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Displaying results 1 to 4 of 4.

  1. Performing history
    approaches to history across musicology
    Contributor: November, Nancy (Publisher)
    Published: [2020]; © 2020
    Publisher:  Academic Studies Press, Boston

    The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book’s chapters are structured into six key areas: historically informed performance;... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book’s chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology

     
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  2. Performing history
    approaches to history across musicology
    Contributor: November, Nancy (Publisher)
    Published: [2020]; © 2020
    Publisher:  Academic Studies Press, Boston

    The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book’s chapters are structured into six key areas: historically informed performance;... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book’s chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology

     
    Export to reference management software   RIS file
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  3. Ottoman and European Music in 'Ali Ufuki’s Compendium, MS Turc 292: Analysis, Interpretation, Cultural Context
    volume 2, Critical Report
    Author: Haug, Judith I
    Published: 2022
    Publisher:  Georg Olms Verlag, Hildesheim ; Zürich; New York

    Location:
    Universitätsbibliothek Dortmund
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  4. Ottoman and European Music in 'Ali Ufuki’s Compendium, MS Turc 292: Analysis, Interpretation, Cultural Context
    volume 1, Edition
    Author: Haug, Judith I
    Published: 2022
    Publisher:  Georg Olms Verlag, Hildesheim ; Zürich; New York

    Location:
    Universitätsbibliothek Dortmund
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783487162577
    Other identifier:
    9783487162577
    Parent title:
    Subjects: Albert Bobowski; Critical edition; kritische Edition; MS Turc 292; Mündlichkeit; Music history; Musikgeschichte; Orality and writing; Osmanisches Reich; Ottoman Empire; Schriftlichkeit; Transculturality; Transkulturalität; Wojciech
    Other subjects: Hardcover, Softcover / Musik/Musikgeschichte
    Scope: xxix, 476 Seiten, Notenbeispiele