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Displaying results 1 to 8 of 8.

  1. Rape, cake, and Gonzofeminism
    Author: Hermann, Michaela
    Published: 2020

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 820
    Subjects: Sexual Violence; Feminism; Intersectional; Gillian Flynn; Contemporary; Popular Culture; Literary Criticism; Self-harm; Postfeminism
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    kostenfrei
  2. Laboring bodies and the quantified self
    Contributor: Reichardt, Ulfried (Publisher); Schober, Regina (Publisher)
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    The body has become central to practices of self-tracking. By focusing on the relations between quantification, the body, and labor, this volume sheds light on the ways in which discourses on data collection, office work, and production are... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan
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    Gemeinsamer Bibliotheksverbund (GBV)

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Universität Potsdam, Universitätsbibliothek
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    The body has become central to practices of self-tracking. By focusing on the relations between quantification, the body, and labor, this volume sheds light on the ways in which discourses on data collection, office work, and production are instrumental in redefining concepts of labor, including notions of immaterial and free labor in an increasingly virtual work environment. The contributions explore the functions of quantification in conceptualizing the body as a laboring body and examine how quantification contributes to disciplining the body. By doing so, they also inquire how practices of self-tracking, self-monitoring, and self-optimization have evolved historically

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Reichardt, Ulfried (Publisher); Schober, Regina (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839449219
    Other identifier:
    Series: American culture studies ; volume 27
    Subjects: America; American Studies; Biopolitics; Body; Cultural Studies; David Foster Wallace; Fertility; Herman Melville; Labor; Literary Studies; Literature; Postfeminism; Subjectivity; US Fiction; LITERARY CRITICISM / American / General; Selbstoptimierung; Körper; Funktion; Arbeitswelt; Bedeutung; Gesellschaft; Diskursanalyse
    Scope: 1 Online-Ressource (243 Seiten), Illustrationen
  3. Horrible White People
    gender, genre, and television's precarious whiteness
    Author: Nygaard, Taylor; Lagerwey, Jorie
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York, NY

    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like... more

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    Bayerische Staatsbibliothek
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    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen

     
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  4. Horrible white people
    gender, genre, and television's precarious whiteness
    Author: Nygaard, Taylor; Lagerwey, Jorie
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York

    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like... more

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen

     
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  5. Laboring bodies and the quantified self
    Contributor: Reichardt, Ulfried (Publisher); Schober, Regina (Publisher)
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    The body has become central to practices of self-tracking. By focusing on the relations between quantification, the body, and labor, this volume sheds light on the ways in which discourses on data collection, office work, and production are... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bayreuth
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    The body has become central to practices of self-tracking. By focusing on the relations between quantification, the body, and labor, this volume sheds light on the ways in which discourses on data collection, office work, and production are instrumental in redefining concepts of labor, including notions of immaterial and free labor in an increasingly virtual work environment. The contributions explore the functions of quantification in conceptualizing the body as a laboring body and examine how quantification contributes to disciplining the body. By doing so, they also inquire how practices of self-tracking, self-monitoring, and self-optimization have evolved historically

     
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  6. Laboring Bodies and the Quantified Self
    Contributor: Reichardt, Ulfried; Schober, Regina
    Published: [2020]; ©2020
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    The body has become central to practices of self-tracking. By focusing on the relations between quantification, the body, and labor, this volume sheds light on the ways in which discourses on data collection, office work, and production are... more

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    Universitätsbibliothek Gießen
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    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    No inter-library loan

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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    The body has become central to practices of self-tracking. By focusing on the relations between quantification, the body, and labor, this volume sheds light on the ways in which discourses on data collection, office work, and production are instrumental in redefining concepts of labor, including notions of immaterial and free labor in an increasingly virtual work environment. The contributions explore the functions of quantification in conceptualizing the body as a laboring body and examine how quantification contributes to disciplining the body. By doing so, they also inquire how practices of self-tracking, self-monitoring, and self-optimization have evolved historically.

     
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    Source: Union catalogues
    Contributor: Reichardt, Ulfried; Schober, Regina
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839449219
    Other identifier:
    RVK Categories: EC 5410
    DDC Categories: 820; 810
    Series: American Culture Studies ; 27
    Subjects: Literatur; Körper <Motiv>; Messung <Motiv>; Arbeit <Motiv>; America; American Studies; Biopolitics; Body; Cultural Studies; David Foster Wallace; Fertility; Herman Melville; Labor; Literary Studies; Literature; Postfeminism; Subjectivity; US Fiction; LITERARY CRITICISM / American / General
    Scope: 1 Online-Ressource (246 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020)
  7. Laboring Bodies and the Quantified Self
    Contributor: Schober, Regina (HerausgeberIn); Reichardt, Ulfried (HerausgeberIn)
    Published: 2020
    Publisher:  transcript Verlag, Bielefeld

    The body has become central to practices of self-tracking. By focusing on the relations between quantification, the body, and labor, this volume sheds light on the ways in which discourses on data collection, office work, and production are... more

    Access:
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The body has become central to practices of self-tracking. By focusing on the relations between quantification, the body, and labor, this volume sheds light on the ways in which discourses on data collection, office work, and production are instrumental in redefining concepts of labor, including notions of immaterial and free labor in an increasingly virtual work environment. The contributions explore the functions of quantification in conceptualizing the body as a laboring body and examine how quantification contributes to disciplining the body. By doing so, they also inquire how practices of self-tracking, self-monitoring, and self-optimization have evolved historically.

     
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  8. Rape, Cake, and Gonzofeminism ; on Intergenerational Trauma, Sexual Violence, and the Formation of White Female Subjectivities in Gillian Flynn’s Sharp Objects ; Vergewaltigung, Kuchen, und Gonzofeminismus: Zu Intergenerationellem Trauma, Sexueller Gewalt, und der Subjektivitätsbildung weißer Frauen in Gillian Flynn's Sharp Objects
    Author: Hermann, Michaela
    Published: 2020

    This thesis interrogates the contemporary gonzofeminism as proposed by Gillian Flynn in her debut novel Sharp Objects (2006). It argues that the problematic frame narrative - i.e., women themselves perpetrate violence - is so complicated by Flynn’s... more

     

    This thesis interrogates the contemporary gonzofeminism as proposed by Gillian Flynn in her debut novel Sharp Objects (2006). It argues that the problematic frame narrative - i.e., women themselves perpetrate violence - is so complicated by Flynn’s dense use of symbolism, narrative technique, and subversion and blending of genre elements, it reveals the inherent failure of gendered tropes and productively explores the relationship between the construction of womanhood and American cultural imaginaries to arrive at incisive sociocultural critique. This paper draws on theoretical texts from feminist literary and cultural scholars and from fields as diverse as sociolinguistics, trauma studies, genre theory, and psychoanalysis to evidence how her writing reflects current cultural anxieties surrounding the failure of what has been termed ‘white feminism’; it also assesses the ways in which her writing politicizes rape and her antiheroine destigmatizes survivors of sexual violence. The result of her writing, this thesis contends, is not the postfeminist pathologization of women, but the pathologization of a violent society.

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Master thesis
    Format: Online
    DDC Categories: 800; 810
    Subjects: Sexual Violence; Feminism; Intersectional; Gillian Flynn; Contemporary; Popular Culture; Literary Criticism; Self-harm; Postfeminism
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