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  1. Writing marginality in modern French literature
    from Loti to Genet
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511015941; 0511117434; 0511485816; 0521642965; 9780511015946; 9780511117435; 9780511485817; 9780521642965
    Series: Cambridge studies in French
    Subjects: Littérature française / 19e siècle / Histoire et critique; Littérature française / 20e siècle / Histoire et critique; Marginalité dans la littérature; Littérature et société / France / Histoire / 19e siècle; Littérature et société / France / Histoire / 20e siècle; LITERARY CRITICISM / European / French; Marginaliteit; Letterkunde; Frans; Marginalität; Literatur; Gesellschaft; Französisch; Geschichte; Literatur; French literature; French literature; Marginality, Social, in literature; Literature and society; Literature and society; Marginalität; Literatur; Schriftsteller; Französisch
    Scope: 1 Online-Ressource (xii, 209 pages)
    Notes:

    Includes bibliographical references (pages 189-195) and index

    Without obligation : exotic appropriation in Loti and Gauguin -- Exemplary inclusions, indecent exclusons in Proust's Recherche -- Claimimg cultural dissidence : the case of Montherlant's La Rose de sable -- Camus and the resistance to history -- Peripheries, public and private : Genet and dispossession

    "Writing Marginality in Modern French Literature explores how cultural centres require the peripheral, the outlawed, and the deviant in order to define and bolster themselves. It analyses the hierarchies of cultural value which inform the work of six modern French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts European fantasies about Polynesia; Proust, who analyses such exemplary figures of exclusion and inclusion as the homosexual and the xenophobe; Montherlant, who claims to subvert colonialist values in La Rose de sable; Camus, who pleads an alienating detachment from the cultures of both metropolitan France and Algeria; and Jean Genet

    Crucially Genet, typecast as France's moral pariah, charts Palestinian statelessness in his last work, Un captif amoureux (1986), and reflects ethically on the dispossession of the Other and the violence inherent in the West's marginalization of cultural difference."--Jacket