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Displaying results 1 to 18 of 18.

  1. Reel Vulnerability
    Power, Pain, and Gender in Contemporary American Film and Television
    Author: Hagelin, Sarah
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability explores the way American popular culture thinks about vulnerability, arguing that our culture and our scholarship remain stubbornly invested in the myth of the helplessness of the female body. The book examines the shifting constructions of vulnerability in the wake of the cultural upheavals of World War II, the Cold War, and 9/11, placing defenseless male bodies onscreen alongside representations of the female body in the military, in the interrogation room, and on the margins. Sarah Hagelin challenges the ways film theory and cultural studies confuse vulnerability and femaleness. Such films as G.I. Jane and Saving Private Ryan, as well as such post-9/11 television shows as Battlestar Galactica and Deadwood, present vulnerable men who demand our sympathy, abused women who don’t want our pity, and images of the body in pain that do not portray weakness. Hagelin’s intent is to help scholarship catch up to the new iconographies emerging in theaters and in living rooms—images that offer viewers reactions to the suffering body beyond pity, identification with the bleeding body beyond masochism, and feminist images of the female body where we least expect to find them

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813561059
    Other identifier:
    Subjects: SOCIAL SCIENCE / General; Motion pictures; Pain in motion pictures; Power (Social sciences) in motion pictures; Sex role in motion pictures; Vulnerability (Personality trait) in motion pictures; Fernsehsendung; Film; Geschlecht <Motiv>; Verletzung <Motiv>
    Scope: 1 online resource, 24 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  2. Reel vulnerability
    power, pain, and gender in contemporary American film and television
    Author: Hagelin, Sarah
    Published: 2013
    Publisher:  Rutgers Univ. Press, New Brunswick [u.a.]

    Location:
    Universitätsbibliothek Koblenz
    Signature:
    KU/S 2014 4283
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    FH Münster, Hochschulbibliothek
    Signature:
    77 PG 394
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  3. Reel Vulnerability
    Power, Pain, and Gender in Contemporary American Film and Television
    Author: Hagelin, Sarah
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability explores the way American popular culture thinks about vulnerability, arguing that our culture and our scholarship remain stubbornly invested in the myth of the helplessness of the female body. The book examines the shifting constructions of vulnerability in the wake of the cultural upheavals of World War II, the Cold War, and 9/11, placing defenseless male bodies onscreen alongside representations of the female body in the military, in the interrogation room, and on the margins. Sarah Hagelin challenges the ways film theory and cultural studies confuse vulnerability and femaleness. Such films as G.I. Jane and Saving Private Ryan, as well as such post-9/11 television shows as Battlestar Galactica and Deadwood, present vulnerable men who demand our sympathy, abused women who don’t want our pity, and images of the body in pain that do not portray weakness. Hagelin’s intent is to help scholarship catch up to the new iconographies emerging in theaters and in living rooms—images that offer viewers reactions to the suffering body beyond pity, identification with the bleeding body beyond masochism, and feminist images of the female body where we least expect to find them

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813561059
    Other identifier:
    Subjects: SOCIAL SCIENCE / General; Motion pictures; Pain in motion pictures; Power (Social sciences) in motion pictures; Sex role in motion pictures; Vulnerability (Personality trait) in motion pictures; Fernsehsendung; Film; Geschlecht <Motiv>; Verletzung <Motiv>
    Scope: 1 online resource, 24 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  4. Reel vulnerability
    power, pain, and gender in contemporary American film and television
    Author: Hagelin, Sarah
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick, New Jersey

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813561042; 9780813561035; 9780813561059
    Subjects: Film; Vulnerability (Personality trait) in motion pictures; Power (Social sciences) in motion pictures; Pain in motion pictures; Sex role in motion pictures; Motion pictures; Fernsehsendung; Film; Geschlecht <Motiv>; Verletzung <Motiv>
    Scope: 1 online resource (225 pages), illustrations
    Notes:

    Description based on print version record
  5. Reel vulnerability
    power, pain, and gender in contemporary American film and television
    Author: Hagelin, Sarah
    Published: 2013
    Publisher:  Rutgers Univ. Press, New Brunswick [u.a.]

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780813561035; 9780813561042
    RVK Categories: AP 59483
    Subjects: Film; Vulnerability (Personality trait) in motion pictures; Power (Social sciences) in motion pictures; Pain in motion pictures; Sex role in motion pictures; Motion pictures; Geschlecht <Motiv>; Verletzung <Motiv>; Fernsehsendung; Film
    Scope: IX, 211 S., Ill.
    Notes:

    Includes bibliographical references and index
  6. Reel vulnerability
    power, pain, and gender in contemporary American film and television
    Author: Hagelin, Sarah
    Published: 2013
    Publisher:  Rutgers Univ. Press, New Brunswick [u.a.]

    Location:
    Universitätsbibliothek Koblenz
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    FH Münster, Hochschulbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813561042; 9780813561035
    Subjects: Vulnerability (Personality trait) in motion pictures; Power (Social sciences) in motion pictures; Pain in motion pictures; Sex role in motion pictures; Motion pictures
    Scope: IX, 211 S. : Ill.
    Notes:

    Includes bibliographical references and index
  7. Divi, duci, guitti, papi, caimani
    l'immaginario del potere nel cinema italiano, da Rossellini a The young Pope
    Author: Canova, Gianni
    Published: [2017]
    Publisher:  Edizioni Bietti, Milano

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 22215
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788882483883
    RVK Categories: AP 50300 ; AP 59739
    Series: Bietti heterotopia ; 29
    Subjects: Motion pictures; Power (Social sciences) in motion pictures; Power (Social sciences)
    Scope: 139 pages, illustrations (chiefly color), 21 cm
    Notes:

    G. Canova teaches at IULM of Milan

    Includes bibliographical references (pages 117-120) and indexes
  8. Reel Vulnerability
    Power, Pain, and Gender in Contemporary American Film and Television
    Author: Hagelin, Sarah
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick$aLondon

    Frontmatter -- Contents -- Acknowledgments -- Introduction: Unmaking Vulnerability -- Part I. The Cinematic Construction of Vulnerability -- Part II. Resistant Vulnerability after the Cold War -- Part III. Vulnerability beyond the Body -- Afterword:... more

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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Frontmatter -- Contents -- Acknowledgments -- Introduction: Unmaking Vulnerability -- Part I. The Cinematic Construction of Vulnerability -- Part II. Resistant Vulnerability after the Cold War -- Part III. Vulnerability beyond the Body -- Afterword: Female Power and Tarantino’s Basterds -- Notes -- Bibliography -- Index -- About the Author Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability explores the way American popular culture thinks about vulnerability, arguing that our culture and our scholarship remain stubbornly invested in the myth of the helplessness of the female body. The book examines the shifting constructions of vulnerability in the wake of the cultural upheavals of World War II, the Cold War, and 9/11, placing defenseless male bodies onscreen alongside representations of the female body in the military, in the interrogation room, and on the margins. Sarah Hagelin challenges the ways film theory and cultural studies confuse vulnerability and femaleness. Such films as G.I. Jane and Saving Private Ryan, as well as such post-9/11 television shows as Battlestar Galactica and Deadwood, present vulnerable men who demand our sympathy, abused women who don’t want our pity, and images of the body in pain that do not portray weakness. Hagelin’s intent is to help scholarship catch up to the new iconographies emerging in theaters and in living rooms—images that offer viewers reactions to the suffering body beyond pity, identification with the bleeding body beyond masochism, and feminist images of the female body where we least expect to find them

     
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  9. Die Szene der Gewalt
    Bilder, Codes und Materialitäten
    Contributor: Tyradellis, Daniel (Hrsg.)
    Published: 2007
    Publisher:  Lang, Frankfurt am Main

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Contributor: Tyradellis, Daniel (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3631546394; 9783631546390
    RVK Categories: CC 5500 ; AP 13625 ; MD 8920 ; MS 4450 ; MS 4760 ; CC 6900 ; AP 14800
    Subjects: Power (Social sciences); Power (Social sciences) in literature; Power (Social sciences) in art; Power (Social sciences) in motion pictures
    Scope: 195 S., Ill., 210 mm x 148 mm
  10. Reel vulnerability
    power, pain, and gender in contemporary American film and television
    Author: Hagelin, Sarah
    Published: [2013]
    Publisher:  Rutgers University Press, New Brunswick, NJ [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813561035; 9780813561042
    RVK Categories: AP 59483
    Subjects: Vulnerability (Personality trait) in motion pictures; Power (Social sciences) in motion pictures; Pain in motion pictures; Sex role in motion pictures; Motion pictures
    Scope: IX, 211 S., Ill., 23 cm
    Notes:

    Includes bibliographical references (page 193-202) and index

    Introduction: Unmaking vulnerabilityPart I, The cinematic construction of vulnerability: The furies, the men, and the method: Cinematic languages of vulnerability -- Victimized, violent and damned: Identification and radical vulnerability in The deer hunter, Full metal jacket, and Casualties of war -- Part II, New vulnerability after The Cold War: The body at war: Sexual politics and resistant vulnerability in Saving Private Ryan and G.I. Jane -- Matthew Shepard's body and the politics of queer vulnerability in Boys don't cry and The Laramie Project -- Part III, Vulnerability beyond the body: The violated body after 9/11: Torture and the legacy of vulnerability in 24 and Battlestar Galactica -- Vulnerability by proxy: Deadwood and the future of television form -- Afterword: Female power and Tarantino's Basterds.

    Unmaking vulnerability -- Pt. 1. -- The cinematic construction of vulnerability -- The furies, the men, and the method: cinematic languages of vulnerability -- Victimized, violent and damned: identification and radical vulnerability in The deer hunter, Full metal jacket, and Casualties of war -- Pt. 2. -- New vulnerability after The Cold War -- The body at war: sexual politics and resistant vulnerability in Saving Private Ryan and G.I. Jane -- Matthew Shepard's body and the politics of queer vulnerability in Boys don't cry and The Laramie Project -- Pt. 3. -- Vulnerability beyond the body -- The violated body after 9/11: torture, and the legacy of vulnerability in 24 and Battlestar Galactica -- Vulnerability by proxy: Deadwood and the future of television form -- Afterword -- Female power and Tarantino's basterds.
  11. Divi, duci, guitti, papi, caimani
    l'immaginario del potere nel cinema italiano, da Rossellini a The young Pope
    Author: Canova, Gianni
    Published: [2017]
    Publisher:  Edizioni Bietti, Milano

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788882483883
    RVK Categories: AP 50300 ; AP 59739
    Series: Bietti heterotopia ; 29
    Subjects: Motion pictures; Power (Social sciences) in motion pictures; Power (Social sciences)
    Scope: 139 pages, illustrations (chiefly color), 21 cm
    Notes:

    G. Canova teaches at IULM of Milan

    Includes bibliographical references (pages 117-120) and indexes
  12. Reconstructing violence
    the southern rape complex in film and literature
    Author: Barker, Deborah
    Published: [2015]
    Publisher:  Louisiana State University Press, Baton Rouge

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780807160626
    Series: Southern literary studies
    Subjects: Violence in motion pictures; Violence in literature; Race relations in motion pictures; Race relations in literature; Power (Social sciences) in motion pictures; Power (Social sciences) in literature; Power (Social sciences) in literature; Power (Social sciences) in motion pictures; Race relations in literature; Race relations in motion pictures; Violence in literature; Violence in motion pictures; Film; Vergewaltigung <Motiv>; Gewalt <Motiv>
    Scope: x, 270 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Confederate abjection in D. W. Griffith's early Civil War films and Thomas Dixon's Clansman -- Taking the South out of the southern rape complex in The Story of Temple Drake -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil -- "That man doesn't deserve equal rights": civil rights in Cape Fear -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird -- Coda: A Time to Kill (1996) and post civil rights variations on the southern rape complex
  13. Reconstructing violence
    the southern rape complex in film and literature
    Author: Barker, Deborah
    Published: [2015]
    Publisher:  Louisiana State University Press, Baton Rouge

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780807160626
    Series: Southern literary studies
    Subjects: Violence in motion pictures; Violence in literature; Race relations in motion pictures; Race relations in literature; Power (Social sciences) in motion pictures; Power (Social sciences) in literature; Power (Social sciences) in literature; Power (Social sciences) in motion pictures; Race relations in literature; Race relations in motion pictures; Violence in literature; Violence in motion pictures; Film; Vergewaltigung <Motiv>; Gewalt <Motiv>
    Scope: x, 270 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Confederate abjection in D. W. Griffith's early Civil War films and Thomas Dixon's Clansman -- Taking the South out of the southern rape complex in The Story of Temple Drake -- Believing in Mammy: Sanctuary (1961), the movie -- The power of the false in Touch of Evil -- "That man doesn't deserve equal rights": civil rights in Cape Fear -- "Blind spots": the visual logic and historical context of To Kill a Mockingbird -- Coda: A Time to Kill (1996) and post civil rights variations on the southern rape complex
  14. <<Die>> Szene der Gewalt
    Bilder, Codes und Materialitäten
    Contributor: Tyradellis, Daniel (Publisher)
    Published: 2007
    Publisher:  Lang, Frankfurt am Main

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    Source: Union catalogues
    Contributor: Tyradellis, Daniel (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783631546390; 3631546394
    Other identifier:
    9783631546390
    RVK Categories: CC 6900 ; CC 5500
    DDC Categories: 300
    Subjects: Power (Social sciences); Power (Social sciences) in literature; Power (Social sciences) in art; Power (Social sciences) in motion pictures
    Scope: 195 S., Ill., 210 mm x 148 mm
  15. Die Szene der Gewalt
    Bilder, Codes und Materialitäten
    Contributor: Tyradellis, Daniel (Hrsg.)
    Published: 2007
    Publisher:  Lang, Frankfurt am Main

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Tyradellis, Daniel (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3631546394; 9783631546390
    RVK Categories: CC 5500 ; AP 13625 ; MD 8920 ; MS 4450 ; MS 4760 ; CC 6900 ; AP 14800
    Subjects: Power (Social sciences); Power (Social sciences) in literature; Power (Social sciences) in art; Power (Social sciences) in motion pictures
    Scope: 195 S., Ill., 210 mm x 148 mm
  16. Reel vulnerability
    power, pain, and gender in contemporary American film and television
    Author: Hagelin, Sarah
    Published: [2013]
    Publisher:  Rutgers University Press, New Brunswick, NJ [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813561035; 9780813561042
    RVK Categories: AP 59483
    Subjects: Vulnerability (Personality trait) in motion pictures; Power (Social sciences) in motion pictures; Pain in motion pictures; Sex role in motion pictures; Motion pictures
    Scope: IX, 211 S., Ill., 23 cm
    Notes:

    Includes bibliographical references (page 193-202) and index

    Introduction: Unmaking vulnerabilityPart I, The cinematic construction of vulnerability: The furies, the men, and the method: Cinematic languages of vulnerability -- Victimized, violent and damned: Identification and radical vulnerability in The deer hunter, Full metal jacket, and Casualties of war -- Part II, New vulnerability after The Cold War: The body at war: Sexual politics and resistant vulnerability in Saving Private Ryan and G.I. Jane -- Matthew Shepard's body and the politics of queer vulnerability in Boys don't cry and The Laramie Project -- Part III, Vulnerability beyond the body: The violated body after 9/11: Torture and the legacy of vulnerability in 24 and Battlestar Galactica -- Vulnerability by proxy: Deadwood and the future of television form -- Afterword: Female power and Tarantino's Basterds.

    Unmaking vulnerability -- Pt. 1. -- The cinematic construction of vulnerability -- The furies, the men, and the method: cinematic languages of vulnerability -- Victimized, violent and damned: identification and radical vulnerability in The deer hunter, Full metal jacket, and Casualties of war -- Pt. 2. -- New vulnerability after The Cold War -- The body at war: sexual politics and resistant vulnerability in Saving Private Ryan and G.I. Jane -- Matthew Shepard's body and the politics of queer vulnerability in Boys don't cry and The Laramie Project -- Pt. 3. -- Vulnerability beyond the body -- The violated body after 9/11: torture, and the legacy of vulnerability in 24 and Battlestar Galactica -- Vulnerability by proxy: Deadwood and the future of television form -- Afterword -- Female power and Tarantino's basterds.
  17. Ästhetik und Gewalt
    physische Gewalt zwischen künstlerischer Darstellung und theoretischer Reflexion
    Contributor: Horst, Christoph auf der (Hrsg.)
    Published: © 2013
    Publisher:  V & R Unipress, Göttingen

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    Content information
    Source: Union catalogues
    Contributor: Horst, Christoph auf der (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3847101102; 9783847101109
    Other identifier:
    9783847101109
    RVK Categories: EC 5410 ; AP 50300
    Subjects: Aesthetics; Power (Social sciences) in art; Power (Social sciences) in motion pictures; Arts
    Scope: 186 S., Ill.
    Notes:

    Literaturangaben

    Christoph auf der Horst: EinleitungDas Erhabene und die reale Gewalt : eine Einleitung

    Karl Heinz Bohrer: Europäische KulturgeschichteWarum ist Gewalt ein ästhetisches Ausdrucksmittel?

    Rudolf Heinz: Gewalt, Musik, PsychoanalysePsychoanalyse der Ästhetisierung von Gewalt. Von der Grausamkeit der Musik

    Christoph Weismüller: Der Komplex von Sexualität, Gewalt und Ästhetik : diskutiert anhand von Richard Wagners musikdramatischem Gesamtkunstwerk

    Daniel Rademacher: Theater und TheaterwissenschaftLiveness und Gewalt

    Andreas Englhart: Ästhetik der Gewalt im aktuellen Regietheater zwischen Repräsentation und Präsenz

    Christoph auf der Horst: Fotokunst und Kunstgeschichte"Gewaltsame" Fotokunst als Bewältigung von Gewalt. Gespräch mit Wilfred H.G. Neuse

    Hans Körner: Sadismus und autonome Form in der modernen Plastik

    Thomas Sieben: Film und Medienwissenschaften"Dass man tötet, einfach so.": Darstellung und Wirkung von Gewalt im Film "Distanz"

    Lothar Mikos.: Genrespezifische Ästhetik der Gewaltdarstellung in Film und Fernsehen
  18. Medialisierungen der Macht
    filmische Inszenierungen politischer Praxis
    Contributor: Gradinari, Irina (HerausgeberIn); Pause, Johannes (HerausgeberIn); Immer, Nikolas (HerausgeberIn)
    Published: [2018]
    Publisher:  Wilhelm Fink, Leiden

    Das Politische artikuliert sich heute verstärkt im und durch den Film. Der Band erfasst Verflechtungen zwischen filmischer Fiktion und politischem Diskurs und diskutiert mögliche Formen des politischen Kinos. Die Konjunktur des Politischen in neueren... more

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    Das Politische artikuliert sich heute verstärkt im und durch den Film. Der Band erfasst Verflechtungen zwischen filmischer Fiktion und politischem Diskurs und diskutiert mögliche Formen des politischen Kinos. Die Konjunktur des Politischen in neueren Kinofilmen und Fernsehserien ist mit tradierten Oppositionen nicht mehr zu beschreiben. Vielmehr sind Theorie und Praxis des Politischen längst mit filmischen Fiktionen verflochten: Diese vermitteln zwischen universalen und partikularen Perspektiven, entwerfen Figurentypen und Verhaltensmuster und intervenieren in aktuelle Diskurse. Ein neuer „medialer Realismus“, der diese Unhintergehbarkeit der Medien selbst sichtbar macht, ist Thema dieses Bandes. Unter den Aspekten des Affizierens, Modellierens und Tradierens werden Neuansätze des aktuellen Kinos anhand einschlägiger Beispiele diskutiert

     
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    Source: Union catalogues
    Contributor: Gradinari, Irina (HerausgeberIn); Pause, Johannes (HerausgeberIn); Immer, Nikolas (HerausgeberIn)
    Language: German
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783846763414
    Other identifier:
    RVK Categories: AP 50300 ; AP 47000 ; AP 34150
    Corporations / Congresses: Medialisierungen der Macht. Filmische Inszenierungen politischer Praxis (07.05.2015-09.05.2015, Berlin)
    Series: Schöningh and Fink Literature and Culture E-Books Online, Collection 2018, ISBN: 9783657100071
    Subjects: Politics in motion pictures; Power (Social sciences) in motion pictures
    Scope: 1 Online-Ressource (414 Seiten), Illustrationen
    Notes:

    "Die Beiträge des vorliegenden Sammelbandes gehen in der Hauptsache auf die Tagung "Medialisierungen der Macht. Filmische Inszenierungen politischer Praxis" zurück, die vom 7. bis 9. Mai 2015 im Haus der Kulturen der Welt in Berlin stattgefunden hat" (Vorwort)