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  1. andererseits - Yearbook of Transatlantic German Studies: Vol. 11/12, 2022/23
    Published: 2024
    Publisher:  transcript Verlag ; DEU ; Bielefeld

    'andererseits' provides a forum for research, commentary, and creative work on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews,... more

     

    'andererseits' provides a forum for research, commentary, and creative work on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews, poetry, essays, editorials, forum discussions, academic notes, lectures, and traditional peer-reviewed academic articles. In addition, we welcome contributions by journalists, librarians, archivists, and other commentators interested in German Studies broadly conceived. As a specifically transatlantic endeavor, we also highlight select topics in American Studies that impact German Studies. By publishing such a diverse array of material, we hope to demonstrate the extraordinary value of the humanities in general, and German Studies in particular, on a variety of intellectual and cultural levels. This issue features sections about German Studies approaches to media literacy, Stephen Dowden's book "Modernism and Mimesis" and the poetics of ambiguous memory.

     
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    Source: BASE Selection for Comparative Literature
    Language: Undetermined
    Media type: Undefined
    Format: Online
    Parent title:
    DDC Categories: 800
    Subjects: Literatur; Rhetorik; Literaturwissenschaft; Literature; rhetoric and criticism; German Studies; Media Literacy; Modernism; Memory; Language; Culture; German Literature; Interculturalism; Literary Studies; Sprachwissenschaft; Linguistik; Science of Literature; Linguistics
    Rights:

    Creative Commons - Namensnennung 4.0 ; Creative Commons - Attribution 4.0
  2. From Orientalism to Cultural Capital
    Author: Wrenn, Angus; Soboleva, Olga; Peter Lang AG
    Published: 2017

  3. Marginal Modernity
    The Aesthetics of Dependency from Kierkegaard to Joyce
    Author: Lisi, Leonardo F.
    Published: [2012]; © 2012
    Publisher:  Fordham University Press, New York, NY

    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art,... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form.Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245352
    Other identifier:
    Subjects: Aesthetics; Henrik Ibsen; Henry James; Hugo von Hofmannsthal; J.L. Heiberg; James Joyce; Modernism; Philosophy and Literature; Rainer Maria Rilke; Søren Kierkegaard; LITERARY CRITICISM / Semiotics & Theory; Aesthetics in literature; Dependency (Psychology) in literature; Modernism (Literature); Philosophy in literature
    Scope: 1 online resource (352 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  4. Post-Mandarin
    Masculinity and Aesthetic Modernity in Colonial Vietnam
    Author: Tran, Ben
    Published: [2017]; © 2017
    Publisher:  Fordham University Press, New York, NY

    Post-Mandarin offers an engaging look at a cohort of Vietnamese intellectuals who adopted European fields of knowledge, a new Romanized alphabet, and print media—all of which were foreign and illegible to their fathers. This new generation of... more

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    Post-Mandarin offers an engaging look at a cohort of Vietnamese intellectuals who adopted European fields of knowledge, a new Romanized alphabet, and print media—all of which were foreign and illegible to their fathers. This new generation of intellectuals established Vietnam’s modern anticolonial literature.The term "post-mandarin" illuminates how Vietnam’s deracinated figures of intellectual authority adapted to a literary field moving away from a male-to-male literary address toward print culture. With this shift, post-mandarin intellectuals increasingly wrote for and about women.Post-Mandarin illustrates the significance of the inclusion of modern women in the world of letters: a more democratic system of aesthetic and political representation that gave rise to anticolonial nationalism. This conceptualization of the "post-mandarin" promises to have a significant impact on the fields of literary theory, postcolonial studies, East Asian and Southeast Asian studies, and modernist studies

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823273164
    Other identifier:
    Subjects: Colonial Intellectuals; Colonial Modernity; French Colonialism; Modernism; Modernist Literature; Realism; Vietnamese Culture; gender; masculinity; postcolonial; SOCIAL SCIENCE / Gender Studies; Gender identity in literature; Masculinity in literature; Postcolonialism in literature; Vietnamese literature; Women in literature
    Scope: 1 online resource (192 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  5. Cathay
    A Critical Edition
    Author: Pound, Ezra
    Published: [2018]; © 2018
    Publisher:  Fordham University Press, New York, NY

    Finalist, Pegasus Award for Poetry CriticismEzra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American... more

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    Finalist, Pegasus Award for Poetry CriticismEzra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American literature, at the same time creating a thirst for classical Chinese poetry in English. Pound’s dynamic free-verse translations in a modern idiom formed the basis for T.S. Eliot’s famous claim that Pound was the "inventor of Chinese poetry for our time." Yet Pound achieved this feat without knowing any Chinese, relying instead on word-for-word "cribs" left by the Orientalist Ernest Fenollosa, whose notebooks reveal a remarkable story of sustained cultural exchange.This fully annotated critical edition focuses on Pound’s astonishing translations without forgetting that the original Chinese poems are masterpieces in their own right. On the one hand, the presentation of all that went into the final Cathay makes it possible for the first time to appreciate the magnitude and the nuances of Pound’s poetic art. At the same time, by bringing the final text together with the Chinese and Old English poems it claims to translate, as well as the manuscript traces of Pound's Japanese and American interlocutors, the volume also recovers practices of poetic circulation, resituating a Modernist classic as a work of world literature.The Pound text and its intertexts are presented with care, clarity, and visual elegance. By providing the first accurate and unabridged transcriptions of Fenollosa’s notebooks, along with carefully edited Chinese texts, the volume makes it possible to trace the movements of poetic ideas and poetic expression as they veer toward and away from Pound’s creations. In supplying the full Fenollosa texts, the volume overturns decades of scholarship that has mystified Pound’s translation process as a kind of "clairvoyance," displaying instead the impressive amount of sinological learning preserved in Fenollosa’s hard-to-read notebooks and by detailing every deviation from the probable sense of the originals. The edition also supplies exhaustive historical, critical, and textual notes, clarifying points that have sometimes lent obscurity to Pound’s poems and making the process of translation visible even for readers with no knowledge of Chinese. Cathay: A Critical Edition includes the original fourteen Chinese translations as well as Pound’s unique version of "The Seafarer," which is fully annotated alongside its Anglo-Saxon source.

     
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    Source: Union catalogues
    Contributor: Billings, Timothy (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823281398
    Other identifier:
    Subjects: Chinese Poetry; Comparative Literature; Critical Edition; Ernest Fenollosa; Global Modernism; Modernism; Orientalism; Philology; Translation; World Literature; POETRY / American / General; Chinese poetry; English poetry
    Scope: 1 online resource (364 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  6. Critical Rhythm
    The Poetics of a Literary Life Form
    Contributor: Culler, Jonathan (Publisher); Glaser, Ben (Publisher)
    Published: [2019]; © 2019
    Publisher:  Fordham University Press, New York, NY

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable... more

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    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm "is," the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy

     
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    Source: Union catalogues
    Contributor: Culler, Jonathan (Publisher); Glaser, Ben (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823282067
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: History of Criticism; Lyric; Meter; Modernism; Poetics; Prosody; Rhythm; Romantic Poetry; Scansion; Victorian Poetry; LITERARY CRITICISM / Poetry; Poetics; Poetics; Rhythm in literature
    Scope: 1 online resource (288 pages), 9
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  7. The Sentimental Touch
    The Language of Feeling in the Age of Managerialism
    Author: Ritzenberg, Aaron
    Published: [2012]; © 2012
    Publisher:  Fordham University Press, New York, NY

    Between 1850 and 1940, with the rise of managerial capitalism in the United States, the most powerful businesses ceased to be family owned, instead becoming sprawling organizations controlled by complex bureaucracies. Sentimental literature—work... more

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    Between 1850 and 1940, with the rise of managerial capitalism in the United States, the most powerful businesses ceased to be family owned, instead becoming sprawling organizations controlled by complex bureaucracies. Sentimental literature—work written specifically to convey and inspire deep feeling—does not seem to fit with a swiftly bureaucratizing society. Surprisingly, though, sentimental language persisted in American literature, even as a culture of managed systems threatened to obscure the power of individual affect.The Sentimental Touch explores the strange, enduring power of sentimental language in the face of a rapidly changing culture. Analyzing novels by Harriet Beecher Stowe, Mark Twain, Sherwood Anderson, and Nathanael West, the book demonstrates that sentimental language changes but remains powerful, even in works by authors who self-consciously write against the sentimental tradition. Sentimental language has an afterlife, enduring in American literature long after authors and critics declared it dead, insisting that human feeling can resist a mechanizing culture and embodying, paradoxically, the way that literary conventions themselves become mechanical and systematic

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245550
    Other identifier:
    Subjects: American literature; Body in literature; Business and literature; Capitalism and feeling; Emotion in literature; Feeling in literature; Managerialism; Modernism; Realism; Sentimentalism; LITERARY CRITICISM / American / General; American literature; American literature; Emotions in literature
    Scope: 1 online resource (192 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  8. From modernism to postmodernism
    an anthology
    Contributor: Cahoone, Lawrence E. (Hrsg.)
    Published: 2003
    Publisher:  Blackwell, Malden, MA [u.a.]

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    Universitätsbibliothek der RWTH Aachen
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    (1)049240
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    Vergleichende Erziehungswissenschaft, Bibliothek
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    Universitätsbibliothek der RPTU in Landau
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    Englisches Seminar der Universität, Bibliothek
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    EW BA 2003:6
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    Source: Union catalogues
    Contributor: Cahoone, Lawrence E. (Hrsg.)
    Language: English
    Media type: Book
    ISBN: 0631232125; 0631232133; 9780631232124
    RVK Categories: EC 1850 ; CI 1100 ; EC 2430
    Edition: Expanded 2. ed.
    Series: Blackwell philosophy anthologies ; 2
    Subjects: Modernism; Postmodernism; Philosophy, Modern; Postmoderne; Theorie; Moderne; Kulturphilosophie
    Scope: XV, 622 S.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  9. Lorca’s Immanent Mysticism
    Author: Fitzpatrick, Patricia A.
    Published: 2023
    Publisher:  Peter Lang Inc., New York ; Peter Lang International Academic Publishers, Bern

    This book explores Federico García Lorca’s late poetry and drama within its context of mysticism. Lorca’s singular language reveals compelling evidence of innate spiritual potential, influenced by poets from Christian, Sufi, Buddhist, and other... more

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    This book explores Federico García Lorca’s late poetry and drama within its context of mysticism. Lorca’s singular language reveals compelling evidence of innate spiritual potential, influenced by poets from Christian, Sufi, Buddhist, and other mystic traditions, from his earliest works to its culmination in the technical mastery of his last poems. Guided by musicality and polyvalence, close readings of The Tamarit Divan, Sonnets of Dark Love, and Yerma offer a novel approach to seemingly obscure texts that resist conventional analysis.The methodology of Lorca’s Immanent Mysticism adheres to the poet-playwright’s own aesthetic theory. For Lorca, duende-inspired creation calls for equally inspired reception within true artistic experience. This groundbreaking study places Lorca not only within a contemporary spectrum of Modernist production, but, more importantly, within the framework of a new mysticism for our time.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781433192531
    Other identifier:
    DDC Categories: 860; 200
    Edition: 1st, New ed.
    Subjects: Mystizismus <Motiv>; Dunshea; Federico García Lorca; Fitzpatrick; Fray Luis de León; Hafiz; Hallaj; Immanent; Lorca’s; Lorca’s Immanent Mysticism; Modernism; Mysticism; Pantheism; Patricia; Patricia A. Fitzpatrick; Philip; Poetic Theory; Poetry; Saint John of the Cross; Theater
    Other subjects: García Lorca, Federico (1898-1936)
    Scope: 1 Online-Ressource (216 Seiten)
  10. Body ascendant
    modernism and the physical imperative
    Author: Segel, Harold B.
    Published: 1998
    Publisher:  Johns Hopkins Univ. Press, Baltimore, Md. [u.a.]

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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  11. Difference in view
    women and modernism
    Contributor: Griffin, Gabriele (Hrsg.)
    Published: 1994
    Publisher:  Taylor & Francis, London [u.a.]

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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Griffin, Gabriele (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0748401342; 0748401350
    RVK Categories: HU 1520 ; EC 2220
    Edition: 1. publ.
    Series: Gender and society
    Subjects: American literature; Modernism (Literature); Women and literature; English literature; American literature; Modernism (Literature); Modernism (Art); Women artists; Literatur; Literatur; Schriftstellerin; Arts; Modernism
    Scope: 186 S, Ill, 24 cm
    Notes:

    Includes bibliographical references and index

    Includes bibliographical references and index

    Literaturangaben
  12. Untotenstädte
    Gespenster des Ersten Weltkriegs in der literarischen Moderne
    Author: Kaulbarsch, Vera
    Published: 2018
    Publisher:  Wilhelm Fink, Paderborn

    Der Erste Weltkrieg stellte nicht nur eine traumatische Zäsur dar, welche das Fortschrittsnarrativ der Industrialisierung brutal unterbrach. Er hinterließ auch eine gespenstische Leerstelle in den europäischen Gesellschaften der Nachkriegszeit. Vera... more

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    Der Erste Weltkrieg stellte nicht nur eine traumatische Zäsur dar, welche das Fortschrittsnarrativ der Industrialisierung brutal unterbrach. Er hinterließ auch eine gespenstische Leerstelle in den europäischen Gesellschaften der Nachkriegszeit. Vera Kaulbarsch geht den Spuren nach, die Millionen Kriegstote, Verwundete und Vermisste in der Kultur und Literatur zwischen den Kriegen hinterlassen haben. Die diskursiven Einflusslinien des Krieges werden zunächst über eine Aufarbeitung von zeitgenössischen Dokumenten aufgezeigt, um die historische Situation in Deutschland, Frankreich und Großbritannien zu rekonstruieren. Die Lektüre von Großstadttexten, die Berlin, Paris und London ins Zentrum rücken, zeigt schließlich, wie die Schlachtfelder der Westfront in die Räume der Metropolen einbrechen. In Werken von Alfred Döblin, André Breton, Louis Aragon und H.D. (Hilda Doolittle) werden die Gespenster des Krieges auf Berliner Friedhöfe, in Pariser Passagen und Londoner Kinos verfolgt.

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783846763155
    RVK Categories: EC 5410
    Series: Periplous, Münchener Studien zur Literaturwissenschaft
    Periplous. Münchener Studien zur Literaturwissenschaft
    Subjects: modernism; Modernism; Psychoanalyse; Berlin; London; Trauma; Großstadt; Okkultismus; Paris; Zwischenkriegszeit; Avantgarde; City; Psychoanalysis; First World War; Spiritismus; Occult; Spiritism
    Scope: 1 Online-Ressource (434 Seiten)
    Notes:

    Literaturverzeichnis: Seite 403-427

    Dissertation, Ludwig-Maximilians-Universität München, 2016
  13. Farewell to an idea
    episodes from a history of modernism
    Author: Clark, Timothy J.
    Published: 1999
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

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    Universitätsbibliothek Bamberg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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  14. Modernism
    Author: Weston, Richard
    Published: 1996
    Publisher:  Phaidon Press, London

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    Technische Universität München, Universitätsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0714828793
    RVK Categories: LH 65820
    Edition: 1. publ.
    Subjects: Architecture, Modern - 20th century; Design - History - 20th century; Modernism (Art); Modernism; Ästhetik; Moderne; Funktionalismus <Architektur>; Kunst; Architektur; Design
    Scope: 240 S., zahlr. Ill.
  15. Texturen
    die österreichische Moderne der Frauen
    Author: Spreitzer, Brigitte
    Published: 1999
    Publisher:  Passagen-Verl., Wien

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3851653653
    RVK Categories: GM 1495
    Edition: Dt. Erstausg.
    Series: Studien zur Moderne ; 8
    Subjects: Modernism; Österrikiska kvinnliga författare - historia - Österrike - 1800-talet - 1900-talet; Schriftstellerin; Frauenliteratur
    Scope: 339 S.
  16. Konzepte der Moderne
    [DFG-Symposion 1997]
    Published: 1999
    Publisher:  Metzler, Stuttgart [u.a.]

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    Hofbibliothek Aschaffenburg
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3476016846
    RVK Categories: EC 5183 ; GB 1726 ; GE 3054 ; GM 1001
    Series: Germanistische-Symposien-Berichtsbände ; 20
    Subjects: Modernism; Diskurs; Kultur; Begriff; Poetik; Epoche; Diskurstheorie; Kulturtheorie; Literatur; Moderne; Deutsch; Ästhetik
    Scope: VII, 694 S., Ill.
  17. Modernist women and visual cultures
    Virginia Woolf, Vanessa Bell, photography and cinema
    Author: Humm, Maggie
    Published: 2002
    Publisher:  Edinburgh Univ. Press, Edinburgh

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    Universitätsbibliothek Bayreuth
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  18. Schwankende Ansichten
    Zur Geschichte einer Ästhetik des Anders-Sehens in der Literatur und Kunst der Moderne
    Author: Schade, Robert
    Published: 2017
    Publisher:  transcript Verlag

    Neu sehen, anders sehen - seit dem 19. Jahrhundert hat sich in der Literatur eine Ästhetik alternativer Sehformen etabliert, die die eigene Wahrnehmung zunehmend infrage stellt und sich in der Figur des Schwankens manifestiert.Robert Schade eröffnet... more

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    Neu sehen, anders sehen - seit dem 19. Jahrhundert hat sich in der Literatur eine Ästhetik alternativer Sehformen etabliert, die die eigene Wahrnehmung zunehmend infrage stellt und sich in der Figur des Schwankens manifestiert.Robert Schade eröffnet einen Einblick in die Geschichte dieser alternativen Sehformen, indem er ausgehend von ökonomischen Wahrnehmungstheorien des 19. und 20. Jahrhunderts Fragestellungen aus Psychologie, Philosophie und Ästhetik verfolgt. Er stellt auf diesem Wege erstmals eine Verbindung zwischen der Sehtheorie Hermann von Helmholtz' und der Verfremdungsästhetik Viktor Shklovskijs her. Am Beispiel von vier Werkuntersuchungen (von Gustave Caillebotte, Andrej Belyj, H.G. Wells und Luigi Pirandello) werden die Vernetztheit und das kritische Potenzial der Figur des Schwankens in unterschiedlichen Diskursen illustriert

     
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  19. Narcissistic mothers in modernist literature
    new perspectives on motherhood in the works of D.H. Lawrence, James Joyce, Virginia Woolf, and Jean Rhys
    Author: Rademacher, Marie Géraldine
    Published: [2019]; © 2019
    Publisher:  transcript, Bielefeld

    Narcissistic mothers are an important motif in modernist literature. Tracing its appearance in the works of writers such as D.H. Lawrence and Virginia Woolf, this book questions the dichotomous image of either benevolent or suffocating mother, which... more

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    Narcissistic mothers are an important motif in modernist literature. Tracing its appearance in the works of writers such as D.H. Lawrence and Virginia Woolf, this book questions the dichotomous image of either benevolent or suffocating mother, which has pervaded religion, art and literature for centuries. Instead of focusing on the mother-child dyad as characterized primarily by maternal domination and the child' s submission, Marie Géraldine Rademacher insists on the definitional nuances of the term »narcissism« and considers the political and socio-economic context of the time in shaping these women's narcissistic behavior. The study thus inspires a more positive (re-)reading of the protagonists

     
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  20. Radical as Reality
    Form and Freedom in American Poetry
    Author: Campion, Peter
    Published: [2019]; © 2019
    Publisher:  University of Chicago Press, Chicago

    What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In... more

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    What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In this collection of essays, Peter Campion gathers his thoughts on these questions and more to form an evolutionary history of the past century of American poetry. Through close readings of the great modernists, midcentury objectivists, late twentieth-century poets, his contemporaries, and more, Campion unearths an American poetic landscape that is subtler and more varied than most critics have allowed. He discovers commonalities among poets considered opposites, dramatizes how form and history are mutually entailing, and explores how the conventions of poetry, its inheritance, and its inventions sprang from the tensions of ordinary life. At its core, this is a book about poetic making, one that reveals how the best poets not only receive but understand and adapt what comes before them, reinterpreting the history of their art to create work that is, indeed, radical as reality

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226663401
    Other identifier:
    Subjects: African American poetry; American poetry; Modernism; classicism; democratic poetry; form; freedom; sincerity; war poetry; LITERARY CRITICISM / General; American poetry; Liberty in literature; Lyrik; Freiheit <Motiv>
    Scope: 1 online resource (256 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
  21. Post-Mandarin
    Masculinity and Aesthetic Modernity in Colonial Vietnam
    Author: Tran, Ben
    Published: [2017]; © 2017
    Publisher:  Fordham University Press, New York, NY

    Post-Mandarin offers an engaging look at a cohort of Vietnamese intellectuals who adopted European fields of knowledge, a new Romanized alphabet, and print media—all of which were foreign and illegible to their fathers. This new generation of... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Post-Mandarin offers an engaging look at a cohort of Vietnamese intellectuals who adopted European fields of knowledge, a new Romanized alphabet, and print media—all of which were foreign and illegible to their fathers. This new generation of intellectuals established Vietnam’s modern anticolonial literature.The term "post-mandarin" illuminates how Vietnam’s deracinated figures of intellectual authority adapted to a literary field moving away from a male-to-male literary address toward print culture. With this shift, post-mandarin intellectuals increasingly wrote for and about women.Post-Mandarin illustrates the significance of the inclusion of modern women in the world of letters: a more democratic system of aesthetic and political representation that gave rise to anticolonial nationalism. This conceptualization of the "post-mandarin" promises to have a significant impact on the fields of literary theory, postcolonial studies, East Asian and Southeast Asian studies, and modernist studies

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823273164
    Other identifier:
    Subjects: Colonial Intellectuals; Colonial Modernity; French Colonialism; Modernism; Modernist Literature; Realism; Vietnamese Culture; gender; masculinity; postcolonial; SOCIAL SCIENCE / Gender Studies; Gender identity in literature; Masculinity in literature; Postcolonialism in literature; Vietnamese literature; Women in literature
    Scope: 1 online resource (192 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  22. Cathay
    A Critical Edition
    Author: Pound, Ezra
    Published: [2018]; © 2018
    Publisher:  Fordham University Press, New York, NY

    Finalist, Pegasus Award for Poetry CriticismEzra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American... more

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    Finalist, Pegasus Award for Poetry CriticismEzra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American literature, at the same time creating a thirst for classical Chinese poetry in English. Pound’s dynamic free-verse translations in a modern idiom formed the basis for T.S. Eliot’s famous claim that Pound was the "inventor of Chinese poetry for our time." Yet Pound achieved this feat without knowing any Chinese, relying instead on word-for-word "cribs" left by the Orientalist Ernest Fenollosa, whose notebooks reveal a remarkable story of sustained cultural exchange.This fully annotated critical edition focuses on Pound’s astonishing translations without forgetting that the original Chinese poems are masterpieces in their own right. On the one hand, the presentation of all that went into the final Cathay makes it possible for the first time to appreciate the magnitude and the nuances of Pound’s poetic art. At the same time, by bringing the final text together with the Chinese and Old English poems it claims to translate, as well as the manuscript traces of Pound's Japanese and American interlocutors, the volume also recovers practices of poetic circulation, resituating a Modernist classic as a work of world literature.The Pound text and its intertexts are presented with care, clarity, and visual elegance. By providing the first accurate and unabridged transcriptions of Fenollosa’s notebooks, along with carefully edited Chinese texts, the volume makes it possible to trace the movements of poetic ideas and poetic expression as they veer toward and away from Pound’s creations. In supplying the full Fenollosa texts, the volume overturns decades of scholarship that has mystified Pound’s translation process as a kind of "clairvoyance," displaying instead the impressive amount of sinological learning preserved in Fenollosa’s hard-to-read notebooks and by detailing every deviation from the probable sense of the originals. The edition also supplies exhaustive historical, critical, and textual notes, clarifying points that have sometimes lent obscurity to Pound’s poems and making the process of translation visible even for readers with no knowledge of Chinese. Cathay: A Critical Edition includes the original fourteen Chinese translations as well as Pound’s unique version of "The Seafarer," which is fully annotated alongside its Anglo-Saxon source.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Billings, Timothy (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823281398
    Other identifier:
    Subjects: Chinese Poetry; Comparative Literature; Critical Edition; Ernest Fenollosa; Global Modernism; Modernism; Orientalism; Philology; Translation; World Literature; POETRY / American / General; Chinese poetry; English poetry
    Scope: 1 online resource (364 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  23. Critical Rhythm
    The Poetics of a Literary Life Form
    Contributor: Culler, Jonathan (Publisher); Glaser, Ben (Publisher)
    Published: [2019]; © 2019
    Publisher:  Fordham University Press, New York, NY

    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable... more

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    This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm "is," the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Culler, Jonathan (Publisher); Glaser, Ben (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823282067
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: History of Criticism; Lyric; Meter; Modernism; Poetics; Prosody; Rhythm; Romantic Poetry; Scansion; Victorian Poetry; LITERARY CRITICISM / Poetry; Poetics; Poetics; Rhythm in literature
    Scope: 1 online resource (288 pages), 9
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  24. Marginal Modernity
    The Aesthetics of Dependency from Kierkegaard to Joyce
    Author: Lisi, Leonardo F.
    Published: [2012]; © 2012
    Publisher:  Fordham University Press, New York, NY

    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art,... more

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    Two ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form.Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245352
    Other identifier:
    Subjects: Aesthetics; Henrik Ibsen; Henry James; Hugo von Hofmannsthal; J.L. Heiberg; James Joyce; Modernism; Philosophy and Literature; Rainer Maria Rilke; Søren Kierkegaard; LITERARY CRITICISM / Semiotics & Theory; Aesthetics in literature; Dependency (Psychology) in literature; Modernism (Literature); Philosophy in literature
    Scope: 1 online resource (352 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  25. The Sentimental Touch
    The Language of Feeling in the Age of Managerialism
    Author: Ritzenberg, Aaron
    Published: [2012]; © 2012
    Publisher:  Fordham University Press, New York, NY

    Between 1850 and 1940, with the rise of managerial capitalism in the United States, the most powerful businesses ceased to be family owned, instead becoming sprawling organizations controlled by complex bureaucracies. Sentimental literature—work... more

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    Between 1850 and 1940, with the rise of managerial capitalism in the United States, the most powerful businesses ceased to be family owned, instead becoming sprawling organizations controlled by complex bureaucracies. Sentimental literature—work written specifically to convey and inspire deep feeling—does not seem to fit with a swiftly bureaucratizing society. Surprisingly, though, sentimental language persisted in American literature, even as a culture of managed systems threatened to obscure the power of individual affect.The Sentimental Touch explores the strange, enduring power of sentimental language in the face of a rapidly changing culture. Analyzing novels by Harriet Beecher Stowe, Mark Twain, Sherwood Anderson, and Nathanael West, the book demonstrates that sentimental language changes but remains powerful, even in works by authors who self-consciously write against the sentimental tradition. Sentimental language has an afterlife, enduring in American literature long after authors and critics declared it dead, insisting that human feeling can resist a mechanizing culture and embodying, paradoxically, the way that literary conventions themselves become mechanical and systematic

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823245550
    Other identifier:
    Subjects: American literature; Body in literature; Business and literature; Capitalism and feeling; Emotion in literature; Feeling in literature; Managerialism; Modernism; Realism; Sentimentalism; LITERARY CRITICISM / American / General; American literature; American literature; Emotions in literature
    Scope: 1 online resource (192 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)