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  1. Homer in performance
    rhapsodes, narrators, and characters
    Contributor: Ready, Jonathan L. (Publisher); Tsangalēs, Chrēstos K. (Publisher)
    Published: 2018
    Publisher:  University of Texas Press, Austin ; De Gruyter, Berlin

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    Source: Union catalogues
    Contributor: Ready, Jonathan L. (Publisher); Tsangalēs, Chrēstos K. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781477316047
    Other identifier:
    RVK Categories: NH 2393
    Edition: First edition
    Series: Ashley and Peter Larkin series in Greek and Roman culture
    Subjects: Epic poetry, Greek; Performing arts; Oral interpretation of poetry; Oral tradition
    Other subjects: Homer
    Scope: 1 Online-Ressource (ix, 430 Seiten)
    Notes:

    Enthält Literaturverzeichnis auf Seite 378-418
  2. Performance and Gender in Ancient Greece
    Nondramatic Poetry in Its Setting
    Author: Stehle, Eva
    Published: [1996]
    Publisher:  Princeton University Press, Princeton, N.J.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400864294
    Other identifier:
    Subjects: Griechische Literatur; Greek poetry / History and criticism; Oral interpretation of poetry / History / To 1500; Women in the performing arts / Greece; Bards and bardism / History / To 1500; Women and literature / Greece; Oral tradition / Greece; Sex role / Greece; PERFORMING ARTS / Theater / History & Criticism; Bards and bardism; Friendship; Greek poetry; Manners and customs; Oral interpretation of poetry; Oral tradition; Sex role; Women and literature; Women in the performing arts; Geschichte; Griechisch; Sozialgeschichte; Publikum; Theater; Frau; Literatur
    Scope: 1 Online-Ressource (360p.)
    Notes:

    "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power.

    Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions.

    The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  3. Songs of ourselves
    the uses of poetry in America
    Author: Rubin, Joan Shelley
    Published: ©2007
    Publisher:  Belknap Press of Harvard University Press, Cambridge, Mass.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674042964
    Other identifier:
    Subjects: Biology; Natural Sciences; American literature / Appreciation / United States; Lesen / (Leser) / Lyrik / amerikanische / Geschichte 19. Jh; Lesen / (Leser) / Lyrik / amerikanische / Geschichte 20. Jh; LITERARY CRITICISM / Poetry; Lyrik / amerikanische / Lesen (Leser) / Geschichte 19. Jh; Lyrik / amerikanische / Lesen (Leser) / Geschichte 20. Jh; Oral interpretation of poetry / United States; Poetry / Public opinion; Public opinion / United States; American literature; Oral interpretation of poetry; Poetry; Public opinion; Lyrik; Deklamation
    Scope: 1 Online-Ressource (ix, 470 pages)
    Notes:

    De Gruyter

    Includes bibliographical references (pages 407-450) and index

    "In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and emotions that they encountered in those settings. Reciting a poem together with others joined the individual to the community in a special and memorable way. In a strikingly original and rich portrait of the uses of verse in America, Joan Shelley Rubin shows how the sites and practices of reciting poetry shaped readers' lives and helped them to find meaning in a poet's words."--Publisher description, from dust jacket
  4. Written voices, spoken signs
    tradition, performance, and the epic text
    Published: 1997
    Publisher:  Harvard University Press, Cambridge, Mass.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464; 0674962605; 9780674962606
    Other identifier:
    Series: Center for Hellenic Studies colloquia
    Subjects: Analyse des formules orales; Analyse des formules orales / Congrès; Communication écrite / Grèce / Congrès; Ilias (Homerus); Littérature comparée / Grecque et médiévale / Congrès; Littérature comparée / Médiévale et grecque / Congrès; Mondelinge literatuur; Odyssea (Homerus); POETRY / Medieval; Poésie / Lecture publique; Poésie épique / Histoire et critique / Théorie, etc / Congrès; Poésie épique grecque / Histoire et critique / Congrès; Poésie épique médiévale / Histoire et critique / Congrès; Tradition orale / Europe / Congrès; Tradition orale / Grèce / Congrès; Tradition orale / Grèce / Congrès; Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Mündliche Literatur; Epik; Geschichte
    Other subjects: Homer / Congresses / Criticism and interpretation; Homère / (08..?-08..? av.J.-C.) / Critique et interprétation / Congrès; Homère / Critique et interprétation / Congrès; Homer; Homerus (ca. v8. Jh.)
    Scope: 1 Online-Ressource (viii, 305 p.)
    Notes:

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C.. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 265-295) and index

    Storytelling in the future: truth, time, and tense in Homeric epic / Egbert Bakker -- Writing the emperor's clothes on: literacy and the production of facts / Franz H. Bäuml -- Traditional signs and Homeric art / John Miles Foley -- The inland ship: problems in the performance and reception of Homeric epic / Andrew Ford -- Hexameter progression and the Homeric hero's solitary state / Ahuvia Kahane -- Similes and performance / Richard P. Martin -- Ellipsis in Homer / Gregory Nagy -- Types of orality in text / Wulf Oesterreicher -- The medial approach: a paradigm shift in the philologies? / Ursula Schaefer

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description
  5. First language
    Author: Mayes, Edward Kleinschmidt
    Published: c1990
    Publisher:  University of Massachusetts Press, Amherst, Mass

    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585268657; 9780585268651
    Subjects: Poetry; Oral interpretation of poetry
    Scope: Online-Ressource (viii, 71 p)
    Notes:

    Use copy Restrictions unspecified star MiAaHDL

    AtavismMumbo jumboCicatrixDoubtInnardsRe-experienceCancerismoBoustrophedonAnd then I woke upInfantryHablar, aprender, vivirAnestheticThe death of AdamRecycleConcordanceEcholaliaSome problems with the mind/body problemCelebrating thinkingOrganonNominalistsDog walkAt the drowning every afternoonGangueTonight insomniaGoingRandom panic in the U.S.A.december poemThe absence of dayDismissedAvenues in bloomArms and the manAddendum (at the time of his death)On the rue des grands regrets"Nothing is but what is not"Migrations of the Cro-magnonArrangement in blackRough houseMedicationIn late afternoon as the clock sleepsThe explanationPast living (beyond the power, scope, extent)Epidemic (among people)The anatomy lessonLike tulipomaniaThe other side of the roadGrammatical existenceFly by nightKatzenjammerOrchestrionNomenclature.

    Electronic reproduction
  6. Authorship and Greek song
    authority, authenticity, and performance
    Contributor: Bakker, Egbert J. (HerausgeberIn)
    Published: [2017]
    Publisher:  Brill, Leiden

    Location:
    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
    Signature:
    Ef 5119
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2017 A 2152
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A 2017/1517
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    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Bereich Klassisches Altertum
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    Source: Union catalogues
    Contributor: Bakker, Egbert J. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004339699
    RVK Categories: FE 4149
    Series: Array ; volume 402
    Studies in archaic and classical Greek song ; vol. 3
    Subjects: Greek poetry; Greek poetry; Oral interpretation of poetry; Oral tradition
    Scope: X, 295 Seiten
    Notes:

    Selected papers presented at a conference entitled "Authorship, Authority, and Authenticity in Archaic and Classical Greek Song," which was held June 6-9, 2011 at Yale University, organized by the Network for the Study of Archaic and Classical Greek Song

    Includes bibliographical references and index
  7. Homer in performance
    rhapsodes, narrators, and characters
    Contributor: Ready, Jonathan L. (HerausgeberIn); Tsangalēs, Chrēstos K. (HerausgeberIn)
    Published: 2018
    Publisher:  University of Texas Press, Austin

    Introduction / Jonathan L. Ready and Christos C. Tsagalis -- pt. 1. Rhapsodes -- Performance contexts for rhapsodic recitals in the archaic and classical periods / Christos C. Tsagalis -- Reading rhapsodes on Athenian vases / Sheramy D. Bundrick --... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 36287
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    Introduction / Jonathan L. Ready and Christos C. Tsagalis -- pt. 1. Rhapsodes -- Performance contexts for rhapsodic recitals in the archaic and classical periods / Christos C. Tsagalis -- Reading rhapsodes on Athenian vases / Sheramy D. Bundrick -- Performance contexts for rhapsodic recitals in the Hellenistic period / Christos C. Tsagalis -- Rhapsodes and rhapsodic contests in the imperial period / Anne Gangloff -- Formed on the festival stage : plot and characterization in the iliad as a competitive collaborative process / Mary R. Bachvarova -- Did Sappho and Homer ever meet? comparative perspectives on homeric singers / Olga Levaniouk -- pt. 2. Narrators and characters -- Odysseus polyonymous / Deborah Beck -- Embedded focalization and free indirect speech in Homer as viewpoint blending / Anna Bonifazi -- Speech training and the mastery of context : Thoas the Aetolian and the practice of muthoi / Joel P. Christensen -- Diomedes as audience and speaker in the Iliad / James O'Maley -- Hektor, the marginal hero : performance theory and the Homeric monologue / Lorenzo F. Garcia Jr -- Performance, oral texts, and entextualization in Homeric epic / Jonathan L. Ready -- Homer's rivals? internal narrators in the Iliad / Adrian Kelly

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Ready, Jonathan L. (HerausgeberIn); Tsangalēs, Chrēstos K. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781477316030
    Edition: First edition
    Subjects: Epic poetry, Greek; Performing arts; Oral interpretation of poetry; Oral tradition
    Other subjects: Homer
    Scope: 430 Seiten, Karten
    Notes:

    Includes bibliographical references and index
  8. Narrowcast
    poetry and audio research
    Author: Shaw, Lytle
    Published: 2018
    Publisher:  Stanford University Press, Stanford, California

    Third personism : the FBI's poetics of immediacy in the 1960s -- The Eigner sanction : keeping time from the American century -- Olson's sonic walls : citizenship and surveillance from the OWI to the Nixon tapes -- The strategic idea of north : Glenn... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 31585
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    Third personism : the FBI's poetics of immediacy in the 1960s -- The Eigner sanction : keeping time from the American century -- Olson's sonic walls : citizenship and surveillance from the OWI to the Nixon tapes -- The strategic idea of north : Glenn Gould, Sergeant Jones and White Alice

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780804797993; 9781503606562
    RVK Categories: HU 1769
    Series: Post-45
    Subjects: American poetry; Sound; Sound recordings and the arts; Electronic surveillance; New Left; Oral interpretation of poetry; Poetics
    Scope: 254 pages
    Notes:

    Through four case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, Narrowcast explores how poets Allen Ginsberg, Charles Olson, Larry Eigner and Amiri Baraka mobilized recording as a new form of sonic field research even while they were being subject to tape-based surveillance by the CIA and the FBI

    Explores how poets associated with the New Left mobilized tape recording as a new form of sonic field research even as they themselves were being subject to tape-based surveillance. Media theorists tend to understand audio recording as a technique for separating bodies from sounds, but this book listens closely to tape's embedded information, offering a counterintuitive site-specific account of 1960s poetic recordings. Allen Ginsberg, Charles Olson, Larry Eigner, and Amiri Baraka all used recording to contest models of time being put forward by dominant media and the state, exploring non-monumental time and subverting media schedules of work, consumption, leisure, and national crises. Surprisingly, their methods at once dovetailed with those of the state collecting evidence against them and ran up against the same technological limits. Arguing that CIA and FBI "researchers" shared unexpected terrain not only with poets but with famous theorists such as Fredric Jameson and Hayden White, Lytle Shaw reframes the status of tape recordings in postwar poetics and challenges notions of how tape might be understood as a mode of evidence

    Includes bibliographical references and index
  9. Listening to Homer
    tradition, narrative, and audience
    Author: Scodel, Ruth
    Published: 2002
    Publisher:  University of Michigan Press, Ann Arbor, Mich.

    Location:
    Universität Bonn, Institut für Klassische und Romanische Philologie, Abteilung für Griechische und Lateinische Philologie, Bibliothek
    Signature:
    C 37/008 10/20
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    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    2004/6146
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    Location:
    Institut für Altertumskunde, Abteilung Klassische Philologie, Alte Geschichte, Bibliothek
    Signature:
    404/Bh5/1231
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    Location:
    Bibliotheken im Fürstenberghaus 1
    Signature:
    Graec H 499/22
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  10. The life in the sonnets
    Author: Fuller, David
    Published: 2011
    Publisher:  Continuum, London ; Bloomsbury Publishing PLC

    David Fuller seeks to recover the life in Shakespeare's sonnets, arguing that, although feeling and emotion are often ignored in criticism, they should be central to literary experience. more

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    Universität Mainz, Zentralbibliothek
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    David Fuller seeks to recover the life in Shakespeare's sonnets, arguing that, although feeling and emotion are often ignored in criticism, they should be central to literary experience.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472555526
    Other identifier:
    RVK Categories: HI 3540
    Series: Shakespeare now!
    Bloomsbury Drama Online - Scholarly Books (2013-2016)
    Subjects: Sonett; Rezeption; Gefühl; Oral interpretation of poetry
    Other subjects: Shakespeare, William (1564-1616): Sonnets; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource
  11. Voices in revolution
    poetry and the auditory imagination in modern China
    Author: Crespi, John A.
    Published: 2016
    Publisher:  University of Hawai'i Press, Honolulu ; Oxford University Press, Oxford

    Offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary and post-socialist culture. more

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    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary and post-socialist culture.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824868871
    Other identifier:
    Subjects: Hörer; Mündliche Kommunikation; Chinesisch; Lyrik; Revolutionary poetry, Chinese; Oral interpretation of poetry; Chinese poetry; Social movements in literature
    Scope: 1 Online-Ressource, Illustrations (black and white)
    Notes:

    Previously issued in print: 2009

    Includes bibliographical references and index
  12. Chaucer aloud
    the varieties of textual interpretation
    Author: Bowden, Betsy
    Published: 1987
    Publisher:  Univ. of Pennsylvania Pr., Philadelphia

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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  13. The printed voice of Victorian poetry
    Author: Griffiths, Eric
    Published: 1989
    Publisher:  Clarendon Pr., Oxford

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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  14. Poetry and narrative in performance
    Author: Oliver, Douglas
    Published: 1989
    Publisher:  Macmillan, Basingstoke u.a.

    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0333473515
    RVK Categories: HF 208
    Edition: 1. publ.
    Series: Language, discourse, society
    Subjects: Narration (Rhetoric); Oral interpretation of poetry; Performanz <Linguistik>; Rhythmus; Datenverarbeitung; Intonation <Linguistik>; Lyrik; Deklamation; Englisch; Textanalyse; Literatur
    Scope: IX, 189 S., graph. Darst.
  15. Dichtung für die Ohren
    Literatur als tonale Kunst in der Moderne
    Contributor: Herrmann, Britta (HerausgeberIn)
    Published: [2015]; © 2015
    Publisher:  Vorwerk 8, Berlin

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Herrmann, Britta (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783940384676
    Other identifier:
    9783940384676
    Parent title:
    RVK Categories: ER 985 ; GN 1411 ; EC 2440
    Series: Audiotexte: Klang - Kunst - Kultur ; Bd. 1
    Subjects: Sound in literature; Sound recordings in literature; Poetics; Oral interpretation of poetry; German poetry; German poetry
    Scope: 374 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Literaturangaben

    Britta Herrmann: Auralität und Tonalität in der Moderne : Aspekte einer Ohrenphilologie

    Katja Meilmann: Theoretische Perspektiven zu Lesen, Hören und Klang ; Das innere Ohr : zum Phänomen der Subvokalisierung in stiller Lektüre

    Hans Lösener: Was hören wir beim Lesen? Zu einer Aporie kognitionspsychologischer Lesemodelle

    Patrizia Noel Aziz Hanna: Pause versus Stille

    Elena Ungeheuer: Sprachklang und Stimmklang als ästhetische Netzwerke : zur Analysierbarkeit klingender Dichtung

    Reinhart Meyer-Kalkus: Rhapsodenkünste : Überlegungen zur Geschichte und Theorie literarischer Vortragskünste

    Britta Herrmann: Goethe als Sound-Objekt : Phonographische Fantasien um 1900 und Aspekte einer Medienkulturwissenschaft des Klangs

    Lars Korten: Aspekte tonaler Poetiken ; Akzent und Ton : Prosodische Klang-Grundsätze in Martin Opitz' und Enoch Hanmanns Dichtungslehren

    Till Dembeck: Was ist hier defekt? Sprachdifferenz und Laut in Gedichten Ernst Jandls und Oskar Pastiors

    Monika Schmitz-Emans: Visionen akustischer Literatur : die Idee der Tonalität von Dichtung als Stimulus graphischer und buchgestalterischer Kunst

    John Neubauer: Stimme, Musik und Verschriftlichung : die wechselnden Aufschreibesysteme der Hebrew Melodies

    Harun Maye: Lautlesen als Programm : über das Hersagen von Gedichten im George-Kreis

    Vera Mütherig: Radio und Audio : medienästhetische Reflexionen ; "Das Ohr ist klüger als das Gedicht" : Autorenlesung als Form akustischer Literatur : Paratextuelle Rahmungsstrategien im Medium Hörbuch

    Ortwin Lämke: Hörbuchstimme : Hörbuchtext : die Stimme im Lyrik-Hörbuch als Medium des 'lyrischen' Ich?

    Klaus Schenk: Stimmen der 'Gegenzeit' : zur radiophonen Schreibweise von Ingeborg Bachmann

    Ines Bose: Radiostimmen (Radio-Ästhetiken : Radio-Identitäten)

    Lothar van Laak: Das "halbe Ohr des Hörers" : zum Problem der Aufmerksamkeit in den Radiotheorien von Rudolf Arnheim und Bertolt Brecht

    Michael Grote: Horoskop des Hörspiels 2012 : zur Geschichte und Gegenwart der akustischen Kunst

    : Zu den Beiträger, innen dieses Bandes.
  16. First language
    Published: 2010
    Publisher:  University of Massachusetts Press, Amherst, Mass

    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585268657; 9780585268651
    Subjects: Oral interpretation of poetry; Poetry; Oral interpretation of poetry; Poetry
    Scope: Online Ressource (viii, 71 p.)
    Notes:

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  17. The wheel of language
    representing speech in Middle English poetry, 1377-1422
    Author: Coley, David K.
    Published: 2012
    Publisher:  Syracuse University Press, Syracuse, N.Y.

    Includes bibliographical references and index more

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    Hochschulbibliothek Friedensau
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    Includes bibliographical references and index

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 0815632738; 9780815632733; 9780815651673
    Edition: 1st ed
    Series: Medieval studies (Syracuse, N.Y.)
    Subjects: Oral interpretation of poetry; Narration (Rhetoric); Discourse analysis, Literary; English language; English poetry
    Scope: x, 258 p
    Notes:

    Includes bibliographical references and index

    Available via World Wide Web

    Thesis (Ph.D)--University of Maryland, College Park, , 2008

    Introduction: "That whel wol cause another whel"Nominalism, speech, and power in "The manciple's tale" -- Saint Erkenwald: the sacrament of the altar and the persistence of the past -- Economies of speech and redemption in the works of Thomas Hoccleve -- Speech, rhetoric, and politics in Gower's Confessio Amantis -- Conclusion : the plowman's two voices.
  18. Dichtung für die Ohren
    Literatur als tonale Kunst in der Moderne
    Contributor: Herrmann, Britta (HerausgeberIn)
    Published: [2015]; © 2015
    Publisher:  Vorwerk 8, Berlin

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    Source: Staatsbibliothek zu Berlin
    Contributor: Herrmann, Britta (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783940384676
    Other identifier:
    9783940384676
    RVK Categories: ER 985 ; GN 1411 ; EC 2440
    Series: Audiotexte: Klang - Kunst - Kultur ; Bd. 1
    Subjects: Sound in literature; Sound recordings in literature; Poetics; Oral interpretation of poetry; German poetry; German poetry
    Scope: 374 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Literaturangaben

    Britta Herrmann: Auralität und Tonalität in der Moderne : Aspekte einer Ohrenphilologie

    Katja Meilmann: Theoretische Perspektiven zu Lesen, Hören und Klang ; Das innere Ohr : zum Phänomen der Subvokalisierung in stiller Lektüre

    Hans Lösener: Was hören wir beim Lesen? Zu einer Aporie kognitionspsychologischer Lesemodelle

    Patrizia Noel Aziz Hanna: Pause versus Stille

    Elena Ungeheuer: Sprachklang und Stimmklang als ästhetische Netzwerke : zur Analysierbarkeit klingender Dichtung

    Reinhart Meyer-Kalkus: Rhapsodenkünste : Überlegungen zur Geschichte und Theorie literarischer Vortragskünste

    Britta Herrmann: Goethe als Sound-Objekt : Phonographische Fantasien um 1900 und Aspekte einer Medienkulturwissenschaft des Klangs

    Lars Korten: Aspekte tonaler Poetiken ; Akzent und Ton : Prosodische Klang-Grundsätze in Martin Opitz' und Enoch Hanmanns Dichtungslehren

    Till Dembeck: Was ist hier defekt? Sprachdifferenz und Laut in Gedichten Ernst Jandls und Oskar Pastiors

    Monika Schmitz-Emans: Visionen akustischer Literatur : die Idee der Tonalität von Dichtung als Stimulus graphischer und buchgestalterischer Kunst

    John Neubauer: Stimme, Musik und Verschriftlichung : die wechselnden Aufschreibesysteme der Hebrew Melodies

    Harun Maye: Lautlesen als Programm : über das Hersagen von Gedichten im George-Kreis

    Vera Mütherig: Radio und Audio : medienästhetische Reflexionen ; "Das Ohr ist klüger als das Gedicht" : Autorenlesung als Form akustischer Literatur : Paratextuelle Rahmungsstrategien im Medium Hörbuch

    Ortwin Lämke: Hörbuchstimme : Hörbuchtext : die Stimme im Lyrik-Hörbuch als Medium des 'lyrischen' Ich?

    Klaus Schenk: Stimmen der 'Gegenzeit' : zur radiophonen Schreibweise von Ingeborg Bachmann

    Ines Bose: Radiostimmen (Radio-Ästhetiken : Radio-Identitäten)

    Lothar van Laak: Das "halbe Ohr des Hörers" : zum Problem der Aufmerksamkeit in den Radiotheorien von Rudolf Arnheim und Bertolt Brecht

    Michael Grote: Horoskop des Hörspiels 2012 : zur Geschichte und Gegenwart der akustischen Kunst
  19. Listening to Homer
    tradition, narrative, and audience
    Author: Scodel, Ruth
    Published: 2002
    Publisher:  Univ. of Michigan Press, Ann Arbor

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  20. Sappho in the making
    the early reception
    Author: Giatromanōlakēs, Dēmētrēs N.
    Published: 2007
    Publisher:  Harvard Univ. Press, Cambridge, Mass. [u.a.] ; Center for Hellenic Studies [u.a.], Washington, DC

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780674026865; 0674026861
    Other identifier:
    9780674026865
    RVK Categories: FH 20623
    Series: Hellenic studies ; 28
    Subjects: Greek poetry; Oral interpretation of poetry; Lesbians; Women and literature; Love poetry, Greek
    Other subjects: Sappho; Sappho; Sappho; Sappho
    Scope: XX, 442 S., Ill.
    Notes:

    Literaturverz. S. [369] - 426

    An anthropology of receptionParadigms and filters -- Classics and anthropology -- The persistence of allegory : expected horizons and textualized cultures -- Cultural translations and writing practices -- Beyond fictionalization: agency, collective schemata, and interdiscursivity -- Mythopraxis and traditions in flux -- "Coining" Sappho and the hermeneutics of vraisemblance -- Ethnographic archives of vraisemblance in attic ceramics -- A syntax of image and representation -- The social life of attic vases -- Visualizing idealized cognitive models -- Connotation and denotation -- [Sappho] in the image -- Performing with a barbitos -- Singers; together -- The grammar of late performances -- Yes, in the company of a young woman -- The tithonos painter and modes of representation -- The rhetoric of lettering -- Contextualizing schemata -- Cultural performance, Anakreon, and the "elaborately dressed revelers" -- Metonymic webs of signification -- Recitals among women -- Visualizing song/making -- The anthropology of ancient reception : the late archaic and classical periods -- On Lesbos -- The politics of Lesbian idioms -- Paradigms and histories -- Libidinal economies -- Cultural theatrics -- Early performative poetics -- Music and words : transmission in performance -- The strategies of traveling -- Economies of symposia and taverns -- Clusters -- Fluidities -- A politics of music -- Saxa loquuntur : alterities -- Trafficability of palimpsests -- Contextual plasticity -- Traditions in flux -- Reception as reenacted 'script' -- The paradigms of comedy -- An anatomy of representations -- Elective affinities -- Performance and metonymy -- Herodotos, oral traditions, and symposia -- Reperformance, genre, and textual plasticity: the anatomy of improvisation -- Textual plasticity and dialogues -- Reconstructive images -- Closing stages -- In search of Sappho's companions : anthropological fieldwork on socioaesthetic cultures.

    An anthropology of reception -- Paradigms and filters -- Classics and anthropology -- The persistence of allegory : expected horizons and textualized cultures -- Cultural translations and writing practices -- Beyond fictionalization: agency, collective schemata, and interdiscursivity -- Mythopraxis and traditions in flux -- "Coining" Sappho and the hermeneutics of vraisemblance -- Ethnographic archives of vraisemblance in attic ceramics -- A syntax of image and representation -- The social life of attic vases -- Visualizing idealized cognitive models -- Connotation and denotation -- [Sappho] in the image -- Performing with a barbitos -- Singers; together -- The grammar of late performances -- Yes, in the company of a young woman -- The tithonos painter and modes of representation -- The rhetoric of lettering -- Contextualizing schemata -- Cultural performance, Anakreon, and the "elaborately dressed revelers" -- Metonymic webs of signification -- Recitals among women -- Visualizing song/making -- The anthropology of ancient reception : the late archaic and classical periods -- On Lesbos -- The politics of Lesbian idioms -- Paradigms and histories -- Libidinal economies -- Cultural theatrics -- Early performative poetics -- Music and words : transmission in performance -- The strategies of traveling -- Economies of symposia and taverns -- Clusters -- Fluidities -- A politics of music -- Saxa loquuntur : alterities -- Trafficability of palimpsests -- Contextual plasticity -- Traditions in flux -- Reception as reenacted 'script' -- The paradigms of comedy -- An anatomy of representations -- Elective affinities -- Performance and metonymy -- Herodotos, oral traditions, and symposia -- Reperformance, genre, and textual plasticity: the anatomy of improvisation -- Textual plasticity and dialogues -- Reconstructive images -- Closing stages -- In search of Sappho's companions : anthropological fieldwork on socioaesthetic cultures
  21. Reading Latin poetry aloud
    a practical guide to two thousand years of verse
    Author: Brooks, Clive
    Published: 2007
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: English; Latin
    Media type: Book
    Format: Print
    ISBN: 0521874491; 0521697409; 9780521874496; 9780521697408
    RVK Categories: FT 60000
    Subjects: Latin poetry; Latin poetry, Medieval and modern; Latin language; Latin language; Oral interpretation of poetry
    Scope: XI, 318 S., graph. Darst., 25cm
    Notes:

    English text with some Latin

    Includes bibliographical references

    Includes 2 sound discs
  22. Authorship and Greek song
    authority, authenticity, and performance
    Contributor: Bakker, Egbert J. (HerausgeberIn)
    Published: [2017]
    Publisher:  Brill, Leiden

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    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
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    Source: Union catalogues
    Contributor: Bakker, Egbert J. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004339699
    RVK Categories: FE 4149
    Series: Array ; volume 402
    Studies in archaic and classical Greek song ; vol. 3
    Subjects: Greek poetry; Greek poetry; Oral interpretation of poetry; Oral tradition
    Scope: X, 295 Seiten
    Notes:

    Selected papers presented at a conference entitled "Authorship, Authority, and Authenticity in Archaic and Classical Greek Song," which was held June 6-9, 2011 at Yale University, organized by the Network for the Study of Archaic and Classical Greek Song

    Includes bibliographical references and index
  23. Narrowcast
    poetry and audio research
    Author: Shaw, Lytle
    Published: 2018
    Publisher:  Stanford University Press, Stanford, California

    Third personism : the FBI's poetics of immediacy in the 1960s -- The Eigner sanction : keeping time from the American century -- Olson's sonic walls : citizenship and surveillance from the OWI to the Nixon tapes -- The strategic idea of north : Glenn... more

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    Third personism : the FBI's poetics of immediacy in the 1960s -- The Eigner sanction : keeping time from the American century -- Olson's sonic walls : citizenship and surveillance from the OWI to the Nixon tapes -- The strategic idea of north : Glenn Gould, Sergeant Jones and White Alice

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780804797993; 9781503606562
    RVK Categories: HU 1769
    Series: Post-45
    Subjects: American poetry; Sound; Sound recordings and the arts; Electronic surveillance; New Left; Oral interpretation of poetry; Poetics
    Scope: 254 pages
    Notes:

    Through four case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, Narrowcast explores how poets Allen Ginsberg, Charles Olson, Larry Eigner and Amiri Baraka mobilized recording as a new form of sonic field research even while they were being subject to tape-based surveillance by the CIA and the FBI

    Explores how poets associated with the New Left mobilized tape recording as a new form of sonic field research even as they themselves were being subject to tape-based surveillance. Media theorists tend to understand audio recording as a technique for separating bodies from sounds, but this book listens closely to tape's embedded information, offering a counterintuitive site-specific account of 1960s poetic recordings. Allen Ginsberg, Charles Olson, Larry Eigner, and Amiri Baraka all used recording to contest models of time being put forward by dominant media and the state, exploring non-monumental time and subverting media schedules of work, consumption, leisure, and national crises. Surprisingly, their methods at once dovetailed with those of the state collecting evidence against them and ran up against the same technological limits. Arguing that CIA and FBI "researchers" shared unexpected terrain not only with poets but with famous theorists such as Fredric Jameson and Hayden White, Lytle Shaw reframes the status of tape recordings in postwar poetics and challenges notions of how tape might be understood as a mode of evidence

    Includes bibliographical references and index
  24. Homer in performance
    rhapsodes, narrators, and characters
    Contributor: Ready, Jonathan L. (HerausgeberIn); Tsangalēs, Chrēstos K. (HerausgeberIn)
    Published: 2018
    Publisher:  University of Texas Press, Austin

    Introduction / Jonathan L. Ready and Christos C. Tsagalis -- pt. 1. Rhapsodes -- Performance contexts for rhapsodic recitals in the archaic and classical periods / Christos C. Tsagalis -- Reading rhapsodes on Athenian vases / Sheramy D. Bundrick --... more

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    Introduction / Jonathan L. Ready and Christos C. Tsagalis -- pt. 1. Rhapsodes -- Performance contexts for rhapsodic recitals in the archaic and classical periods / Christos C. Tsagalis -- Reading rhapsodes on Athenian vases / Sheramy D. Bundrick -- Performance contexts for rhapsodic recitals in the Hellenistic period / Christos C. Tsagalis -- Rhapsodes and rhapsodic contests in the imperial period / Anne Gangloff -- Formed on the festival stage : plot and characterization in the iliad as a competitive collaborative process / Mary R. Bachvarova -- Did Sappho and Homer ever meet? comparative perspectives on homeric singers / Olga Levaniouk -- pt. 2. Narrators and characters -- Odysseus polyonymous / Deborah Beck -- Embedded focalization and free indirect speech in Homer as viewpoint blending / Anna Bonifazi -- Speech training and the mastery of context : Thoas the Aetolian and the practice of muthoi / Joel P. Christensen -- Diomedes as audience and speaker in the Iliad / James O'Maley -- Hektor, the marginal hero : performance theory and the Homeric monologue / Lorenzo F. Garcia Jr -- Performance, oral texts, and entextualization in Homeric epic / Jonathan L. Ready -- Homer's rivals? internal narrators in the Iliad / Adrian Kelly

     
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Contributor: Ready, Jonathan L. (HerausgeberIn); Tsangalēs, Chrēstos K. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781477316030
    Edition: First edition
    Subjects: Epic poetry, Greek; Performing arts; Oral interpretation of poetry; Oral tradition
    Other subjects: Homer
    Scope: 430 Seiten, Karten
    Notes:

    Includes bibliographical references and index
  25. Voices in Revolution
    Poetry and the Auditory Imagination in Modern China
    Author: Crespi, John A.
    Published: 2009; ©2009
    Publisher:  University of Hawaii Press, Honolulu

    China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers... more

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    China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824837532
    Other identifier:
    Subjects: Social movements in literature; Revolutionary poetry, Chinese; Chinese poetry; Oral interpretation of poetry; Social movements in literature; Revolutionary poetry, Chinese; Chinese poetry; Oral interpretation of poetry; Chinese poetry.; Oral interpretation of poetry.; Revolutionary poetry, Chinese.; Social movements in literature.
    Scope: 1 Online-Ressource, 11 b&w images
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- 1. Poetic Interiorities: From Civilization to Nation -- -- 2. Poetry Off The Page: Sound Aesthetics in Print -- -- 3. Inventing Recitation: Poetry and the Idea of the Sounding Voice During the War of Resistance -- -- 4. Wartime Recitals and the Consolidation of a Genre -- -- 5. Zhu Ziqing and Situational Poetics: Sounding Out an Alternative -- -- 6. Calculated Passions: The Lyric and the Theatric in Mao-Era Poetry Recitation -- -- 7. From Yundong to Huodong: The Value of Poetry Recitation in Postsocialist China -- -- Notes -- -- Glossary -- -- Works Cited -- -- Index -- -- About the Author