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  1. <<The>> architecture of David Lynch
    Author: Martin, Richard
    Published: 2014
    Publisher:  Bloomsbury Academic, New York, NY

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    Source: Union catalogues
    Contributor: Lynch, David
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472505484; 9781472508812
    RVK Categories: AP 51223 ; AP 55700
    Subjects: Architecture in motion pictures; Motion pictures and architecture
    Scope: 230 S., Ill., 22 cm
  2. Cinéma et architecture
    la relève de l'art
    Author: Simond, Clotilde
    Published: 2009
    Publisher:  Aléas, Lyon

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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782843012549
    RVK Categories: AP 46600
    Subjects: Motion pictures and architecture
    Scope: 283 p, ill, 21 cm
    Notes:

    Includes bibliographical references
  3. Cinematic aided design
    an everyday life approach to architecture
    Author: Penz, François
    Published: 2018
    Publisher:  Routledge, Taylor & Francis Group, New York

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    TU Darmstadt, Universitäts- und Landesbibliothek - Lichtwiese
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    /ZH 3470 P419
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415639071; 9780415639088
    RVK Categories: ZH 3470
    Subjects: Stadt <Motiv>; Architektur <Motiv>; Innenarchitektur <Motiv>; Film; Motion pictures and architecture
    Scope: xx, 243 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Introduction. The case for everydayness -- Everydayness and cinema. Introduction to everydayness and cinema -- The value of fiction and the role of disruptions -- Georges Perec & Chantal Akerman -- Rhythmanalysis -- Cinematic typologies of the everyday -- An architectonic of cinema. Introduction. Windows -- Doors -- Stairs -- Joining the dots -- Cinematic aided design. Towards a cinematic approach to everyday life and architecture
  4. Cinéma et architecture
    la relève de l'art
    Author: Simond, Clotilde
    Published: 2009
    Publisher:  Aléas, Lyon

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782843012549
    Other identifier:
    9782843012549
    RVK Categories: AP 46600
    Subjects: Geschichte; Motion pictures and architecture; Film; Architektur; Architektur <Motiv>; Moderne
    Scope: 283 S., Ill.
  5. Architecture and science-fiction film
    Philip K. Dick and the spectacle of home
    Author: Fortin, David Terrance
    Published: 2011
    Publisher:  Ashgate, Farnham [u.a.]

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    Bayerische Staatsbibliothek
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    Technische Universität München, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781409407485
    Series: Ashgate studies in architecture series
    Subjects: Science fiction films; Motion pictures and architecture; Home in motion pictures; Verfilmung; Architektur; Science-Fiction-Film; Zuhause <Motiv>
    Other subjects: Dick, Philip K; Dick, Philip K. (1928-1982)
    Scope: X, 239 S., Ill.
    Notes:

    Includes index
  6. The chameleon effect
    architecture's role in film
    Author: Froehlich, Dietmar E.
    Published: [2018]
    Publisher:  Birkhauser, Basel

    Architecture and film have many things in common. Film narratives are embedded in scenes that visually support the story. Sometimes architecture even performs the role of an actor. Conversely, film with its multifaceted changing atmospheres reveals... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Architecture and film have many things in common. Film narratives are embedded in scenes that visually support the story. Sometimes architecture even performs the role of an actor. Conversely, film with its multifaceted changing atmospheres reveals new layers of architecture which, outside the cinema, would remain concealed. In conclusion, film as a mass medium influences the way architecture is perceived, and its image in society. Since the beginning of cinema, architecture has formed a symbiosis with film.00With its systematic analysis, this book offers a scientifically researched history of mutual influence, starting with filmography as a typology of well-known film sets through to the description of the chameleon effect between film and architecture

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035613445
    RVK Categories: LH 67190 ; AP 46600
    Subjects: Architecture in motion pictures; Motion pictures and architecture; Film; Architektur <Motiv>; Architektur
    Scope: 1 online resource (319 pages), illustrations
    Notes:

    Description based on print version record
  7. Architecture and science-fiction film
    Philip K. Dick and the spectacle of home
    Author: Fortin, David Terrance
    Published: 2011
    Publisher:  Ashgate, Farnham [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781409407485
    Series: Ashgate studies in architecture series
    Subjects: Science fiction films; Motion pictures and architecture; Home in motion pictures; Verfilmung; Architektur; Science-Fiction-Film; Zuhause <Motiv>
    Other subjects: Dick, Philip K; Dick, Philip K. (1928-1982)
    Scope: X, 239 S., Ill.
    Notes:

    Includes index
  8. Cinéma et architecture
    la relève de l'art
    Author: Simond, Clotilde
    Published: 2009
    Publisher:  Aléas, Lyon

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2010/927
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782843012549
    Other identifier:
    9782843012549
    RVK Categories: AP 46600
    Subjects: Motion pictures and architecture
    Scope: 283 S., Ill.
    Notes:

    Includes bibliographical references
  9. The architecture of David Lynch
    Author: Martin, Richard
    Published: 2015
    Publisher:  Bloomsbury Acad., London [u.a.]

    "Home to some of the most remarkable spaces in contemporary culture, the cinema of David Lynch demonstrates an acute awareness of architecture. From the urban wastelands of Eraserhead to the eerie Red Room in Twin Peaks, Lynch's architecture is... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "Home to some of the most remarkable spaces in contemporary culture, the cinema of David Lynch demonstrates an acute awareness of architecture. From the urban wastelands of Eraserhead to the eerie Red Room in Twin Peaks, Lynch's architecture is anxious, absurd and utterly distinct. Contemporary architects such as Peter Eisenman, Frank Gehry and Jean Nouvel have responded to these spaces in fascinating ways.This book is the first sustained critical assessment of the role architecture and design play in Lynch's films. What can be learnt about Lynch's films by examining the architecture we see within them? What can be learnt about architecture, especially the spatial developments of post-war America, by examining Lynch's films?Drawing on primary research in Łódź, London, Los Angeles, Paris and Philadelphia, the book is structured around the prime symbolic spaces found in Lynch's work: the small town, the city, the home, the road, and the stage. A final chapter deals with the singular architecture of Lynch's latest film, Inland Empire, a complex work yet to receive sufficient critical explication. Alongside a broad set of literary, cinematic and artistic comparisons, a diverse range of urban and architectural theorists, including Mike Davis, Jane Jacobs and Richard Sennett, are discussed in a new context.The Architecture of David Lynch will emphasise key architects such as Rem Koolhaas, Le Corbusier, Adolf Loos, Richard Neutra, Jean Nouvel and Frank Lloyd Wright to show how Lynch's films enable us to understand contemporary architecture and demonstrates that Lynch's work prompts a reconsideration of how European modernism has been translated across the Atlantic"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472508812; 9781472505484
    RVK Categories: AP 51223
    Subjects: Architecture in motion pictures; Motion pictures and architecture
    Other subjects: Lynch, David (1946-)
    Scope: X, 234 S., [16] Bl., Ill.
    Notes:

    Literaturverz. S. [217] - 225
  10. The architecture of David Lynch
    Author: Martin, Richard
    Published: 2015
    Publisher:  Bloomsbury Acad., London [u.a.]

    "Home to some of the most remarkable spaces in contemporary culture, the cinema of David Lynch demonstrates an acute awareness of architecture. From the urban wastelands of Eraserhead to the eerie Red Room in Twin Peaks, Lynch's architecture is... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2014:6623:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 934846
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    T 16 B 3745
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    KoM 2218.Lyn 15
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    UB Weimar
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    "Home to some of the most remarkable spaces in contemporary culture, the cinema of David Lynch demonstrates an acute awareness of architecture. From the urban wastelands of Eraserhead to the eerie Red Room in Twin Peaks, Lynch's architecture is anxious, absurd and utterly distinct. Contemporary architects such as Peter Eisenman, Frank Gehry and Jean Nouvel have responded to these spaces in fascinating ways.This book is the first sustained critical assessment of the role architecture and design play in Lynch's films. What can be learnt about Lynch's films by examining the architecture we see within them? What can be learnt about architecture, especially the spatial developments of post-war America, by examining Lynch's films?Drawing on primary research in Łódź, London, Los Angeles, Paris and Philadelphia, the book is structured around the prime symbolic spaces found in Lynch's work: the small town, the city, the home, the road, and the stage. A final chapter deals with the singular architecture of Lynch's latest film, Inland Empire, a complex work yet to receive sufficient critical explication. Alongside a broad set of literary, cinematic and artistic comparisons, a diverse range of urban and architectural theorists, including Mike Davis, Jane Jacobs and Richard Sennett, are discussed in a new context.The Architecture of David Lynch will emphasise key architects such as Rem Koolhaas, Le Corbusier, Adolf Loos, Richard Neutra, Jean Nouvel and Frank Lloyd Wright to show how Lynch's films enable us to understand contemporary architecture and demonstrates that Lynch's work prompts a reconsideration of how European modernism has been translated across the Atlantic"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472508812; 9781472505484
    RVK Categories: AP 51223
    Subjects: Architecture in motion pictures; Motion pictures and architecture
    Other subjects: Lynch, David (1946-)
    Scope: X, 234 S., [16] Bl., Ill.
    Notes:

    Literaturverz. S. [217] - 225
  11. The view from the train
    cities and other landscapes
    Author: Keiller, Patrick
    Published: 2014
    Publisher:  Verso, London

    "Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future." In his sequence of films, Patrick Keiller... more

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    Hochschule Anhalt , Hochschulbibliothek
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    AR 28864
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    UB Weimar
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    Lh 5073/1
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    "Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future." In his sequence of films, Patrick Keiller retraces the hidden story of the places where we live, the cities and landscapes of our everyday lives. Now, in this brilliant collection of essays, he offers a new perspective on how Britain works and sees itself. He discusses the background to his work and its development - from surrealism to post-2008 economic catastrophe - and expands on what the films reveal. Referencing writers including Benjamin and Lefebvre, the essays follow his career since the late 1970s, exploring themes including the surrealist perception of the city; the relationship of architecture and film; how cities change over time, and how films represent this; as well as accounts of cross-country journeys involving historical figures, unexpected ideas and an urgent portrait of post-crash Britain"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1781687765; 9781781687765
    Edition: Paperback edition
    Series: Film, Architecture
    Subjects: Landscapes in art; Motion pictures and architecture; Landscapes in motion pictures; Cities and towns in motion pictures; Motion pictures
    Scope: 218 Seiten, Illustrationen, 20 cm
    Notes:

    Includes bibliographical references (pages 193-211) and index

    Introduction: The view from the trainThe poetic experience of townscape and landscape -- Atmosphere, palimpsest and other interpretations of landscape -- Port statistics -- The dilapidated dwelling -- Popular science -- Architectural cinematography -- London in the early 1990s -- London -- Rochester -- London -- The Robinson Institute -- The city of the future -- Film as spatial critique -- Phantom rides: the railway and early film -- Imaging.
  12. The view from the train
    cities and other landscapes
    Author: Keiller, Patrick
    Published: 2013
    Publisher:  Verso, London [u.a.]

    ""Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future." In his sequence of films, Patrick Keiller... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2014:21:
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    HafenCity Universität Hamburg, Bibliothek
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    EC 1879 001
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    Universitätsbibliothek Mannheim
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    500 EC 1879 K27
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    ""Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future." In his sequence of films, Patrick Keiller retraces the hidden story of the places where we live, the cities and landscapes of our everyday lives. Now, in this brilliant collection of essays, he offers a new perspective on how Britain works and sees itself. He discusses the background to his work and its development - from surrealism to post-2008 economic catastrophe - and expands on what the films reveal. Referencing writers including Benjamin and Lefebvre, the essays follow his career since the late 1970s, exploring themes including the surrealist perception of the city; the relationship of architecture and film; how cities change over time, and how films represent this; as well as accounts of cross-country journeys involving historical figures, unexpected ideas and an urgent portrait of post-crash Britain"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781781681404; 1781681406
    RVK Categories: EC 1879 ; AP 50300
    Subjects: London (England); Landscapes; Motion pictures; Landscapes in motion pictures; Motion pictures and architecture; Cities and towns in motion pictures; Performing arts
    Scope: 218 S., Ill., 22 cm
    Notes:

    Includes bibliographical references and index

    Introduction: The view from the trainThe poetic experience of townscape and landscape -- Atmosphere, palimpsest and other interpretations of landscape -- Port statistics -- The dilapidated dwelling -- Popular science -- Architectural cinematography -- London in the early 1990s -- London - Rochester - London -- The Robinson Institute -- The city of the future -- Film as spatial critique -- Phantom rides: the railway and early film -- Imaging.
  13. Film - Architektur
    Perspektiven des Kinos auf den Raum
    Contributor: Binotto, Johannes (HerausgeberIn); Netzhammer, Yves (IllustratorIn)
    Published: [2017]
    Publisher:  Bauverlag, Gütersloh

    „Ich bin das Kino-Auge. Ich bin ein Baumeister", schrieb der Filmregisseur Dziga Vertov. Wo gefilmt wird, fängt die Kamera unweigerlich jene Räume ein, die sich vor ihrer Linse befinden. Doch begnügt sich das Kino nicht damit, existierende Bauwerke... more

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    Zentrale Hochschulbibliothek Flensburg
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    „Ich bin das Kino-Auge. Ich bin ein Baumeister", schrieb der Filmregisseur Dziga Vertov. Wo gefilmt wird, fängt die Kamera unweigerlich jene Räume ein, die sich vor ihrer Linse befinden. Doch begnügt sich das Kino nicht damit, existierende Bauwerke abzubilden; mit seinen Methoden der Bewegung, der Kadrage und der Montage durchkreuzt, manipuliert und konstruiert es Architekturen. Architektur ist somit für den Film nicht bloß Sujet, der Film ist vielmehr, wie Eric Rohmer schreibt, selbst schon „eine Kunst der Raumorganisation". So spiegelt der Film einerseits die Tätigkeit von Architekturschaffenden und macht andererseits das Kino zu deren Lern- und Experimentierfeld. 13 Originalbeiträge entfalten Aspekte der so inspirierenden wie komplexen Beziehung zwischen Architektur und Film.

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Binotto, Johannes (HerausgeberIn); Netzhammer, Yves (IllustratorIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783035614312; 9783035614343
    Other identifier:
    9783035614374
    RVK Categories: AP 55800 ; AP 55700
    Series: Bauwelt Fundamente ; 160
    Subjects: Motion pictures and architecture; Motion pictures; ARCHITECTURE / Study & Teaching
    Scope: 1 Online-Ressource (246 Seiten), Illustrationen
    Notes:

    Binotto, Johannes --: Frontmatter -- ; Inhalt -- ; Film / Architektur. Eine Einführung

    Bächtiger, Marcel --: I. Unsichere Fundamente: Zum (Un-)Verhältnis von Film und Architektur -- ; Unerfüllte Sehnsucht. Über das bewegte Bild in Film und Architektur

    Kuch, Ulrike --: Zwischenraum, Leib, Chronotopos. Das Erscheinen von Zeit auf der Treppe des Films

    Stierli, Martino --: Verkörperte Zuschauerschaft: Zu Sergej Eisensteins Theorie architektonischer Montage

    Eggersglüß, Christoph --: Die Straße runter – oben bleiben

    Hediger, Vinzenz --: Mit Viollet-le-Duc ins Kino: Über das Restaurative im Verhältnis von Architektur und Film

    Binotto, Johannes --: Prekäre Schauplätze: Der Film als das Unheimliche der Architektur

    Hüser, Rembert --: II. On Location: Schauplätze einer Architektur des Films -- ; Ausstieg Frankfurt

    Gerber, Andri --: Architektur und Film bei Pasolini und Godard: Ein metaphorisches Bordell!

    Herzogenrath, Bernd --: „This Is Some Spooky Shit We Got Here“: Seltsame Topo/Logiken in David Lynchs Lost Highway

    Wittmann, Matthias --: Stereovision. Raumformen des 3-D-Kinos von Sergej Eisenstein bis Jean-Luc Godard

    Truniger, Fred --: In der Stadt der bewegten Bilder. Der öffentliche Raum als Kino der Attraktionen
  14. The architecture of David Lynch
    Author: Martin, Richard
    Published: 2019
    Publisher:  Bloomsbury Visual Arts, London

    "Home to some of the most remarkable spaces in contemporary culture, the cinema of David Lynch demonstrates an acute awareness of architecture. From the urban wastelands of Eraserhead to the eerie Red Room in Twin Peaks, Lynch's architecture is... more

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    AP 51223 M379
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    "Home to some of the most remarkable spaces in contemporary culture, the cinema of David Lynch demonstrates an acute awareness of architecture. From the urban wastelands of Eraserhead to the eerie Red Room in Twin Peaks, Lynch's architecture is anxious, absurd and utterly distinct. Contemporary architects such as Peter Eisenman, Frank Gehry and Jean Nouvel have responded to these spaces in fascinating ways.This book is the first sustained critical assessment of the role architecture and design play in Lynch's films. What can be learnt about Lynch's films by examining the architecture we see within them? What can be learnt about architecture, especially the spatial developments of post-war America, by examining Lynch's films?Drawing on primary research in Łódź, London, Los Angeles, Paris and Philadelphia, the book is structured around the prime symbolic spaces found in Lynch's work: the small town, the city, the home, the road, and the stage. A final chapter deals with the singular architecture of Lynch's latest film, Inland Empire, a complex work yet to receive sufficient critical explication. Alongside a broad set of literary, cinematic and artistic comparisons, a diverse range of urban and architectural theorists, including Mike Davis, Jane Jacobs and Richard Sennett, are discussed in a new context.The Architecture of David Lynch will emphasise key architects such as Rem Koolhaas, Le Corbusier, Adolf Loos, Richard Neutra, Jean Nouvel and Frank Lloyd Wright to show how Lynch's films enable us to understand contemporary architecture and demonstrates that Lynch's work prompts a reconsideration of how European modernism has been translated across the Atlantic"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472505484; 9781350146792
    RVK Categories: AP 51223
    Subjects: Architecture in motion pictures; Motion pictures and architecture
    Other subjects: Lynch, David (1946-)
    Scope: x, 234 Seiten, 32 ungezählte Seiten, Illustrationen
    Notes:

    Literaturverz. S. [217] - 225
  15. Cinematic aided design
    an everyday life approach to architecture
    Author: Penz, François
    Published: 2018
    Publisher:  Routledge, Taylor & Francis Group, New York

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415639071; 9780415639088
    Subjects: Motion pictures and architecture
    Scope: xx, 243 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Introduction. The case for everydayness -- Everydayness and cinema. Introduction to everydayness and cinema -- The value of fiction and the role of disruptions -- Georges Perec & Chantal Akerman -- Rhythmanalysis -- Cinematic typologies of the everyday -- An architectonic of cinema. Introduction. Windows -- Doors -- Stairs -- Joining the dots -- Cinematic aided design. Towards a cinematic approach to everyday life and architecture
  16. Film - Architektur
    Perspektiven des Kinos auf den Raum
    Contributor: Binotto, Johannes (HerausgeberIn); Netzhammer, Yves (IllustratorIn)
    Published: [2017]; © 2017
    Publisher:  Bauverlag, Gütersloh ; Birkhäuser, Berlin

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    Content information
    Source: Union catalogues
    Contributor: Binotto, Johannes (HerausgeberIn); Netzhammer, Yves (IllustratorIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3035614377; 9783035614374
    Other identifier:
    9783035614374
    RVK Categories: AP 55700 ; AP 55800
    DDC Categories: 740
    Series: Bauwelt Fundamente ; 160
    Subjects: Motion pictures; Motion pictures and architecture
    Scope: 246 Seiten, Illustrationen, 19 cm x 14 cm
    Notes:

    Literaturangaben