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  1. Film and the Shoah in France and Italy
    Author: Lichtner, Giacomo
    Published: 2015
    Publisher:  Valentine Mitchell, London ; Portland, OR

    Location:
    Institut für Zeitgeschichte München-Berlin, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780853039495
    Edition: First published in paperback
    Subjects: Holocaust, Jewish (1939-1945), in motion pictures; Motion pictures / France / History; Motion pictures / Italy / History; Film; Geschichte; Holocaust, Jewish (1939-1945), in motion pictures; Motion pictures; Motion pictures; Film; Judenvernichtung <Motiv>
    Scope: XII, 244 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (p. [223]-240) and index

    Includes filmography
  2. Die Sagbarkeit der Heldin
    Jeanne d'Arc in Quellen des 15. und Filmen des 20. Jahrhunderts
    Author: Kansteiner, Morten
    Published: [2011]; © 2011
    Publisher:  Böhlau Verlag, Köln/Wien

    Wie ein Mann zog sie in den Krieg und führte die Franzosen zum Sieg - so erzählen sowohl Chroniken, Briefe, Prozessakten des 15. Jahrhunderts als auch Filme aus allen Abschnitten der Kinogeschichte von Jeanne d'Arc. Obwohl die Gender-­Konventionen... more

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Katholische Stiftungshochschule München, Bibliothek Benediktbeuern
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Katholische Stiftungshochschule München, Bibliothek München
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    Evangelische Hochschule Nürnberg, Bibliothek
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    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
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    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
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    Wie ein Mann zog sie in den Krieg und führte die Franzosen zum Sieg - so erzählen sowohl Chroniken, Briefe, Prozessakten des 15. Jahrhunderts als auch Filme aus allen Abschnitten der Kinogeschichte von Jeanne d'Arc. Obwohl die Gender-­Konventionen spätmittelalterlicher Texte ebenso wie des Mainstream-Films bis gegen Ende des 20. Jahrhunderts eine kämpferische Heldin nicht vorsehen. Wie kann es sein, dass dennoch immer wieder von Jeanne die Rede ist? Ausgestattet mit Instrumenten aus dem Werkzeugkasten des Michel Foucault erkundet Morten Kansteiner die diskursiven Konstellationen, die einer Heldin Rückhalt geben: die Verehrung von Heiligen, Nationalhelden und Stars - Kontexte, die einer aktiven Frauenfigur wachsende Möglichkeiten bieten, aber auch spezifische Beschränkungen auferlegen

     
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
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    Series: Beiträge zur Geschichtskultur
    Beiträge zur Geschichtskultur ; 36
    Subjects: Christian women saints; Film; Geschichte; Heiligenverehrung; Heldenverehrung; Heroismus; Literatur; Literature; Motion pictures; Motiv (Film); Motiv (Literatur); Philosophy, Modern; Motion pictures / France / History; Philosophy, Modern / 20th century
    Scope: 1 online resource(406 p.), illustrations
    Notes:

    De Gruyter

    Frontmatter --Inhalt --Vorwort --Einleitung --A. Theorie --B. Jeanne d'Arc als Heldin ihrer ZeitgenossInnen --C. Jeanne d'Arc als Filmheldin --Resümee --Filmographie --Verzeichnis der schriftlichen Quellen --Verzeichnis der Fachliteratur
  3. Film and community, Britain and France
    from La règle du jeu to Room at the top
    Author: Butler, Margaret
    Published: 2004
    Publisher:  I.B. Tauris, London

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Hochschulbibliothek Ansbach
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    Staats- und Stadtbibliothek Augsburg
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    Technische Hochschule Augsburg
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    Staatsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Landesbibliothek Coburg
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    Studienbibliothek
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Hochschule Weihenstephan-Triesdorf, Zentralbibliothek
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    Hochschule für Angewandte Wissenschaften Hof - Hochschule Hof, Bibliothek
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    Hochschulbibliothek Ingolstadt
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    Bayerische Staatsbibliothek
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    Deutsches Museum, Bibliothek
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    Hochschule für angewandte Wissenschaften Neu-Ulm, Hochschulbibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Staatliche Bibliothek Neuburg/Donau
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    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
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    Universitätsbibliothek Passau
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    Leibniz-Institut für Ost- und Südosteuropaforschung, Bibliothek
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    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
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    Staatliche Bibliothek Regensburg
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    Universitätsbibliothek Regensburg
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    Hochschule für angewandte Wissenschaften Würzburg-Schweinfurt, Abteilungsbibliothek Schweinfurt
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Hochschule für Musik, Bibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1417583665; 9781417583669; 9780857712646; 0857712640
    RVK Categories: AP 44930 ; AP 44935
    Series: Cinema and Society
    Subjects: PERFORMING ARTS / Film & Video / Reference; Oorlogsfilms; Tweede Wereldoorlog; Maatschappij; Film; Geschichte; Weltkrieg (1939-1945); Motion pictures / Great Britain / History; Motion pictures / France / History; World War, 1939-1945 / Motion pictures and the war; War films / Great Britain; War films / France; Film; Gemeinschaft <Motiv>
    Scope: 1 Online-Ressource (1 v.)
    Notes:

    Based on the author's thesis (Ph. D.)--University of Essex

    Includes bibliographical references (p. 219-242) and index

    Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises

    Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
  4. Film and the Shoah in France and Italy
    Author: Lichtner, Giacomo
    Published: 2008
    Publisher:  Mitchell, London [u.a.]

    Location:
    Bayerische Staatsbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Edition: 1. publ.
    Subjects: Holocaust, Jewish (1939-1945), in motion pictures; Motion pictures / France / History; Motion pictures / Italy / History; Film; Geschichte; Holocaust, Jewish (1939-1945), in motion pictures; Motion pictures; Motion pictures; Judenvernichtung <Motiv>; Film
    Scope: XII, 244 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. [223]-240) and index

    Includes filmography
  5. Masculine singular
    French new wave cinema
    Author: Sellier, Geneviève
    Published: 2008
    Publisher:  Duke Univ. Press, Durham [u.a.]

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Subjects: Motion pictures / France / History; New wave films / France / History and criticism; Femmes au cinéma; Nouvelle Vague (Cinéma) - France; Sexisme au cinéma; Film; Geschichte; Motion pictures; New wave films; Nouvelle vague; Geschlecht <Motiv>
    Scope: VI, 269 S., Ill., 23 cm
    Notes:

    Translated from the French

    Includes bibliographical references (p. [245]-251) and index
  6. Film and community, Britain and France
    from La règle du jeu to Room at the top
    Author: Butler, Margaret
    Published: 2004
    Publisher:  I.B. Tauris, London

    Location:
    Berlin International University of Applied Sciences, Hans-Dieter Klingemann Library
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    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    TU Berlin, Universitätsbibliothek
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    Technische Hochschule Brandenburg, Hochschulbibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Hochschule für nachhaltige Entwicklung Eberswalde, Hochschulbibliothek
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Content information
    Full text (Click to View (Currently Only Available on Campus))
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1417583665; 9781417583669; 9780857712646; 0857712640
    RVK Categories: AP 44930 ; AP 44935
    Series: Cinema and Society
    Subjects: PERFORMING ARTS / Film & Video / Reference; Oorlogsfilms; Tweede Wereldoorlog; Maatschappij; Film; Geschichte; Weltkrieg (1939-1945); Motion pictures / Great Britain / History; Motion pictures / France / History; World War, 1939-1945 / Motion pictures and the war; War films / Great Britain; War films / France; Film; Gemeinschaft <Motiv>
    Scope: 1 Online-Ressource (1 v.)
    Notes:

    Based on the author's thesis (Ph. D.)--University of Essex

    Includes bibliographical references (p. 219-242) and index

    Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises

    Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
  7. Masculine singular
    French new wave cinema
    Author: Sellier, Geneviève
    Published: 2008
    Publisher:  Duke Univ. Press, Durham [u.a.]

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Subjects: Motion pictures / France / History; New wave films / France / History and criticism; Femmes au cinéma; Nouvelle Vague (Cinéma) - France; Sexisme au cinéma; Film; Geschichte; Motion pictures; New wave films; Nouvelle vague; Geschlecht <Motiv>
    Scope: VI, 269 S., Ill., 23 cm
    Notes:

    Translated from the French

    Includes bibliographical references (p. [245]-251) and index
  8. Traveling in French cinema
    Author: Blum-Reid, Sylvie
    Published: 2016
    Publisher:  Palgrave Macmillan, Basingstoke

    Location:
    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781137553539; 1137553537
    RVK Categories: AP 50300 ; AP 53970 ; AP 59435 ; IH 2000
    Edition: First published
    Subjects: Travel in motion pictures; Motion pictures / France / History; Motion pictures; Travel in motion pictures; Film; Geschichte; Film; Reise <Motiv>
    Scope: VIII, 237 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Departure -- Rituals: the unlikely travel -- Vagabondages -- The return/the nostoï -- Transit -- Rebels and flâneuses -- Dérives -- Conclusion
  9. La Nouvelle vague
    un cinéma au masculin singulier
    Author: Sellier, Geneviève
    Published: 2005
    Publisher:  CNRS Editions, Paris <France>

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 227106354X
    Series: Cinéma & audiovisuel
    Subjects: Motion pictures / France / History; New wave films / France / History and criticism
    Scope: 217 p, 24 cm
    Notes:

    Includes bibliographical references
  10. Threat
    essays in French literature, thought and visual culture
    Contributor: Evans, Georgina (Publisher); Kay, Adam (Publisher)
    Published: ©2010
    Publisher:  Peter Lang, Bern, Switzerland

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    Content information
    Source: Union catalogues
    Contributor: Evans, Georgina (Publisher); Kay, Adam (Publisher)
    Language: English; French
    Media type: Ebook
    Format: Online
    ISBN: 9783035300093; 3035300097
    Corporations / Congresses:
    Cambridge French Graduate Conference
    Series: Modern French identities ; v. 69
    Subjects: French literature / History and criticism / Congresses; Philosophy, French / Congresses; Threat (Psychology) in literature / Congresses; Fear in literature / Congresses; Motion pictures / France / History / Congresses; Fear in literature; French literature / History and criticism; Motion pictures / France / History; Philosophy, French; Threat (Psychology) in literature; LITERARY CRITICISM / European / French; Fear in literature / (OCoLC)fst00922059; French literature / (OCoLC)fst00934688; Motion pictures / (OCoLC)fst01027285; Philosophy, French / (OCoLC)fst01060959; Threat (Psychology) in literature / (OCoLC)fst01150301
    Scope: 1 online resource (vi, 240 pages)
    Notes:

    "This collection of essays arises from the 7th annual Cambridge French Graduate Conference, held July 4-5, 2005, whose theme was 'threat'."

    Print version record

    Includes bibliographical references and index

    Acknowledgements vii; GEORGINA EVANS AND ADAM KAY Introduction 1; Part 1: The Threat of the Other 7; MICHAEL HARRIGAN Méchant Chrétien ne sera jamais bon Turc 9; ROGER BAINES Ta mère suce des Schtroumpfs: The Relationship between Face Threat and Solidarity in the Ritual ta mère ... Insult Used by French Adolescents 29; EMILY BUTTERWORTH Borrowed Soldiers, Borrowed Words: The Threat of the Foreign in Montaigne's 'De la phisionomie' 49; Part 2: The Subject on Film 67; LAURA MCMAHON Touching Intact: Sophie Calle's Threat to Privacy 69

    ISABELLE MCNEILL Threat and the Moving Image: Histoire(s) du Cinéma in the Twenty-First Century 85JENNY CHAMARETTE Threatened Corpo-Realities: Decentring and Dissolving Subjectivities in Philippe Grandrieux's La Vie nouvelle 105; Part 3: Spaces and Invasions 123; GERALDINE MCILWAINE The Threat of the Urban Space in Three Novels by Jean-Marie Gustave Le Clézio 125; MICHAEL SEABROOK The Monster under the Bed: Threat to the Couple in the Early Works of Flaubert 141; ADAM KAYA Beautiful Evil: Erotic Invasion in Ronsard's Amours de Cassandre 155; Part 4: The Threatened Subject 175

    JENNIFER BURRIS Quand on n'est plus qu'une ligne: The Threatened Subject in the Work of Henri Michaux 177JEFFREY KIRKWOOD AND DAVID LOGAN WRIGHT Between Being and Otherwise: Lacunae, Lévinas and the Threat of Totality 197; CHRISTOPHER WATKIN Paul Ricoeur and the Threatened Self 217; Contributors 233; Index 237