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Displaying results 1 to 19 of 19.

  1. The adventurous muse
    theories of originality in English poetics, 1650 - 1760
    Author: Phillips, Patricia
    Published: 1984
    Publisher:  Almqvist & Wiksell, Stockholm

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9155415121
    RVK Categories: HK 1151
    Series: Uppsala Universitet: Acta Universitatis Upsaliensis / Studia Anglistica Upsaliensisa ; 53
    Subjects: Dichtkunst; Engels; Oorspronkelijkheid; Originalité dans la littérature; Poésie anglaise - 16e siècle - Histoire et critique; Poésie anglaise - 18e siècle - Histoire et critique; Poétique; Englisch; Geschichte; English poetry; English poetry; Originality in literature; Poetics; Poetics; Poetik; Englisch; Originalität; Literaturtheorie; Literatur
    Scope: XII, 163 S.
    Notes:

    Zugl.: Uppsala, Univ., Diss., 1984
  2. Imitation
    Author: Weinsheimer, Joel
    Published: 1984
    Publisher:  Routledge & Kegan Paul, London u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek der LMU München
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  3. Origin and originality in Rushdie's fiction
    Author: Hennard Dutheil de la Rochère, Martine
    Published: 1999
    Publisher:  Lang, Bern ; Berlin ; Bruxelles ; Frankfurt a.M. ; New York ; Wien

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Würzburg
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  4. Convention and innovation in literature
    Published: 1989
    Publisher:  Benjamins, Amsterdam [u.a.]

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    Universitätsbibliothek Bamberg
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  5. Hot property
    the stakes and claims of literary originality
    Author: Meltzer, Françoise
    Published: 1994
    Publisher:  Univ. of Chicago Press, Chicago u.a.

    But is it original? The question, on which so much of writing stakes its claim to greatness, may be more interesting than the answer. In this provocative book, Francoise Meltzer takes a subtle and incisive look at the anxiety of origins at the heart... more

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    Max-Planck-Institut für Innovation und Wettbewerb / Max-Planck-Institut für Steuerrecht und Öffentliche Finanzen, Bibliothek
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    Universitätsbibliothek der LMU München
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    But is it original? The question, on which so much of writing stakes its claim to greatness, may be more interesting than the answer. In this provocative book, Francoise Meltzer takes a subtle and incisive look at the anxiety of origins at the heart of the literary enterprise. Using four case studies, Meltzer reveals the shaky status of originality as a founding principle of the critical establishment Three dreams were the starting point for Descartes's famous methode. In the short shrift given to these nightly visions by the author of The Interpretation of Dreams, Meltzer sees a symptom of Freud's overwhelming anxiety about originality and authorship, an obsession that mirrors Descartes's own fear of plagiarism. Turning next to the Holocaust poet Paul Celan, who was actually accused of plagiarism by another poet's widow, Meltzer takes us through the minority discourse on the European Jew - in which "the Jew" is seen as having no homeland except for the text - to show us why such an accusation was so devastating for Celan. The question of originality becomes even trickier in the case of Colette, whose early books were published under her husband Willy's name. Scrutinizing Willy's elaborate promotion of himself as a serious writer, unlike his "lazy" wife, Meltzer questions our investment in the working notion of a writer, and in the way that notion is gendered Finally she considers the case of Walter Benjamin, whose early interpreters, especially Hannah Arendt and Theodor Adorno, challenged his seriousness and originality by alluding to his supposed 'feminine' qualities of vagabondage and sloth. In each of these cases, Meltzer shows how a threat to a writer's status as creator betrays the larger fraud of the originality myth itself

     
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  6. Purloined letters
    originality and repetition in American literature
    Author: Riddel, Joseph N.
    Published: 1995
    Publisher:  Louisiana State Univ. Press, Baton Rouge [u.a.]

    The six essays in Purloined Letters represent thirty years of careful meditation on the theory of a national literaturespecifically, "American" literature - and constitute the culminating work of the late Joseph N. Riddel's career. It was in The... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    The six essays in Purloined Letters represent thirty years of careful meditation on the theory of a national literaturespecifically, "American" literature - and constitute the culminating work of the late Joseph N. Riddel's career. It was in The Inverted Bell, his groundbreaking study of William Carlos Williams and American modernism, that Riddel began to work at composing a history of American poetics in terms of "beginnings." The essays collected here (three of them never before published) carry the question of modernism back into classic nineteenth-century American literature - the works of Ralph Waldo Emerson, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, William James, and others - exploring Riddel's cardinal "American" oppositions: creation versus representation, poetry versus criticism, geography versus "ego-graphy." In Riddel's view, "American" literature belongs to a conceptual order, not to a historical period or geographical locale. "American literature," he believes, is a product of standard canonization procedures, even though, ironically, American writing questions the very process of canonization - the assumptions about origin, influence, and destiny that inform any canon. Riddel's interpretations of Emerson, Poe, and the others render those assumptions problematic and offer us an understanding of our literature and history that differs from the various suggestions of F. O. Matthiessen, Richard Chase, and other prominent American scholars Riddel begins by recognizing the American writer's double bind: Such a writer must first invent that which can then be represented. He must invent and not discover, perform and not imitate. He must deal with the question of "translation" - the need for a New World language that escapes Old World history. Hence, "America" as projected in American literature is not so much a history of what occurred as a dream to be arrived at. How Emerson, Poe, Hawthorne, Henry Adams, and other nineteenth-century American writers explore their dilemma is the subject of these trenchant essays. Purloined Letters offers an alternative interpretation of the canon, a curious but highly significant philosophical twist upon such standard notions as the "American Adam," the "American Renaissance," and "Virgin Land.

     
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  7. Denis Diderot
    extravagance et génialité
    Author: Chabut, Marie-Helene
    Published: 1998
    Publisher:  Rodopi, Amsterdam [u.a.]

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9042004932
    RVK Categories: IG 2255
    Series: Faux titre ; 155
    Subjects: Originalité dans la littérature
    Other subjects: Diderot, Denis <1713-1784> - Esthétique; Diderot, Denis <1713-1784> - Style; Diderot, Denis <1713-1784>; Diderot, Denis (1713-1784)
    Scope: 170 S.
  8. Jean-Jacques Rousseau et la réalité de l'imaginaire
    Author: Eigeldinger, Marc
    Published: 1962
    Publisher:  Baconnière, Neuchâtel

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: French
    Media type: Dissertation
    RVK Categories: CF 7517 ; IG 2555
    Series: Langages.
    Subjects: Originalité dans la littérature; Imagination; Fantasie; Einbildungskraft
    Other subjects: Rousseau, Jean-Jacques <1712-1778> - Critique et interprétation; Rousseau, Jean-Jacques <1712-1778>; Rousseau, Jean-Jacques <1712-1778>; Rousseau, Jean-Jacques (1712-1778)
    Scope: 212 S., Ill.
    Notes:

    Zugl.: Bern, Univ., Habil.-Schr.
  9. Joint Ventures
    Authorship, Translation, Plagiarism
    Author: Gutbrodt, Fritz
    Published: 2003
    Publisher:  Lang, Peter, AG, Europäischer Verlag der Wissenschaften, Bern [u.a.]

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    Bayerische Staatsbibliothek
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  10. Marlowe and the popular tradition
    innovation in the English drama before 1595
    Author: Lunney, Ruth
    Published: 2002
    Publisher:  Manchester Univ. Press, Manchester [u.a.]

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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  11. Jean-Jacques Rousseau et la réalité de l'imaginaire
    Author: Eigeldinger, Marc
    Published: 1962
    Publisher:  Baconnière, Neuchâtel

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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  12. Imitation
    Author: Weinsheimer, Joel
    Published: 1984
    Publisher:  Routledge & Kegan Paul, London u.a.

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  13. The adventurous muse
    theories of originality in English poetics, 1650 - 1760
    Author: Phillips, Patricia
    Published: 1984
    Publisher:  Almqvist & Wiksell, Stockholm

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    ISBN: 9155415121
    RVK Categories: HK 1151
    Series: Uppsala Universitet: Acta Universitatis Upsaliensis / Studia Anglistica Upsaliensisa ; 53
    Subjects: Dichtkunst; Engels; Oorspronkelijkheid; Originalité dans la littérature; Poésie anglaise - 16e siècle - Histoire et critique; Poésie anglaise - 18e siècle - Histoire et critique; Poétique; Englisch; Geschichte; English poetry; English poetry; Originality in literature; Poetics; Poetics; Poetik; Englisch; Originalität; Literaturtheorie; Literatur
    Scope: XII, 163 S.
    Notes:

    Zugl.: Uppsala, Univ., Diss., 1984
  14. Denis Diderot
    extravagance et génialité
    Author: Chabut, Marie-Helene
    Published: 1998
    Publisher:  Rodopi, Amsterdam [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    ISBN: 9042004932
    RVK Categories: IG 2255
    Series: Faux titre ; 155
    Subjects: Originalité dans la littérature
    Other subjects: Diderot, Denis <1713-1784> - Esthétique; Diderot, Denis <1713-1784> - Style; Diderot, Denis <1713-1784>; Diderot, Denis (1713-1784)
    Scope: 170 S.
  15. Convention and innovation in literature
    Published: 1989
    Publisher:  Benjamins, Amsterdam [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    TU Berlin, Universitätsbibliothek
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  16. Jean-Jacques Rousseau et la réalité de l'imaginaire
    Author: Eigeldinger, Marc
    Published: 1962
    Publisher:  Baconnière, Neuchâtel

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: French
    Media type: Dissertation
    RVK Categories: CF 7517 ; IG 2555
    Series: Langages.
    Subjects: Originalité dans la littérature; Imagination; Fantasie; Einbildungskraft
    Other subjects: Rousseau, Jean-Jacques <1712-1778> - Critique et interprétation; Rousseau, Jean-Jacques <1712-1778>; Rousseau, Jean-Jacques <1712-1778>; Rousseau, Jean-Jacques (1712-1778)
    Scope: 212 S., Ill.
    Notes:

    Zugl.: Bern, Univ., Habil.-Schr.
  17. Purloined letters
    originality and repetition in American literature
    Author: Riddel, Joseph N.
    Published: 1995
    Publisher:  Louisiana State Univ. Press, Baton Rouge [u.a.]

    The six essays in Purloined Letters represent thirty years of careful meditation on the theory of a national literaturespecifically, "American" literature - and constitute the culminating work of the late Joseph N. Riddel's career. It was in The... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    The six essays in Purloined Letters represent thirty years of careful meditation on the theory of a national literaturespecifically, "American" literature - and constitute the culminating work of the late Joseph N. Riddel's career. It was in The Inverted Bell, his groundbreaking study of William Carlos Williams and American modernism, that Riddel began to work at composing a history of American poetics in terms of "beginnings." The essays collected here (three of them never before published) carry the question of modernism back into classic nineteenth-century American literature - the works of Ralph Waldo Emerson, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, William James, and others - exploring Riddel's cardinal "American" oppositions: creation versus representation, poetry versus criticism, geography versus "ego-graphy." In Riddel's view, "American" literature belongs to a conceptual order, not to a historical period or geographical locale. "American literature," he believes, is a product of standard canonization procedures, even though, ironically, American writing questions the very process of canonization - the assumptions about origin, influence, and destiny that inform any canon. Riddel's interpretations of Emerson, Poe, and the others render those assumptions problematic and offer us an understanding of our literature and history that differs from the various suggestions of F. O. Matthiessen, Richard Chase, and other prominent American scholars Riddel begins by recognizing the American writer's double bind: Such a writer must first invent that which can then be represented. He must invent and not discover, perform and not imitate. He must deal with the question of "translation" - the need for a New World language that escapes Old World history. Hence, "America" as projected in American literature is not so much a history of what occurred as a dream to be arrived at. How Emerson, Poe, Hawthorne, Henry Adams, and other nineteenth-century American writers explore their dilemma is the subject of these trenchant essays. Purloined Letters offers an alternative interpretation of the canon, a curious but highly significant philosophical twist upon such standard notions as the "American Adam," the "American Renaissance," and "Virgin Land.

     
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  18. Hot property
    the stakes and claims of literary originality
    Author: Meltzer, Françoise
    Published: 1994
    Publisher:  Univ. of Chicago Press, Chicago u.a.

    But is it original? The question, on which so much of writing stakes its claim to greatness, may be more interesting than the answer. In this provocative book, Francoise Meltzer takes a subtle and incisive look at the anxiety of origins at the heart... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    But is it original? The question, on which so much of writing stakes its claim to greatness, may be more interesting than the answer. In this provocative book, Francoise Meltzer takes a subtle and incisive look at the anxiety of origins at the heart of the literary enterprise. Using four case studies, Meltzer reveals the shaky status of originality as a founding principle of the critical establishment Three dreams were the starting point for Descartes's famous methode. In the short shrift given to these nightly visions by the author of The Interpretation of Dreams, Meltzer sees a symptom of Freud's overwhelming anxiety about originality and authorship, an obsession that mirrors Descartes's own fear of plagiarism. Turning next to the Holocaust poet Paul Celan, who was actually accused of plagiarism by another poet's widow, Meltzer takes us through the minority discourse on the European Jew - in which "the Jew" is seen as having no homeland except for the text - to show us why such an accusation was so devastating for Celan. The question of originality becomes even trickier in the case of Colette, whose early books were published under her husband Willy's name. Scrutinizing Willy's elaborate promotion of himself as a serious writer, unlike his "lazy" wife, Meltzer questions our investment in the working notion of a writer, and in the way that notion is gendered Finally she considers the case of Walter Benjamin, whose early interpreters, especially Hannah Arendt and Theodor Adorno, challenged his seriousness and originality by alluding to his supposed 'feminine' qualities of vagabondage and sloth. In each of these cases, Meltzer shows how a threat to a writer's status as creator betrays the larger fraud of the originality myth itself

     
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  19. Joint Ventures
    Authorship, Translation, Plagiarism
    Author: Gutbrodt, Fritz
    Published: 2003
    Publisher:  Lang, Peter, AG, Europäischer Verlag der Wissenschaften, Bern [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Location:
    Europa-Universität Viadrina, Universitätsbibliothek
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    Content information
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    ISBN: 3039100327
    RVK Categories: EC 2260 ; QP 450
    Series: Europäische Hochschulschriften : Reihe 18, Vergleichende Literaturwissenschaft ; 108
    Subjects: Auteurschap; Imitation dans la littérature; Littérature - 18e siècle - Histoire et critique; Littérature - 19e siècle - Histoire et critique; Originalité dans la littérature; Plagiaat; Plagiat; Traduction; Vertalingen; Imitation in literature; Originality in literature; Plagiarism; Translating and interpreting; Literature, Modern -- 18th century -- History and criticism; Literature, Modern -- 19th century -- History and criticism; Autorschaft; Literatur; Authentizität
    Scope: 336 S., 1 schw.-w. Abb. : 210 mm x 148 mm
    Notes:

    Zugl.: Zürich, Univ., Habil.-Schr., 1998