentieth century continues to inform how minority authors and artists make immigrants and racial and ethnic minority populations visible in contemporary France Civilized into the civilizing mission: the gaze, colonization, and exposition coloniale children's comics -- Self-spectacularization and looking back on French history -- Writing, literary Sape, and reading in Mabanckou's Black Bazar -- Looking back on Afropea's Origins: Léonora Miano's Blues pour Elise as an Afropean mediascape -- Anti-white racism without races: French rap, whiteness, and disciplinary institutionalized spectacularism

     
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    Source: Staatsbibliothek zu Berlin
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 178138309X; 9781781383094
    RVK Categories: IH 1546 ; IH 93430 ; LB 48185
    Series: Contemporary French and Francophone cultures ; 42
    Subjects: Minorities; France; Race; Race in literature; Race in art
    Scope: X, 228 Seiten, Illustrationen, 24 cm
    Notes:

    Hardback. - Includes bibliographical references and index. - Current Copyright Fee: GBP17.50. - Text chiefly in English, excerpts with parallel translation in French
  14. Kara Walker: my complement, my enemy, my oppressor, my love
    [published on the occasion of the Exhibition "Kara Walker: My Complement, My Enemy, My Oppressor, My Love" ... ; Walker Art Center, Minneapolis, Minnesota, February 17 - May 13, 2007 ; ARC/Musée de la Ville de Paris, Paris, France, June 19 - September 9, 2007 ; Whitney Museum of American Art New York, New York, October 11, 2007 - February 3, 2008 ; UCLA Hammer Museum Los Angeles, California, March 2 - June 8, 2008 ; Museum of Modern Art, Fort Worth, Texas, July 6 - October 19, 2008]
    Contributor: Walker, Kara (IllustratorIn); Vergne, Philippe (HerausgeberIn)
    Published: c 2007
    Publisher:  Walker Art Center, Minneapolis, Minn.

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: Walker, Kara (IllustratorIn); Vergne, Philippe (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 093564086X
    Edition: 1. ed.
    Subjects: African Americans in art; Race in art; Stereotypes (Social psychology) in art
    Other subjects: Walker, Kara Elizabeth
    Scope: XII, 418 S., überw. Ill., 25 cm
    Notes:

    Includes bibliographical references (p. 396-406) and index
  15. Adrian Piper
    race, gender, and embodiment
    Author: Bowles, John Parish
    Published: 2011
    Publisher:  Duke University Press, Durham, NC

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0822348969; 0822349205; 9780822348962; 9780822349204
    RVK Categories: LI 99999 ; LH 60250 ; LH 65870
    Subjects: Race in art; Gender identity in art
    Other subjects: Piper, Adrian (1948-)
    Scope: xiv, 335 Seiten, 16 ungezählte Seiten, Illustrationen, Karten, 25 cm
    Notes:

    Literaturverzeichnis: Seite 299-318

    Introduction: Adrian Piper's performance of race and the moral question of racism -- Contingent and universal : Adrian Piper and the minimalist ideal -- Hypothesis : modernism and the woman artist's studio -- May 1970 : art and activism -- Catalysis : feminist art and experience -- Food for the spirit : transcendence and desire -- "Acting like a man" : the mythic being and black feminism -- Conclusion: the mythic being and the aesthetics of direct address.
  16. The urban scene
    race, Reginald Marsh, and American art
    Author: Higginbotham, Carmenita
    Published: [2015]
    Publisher:  Pennsylvania State University Press, University Park, Pennsylvania

    "Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of... more

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    "Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers"...Provided by publisher

     
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    Source: Union catalogues
    Contributor: Marsh, Reginald
    Language: English
    Media type: Book
    ISBN: 9780271063935
    RVK Categories: LH 84960 ; LO 94031
    Subjects: African Americans in art; City and town life in art; Art, American / 20th century; Race in art; City and town life in art; Art, American; Kunst; Malerei; Schwarze <Motiv>; Arbeiten auf Papier; Rasse <Motiv>
    Other subjects: Marsh, Reginald / 1898-1954 / Criticism and interpretation; Marsh, Reginald, (1898-1954); Marsh, Reginald (1898-1954)
    Scope: X, 211 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    The urban artist -- Reading public spaces -- Girl watching in the city -- The art of slumming -- Seeing poverty
  17. No laughing matter
    visual humor in ideas of race, nationality, and ethnicity
    Contributor: Rosenthal, Angela (Publisher); Bindman, David (Publisher); Randolph, Adrian W. B. (Publisher)
    Published: 2016; © 2016
    Publisher:  Dartmouth College Press, Hanover, New Hampshire

    Location:
    Universitätsbibliothek Augsburg
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Contributor: Rosenthal, Angela (Publisher); Bindman, David (Publisher); Randolph, Adrian W. B. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781611688214; 9781611688207; 9781611688221
    Subjects: Wit and humor in art; Race in art; National characteristics in art; Ethnicity in art; Art and society; Rasse <Motiv>; Künste; Karikatur; Nationalbewusstsein <Motiv>; Humor <Motiv>; Ethnizität <Motiv>
    Scope: 1 online resource (362 pages, 10 pages of plates), color illustrations, photographs
    Notes:

    Includes index

    Description based on print version record
  18. Adrian Piper
    Race, gender, and embodiment
    Author: Bowles, John Parish
    Published: 2011
    Publisher:  Duke University Press, Durham

    This in-depth analysis of Adrian Piper s art locates her groundbreaking work at the nexus of Conceptual and feminist art of the late 1960s and 1970s more

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    Universitätsbibliothek Bayreuth
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    This in-depth analysis of Adrian Piper s art locates her groundbreaking work at the nexus of Conceptual and feminist art of the late 1960s and 1970s

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822393733
    Other identifier:
    Subjects: Gender identity in art; Piper, Adrian, -- 1948- -- Criticism and interpretation; Race in art; Concept-art; Ethnizität <Motiv>; Geschlechterrolle <Motiv>
    Other subjects: Piper, Adrian (1948-)
    Scope: 1 Online-Ressource (xiv, 336 Seiten), Illustrationen
  19. Consuming stories
    Kara Walker and the imagining of American race
    Author: Peabody, Rebecca
    Published: [2016]; © 2016
    Publisher:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520288928
    Subjects: Geschichte; Race in art; African Americans in art; Silhouettes; Installations (Art); Kunst; Person of Color <Motiv>; Rasse <Motiv>; Installation <Kunst>
    Other subjects: Walker, Kara Elizabeth; Walker, Kara (1969-)
    Scope: vii, 208 Seiten, Illustrationen, 27 cm
    Notes:

    Includes bibliographical references and index
  20. Representing the Black female subject in western art
    Author: Nelson, Charmaine
    Published: 2010
    Publisher:  Routledge, New York, NY

    Location:
    Universitätsbibliothek Bayreuth
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415871167
    RVK Categories: LH 84120
    Edition: 1. publ.
    Series: Routledge studies on African and Black diaspora ; 2
    Subjects: Women, Black, in art; Race in art; Kunst; Kolonialismus; Schwarze Frau <Motiv>; Plastik; Weiblicher Akt; Sklaverei
    Scope: XII, 245 S., Ill.
  21. Adrian Piper
    race, gender, and embodiment
    Author: Bowles, John P.
    Published: 2011
    Publisher:  Duke University Press, Durham ; London

    In 1972 the artist Adrian Piper began periodically dressing as a persona called the Mythic Being, striding the streets of New York in a mustache, Afro wig, and mirrored sunglasses with a cigar in the corner of her mouth. Her Mythic Being performances... more

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    In 1972 the artist Adrian Piper began periodically dressing as a persona called the Mythic Being, striding the streets of New York in a mustache, Afro wig, and mirrored sunglasses with a cigar in the corner of her mouth. Her Mythic Being performances critically engaged with popular representations of race, gender, sexuality, and class; they challenged viewers to accept personal responsibility for xenophobia and discrimination and the conditions that allowed them to persist. Piper's work confronts viewers and forces them to reconsider assumptions about the social construction of identity. Adrian Piper: Race, Gender, and Embodiment is an in-depth analysis of this pioneering artist's work, illustrated with more than ninety images, including twenty-one in color.Over the course of a decade, John P. Bowles and Piper conversed about her art and its meaning, reception, and relation to her scholarship on Kant's philosophy. Drawing on those conversations, Bowles locates Piper's work at the nexus of Conceptual and feminist art of the late 1960s and 1970s. Piper was the only African American woman associated with the Conceptual artists of the 1960s and one of only a few African Americans to participate in exhibitions of the nascent feminist art movement in the early 1970s. Bowles contends that Piper's work is ultimately about our responsibility for the world in which we live.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780822348962; 9780822349204
    Subjects: Race in art; Gender identity in art; Concept-art; Geschlechterrolle <Motiv>; Ethnizität <Motiv>
    Other subjects: Piper, Adrian (1948-); Piper, Adrian (1948-)
    Scope: xiv, 335 Seiten, [8] Blätter, Illustrationen
    Notes:

    Includes bibliographical references and index
  22. Races of mankind
    sculptures of Malvina Hoffman
    Author: Kinkel, Marianne
    Published: 2011
    Publisher:  University of Illinois Press, Urbana [u.a.]

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780252036248
    Subjects: Women sculptors; Race in art; Ethnicity in art; Plastik; Ethnizität <Motiv>; Ethnische Beziehungen; Rasse <Motiv>
    Other subjects: Hoffman, Malvina (1887-1966); Hoffman, Malvina (1887-1966); Hoffman, Malvina (1887-1966)
    Scope: XII, 276 S., Ill., Kt.
    Notes:

    Includes bibliographical references and index
  23. Race on display in 20th- and 21st-century France
    Author: Knox, Katelyn E.
    Published: 2016
    Publisher:  Liverpool University Press, Liverpool

    Race on Display in 20th- and 21st-Century France argues that the way France displayed its colonized peoples in the twentieth century continues to inform how minority authors and artists make immigrants and racial and ethnic minority populations... more

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    Universitätsbibliothek Regensburg
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    Race on Display in 20th- and 21st-Century France argues that the way France displayed its colonized peoples in the twentieth century continues to inform how minority authors and artists make immigrants and racial and ethnic minority populations visible in contemporary France

     
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 178138309X; 1781384150; 1781388628; 9781781383094; 9781781384152; 9781781388624
    Series: Contemporary French and francophone cultures ; 42
    Subjects: Race dans l'art; Race dans la littérature; Race; French colonies; LITERARY CRITICISM; LITERARY CRITICISM; Race in literature; Race; Race in art; Race in literature; Race; Minderheit; Ethnische Beziehungen; Einwanderer; Literatur
    Other subjects: France / Colonies / Africa; Africa; France; Electronic books; Electronic books
    Scope: 1 Online-Ressource (x, 229 Seiten), illustrations
    Notes:

    Civilized into the civilizing mission: the gaze, colonization, and exposition coloniale children's comics -- Self-spectacularization and looking back on French history -- Writing, literary Sape, and reading in Mabanckou's Black Bazar -- Looking back on Afropea's Origins: Léonora Miano's Blues pour Elise as an Afropean mediascape -- Anti-white racism without races: French rap, whiteness, and disciplinary institutionalized spectacularism
  24. Poetics of race in Latin America
    Contributor: Moraña, Mabel (Publisher)
    Published: 2022
    Publisher:  Anthem Press, London

    <i>Poetics of Race</i> constitutes a critically and theoretically innovative analysis of racial and ethnic dynamics in Latin America, and their symbolic - artistic, ideological - representation. The book illustrates the relevance of cultural and... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Poetics of Race constitutes a critically and theoretically innovative analysis of racial and ethnic dynamics in Latin America, and their symbolic - artistic, ideological - representation. The book illustrates the relevance of cultural and racial minorities in different national contexts (particularly in Mexico, Brazil, the Andean region and the Caribbean) through the study of literary, filmic and visual productions that depict otherness, marginalization and popular resistance. The book focuses on negritude, indigenous cultures, andinismo, performance and cinematic discourses in which racial issues are displayed, elaborated and symbolized. The various critical approaches utilized in this volume also contribute to expand methodological horizons in the field while contributing to widening the corpus of literary texts and cultural practices in this area of studies

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Moraña, Mabel (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781839984778
    Subjects: Latin American literature / History and criticism; Motion pictures / Latin America / History; Race in literature; Race in art; Race in motion pictures; Minorities in literature; Minorities in art; Arts, Latin American / Themes, motives; Ethnische Identität <Motiv>; Kunst; Literatur; Film; Rasse <Motiv>
    Scope: 1 Online-Ressource (x, 203 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 09 Dec 2022)
  25. Troubled legacies
    heritage
    Contributor: Raynaud, Claudine (HerausgeberIn); Feith, Michel (HerausgeberIn)
    Published: 2015
    Publisher:  Cambridge Scholars Publishing, Newcastle-upon-Tyne

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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