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  1. Prawdziwie i zmyṡlone historie amerykańskie
    Jan Dziaczkowski : Galeria aTAK, 15 kwietnia-22 maja 2010 = True and untrue American stories
    Published: 2010
    Publisher:  Fundacja Polksiej Sztuki Nowoczesnej z funduszu Krzysztofa Musiała oraz Narodowego Centrum Kultury, Warsaw

  2. Prawdziwie i zmyṡlone historie amerykańskie
    Jan Dziaczkowski : Galeria aTAK, 15 kwietnia-22 maja 2010 = True and untrue American stories
    Published: 2010
    Publisher:  Fundacja Polksiej Sztuki Nowoczesnej z funduszu Krzysztofa Musiała oraz Narodowego Centrum Kultury, Warsaw

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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  3. Utopia - dystopia
    construction and destruction in photography and collage ; [... accompanies the exhibition Utopia/Dystopia: Construction and Destruction in Photography and Collage, organized by the Museum of Fine Arts, Houston March 11 - June 10. 2012]
    Published: 2012
    Publisher:  Museum of Fine Arts, Houston

    "Utopia/Dystopia investigates how artists from the late nineteenth century to the present have used photograpic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. This catalogue is heavily illustrated... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Utopia/Dystopia investigates how artists from the late nineteenth century to the present have used photograpic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. This catalogue is heavily illustrated with works from the accompanying exhibition"-- "From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. Utopia/Dystopia investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium.This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Höch, Arata Isozaki, El Lissitzky, Carter Mull, László Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others. Also included are essays that offer new ways of thinking about photography's uses and implications"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 030017960X; 9780300179606
    RVK Categories: AP 94200 ; AP 99000
    Subjects: Photography; Photography; Photography; Photography, Artistic; Photocollage; Dystopias; Utopias
    Scope: 112 S., zahlr. Ill., 25 cm
    Notes:

    Includes bibliographical references and index

    Yasufumi Nakamori: Plates: envisioning the city ; Imagined worlds: dialectical compositions in photography and collage

    Graham Bader: Plates: constructing the figure ; Images between dream and disaster: passages in twentieth century photomontage

  4. Utopia - dystopia
    construction and destruction in photography and collage ; [... accompanies the exhibition Utopia/Dystopia: Construction and Destruction in Photography and Collage, organized by the Museum of Fine Arts, Houston March 11 - June 10. 2012]
    Published: 2012
    Publisher:  Museum of Fine Arts, Houston

    "Utopia/Dystopia investigates how artists from the late nineteenth century to the present have used photograpic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. This catalogue is heavily illustrated... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2012:3495:
    No inter-library loan
    Universitätsbibliothek Osnabrück
    6196-471 6
    Unlimited inter-library loan, copies and loan

     

    "Utopia/Dystopia investigates how artists from the late nineteenth century to the present have used photograpic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. This catalogue is heavily illustrated with works from the accompanying exhibition"-- "From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. Utopia/Dystopia investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium.This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Höch, Arata Isozaki, El Lissitzky, Carter Mull, László Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others. Also included are essays that offer new ways of thinking about photography's uses and implications"--

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 030017960X; 9780300179606
    RVK Categories: AP 94200 ; AP 99000
    Subjects: Photography; Photography; Photography; Photography, Artistic; Photocollage; Dystopias; Utopias
    Scope: 112 S., zahlr. Ill., 25 cm
    Notes:

    Includes bibliographical references and index

    Yasufumi Nakamori: Plates: envisioning the city ; Imagined worlds: dialectical compositions in photography and collage

    Graham Bader: Plates: constructing the figure ; Images between dream and disaster: passages in twentieth century photomontage