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  1. Origins and the Enlightenment
    Aesthetic Epistemology from Descartes to Kant
    Author: Labio, Catherine
    Published: [2018]; © 2004
    Publisher:  Cornell University Press, Ithaca, NY

    What epistemic assumptions framed eighteenth-century thinkers' speculations regarding origins? What, if anything, connected these speculations? The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    What epistemic assumptions framed eighteenth-century thinkers' speculations regarding origins? What, if anything, connected these speculations? The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with the contemporary conceptualization of originality as a criterion of aesthetic value, Catherine Labio maintains. Her expansive survey of the era's thought places special emphasis on epistemology and is genuinely interdisciplinary, drawing on such fields as anthropology, geometry, historiography, literary criticism, and political economy. One of the most striking facets of Enlightenment thought, according to Labio, is the emergence of aesthetics as a master discourse that enabled its users to make sense of worlds ostensibly unrelated to the arts. In particular, once knowledge became defined as knowledge of things made by human beings, originality became valued not only for its novelty but also as a guarantee of epistemological certainty.Labio analyzes the views held by a variety of European thinkers-including Baumgarten, Condillac, Descartes, Kant, Locke, Rousseau, Adam Smith, Vico, and Edward Young-on the origins of ideas, languages, nations, nature, and wealth. Throughout, the author deals with a wide range of primary and secondary materials

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727436
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    Subjects: Aesthetics, Modern; Knowledge, Theory of; Origin (Philosophy); Originality (Aesthetics); Ursprung <Philosophie>; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  2. Was ist ein Original?
    eine Begriffsbestimmung jenseits genieästhetischer Stereotype
    Author: Reisinger, Doris
    Published: [2020]; © 2020
    Publisher:  transcript-Verlag, Bielefeld

    Frontmatter -- Inhalt -- Danksagung -- 1. Das Problem des Originals -- 2. Die Geschichte des Originals: Eine Skizze -- 3. Wie das Wort »Original« entstand -- 4. »Original« im Zeitalter der Genieästhetik -- 5. Kunstphilosophische Debatten über... more

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    Frontmatter -- Inhalt -- Danksagung -- 1. Das Problem des Originals -- 2. Die Geschichte des Originals: Eine Skizze -- 3. Wie das Wort »Original« entstand -- 4. »Original« im Zeitalter der Genieästhetik -- 5. Kunstphilosophische Debatten über Originale -- 6. Was »Original« möglicherweise bedeutet -- 7. Bedingungen originalstatusbegründender Kontexte -- 8. Gegensatzobjekte -- 9. Bedingungen originalstatusbegründender Eigenschaften -- 10. Fazit -- Literaturverzeichnis Um den Begriff des Originals gibt es heftige Debatten. Können Fälschungen ebenso gut sein wie Originale? Wann sind Kopien vielleicht sogar besser? Und ist die Zeit des Originals nicht überhaupt vorbei? Dabei tritt die Frage, was ein Original eigentlich sei, oft in den Hintergrund. Doris Reisinger stellt die These auf: Der Begriff des Originals ist nicht nur nicht obsolet, er hat auch nicht notwendig mit Neuheit, Urheberschaft oder ästhetischem Wert zu tun - das Problem des Originalbegriffs besteht schlicht darin, dass seine komplexe Struktur verkannt wird. Vor diesem Ausgangspunkt erarbeitet sie einen Explikationsvorschlag, der die Beantwortung einer ganzen Reihe von Fragen dieser klassischen philosophischen Debatte erlaubt

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839449899
    Other identifier:
    RVK Categories: CC 6900 ; LH 60420
    Series: Edition Moderne Postmoderne
    Subjects: Aesthetics; Originality (Aesthetics); PHILOSOPHY / Aesthetics
    Scope: 1 Online-Ressource (231 Seiten)
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    restricted access online access with authorization star
  3. Les genres littéraires émergents
    [réflexion collective ... au mois d'octobre 2003]
    Contributor: Seillan, Jean-Marie (Hrsg.)
    Published: 2005
    Publisher:  L'Harmattan, Paris [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Seillan, Jean-Marie (Hrsg.)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2747586960
    Other identifier:
    9782747586962
    RVK Categories: EC 4300
    Subjects: French literature; Literary form; Originality (Aesthetics); Canon (Literature)
    Scope: 312 S.
  4. The patient particulars
    American modernism and the technique of originality
    Author: Knight, Christopher J.
    Published: 1995
    Publisher:  Bucknell Univ. Press [u.a.], Lewisburg

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0838752969
    RVK Categories: HU 1710 ; HU 1745
    Subjects: Geschichte; American literature; Creation (Literary, artistic, etc.); Modernism (Literature); Originality (Aesthetics); Originalität; Moderne; Literatur
    Scope: 252 S.
  5. Under the presidency of Saint Paul
    the case of Byzantine originality
    Author: Littlewood, Antony Robert
    Published: 1995
    Publisher:  Hellenic Canadian Assoc. of Constantinople, Toronto, Ontario

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Series: The "Constantinople and its legacy" annual lecture ; 1995
    Subjects: Byzantijns-Grieks; Creativiteit; Originaliteit; Art, Byzantine; Byzantine literature; Music, Byzantine; Originality (Aesthetics); Kunst; Geistesgeschichte; Literatur; Originalität
    Scope: 48 S., Ill.
  6. Tragedy's end
    closure and innovation in Euripidean drama
    Author: Dunn, Francis M.
    Published: 1996
    Publisher:  Oxford Univ. Press, New York, NY [u.a.]

    Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Francis Dunn here argues that the infamous and artificial endings in Euripides deny the viewer... more

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    Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Francis Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the play, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows how experimentation in plot and ending reinforce one another in Hippolytus, Trojan Women, and Heracles. Part Three argues that in three late plays, Helen, Orestes, and Phoenician Women, Euripides devises radically new and untragic ways of representing and understanding human experience Tragedy's End is the first comprehensive study of closure in classical tragedy, and will be of interest to students and scholars of classical literature, drama, and comparative literature

     
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  7. Tragedy's end
    closure and innovation in Euripidean drama
    Author: Dunn, Francis M.
    Published: 1996
    Publisher:  Oxford University Press, New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 019508344X
    Subjects: Greek drama (Tragedy); Originality (Aesthetics); Closure (Rhetoric); Rhetoric, Ancient; Dramenschluss
    Other subjects: Euripides; Euripides (ca. 485/480 v. Chr.-406 v.Chr.)
    Scope: viii, 252 p
    Notes:

    Includes bibliographical references (p. 233-244) ) and indexes
  8. Origins and the Enlightenment
    Aesthetic Epistemology from Descartes to Kant
    Author: Labio, Catherine
    Published: [2018]; © 2004
    Publisher:  Cornell University Press, Ithaca, NY

    What epistemic assumptions framed eighteenth-century thinkers' speculations regarding origins? What, if anything, connected these speculations? The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    What epistemic assumptions framed eighteenth-century thinkers' speculations regarding origins? What, if anything, connected these speculations? The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with the contemporary conceptualization of originality as a criterion of aesthetic value, Catherine Labio maintains. Her expansive survey of the era's thought places special emphasis on epistemology and is genuinely interdisciplinary, drawing on such fields as anthropology, geometry, historiography, literary criticism, and political economy. One of the most striking facets of Enlightenment thought, according to Labio, is the emergence of aesthetics as a master discourse that enabled its users to make sense of worlds ostensibly unrelated to the arts. In particular, once knowledge became defined as knowledge of things made by human beings, originality became valued not only for its novelty but also as a guarantee of epistemological certainty.Labio analyzes the views held by a variety of European thinkers-including Baumgarten, Condillac, Descartes, Kant, Locke, Rousseau, Adam Smith, Vico, and Edward Young-on the origins of ideas, languages, nations, nature, and wealth. Throughout, the author deals with a wide range of primary and secondary materials

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727436
    Other identifier:
    Subjects: Aesthetics, Modern; Knowledge, Theory of; Origin (Philosophy); Originality (Aesthetics); Ursprung <Philosophie>; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  9. Tragedy's end
    closure and innovation in Euripidean drama
    Author: Dunn, Francis M.
    Published: 1996
    Publisher:  Oxford University Press, New York

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195344774; 1423734769; 1602566240; 9780195344776; 9781423734765; 9781602566248
    RVK Categories: FH 24045
    Subjects: DRAMA / Ancient, Classical & Medieval; Literatura grega (crítica e interpretação); Closure (Rhetoric); Greek drama (Tragedy); Originality (Aesthetics); Rhetoric, Ancient; Greek drama (Tragedy); Originality (Aesthetics); Closure (Rhetoric); Rhetoric, Ancient; Dramenschluss
    Other subjects: Euripides / 480 A. C.- 406 A. C.; Euripides / Technique; Euripides; Euripides; Euripides (ca. 485/480 v. Chr.-406 v.Chr.)
    Scope: 1 Online-Ressource (viii, 252 p.)
    Notes:

    Includes bibliographical references (p. 233-244)) and indexes

    1 Introduction; I: Closing Gestures; II: The End Refigured; III: The Ends of Tragedy; Notes; Works Cited; Index of Euripidean Passages; General Index

    Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the play, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows how experimenta
  10. Tragedy's end
    closure and innovation in Euripidean drama
    Published: 1996
    Publisher:  Oxford University Press, New York

    Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a... more

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    Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the play, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows how experimenta

     
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  11. Tragedy's end
    closure and innovation in Euripidean drama
    Author: Dunn, Francis M.
    Published: 1996
    Publisher:  Oxford Univ. Press, New York [u.a.]

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 019508344X
    Subjects: Mythology, Greek, in literature; Originality (Aesthetics); Closure (Rhetoric); Rhetoric, Ancient; Tragedy
    Other subjects: Array
    Scope: VIII, 252 S
    Notes:

    Literaturverz. S. 233 - 244
  12. Les genres littéraires émergents
    Published: 2005
    Publisher:  L'Harmattan, Paris [u.a.]

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    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2747586960; 9782747586962
    RVK Categories: EC 4300
    Subjects: Literaturgattung - Aufsatzsammlung; Canon (Literature); French literature; Literary form; Originality (Aesthetics); Literaturgattung
    Scope: 312 S.
  13. Tragedy's end
    closure and innovation in Euripidean drama
    Author: Dunn, Francis M.
    Published: 1996
    Publisher:  Oxford University Press, New York, New York ; Oxford, [England]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780195344776
    RVK Categories: FH 24045
    Subjects: Mythology, Greek, in literature; Originality (Aesthetics); Closure (Rhetoric); Rhetoric, Ancient; Tragedy; Dramenschluss
    Other subjects: Euripides; Euripides (ca. 485/480 v. Chr.-406 v.Chr.)
    Scope: 1 Online-Ressource (263 pages)
    Notes:

    Description based on print version record
  14. Changing modes of originality in art
    Author: Piccolomini, Manfredi
    Published: 1992
    Publisher:  Hollowbrook Publ., Wakefield, NH

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0893416738
    Subjects: Originality (Aesthetics); Ästhetik; Originalität
    Scope: 192 S., Ill.
  15. Les genres littéraires émergents
    Published: 2005
    Publisher:  L'Harmattan, Paris [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: French
    Media type: Book
    ISBN: 2747586960; 9782747586962
    RVK Categories: EC 4300
    Subjects: Literaturgattung - Aufsatzsammlung; Canon (Literature); French literature; Literary form; Originality (Aesthetics); Literaturgattung
    Scope: 312 S.
  16. Tragedy's end
    closure and innovation in Euripidean drama
    Author: Dunn, Francis M.
    Published: 1996
    Publisher:  Oxford Univ. Press, New York, NY [u.a.]

    Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Francis Dunn here argues that the infamous and artificial endings in Euripides deny the viewer... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Francis Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the play, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows how experimentation in plot and ending reinforce one another in Hippolytus, Trojan Women, and Heracles. Part Three argues that in three late plays, Helen, Orestes, and Phoenician Women, Euripides devises radically new and untragic ways of representing and understanding human experience Tragedy's End is the first comprehensive study of closure in classical tragedy, and will be of interest to students and scholars of classical literature, drama, and comparative literature

     
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  17. Creativity in transition
    politics and aesthetics of cultural production across the globe
    Contributor: Svašek, Maruška (HerausgeberIn); Meyer, Birgit (HerausgeberIn)
    Published: 2016
    Publisher:  Berghahn Books, New York, [New York] ;

    Contents -- Figures -- Acknowledgements -- Introduction - Creativity and Innovation in a World of Movement -- Chapter 1 - African Lace: Agency and Transcontinental Interaction in Textile Design -- Chapter 2 - Heads Against Hands and Hierarchies of... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Contents -- Figures -- Acknowledgements -- Introduction - Creativity and Innovation in a World of Movement -- Chapter 1 - African Lace: Agency and Transcontinental Interaction in Textile Design -- Chapter 2 - Heads Against Hands and Hierarchies of Creativity: Indian Luxury Embroidery Between Craft, Fashion Design and Art -- Chapter 3 - The Social Life of Kottan Baskets: Craft Production, Consumption and Circulation in Tamil Nadu, India -- Chapter 4 - Art and the Making of the Creative City of Chennai, India Chapter 5 - Approximation as Interpretative Appropriation: Guaraní-Inspired Ceramics in Misiones, Argentina -- Chapter 6 - Positioned Creativity: Museums, Politics and Indigenous Art in British Columbia and Norway -- Chapter 7 - 'We Paint Our Way and the Christian Way Together': Transforming Yolngu and Ngan'gi Art through Creative Ancestral-Christian Practice -- Chapter 9 - 'The Eye Likes It': National Identity and the Aesthetics of Attraction Among Sri Lankan Tamil Catholics and Hindus Chapter 10 - Narrative, Movements, Objects: Aesthetics and Power in Catholic Devotion to Our Lady of Aparecida, Brazil -- Chapter 11 - The Art of Imitation: The (Re)Production and Reception of Jesus Pictures in Ghana -- Afterword - Creativity in Transition -- Index

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Svašek, Maruška (HerausgeberIn); Meyer, Birgit (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781785331824; 9781785331817
    RVK Categories: MR 7100 ; LC 90000
    Series: Material Mediations: People and Things in a World of Movement
    Subjects: Creation (Literary, artistic, etc.); Originality (Aesthetics); Material culture; Culture and globalization; Electronic books; Creation (Literary, artistic, etc.); Culture and globalization; Material culture; Originality (Aesthetics)
    Scope: 1 online resource (366 pages).
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    Description based upon print version of record
  18. Was ist ein Original?
    eine Begriffsbestimmung jenseits genieästhetischer Stereotype
    Author: Reisinger, Doris
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Frontmatter -- Inhalt -- Danksagung -- 1. Das Problem des Originals -- 2. Die Geschichte des Originals: Eine Skizze -- 3. Wie das Wort »Original« entstand -- 4. »Original« im Zeitalter der Genieästhetik -- 5. Kunstphilosophische Debatten über... more

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    Frontmatter -- Inhalt -- Danksagung -- 1. Das Problem des Originals -- 2. Die Geschichte des Originals: Eine Skizze -- 3. Wie das Wort »Original« entstand -- 4. »Original« im Zeitalter der Genieästhetik -- 5. Kunstphilosophische Debatten über Originale -- 6. Was »Original« möglicherweise bedeutet -- 7. Bedingungen originalstatusbegründender Kontexte -- 8. Gegensatzobjekte -- 9. Bedingungen originalstatusbegründender Eigenschaften -- 10. Fazit -- Literaturverzeichnis Um den Begriff des Originals gibt es heftige Debatten. Können Fälschungen ebenso gut sein wie Originale? Wann sind Kopien vielleicht sogar besser? Und ist die Zeit des Originals nicht überhaupt vorbei? Dabei tritt die Frage, was ein Original eigentlich sei, oft in den Hintergrund. Doris Reisinger stellt die These auf: Der Begriff des Originals ist nicht nur nicht obsolet, er hat auch nicht notwendig mit Neuheit, Urheberschaft oder ästhetischem Wert zu tun - das Problem des Originalbegriffs besteht schlicht darin, dass seine komplexe Struktur verkannt wird. Vor diesem Ausgangspunkt erarbeitet sie einen Explikationsvorschlag, der die Beantwortung einer ganzen Reihe von Fragen dieser klassischen philosophischen Debatte erlaubt

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839449899
    Other identifier:
    RVK Categories: CC 6900 ; LH 60420
    Series: Edition Moderne Postmoderne
    Subjects: Aesthetics; Originality (Aesthetics); PHILOSOPHY / Aesthetics
    Scope: 1 Online-Ressource (231 Seiten)
    Notes:

    Dissertation, Westfälische Wilhelms-Universität Münster (Westf.), 2019
  19. Was ist ein Original?
    eine Begriffsbestimmung jenseits genieästhetischer Stereotype
    Author: Reisinger, Doris
    Published: 2020; ©2019
    Publisher:  transcript Verlag, Bielefeld

    Cover -- Inhalt -- Danksagung -- 1 Das Problem des Originals -- 2 Die Geschichte des Originals: Eine Skizze -- 3 Wie das Wort »Original« entstand -- 4 »Original« im Zeitalter der Genieästhetik -- 5 Kunstphilosophische Debatten über Originale -- 6 Was... more

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    Cover -- Inhalt -- Danksagung -- 1 Das Problem des Originals -- 2 Die Geschichte des Originals: Eine Skizze -- 3 Wie das Wort »Original« entstand -- 4 »Original« im Zeitalter der Genieästhetik -- 5 Kunstphilosophische Debatten über Originale -- 6 Was »Original« möglicherweise bedeutet -- 7 Bedingungen originalstatusbegründender Kontexte -- 8 Gegensatzobjekte -- 9 Bedingungen originalstatusbegründender Eigenschaften -- 10 Fazit -- Literaturverzeichnis.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839449899; 3839449898
    RVK Categories: CC 6900 ; LH 60420
    Series: Edition Moderne Postmoderne
    Subjects: Originality (Aesthetics); Aesthetics--Philosophy
    Scope: 1 Online-Ressource (231 Seiten)
  20. Les genres littéraires émergents
    [réflexion collective ... au mois d'octobre 2003]
    Contributor: Seillan, Jean-Marie (Hrsg.)
    Published: 2005
    Publisher:  L'Harmattan, Paris [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Contributor: Seillan, Jean-Marie (Hrsg.)
    Language: French
    Media type: Book
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    ISBN: 2747586960
    Other identifier:
    9782747586962
    RVK Categories: EC 4300
    Subjects: French literature; Literary form; Originality (Aesthetics); Canon (Literature)
    Scope: 312 S.
  21. L'insolite dans l'art
    Published: 2013
    Publisher:  L'Harmattan, Paris

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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782343010687
    Series: Array
    Subjects: Originality in art; Originality (Aesthetics); Creation (Literary, artistic, etc.)
    Scope: 185 S., Ill.
  22. Sense and essence
    heritage and the cultural production of the real
    Contributor: Meyer, Birgit (HerausgeberIn); Port, Mattijs van de (HerausgeberIn)
    Published: 2018
    Publisher:  Berghahn, New York, NY

    Heritage dynamics : politics of authentication, aesthetics of persuasion and the cultural production of the real / Mattijs van de Port and Birgit Meyer -- Aesthetics as form and force : notes on the shaping of Pataxo Indian bodies / Andre Werneck de... more

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    Heritage dynamics : politics of authentication, aesthetics of persuasion and the cultural production of the real / Mattijs van de Port and Birgit Meyer -- Aesthetics as form and force : notes on the shaping of Pataxo Indian bodies / Andre Werneck de Andrade Bakker -- Intangible heritage, tangible controversies : the baiana and the acaraje as boundary-objects in contemporary Brazil / Bruno Reinhardt -- Swinging between the material and the immaterial : Brazilian cultural politics and the authentication of Afro-Brazilian heritage / Maria Paula Fernandes Adinolfi -- News-history and the formation of the Sunday Times Heritage Project / Duane Jethro -- Scaffolding heritage : transient architectures and temporalizing formations in Luanda / Ruy Llera Blanes -- Corpo-reality TV : media, body, and the authentication of 'African heritage' / Marleen de Witte -- Heated discussions are necessary : the creative engagement with Sankofa in modern Ghanaian arts / Rhoda Woets -- Iconic objects : making diasporic heritage, blackness, and whiteness in the Netherlands / Markus Balkenhol -- Ascertaining the future memory of our time : Dutch institutions collecting relics of national tragedy / Irene Stengs -- Heritage under construction : boundary objects, scaffolding, and anticipation / David Chidester -- Can anything become heritage? / David Berliner -- Heritage as process / Ciraj Rassool

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Meyer, Birgit (HerausgeberIn); Port, Mattijs van de (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781785339400; 9781785339394
    RVK Categories: LB 63000 ; LB 35000
    Edition: First published
    Series: Material mediations ; Volume 9
    Subjects: Ethnic identity; Group identity; Originality (Aesthetics); Material culture
    Scope: xii, 337 Seiten, Illustrationen
    Notes:

    Heritage dynamics : politics of authentication, aesthetics of persuasion and the cultural production of the real / Mattijs van de Port and Birgit Meyer -- Aesthetics as form and force : notes on the shaping of Pataxo Indian bodies / Andre Werneck de Andrade Bakker -- Intangible heritage, tangible controversies : the baiana and the acaraje as boundary-objects in contemporary Brazil / Bruno Reinhardt -- Swinging between the material and the immaterial : Brazilian cultural politics and the authentication of Afro-Brazilian heritage / Maria Paula Fernandes Adinolfi -- News-history and the formation of the Sunday Times Heritage Project / Duane Jethro -- Scaffolding heritage : transient architectures and temporalizing formations in Luanda / Ruy Llera Blanes -- Corpo-reality TV : media, body, and the authentication of 'African heritage' / Marleen de Witte -- Heated discussions are necessary : the creative engagement with Sankofa in modern Ghanaian arts / Rhoda Woets -- Iconic objects : making diasporic heritage, blackness, and whiteness in the Netherlands / Markus Balkenhol -- Ascertaining the future memory of our time : Dutch institutions collecting relics of national tragedy / Irene Stengs -- Heritage under construction : boundary objects, scaffolding, and anticipation / David Chidester -- Can anything become heritage? / David Berliner -- Heritage as process / Ciraj Rassool
  23. <<The>> patient particulars
    American modernism & the technique of originality
    Author: Knight, Christopher J.
    Published: 1995
    Publisher:  Bucknell Univ. Press, Lewisburg, Pa.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0838752969
    RVK Categories: HU 1745 ; HU 1710
    Subjects: Array; Array; Array; Originality (Aesthetics)
    Scope: 252 S.
    Notes:

    Literaturverz. S. 238 - 246
  24. Tragedy's end
    closure and innovation in Euripidean drama
    Author: Dunn, Francis M.
    Published: 1996
    Publisher:  Oxford Univ. Press, New York [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 019508344X
    RVK Categories: FH 24045
    Subjects: Mythology, Greek, in literature; Originality (Aesthetics); Closure (Rhetoric); Rhetoric, Ancient; Tragedy; Greek drama (Tragedy)
    Scope: VIII, 252 S.
    Notes:

    Literaturverz. S. 233 - 244
  25. <<Les>> genres littéraires émergents
    Contributor: Seillan, Jean-Marie (Publisher)
    Published: 2005
    Publisher:  L'Harmattan, Paris [u.a.]

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    Source: Union catalogues
    Contributor: Seillan, Jean-Marie (Publisher)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2747586960
    RVK Categories: EC 4300
    Subjects: French literature; Literary form; Originality (Aesthetics); Canon (Literature)
    Scope: 312 S.
    Notes:

    Literaturverz. S. 293 - 309. - Literaturangaben