Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Includes bibliographical references and index
"Temples for tomorrow": introductory essay / Geneviv̈e Fabre and Michel Feith -- Racial doubt and racial shame in the Harlem Renaissance / Arnold Rampersad -- The syncopated African: constructions of origins in the Harlem Renaissance (literature, music, visual arts) / Michel Feith -- Oh Africa! The influence of African art during the Harlem Renaissance / Amy H. Kirschke -- Florence B. Price's "Negro symphony" / Rae Linda Brown -- Ethel Waters: the voice of an era / Randall Cherry -- Oscar Micheaux and the Harlem Renaissance / Clyde Taylor -- The tragedy and the joke: James Weldon Johnson's The Autobiography of an Ex-Coloured Man / Alessandro Portelli -- "The spell of Africa is upon me": W.E.B. DuBois's notion of art as propaganda / Alessandra Lorini -- Subject to disappearance: interracial identity in Nella Larsen's Quicksand / George Hutchinson -- No free gifts: Toomer's "Fern" and the Harlem Renaissance / William Boelhower -- Harlem as a memory place: reconstructing the Harlem Renaissance in space / Dorothea Lḇbermann -- "A basin in the mind": language in Their Eyes Were Watching God / Claudine Raynaud -- Langston Hughes's blues / Monica Michlin -- The tropics in New York: Claude McKay and the new Negro movement / Carl Pedersen -- The West Indian presence in Alain Locke's The New Negro (1925) / Franȯise Charras -- Three ways to translate the Harlem Renaissance / Brent Hayes Edwards -- The Harlem Renaissance abroad: French critics and the new Negro literary movement (1924-1964) / Michel Fabre
