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Displaying results 1 to 4 of 4.

  1. Textual subjectivity
    the encoding of subjectivity in medieval narratives and lyrics
    Author: Spearing, A. C.
    Published: 2005
    Publisher:  Oxford University Press, Oxford ; New York

    "This book investigates how subjectivity is encoded in the texts of a wide variety of medieval narratives and lyrics - not how they express the subjectivity of individuals, but how subjectivity, escaping the bounds of individuality, is incorporated... more

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Universitätsbibliothek Würzburg
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    "This book investigates how subjectivity is encoded in the texts of a wide variety of medieval narratives and lyrics - not how they express the subjectivity of individuals, but how subjectivity, escaping the bounds of individuality, is incorporated in the linguistic fabric of their texts. Most of the poems discussed are in English, and the book includes analyses of Chaucer's Troilus and Criseyde, Man of Law's tale, and Complaint Unto Pity, the works of the Pearl poet, Havelok the Dane, the lyric sequence attributed to Charles of Orleans (the earliest such sequence in English), and many anonymous poems by the troubadour Bernart de Ventadorn. For the first time, it brings to bear on medieval narratives and lyrics a body of theory which denies the supposed necessity for literary texts to have narrators or 'speakers', and in doing so reveals the implausibilities into which a dogmatic assumption of this necessity has led much of the last century's criticism."--BOOK JACKET.

     
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  2. Textual subjectivity
    the encoding of subjectivity in medieval narratives and lyrics
    Author: Spearing, A. C.
    Published: 2005
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    "This book investigates how subjectivity is encoded in the texts of a wide variety of medieval narratives and lyrics - not how they express the subjectivity of individuals, but how subjectivity, escaping the bounds of individuality, is incorporated... more

    Location:
    Universitätsbibliothek Augsburg
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    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    "This book investigates how subjectivity is encoded in the texts of a wide variety of medieval narratives and lyrics - not how they express the subjectivity of individuals, but how subjectivity, escaping the bounds of individuality, is incorporated in the linguistic fabric of their texts. Most of the poems discussed are in English, and the book includes analyses of Chaucer's Troilus and Criseyde, Man of Law's tale, and Complaint Unto Pity, the works of the Pearl poet, Havelok the Dane, the lyric sequence attributed to Charles of Orleans (the earliest such sequence in English), and many anonymous poems by the troubadour Bernart de Ventadorn. For the first time, it brings to bear on medieval narratives and lyrics a body of theory which denies the supposed necessity for literary texts to have narrators or 'speakers', and in doing so reveals the implausibilities into which a dogmatic assumption of this necessity has led much of the last century's criticism."--BOOK JACKET.

     
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  3. Chaucer's agents
    cause and representation in Chaucerian narrative
    Author: Van Dyke, Carolynn
    Published: 2005
    Publisher:  Fairleigh Dickinson Univ. Press, Madison, N.J. [u.a.]

    Location:
    Bayerische Staatsbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0838640834
    Subjects: Agent (Philosophie) dans la littérature; Causalité dans la littérature; Mimêsis dans la littérature; Narration - Histoire - 500-1500 (Moyen Âge); Philosophie médiévale dans la littérature; Rhétorique médiévale; Geschichte; Philosophie; Narration (Rhetoric); Philosophy, Medieval, in literature; Agent (Philosophy) in literature; Causation in literature; Mimesis in literature; Rhetoric, Medieval
    Other subjects: Chaucer, Geoffrey <m. 1400> - Philosophie; Chaucer, Geoffrey <m. 1400> - Technique; Chaucer, Geoffrey (d. 1400); Chaucer, Geoffrey (d. 1400); Chaucer, Geoffrey (1343-1400)
    Scope: 371 S.
    Notes:

    Introduction: Chaucer and the subject of agency -- Dreaming the real : Chaucer does allegory -- Beyond Canacee's ring : animal agency in three Canterbury tales -- "He that alle thing may bynde" : the agency of Chaucer's pagan gods -- Goode women, maydenes and wyves : exemplary agency and its discontents -- "That am not I" : the wife of Bath, Criseyde, and the possibility of subjective agency -- Seeing through Chaucer : authorial agency and the representation of truth -- Fre agency.
  4. Textual subjectivity
    the encoding of subjectivity in medieval narratives and lyrics
    Author: Spearing, A. C.
    Published: 2005
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    "This book investigates how subjectivity is encoded in the texts of a wide variety of medieval narratives and lyrics - not how they express the subjectivity of individuals, but how subjectivity, escaping the bounds of individuality, is incorporated... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    "This book investigates how subjectivity is encoded in the texts of a wide variety of medieval narratives and lyrics - not how they express the subjectivity of individuals, but how subjectivity, escaping the bounds of individuality, is incorporated in the linguistic fabric of their texts. Most of the poems discussed are in English, and the book includes analyses of Chaucer's Troilus and Criseyde, Man of Law's tale, and Complaint Unto Pity, the works of the Pearl poet, Havelok the Dane, the lyric sequence attributed to Charles of Orleans (the earliest such sequence in English), and many anonymous poems by the troubadour Bernart de Ventadorn. For the first time, it brings to bear on medieval narratives and lyrics a body of theory which denies the supposed necessity for literary texts to have narrators or 'speakers', and in doing so reveals the implausibilities into which a dogmatic assumption of this necessity has led much of the last century's criticism."--BOOK JACKET.

     
    Export to reference management software   RIS file
      BibTeX file