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Displaying results 1 to 9 of 9.

  1. The poetry of Punk
    the meaning behind Punk rock and hardcore lyrics
    Author: Ambrosch, Gerfried
    Published: 2018
    Publisher:  Routledge, an imprint of Taylor and Francis,, Boca Raton, FL

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Location:
    Palucca-Hochschule für Tanz Dresden, Bibliothek
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  2. Mad loves
    women and music in Offenbach's Les contes d'Hoffmann
    Author: Hadlock, Heather
    Published: ©2000
    Publisher:  Princeton University Press, Princeton, NJ

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0691058024; 1400866723; 9780691058023; 9781400866724
    Series: Princeton studies in opera
    Subjects: Femmes à l'opéra; Contes d'Hoffmann (Offenbach, Jacques); Opera; Women; Opera's; Vrouwen; Frau (Motiv); MUSIC / Instruction & Study / Voice; MUSIC / Lyrics; MUSIC / Printed Music / Vocal; Frau; Women in opera; Frau <Motiv>
    Other subjects: Offenbach, Jacques / 1819-1880 / Contes d'Hoffmann; Offenbach, Jacques / Contes d'Hoffmann; Offenbach, Jacques (1819-1880): Contes d'Hoffmann; Offenbach, Jacques (1819-1880): Les contes d'Hoffmann
    Scope: 1 online resource (165 pages), illustrations
    Notes:

    Print version record

    Telling the Tales -- Mesmerizing voices: music, medicine, and the invention of Dr. Miracle -- Song as symptom: Antonia, Olympia, and the Prima Donna Mother -- Offenbach, for posterity -- Reflections on the Venetian Act

    "In an exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject."--Jacket
  3. Siren songs
    representations of gender and sexuality in opera
    Published: [2000]; © 2000
    Publisher:  Princeton University Press, Princeton, N.J.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 069105813X; 0691058148; 1400866715; 9780691058139; 9780691058146; 9781400866717
    Series: Princeton studies in opera
    Subjects: Femmes à l'opéra / Congrès; Sexualité à l'opéra / Congrès; Féminisme et musique / Congrès; Oper; Geschlechtsunterschied (Motiv); Kongress; Erotik (Motiv); Frauenrolle (Theater); Feminism and music; Opera; Sex; Women; MUSIC / Instruction & Study / Voice; MUSIC / Lyrics; MUSIC / Printed Music / Vocal; Frau; Women in opera; Sex in opera; Feminism and music; Frauenrolle <Theater>; Oper; Erotik <Motiv>; Geschlechtsunterschied <Motiv>
    Scope: 1 online resource (vi, 301 pages), illustrations
    Notes:

    Selected papers from Representations of Gender and Sexuality in Opera, a conference held Sept. 1995 at the State University of New York, Stony Brook

    Print version record

    Introduction / Mary Ann Smart -- Through voices, history / Catherine Clément -- The absent mother in opera seria / Martha Feldman -- Staging Mozart's women / Wye Jamison Allanbrook, Mary Hunter, Gretchen A. Wheelock -- The career of Cherubino, or the trouser role grows up / Heather Hadlock -- Elisabeth's last act / Roger Parker -- Body and voice in melodrama and opera / Peter Brooks -- Ulterior motives : Verdi's recurring themes revisited / Mary Ann Smart -- Mélisande's hair, or the trouble in Allemonde : a postmodern allegory at the Opéra-Comique / Katherine Bergeron -- Opera : two or three things I know about her / Lawrence Kramer -- Staging the female body : Richard Strauss's Salome / Linda Hutcheon and Michael Hutcheon, M.D. -- "Soulless machines" and Steppenwolves : renegotiating masculinity in Krenek's Jonny spielt auf / Joseph Henry Auner -- "Grimes is at his exercise" : sex, politics, and violence in the librettos of Peter Grimes / Philip Brett
  4. Understanding the women of Mozart's operas
    Author: Brown-Montesano, Kristi
    Published: 2007
    Publisher:  University of California Press, Berkeley, Calif.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 052093296X; 9780520932968
    Subjects: MUSIC / Genres & Styles / Opera; MUSIC / Instruction & Study / Voice; MUSIC / Lyrics; MUSIC / Printed Music / Vocal; Operas (Mozart, Wolfgang Amadeus); Operas / Characters; Women in opera; Operas; Women in opera; Oper; Frau <Motiv>
    Other subjects: Mozart, Wolfgang Amadeus (1756-1791): Operas; Mozart, Wolfgang Amadeus (1756-1791)
    Scope: 1 Online-Ressource (xxv, 316 pages)
    Notes:

    Kristi Brown-Montesano explores the female roles in Mozart's four most frequently performed operas, 'Le nozze di Figaro' 'Don Giovanni', 'Cosi fan tutte', and 'Die Zauberflote'. Each chapter looks at the music, libretto text, literary sources, and historical factors that give shape to a character

    Includes bibliographical references and index

    1. Feminine vengeance I : the assailed/assailant-Donna Anna -- 2. Sisterhood and seduction I : abandonment and rescue-Donna Elvira -- 3. Class survival-Zerlina -- 4. Feminine vengeance II : (over)powered politics-The queen of the night -- 5. Good daughter, good wife-Pamina -- 6. Woman's identity I : sacred and profane-The three ladies and Papagena -- 7. Sisterhood and seduction II : friendship and class-Countess Almaviva and Susanna -- 8. Woman's identity II : loss and legitimacy-Marcellina and Barbarina -- 9. Sisterhood and seduction III : intimacy and influence-Fiordiligi and Dorabella -- 10. Survival class-Despina
  5. The sound of musicals
    Author: Leon, Ruth
    Published: 2010
    Publisher:  Oberon Masters, [London]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781849433129; 1849433127; 9781849430180
    Subjects: MUSIC / Instruction & Study / Voice; MUSIC / Lyrics; MUSIC / Printed Music / Vocal; MUSIC / Genres & Styles / Musicals; Musicals; Gefühlsempfindung; Musical; Rezeptionsästhetik; Musicals; Musical; Gefühlsempfindung; Rezeptionsästhetik
    Scope: 1 online resource
    Notes:

    Print version record

    Why musicals? -- 1. Something wonderful -- 2. Only make believe -- 3. Oh, waht a beautiful mornin' -- 4. Sit down, your're rockin' the boat -- 5. Wouldn't it be loverly? -- 6. Somthing's coming -- 7. Let me entertain you -- 8. Miracle of miracles -- 9. Being alive
  6. Opera in the development of German critical thought
    Author: Flaherty, Gloria
    Published: 1978; © 1978
    Publisher:  Princeton University Press, Princeton, New Jersey

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400868360; 140086836X; 9780691601274; 0691601275
    Series: Princeton legacy library
    Subjects: Germany / Intellectual life; Opera / Germany / 18th century; MUSIC / Genres & Styles / Opera; Intellectual life; Opera; MUSIC / Instruction & Study / Voice; MUSIC / Lyrics; MUSIC / Printed Music / Vocal; Opera; Geschichte; Ästhetik; Rezeption; Oper
    Scope: 1 online resource (396 pages)
    Notes:

    Description based on print version record

    Although opera figured importantly in the French quarrel of the Ancients versus the Moderns and in the English discussions of heroic tragedy, it was in Germany that its role in the development of criticism and aesthetics was most pronounced. Beginning with this observation, Gloria Flaherty tries to show how, from its very inception and through most of its history, opera was related not only to the revival of ancient drama and the evolution of modern theater, but also to the development of modern critical thought. The author provides a comprehensive treatment of the writings both for and aga
  7. Senza vestimenta
    the literary tradition of trecento song
    Author: Jennings, Lauren McGuire
    Published: [2014]
    Publisher:  Ashgate, Farnham, Surrey

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472418890; 1472418891; 9781472418906; 1472418905; 9781472418883; 1472418883
    Series: Music and material culture series
    Subjects: MUSIC / Instruction & Study / Voice; MUSIC / Lyrics; MUSIC / Printed Music / Vocal; Geschichte; Gesellschaft; Musik; Songs, Italian; Songs, Italian; Music; Lied; Literatur; Rezeption; Musikhandschrift
    Scope: xxiii, 288 pages
    Notes:

    Includes bibliographical references and index

    Senza Vestimenta reintegrates poetic and musical traditions in late medieval Italy through a fresh evaluation of more than fifty literary sources transmitting Trecento song texts. These manuscripts have been long noted by musicologists, but until now they have been used to bolster rather than to debunk the notion that so-called ''poesia per musica'' was relegated to the margins of poetic production. Jennings revises this view by exploring how scribes and readers interacted with song as a fundamentally interdisciplinary art form within a broad range of literary settings. Her study sheds light on the broader cultural world surrounding the reception of the Italian ars nova repertoire by uncovering new, diverse readers ranging from wealthy merchants to modest artisans

    Revisiting the literary tradition of trecento song -- Song texts as poesia aulica -- Musical interlude : Francesco degli Organi and elite Florentine culture in Genoa, Biblioteca Universitaria, A.IX.28 -- Intersections between oral and written tradition in Florence, Biblioteca Nazionale Centrale, magliabechiano VII 1078 -- Ovid's Heroides, Florentine volgarizamenti, and unnotated song in Florence, Biblioteca Nazionale Centrale II.II.61 and Magliabechiano VII 1040 -- Scribes, owners, and material contexts
  8. Litpop
    writing and popular music
    Published: © 2014
    Publisher:  Burlington, Vt., Farnham [England]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472410986; 147241098X; 9781472410979; 1472410971; 9781472410993; 1472410998
    Series: Ashgate popular and folk music series
    Subjects: MUSIC / Instruction & Study / Theory; MUSIC / Instruction & Study / Voice; MUSIC / Lyrics; MUSIC / Printed Music / Vocal; Music and literature; Popular music; Music and literature; Popular music; Literatur; Popmusik
    Notes:

    Includes bibliographical references and index

    Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs 'literary' writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers
  9. The poetry of Punk
    the meaning behind Punk rock and hardcore lyrics
    Author: Ambrosch, Gerfried
    Published: 2018
    Publisher:  Routledge, an imprint of Taylor and Francis,, Boca Raton, FL

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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