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  1. Shōjo Across Media
    Exploring "Girl" Practices in Contemporary Japan
    Contributor: Berndt, Jaqueline (Publisher); Nagaike, Kazumi (Publisher); Ōgi, Fusami (Publisher)
    Published: 2019
    Publisher:  Springer International Publishing, Cham ; Palgrave Macmillan

    Universitätsbibliothek Bayreuth
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Berndt, Jaqueline (Publisher); Nagaike, Kazumi (Publisher); Ōgi, Fusami (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030014858
    Other identifier:
    RVK Categories: EI 6800 ; EI 6826 ; EI 6859
    Series: East Asian Popular Culture
    Subjects: Asian Culture; Media and Communication; Gender Studies; Asian Cinema and TV.; Asian Politics; Ethnology-Asia; Communication; Sociology; Motion pictures-Asia; Asia-Politics and government; Geschlechterforschung; Kulturelle Identität; Massenkultur; Mädchen <Motiv>; Anime; Kommunikation; Manga; Soziologie
    Scope: 1 Online-Ressource (xix, 397 Seiten), Illustrationen
  2. Shōjo Across Media
    Exploring "Girl" Practices in Contemporary Japan
    Contributor: Berndt, Jaqueline (Publisher); Nagaike, Kazumi (Publisher); Ōgi, Fusami (Publisher)
    Published: 2019
    Publisher:  Palgrave Macmillan, Cham

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
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  3. Feminism, Women's Agency, and Communication in Early Twentieth-Century China
    The Case of the Huang-Lu Elopement
    Author: He, Qiliang
    Published: 2018
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Feminism, Women’s Agency, and Communication in Early Twentieth-Century China focuses on a sensational elopement in the Yangzi Delta in the late 1920s to explore how middle- and lower-class members of society gained access to and appropriated... more

     

    Feminism, Women’s Agency, and Communication in Early Twentieth-Century China focuses on a sensational elopement in the Yangzi Delta in the late 1920s to explore how middle- and lower-class members of society gained access to and appropriated otherwise alien and abstract enlightenment theories and idioms about love, marriage, and family. Via a network of communications that connected people of differing socioeconomic and educational backgrounds, non-elite women were empowered to display their new womanhood and thereby exercise their self-activating agency to mount resistance to China’s patriarchal system. Qiliang He’s text also investigates the proliferation of anti-feminist conservatisms in legal practice, scholarly discourses, media, and popular culture in the early Nanjing Decade (1927-1937). Utilizing a framework of interdisciplinary scholarship, this book traverses various fields such as legal history, women’s history, popular culture/media studies, and literary studies to explore urban discourse and communication in 1920s China

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 9783319896922
    Other identifier:
    Series: Chinese Literature and Culture in the World
    Subjects: Oriental literature; Culture; Gender; Ethnology-Asia; Motion pictures-Asia; Asian Literature; Culture and Gender; Asian Culture; Asian Cinema and TV
    Scope: 1 Online-Ressource (XVI, 299 Seiten), 10 Illustrationen
    Notes:

    Chapter 0: Introduction -- Chapter 1: In Search of Women’s Agency in Everyday Life: The Construction of the Huang-Lu Love Affair in the Press -- Chapter 2: The Trials of Lu Genrong: The Criminal Law Reform and Women’s Agency in Late 1920s China -- Chapter 3: Polysemy: Discussions and Debates on the Huang-Lu Love Affair -- Chapter 4: Polyphony: Vernacularized Feminisms and the Urban Network of Communication -- Chapter 5: Vernacularization as Global and Local Experiences: The Huang-Lu Affair in Film and Literature -- Chapter 6: Conclusion

  4. Shōjo Across Media
    Exploring "Girl" Practices in Contemporary Japan
    Contributor: Berndt, Jaqueline (Publisher); Nagaike, Kazumi (Publisher); Ōgi, Fusami (Publisher)
    Published: 2019
    Publisher:  Springer International Publishing, Cham ; Palgrave Macmillan

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Berndt, Jaqueline (Publisher); Nagaike, Kazumi (Publisher); Ōgi, Fusami (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030014858
    Other identifier:
    RVK Categories: EI 6800 ; EI 6826 ; EI 6859
    Series: East Asian Popular Culture
    Subjects: Asian Culture; Media and Communication; Gender Studies; Asian Cinema and TV.; Asian Politics; Ethnology-Asia; Communication; Sociology; Motion pictures-Asia; Asia-Politics and government; Geschlechterforschung; Kulturelle Identität; Massenkultur; Mädchen <Motiv>; Anime; Kommunikation; Manga; Soziologie
    Scope: 1 Online-Ressource (xix, 397 Seiten), Illustrationen
  5. Shōjo across media
    exploring "girl" practices in contemporary Japan
    Contributor: Berndt, Jaqueline (Publisher); Nagaike, Kazumi (Publisher); Ōgi, Fusami (Publisher)
    Published: [2019]; © 2019
    Publisher:  Palgrave Macmillan, Cham ; Springer Nature Switzerland AG

    Since the 2000s, the Japanese word shōjo has gained global currency, accompanying the transcultural spread of other popular Japanese media such as manga and anime. The term refers to both a character type specifically, as well as commercial genres... more

     

    Since the 2000s, the Japanese word shōjo has gained global currency, accompanying the transcultural spread of other popular Japanese media such as manga and anime. The term refers to both a character type specifically, as well as commercial genres marketed to female audiences more generally. Through its diverse chapters this edited collection introduces the two main currents of shōjo research: on the one hand, historical investigations of Japan’s modern girl culture and its representations, informed by Japanese-studies and gender-studies concerns; on the other hand, explorations of the transcultural performativity of shōjo as a crafted concept and affect-prone code, shaped by media studies, genre theory, and fan-culture research. While acknowledging that shōjo has mediated multiple discourses throughout the twentieth century—discourses on Japan and its modernity, consumption and consumerism, non-hegemonic gender, and also technology—this volume shifts the focus to shōjo mediations, stretching from media by and for actual girls, to shōjo as media. As a result, the Japan-derived concept, while still situated, begins to offer possibilities for broader conceptualizations of girlness within the contemporary global digital mediascape

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Contributor: Berndt, Jaqueline (Publisher); Nagaike, Kazumi (Publisher); Ōgi, Fusami (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030014858
    Other identifier:
    RVK Categories: EI 6800 ; EI 6826 ; EI 6859
    Series: East Asian popular culture
    Subjects: Ethnology-Asia; Communication; Sociology; Motion pictures-Asia; Asia-Politics and government; Asian Culture; Media and Communication; Gender Studies; Asian Cinema and TV; Asian Politics
    Scope: 1 Online-Ressource (xix, 397 Seiten), Illustrationen
    Notes:

    Enthält Literaturangaben

    Part I: Shōjo Manga -- 1. Romance of the Taishō School Girl in Shōjo Manga: Here Comes Miss Modern (Alisa Freedman) -- 2. Redefining Shōjo and Shōnen Manga through Language Patterns (Giancarla Unser-Schutz) -- 3. Shōjo Manga Beyond Shōjo Manga: The “Female Mode of Address” in Kabukumon (Olga Antononoka) -- Part II: Shōjo beyond Manga -- 4. Practicing Shōjo in Japanese New Media and Cyberculture: Analyses of the Cell Phone Novel and Dream Novel (Kazumi Nagaike and Raymond Langley) -- 5. The Shōjo in the Rōjo: Enchi Fumiko’s Representation of the Rōjo Who Refused to Grow Old (Sohyun Chun) -- 6. Mediating Otome in the Discourse of War Memory: Complexity of Memory-Making through Postwar Japanese War Films (Kaori Yoshida) -- 7. Shōjo in Anime: Beyond the Object of Men’s Desire(Akiko Sugawa-Shimada) -- Part III: Shōjo Performances -- 8. A Dream Dress for Girls: Milk, Fashion and Shōjo Identity (Masafumi Monden) -- 9. Sakura ga meijiru—Unlocking the Shōjo Wardrobe: Cosplay, Manga, 2.5D Space(Emerald L. King) -- 10. Multilayered Performers: The Takarazuka Musical Revue as Media (Sonoko Azuma, Translated by Raymond Langley and Nick Hall) -- 11. Sounds and Sighs: “Voice Porn” for Women (Minori Ishida, Translated by Nick Hall) -- Part IV: Shōjo Fans -- 12. From Shōjo to Bangya(ru): Women and Visual Kei (Adrienne Johnson) -- 13. Shōjo Fantasies of Inhabiting Cool Japan: Reimagining Fukuoka Through Shōjo and Otome Ideals with Cosplay Tourism(Craig Norris) -- 14. Seeking an Alternative: “Male” Shōjo Fans since the 1970s (Patrick W. Galbraith)