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  1. Adaptation and appropriation
    Author: Sanders, Julie
    Published: 2016
    Publisher:  Routledge, Taylor & Francis Group, Landon$aNew York

    From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In... more

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    From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:multiple definitions and practices of adaptation and appropriationthe cultural and aesthetic politics behind the impulse to adaptthe global and local dimensions of adaptationthe impact of new digital technologies on ideas of making, originality and customizationdiverse ways in which contemporary literature, theatre, television and film adapt, revise and reimagine other works of artthe impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studiesthe appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens, and others, but also of literary archetypes such as myth or fairy tale.Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315737942
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    Edition: Second edition
    Series: The new critical idiom
    Subjects: Literature; Literature ; Adaptations
    Scope: 1 Online-Ressource (xiii, 240 Seiten)
  2. The making of Jane Austen
    Author: Looser, Devoney
    Published: 2017
    Publisher:  Johns Hopkins University Press, Baltimore, Maryland

    "Returning author Devoney Looser has written a study of Jane Austen's legacy in high and popular culture, looking at stage and film adaptations of her work, how Austen has been taught in classrooms, Austen's depiction in visual culture, and Austen's... more

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    "Returning author Devoney Looser has written a study of Jane Austen's legacy in high and popular culture, looking at stage and film adaptations of her work, how Austen has been taught in classrooms, Austen's depiction in visual culture, and Austen's role in the women's suffragist movement. Looser draws on popular print and unpublished archival sources, amassing evidence from high, middlebrow, and popular culture, in order to craft a more capacious history of posthumous reception. The book is a detailed and revealing account of what Looser calls the "public dimension" of Jane Austen, who is a "manufactured creation." Looser has dug deep and come up with brand-new material on Austen, something that is very hard to do. This is the kind of material that Janeites and Austen scholars live for"--

     
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  3. The ovidian vogue
    literary fashion and imitative practice in late Elizabethan England
    Published: 2014
    Publisher:  University of Toronto Press, Toronto

    "The Roman poet Ovid was one of the most-imitated classical writers of the Elizabethan age and a touchstone for generations of English writers. In The Ovidian Vogue, Daniel Moss argues that poets appropriated Ovid not just to connect with the ancient... more

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    "The Roman poet Ovid was one of the most-imitated classical writers of the Elizabethan age and a touchstone for generations of English writers. In The Ovidian Vogue, Daniel Moss argues that poets appropriated Ovid not just to connect with the ancient past but also to communicate and compete within late Elizabethan literary culture." Introduction: "Note how she quotes the leaves" -- 1 Impotence and Stillbirth: Nashe, Shakespeare, and the Ovidian Debut -- 2 Shadow and Corpus: The Shifting Figure of Ovid in Chapman's Early Poetry -- 3 Ovid in the Godless Poem: Allusive Rebellion in Edmund Spenser's Legend of Justice -- 4 The Post-Metamorphic Landscape in Drayton's Endimion and Phoebe and Englands Heroicall Epistles 119 5 The Brief Ovidian Career of John Donne -- Conclusion: "It sticks strangely, whatever it is."

     
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  4. Page to stage
    the craft of adaptation
    Author: Murphy, Vincent
    Published: ©2013
    Publisher:  University of Michigan Press, Ann Arbor

    "At last, for those who adapt literature into scripts, a how-to book that illuminates the process of creating a stageworthy play. Page to Stage describes the essential steps for constructing adaptations for any theatrical venue, from the college... more

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    "At last, for those who adapt literature into scripts, a how-to book that illuminates the process of creating a stageworthy play. Page to Stage describes the essential steps for constructing adaptations for any theatrical venue, from the college classroom to a professionally produced production. Acclaimed director Vincent Murphy offers students in theater, literary studies, and creative writing a clear and easy-to-use guidebook on adaptation. Its step-by-step process will be valuable to professional theater artists as well, and for script writers in any medium. Murphy defines six essential building blocks and strategies for a successful adaptation, including theme, dialogue, character, imagery, storyline, and action. Exercises at the end of each chapter lead readers through the transformation process, from choosing their material to creating their own adaptations. The book provides case studies of successful adaptations, including The Grapes of Wrath (adaptation by Frank Galati) and the author's own adaptations of stories by Samuel Beckett and John Barth. Also included is practical information on building collaborative relationships, acquiring rights, and getting your adaptation produced."--Publisher's website pt. 1. The six building blocks -- pt. 2. Sturdy construction : yours, mine, & master adaptors.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0472028790; 9780472028795
    Subjects: Literature; Stage adaptations; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; PERFORMING ARTS ; Theater ; Playwriting; Literature ; Adaptations; Stage adaptations; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (xi, 192 pages), illustrations
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    Includes bibliographical references and index
  5. Adaptation in contemporary theatre
    performing literature
    Author: Babbage, Frances
    Published: [2018]
    Publisher:  Bloomsbury Publishing PLC, London, UK

    "Why are so many theatre productions adaptations of one kind or another? Why do contemporary practitioners turn so frequently to non-dramatic texts for inspiration? This study explores the fascination of novels, short stories, children's books and... more

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    "Why are so many theatre productions adaptations of one kind or another? Why do contemporary practitioners turn so frequently to non-dramatic texts for inspiration? This study explores the fascination of novels, short stories, children's books and autobiographies for theatre makers and examines what 'becomes' of literary texts when these are filtered into contemporary practice that includes physical theatre, multimedia performance, puppetry, immersive and site-specific performance and live art. In Adaptation in Contemporary Theatre, Frances Babbage offers a series of fresh critical perspectives on the theory of adaptation in theatre-making, focusing on meditations of prose literature within contemporary performance. Individual chapters explore the significance and impact of books as physical objects within productions; the relationship between the dramatic adaptation and literary edition; storytelling on the page and in performance; literary space and theatrical space; and prose fiction reframed as 'found text' in contemporary theatre and live art. Case studies are drawn from internationally acclaimed companies including Complicite, Elevator Repair Service, Kneehigh, Forced Entertainment, Gob Squad, Teatro Kismet and Stan's Cafe. Adaptation in Contemporary Theatre is a compelling and provocative resource for anyone interested in the potential and the challenges of using prose literature as material for new theatrical performance."--Provided by publisher Adaptation and the theatre -- Performing books -- Story: adaptation and the act of telling -- Layered space: adaptation, immersion and site.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1472534166; 1472527232; 9781472534163; 9781472527233
    Series: Methuen Drama Engage
    Subjects: Literature; Drama; Stage adaptations; Theater; Playwriting; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Drama ; Adaptations; Literature ; Adaptations; Playwriting; Stage adaptations; Theater ; Production and direction; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (viii, 270 pages)
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    Includes bibliographical references and index
  6. Adaptation studies and learning
    new frontiers
    Author: Raw, Laurence
    Published: 2013
    Publisher:  Scarecrow Press, Inc, Lanham

    "Adaptation Studies is a fast-emerging discipline which has expanded into other areas of media scholarship. With its roots in literature and film, this discipline can be applied to much broader uses, even as a process that governs every aspect of our... more

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    "Adaptation Studies is a fast-emerging discipline which has expanded into other areas of media scholarship. With its roots in literature and film, this discipline can be applied to much broader uses, even as a process that governs every aspect of our lives. Indeed, by expanding the scope of "adaptation" to encompass a larger perspective, this discipline can promote lifelong learning that emphasizes communication, social interaction, and aesthetic engagement. In Adaptation Studies and Learning: New Frontiers, Laurence Raw and Tony Gurr seek to redefine the ways in which adaptation is taught and learned. Comprised of essays, reflections, and "learning conversations" about the ways in which this approach to adaptation might be implemented, this book focuses on issues of curriculum construction, the role of technology, and the importance of collaboration. Including a series of case-studies and classroom experiences, the authors explore the relationship between adaptation and related disciplines such as history, media, and translation. The book also includes a series of case studies from the world of cinema, showing how collaboration and social interaction lies at the heart of successful film adaptations. By looking beyond the classroom, Raw and Gurr demonstrate how adaptation studies involves real-world issues of prime importance--not only to film and theater professionals, but to all learners. Covering a wide range of material, including film history, educational theory, and literary criticism, Adaptation Studies and Learning offers a radical repositioning of the way we think about adaptation both inside and outside academia."--Publisher's website

     
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    Source: Union catalogues
    Contributor: Gurr, Anthony (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780810887947; 0810887940
    Subjects: Literature; Film adaptations; Literature; Film adaptations; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Film adaptations; Literature ; Adaptations; Criticism, interpretation, etc
    Scope: Online Ressource (187 pages)
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    Includes bibliographical references and index. - Print version record
  7. Uncle Tom
    from martyr to traitor
    Author: Spingarn, Adena
    Published: [2018]
    Publisher:  Stanford University Press, Stanford, California

    A manly hero -- Uncle Tom on the American stage -- Uncle Tom and Jim Crow -- Writing the old Negro -- Uncle Toms and new Negroes -- Writing off Uncle Tom -- Epilogue : twentieth-century Uncle Toms This book tells the story of how Uncle Tom, the... more

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    A manly hero -- Uncle Tom on the American stage -- Uncle Tom and Jim Crow -- Writing the old Negro -- Uncle Toms and new Negroes -- Writing off Uncle Tom -- Epilogue : twentieth-century Uncle Toms This book tells the story of how Uncle Tom, the Christ-like protagonist of Uncle Tom's Cabin, became a racial epithet and why Americans have been invoking this controversial figure for more than 160 years

     
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  8. Interpreting great classics of literature as metatheatre and metafiction
    Ovid, Beowulf, Corneille, Racine, Wieland, Stoppard, and Rushdie
    Published: c2010
    Publisher:  Edwin Mellen Press, Lewiston, NY

    Chapter Seven Metafiction in Wieland's Geschichte des AgathonNotes; Bibliography Title Page; Copyright Page; List of Abbreviations; Table of Contents; Dedication; Foreword; Acknowledgements; Introduction; Chapter One Metatheatre on Metatheatre:... more

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    Chapter Seven Metafiction in Wieland's Geschichte des AgathonNotes; Bibliography Title Page; Copyright Page; List of Abbreviations; Table of Contents; Dedication; Foreword; Acknowledgements; Introduction; Chapter One Metatheatre on Metatheatre: Kushner of Corneille; Chapter Two Metatheatre and Philosophy: Tom Stoppard and the Juggling of Ideas; Chapter Three Jean Racine's and Matthew Maguire's Pahedras; Chapter Four Metaliterary Metaphor in Ovid's Metamorphoses; Chapter Five Manifesting Beowulf's Meta-Monsters; Chapter Six Rushdie's Metafictional Extravaganza: Storytelling in the Enchantress of Florence and Midnight's Children This volume examines a variety of comparative literary texts from different periods, literary traditions and cultures that are drawn on to examine metatheatricality and metafictionality. Metatheatre and metafiction are considered for their interrelation, impact and correspondence with seventeenth century French drama, the eighteenth century German novel, twentieth century English drama, an old English epic text, Indian postmodernist fiction, as well as Greek and Roman Classical works of antiquity

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780773420557; 077342055X
    Series: Studies in comparative literature (Lewiston, N.Y.) ; v. 68
    Subjects: Literature; Intertextuality; Literature; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Intertextuality; Literature ; Adaptations; Languages & Literatures; Literature - General; Criticism, interpretation, etc
    Scope: Online Ressource (ix, 164 p.)
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    Includes bibliographical references (p. 155-164). - Description based on print version record
  9. Jane Austen's textual lives
    from Aeschylus to Bollywood
    Published: 2005
    Publisher:  Oxford University Press, Oxford

    Through three intertwined histories "Jane Austen's Textual Lives", offers a new way of approaching and reading a very familiar author. One is a history of the transmission and transformation of Jane Austen through manuscripts, critical editions,... more

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    Through three intertwined histories "Jane Austen's Textual Lives", offers a new way of approaching and reading a very familiar author. One is a history of the transmission and transformation of Jane Austen through manuscripts, critical editions, biographies, and adaptations; a second provides a conspectus of the development of English Studies as a discipline in which the original and primary place of textual criticism is recovered; and a third reviews the role of Oxford University Press in shaping a canon of English texts in the twentieth century. Jane Austen can be discovered in all three. Since her rise to celebrity status at the end of the nineteenth century, Jane Austen has occupied a position within English-speaking culture that is both popular and canonical, accessible and complexly inaccessible, fixed and certain yet wonderfully amenable to shifts of sensibility and cultural assumptions. The implied contradiction was represented in the early twentieth century by, on the one hand, the Austen family's continued management, censorship, and sentimental marketing of the sweet lady novelist of the Hampshire countryside; and on the other, by R.W.; Chapman's 1923 Clarendon Press edition of the Novels of Jane Austen, which subjected her texts to the kind of scholarly probing reserved till then for classical Greek and Roman authors obscured by centuries of attrition. It was to be almost fifty years before the Clarendon Press considered it necessary to recalibrate the reputation of another popular English novelist in this way. Beginning with specific encounters with three kinds of textual work and the problems, clues, or challenges to interpretation they continue to present, Kathryn Sutherland goes on to consider the absence of a satisfactory critical theory of biography that can help us address the partial life, and ends with a discussion of the screen adaptations through which the texts continue to live on. Throughout, "Jane Austen's Textual" identities provide a means to explore the wider issue of what text is and to argue the importance of understanding textual space as itself a powerful agent established only by recourse to further interpretations and fictions

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191555367; 0191555363
    Subjects: Canon (Literature); Canon (Literature); LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Canon (Literature); Literature ; Adaptations; English Literature; English; Languages & Literatures; Criticism, interpretation, etc
    Other subjects: Austen, Jane 1775-1817; Austen, Jane 1775-1817; Austen, Jane (1775-1817); Austen, Jane (1775-1817); Austen, Jane (1775-1817); Austen, Jane (1775-1817); Austen, Jane
    Scope: Online Ressource (xix, 387 p.), ill., facsims., ports.
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    Includes bibliographical references and index. - Description based on print version record
  10. Recreating Jane Austen
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge

    "Recreating Jane Austen is a book for readers who know and love Austen's work. Stimulated by the recent crop of film and television versions of Austen's novels, John Wiltshire examines how they have been transposed and 'recreated' in another age and... more

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    "Recreating Jane Austen is a book for readers who know and love Austen's work. Stimulated by the recent crop of film and television versions of Austen's novels, John Wiltshire examines how they have been transposed and 'recreated' in another age and medium. Wiltshire illuminates the process of 'recreation' through the work of the psychoanalyst Donald Winnicott, and offers Jane Austen's own relation to Shakespeare as a suggestive parallel. Exploring the romantic impulse in Austenian biography, 'Jane Austen' as a commodity, and offering a re-interpretation of Pride and Prejudice, this book approaches the central question of the role Jane Austen plays in the contemporary cultural imagination."--Jacket

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780521802468; 0521802466; 9780521002820; 0521002826; 0511012993; 0511484704; 9780511012990; 0511119453; 9780511119453; 9780511484704
    RVK Categories: HL 1685
    Subjects: Women and literature; Love stories, English; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Art appreciation; Literature ; Adaptations; Rezeption; English Literature; English; Languages & Literatures; Roman; Film; Criticism, interpretation, etc
    Other subjects: Austen, Jane 1775-1817; Austen, Jane 1775-1817; Austen, Jane 1775-1817; Austen, Jane 1775-1817; Austen, Jane 1775-1817; Austen, Jane 1775-1817; Austen, Jane 1775-1817; Austen, Jane (1775-1817); Austen, Jane (1775-1817); Austen, Jane (1775-1817); Austen, Jane (1775-1817); Austen, Jane (1775-1817); Austen, Jane (1775-1817); Austen, Jane 1775-1817; Austen, Jane; Austen, Jane
    Scope: Online Ressource (xi, 179 pages)
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    Includes bibliographical references (pages 165-175) and index. - Description based on print version record

    Imagining Jane Austen's lifeRecreating Jane Austen: Jane Austen in Manhattan, Metropolitan, Clueless -- An Englishwoman's constitution: Jane Austen and Shakespeare -- From drama, to novel, to film: inwardness in Mansfield Park and Persuasion -- Pride and prejudice, love and recognition -- The genius and the facilitating environment.
  11. Subversive stages
    theater in pre- and post-communist Hungary, Romania, and Bulgaria
    Published: 2016
    Publisher:  Central European University Press, Budapest

    Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel --... more

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    Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc -- Conclusion

     
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  12. Adaptation and appropriation
    Author: Sanders, Julie
    Published: 2016
    Publisher:  Routledge, Taylor & Francis Group, Landon$aNew York

    From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In... more

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    From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores:multiple definitions and practices of adaptation and appropriationthe cultural and aesthetic politics behind the impulse to adaptthe global and local dimensions of adaptationthe impact of new digital technologies on ideas of making, originality and customizationdiverse ways in which contemporary literature, theatre, television and film adapt, revise and reimagine other works of artthe impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studiesthe appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens, and others, but also of literary archetypes such as myth or fairy tale.Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315737942
    Other identifier:
    Edition: Second edition
    Series: The new critical idiom
    Subjects: Literature; Literature ; Adaptations
    Scope: 1 Online-Ressource (xiii, 240 Seiten)
  13. Marketing the bard
    Shakespeare in performance and print, 1660-1740
    Published: c2006
    Publisher:  University of Missouri Press, Columbia

    "Dugas credits the reemergence of Shakespeare's plays and his rise to fame in the 1700s to economic factors surrounding the theater business including the acquisition and adaptation of Shakespeare's plays by the Tonson publishing firm, which marketed... more

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    "Dugas credits the reemergence of Shakespeare's plays and his rise to fame in the 1700s to economic factors surrounding the theater business including the acquisition and adaptation of Shakespeare's plays by the Tonson publishing firm, which marketed collector's editions of his work, spurring a price war and rousing public interest"--Provided by publisher

     
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  14. A Theory of Adaptation.
    Author: Hutcheon, Linda
    Published: 2012; ©2013
    Publisher:  Routledge, London

    A Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from... more

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    A Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from film and opera, to video games, pop music and theme parks, analysing the breadth, scope and creative possibilities within each. This new edition is supplemented by a new preface from the author, discussing both new adaptive forms/platforms and recent critical developments in the study of adaptation. It also features an illuminating new epilogue from Siobhan O'Flynn, focusing on adaptation in the context of digital media. She considers the impact of transmedia practices and properties on the form and practice of adaptation, as well as studying the extension of game narrative across media platforms, fan-based adaptation (from Twitter and Facebook to home movies), and the adaptation of books to digital formats. A Theory of Adaptation is the ideal guide to this ever evolving field of study and is essential reading for anyone interested in adaptation in the context of literary and media studies. Front Cover -- A Theory of Adaptation -- Copyright Page -- Contents -- List of Illustrations -- Preface to the First Edition -- Preface to the Second Edition -- Acknowledgments -- Chapter 1. Beginning to Theorize Adaptation: What? Who? Why? How? Where? When? -- Familiarity and Contempt -- Treating Adaptations as Adaptations -- Exactly What Gets Adapted? How? -- Double Vision: Defining Adaptation -- Adaptation as Product: Announced, Extensive, Specific Transcoding -- Adaptation as Process -- Modes of Engagement -- Framing Adaptation -- Chapter 2. What? (Forms) -- Medium Specificity Revisited -- Telling ← → Showing -- Showing ← → Showing -- Interacting → Telling or Showing -- Cliché #1 -- Cliché #2 -- Cliché #3 -- Cliché #4 -- Learning from Practice -- Chapter 3. Who? Why? (Adapters) -- Who is the Adapter? -- Why Adapt? -- The Economic Lures -- The Legal Constraints -- Cultural Capital -- Personal and Political Motives -- Learning from Practice -- Intentionality in Adaptations -- Chapter 4. How? (Audiences) -- The Pleasures of Adaptation -- Knowing and Unknowing Audiences -- Modes of Engagement Revisited -- Kinds and Degrees of Immersion -- Chapter 5. Where? When? (Contexts) -- The Vastness of Context -- Transcultural Adaptation -- Indigenization -- Learning from Practice -- Why Carmen? -- The Carmen Story-and Stereotype -- Indigenizing Carmen -- Chapter 6. Final Questions -- What is not an Adaptation? -- What is the Appeal of Adaptations? -- Epilogue -- References -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781136210921
    Edition: 2nd ed.
    Subjects: Literature ; Adaptations; Music and literature; Electronic books
    Scope: 1 online resource (296 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Front Cover; A Theory of Adaptation; Copyright Page; Contents; List of Illustrations; Preface to the First Edition; Preface to the Second Edition; Acknowledgments; Chapter 1. Beginning to Theorize Adaptation: What? Who? Why? How? Where? When?; Familiarity and Contempt; Treating Adaptations as Adaptations; Exactly What Gets Adapted? How?; Double Vision: Defining Adaptation; Adaptation as Product: Announced, Extensive, Specific Transcoding; Adaptation as Process; Modes of Engagement; Framing Adaptation; Chapter 2. What? (Forms); Medium Specificity Revisited; Telling ← → Showing

    Showing ← → ShowingInteracting → Telling or Showing; Cliché #1; Cliché #2; Cliché #3; Cliché #4; Learning from Practice; Chapter 3. Who? Why? (Adapters); Who is the Adapter?; Why Adapt?; The Economic Lures; The Legal Constraints; Cultural Capital; Personal and Political Motives; Learning from Practice; Intentionality in Adaptations; Chapter 4. How? (Audiences); The Pleasures of Adaptation; Knowing and Unknowing Audiences; Modes of Engagement Revisited; Kinds and Degrees of Immersion; Chapter 5. Where? When? (Contexts); The Vastness of Context; Transcultural Adaptation; Indigenization

    Learning from PracticeWhy Carmen?; The Carmen Story-and Stereotype; Indigenizing Carmen; Chapter 6. Final Questions; What is not an Adaptation?; What is the Appeal of Adaptations?; Epilogue; References; Index;
  15. Dialogues between media
    Contributor: Ferstl, Paul (HerausgeberIn)
    Published: [2021]
    Publisher:  De Gruyter, Berlin

    Comparative Literature is changing fast with methodologies, topics, and research interests emerging and remerging. The fifth volume of ICLA 2016 proceedings, Dialogues between Media, focuses on the current interest in inter-arts studies, as well as... more

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    Comparative Literature is changing fast with methodologies, topics, and research interests emerging and remerging. The fifth volume of ICLA 2016 proceedings, Dialogues between Media, focuses on the current interest in inter-arts studies, as well as papers on comics studies, further testimony to the fact that comics have truly arrived in mainstream academic discourse."Adaptation" is a key term for the studies presented in this volume; various articles discuss the adaptation of literary source texts in different target media - cinematic versions, comics adaptations, TV series, theatre, and opera. Essays on the interplay of media beyond adaptation further show many of the strands that are woven into dialogues between media, and thus the expanding range of comparative literature

     
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    Source: Union catalogues
    Contributor: Ferstl, Paul (HerausgeberIn)
    Language: German; English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783110641882; 3110641887
    Corporations / Congresses: International Comparative Literature Association ((2016, Vienna, Austria))
    Series: XXI. Congress of the ICLA - proceedings
    Subjects: Comparative literature; Art and literature; Comic books, strips, etc; Literature; Art and literature; Comic books, strips, etc; Comparative literature; Literature ; Adaptations; Conference papers and proceedings; Criticism, interpretation, etc; Conference papers and proceedings; Actes de congrès
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index
  16. Playfulness in Shakespearean adaptations
    Contributor: Gerzić, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Published: 2020
    Publisher:  Routledge, Taylor & Frances Group, New York

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels,... more

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    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new 'Shakespeares' to emerge, revealing Shakespeare's ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations-adaptations of both the works of Shakespeare, and of Shakespeare the man-and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare's works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare's works, and more generally how play and playfulness can make Shakespeare 'relatable, ' 'relevant, ' and entertaining for successive generations of audiences and readers"--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Gerzić, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429288807
    RVK Categories: HI 3330
    Series: Routledge studies in Shakespeare ; 41
    Subjects: Play in literature; Literature ; Adaptations; Criticism, interpretation, etc; Play in literature; Shakespeare, William ; 1564-1616 ; Adaptations ; History and criticism; LITERARY CRITICISM / General
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William
    Scope: 1 Online-Ressource (xvi, 254 Seiten)
    Notes:

    Includes bibliographical references and index
  17. Woke Cinderella
    twenty-first-century adaptations
    Contributor: Woltmann, Suzy (HerausgeberIn)
    Published: [2020]; © 2020
    Publisher:  Lexington Books, Lanham

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Woltmann, Suzy (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781793625946; 1793625948
    Series: Remakes, reboots, and adaptations
    Subjects: Cinderella (Tale); Film remakes; Film adaptations; Motion picture audiences; Literature; Fan fiction; Fan fiction; Film adaptations; Film remakes; Literature ; Adaptations; Motion picture audiences; Criticism, interpretation, etc
    Scope: vi, 255 Seiten, 24 cm
    Notes:

    Includes bibliographical references and index
  18. Menander's Characters in context
    from the 4th Century BC to the modern Greek stage
    Author: Kiritsi, Stavroula
    Published: 2019
    Publisher:  Cambridge Scholars Publisher, Newcastle upon Tyne, UK

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  19. Playfulness in Shakespearean adaptations
    Contributor: Gerzić, Marina (Herausgeber); Norrie, Aidan (Herausgeber)
    Published: 2020
    Publisher:  Routledge, Taylor & Frances Group, New York ; London

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels,... more

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    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new 'Shakespeares' to emerge, revealing Shakespeare's ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations-adaptations of both the works of Shakespeare, and of Shakespeare the man-and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare's works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare's works, and more generally how play and playfulness can make Shakespeare 'relatable, ' 'relevant, ' and entertaining for successive generations of audiences and readers"--

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Gerzić, Marina (Herausgeber); Norrie, Aidan (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429288807
    Other identifier:
    RVK Categories: HI 3330 ; HI 3330
    Series: Routledge studies in Shakespeare ; 41
    Subjects: Play in literature; Literature ; Adaptations; Criticism, interpretation, etc; Shakespeare, William ; 1564-1616 ; Adaptations ; History and criticism; LITERARY CRITICISM / General ; bisacsh; LITERARY CRITICISM / General
    Other subjects: Shakespeare, William / 1564-1616 / Adaptations / History and criticism; Shakespeare, William
    Scope: 1 Online-Ressource (xvi, 254 Seiten)
    Notes:

    Includes bibliographical references and index
  20. Stage appropriations of Shakespeare's major tragedies, 1980-2010
    Author: Hildeman Sjölin, Mette
    Published: [2019]
    Publisher:  Lund University, English Studies, Centre for Languages and Literature, [Lund]

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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    307152 - A
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  21. Shakespeare
    his infinite variety
    Contributor: Zinkiewicz, Grzegorz (HerausgeberIn); Kujawińska-Courtney, Krystyna (HerausgeberIn)
    Published: 2019
    Publisher:  Wydawnictwo Uniwersytetu Lódzkiego, Łódź (Poland)

    Volume testifies to the benefits of combining historical perspective in its fairly elementary version, which is a linear sequence of events, with an in-depth analysis of the transformations in understanding, exhibiting, and using (appropriating)... more

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    Volume testifies to the benefits of combining historical perspective in its fairly elementary version, which is a linear sequence of events, with an in-depth analysis of the transformations in understanding, exhibiting, and using (appropriating) Shakespeare’s works in our rapidly changing reality

     
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    Source: Union catalogues
    Contributor: Zinkiewicz, Grzegorz (HerausgeberIn); Kujawińska-Courtney, Krystyna (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 8381424283; 9788381424288
    Edition: Second edition
    Subjects: Criticism, interpretation, etc; Literature ; Adaptations; Art appreciation
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Scope: 1 Online-Ressource
    Notes:

    "Celebrating the 400th anniversary of his death."--on cover
  22. Menander's Characters in context
    from the 4th Century BC to the modern Greek stage
    Author: Kiritsi, Stavroula
    Published: 2019
    Publisher:  Cambridge Scholars Publisher, Newcastle upon Tyne, UK

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 84326
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  23. Woke Cinderella
    twenty-first-century adaptations
    Contributor: Woltmann, Suzy (HerausgeberIn)
    Published: [2020]; © 2020
    Publisher:  Lexington Books, Lanham

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 115958
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    Source: Staatsbibliothek zu Berlin
    Contributor: Woltmann, Suzy (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781793625946; 1793625948
    Series: Remakes, reboots, and adaptations
    Subjects: Cinderella (Tale); Film remakes; Film adaptations; Motion picture audiences; Literature; Fan fiction; Fan fiction; Film adaptations; Film remakes; Literature ; Adaptations; Motion picture audiences; Criticism, interpretation, etc
    Scope: vi, 255 Seiten, 24 cm
    Notes:

    Includes bibliographical references and index
  24. Playfulness in Shakespearean adaptations
    Contributor: Gerzić, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Published: 2020
    Publisher:  Routledge, Taylor & Frances Group, New York

    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels,... more

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    "Four hundred years after William Shakespeare's death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new 'Shakespeares' to emerge, revealing Shakespeare's ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations-adaptations of both the works of Shakespeare, and of Shakespeare the man-and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare's works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare's works, and more generally how play and playfulness can make Shakespeare 'relatable, ' 'relevant, ' and entertaining for successive generations of audiences and readers"--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Gerzić, Marina (HerausgeberIn); Norrie, Aidan (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429288807
    RVK Categories: HI 3330
    Series: Routledge studies in Shakespeare ; 41
    Subjects: Play in literature; Literature ; Adaptations; Criticism, interpretation, etc; Play in literature; Shakespeare, William ; 1564-1616 ; Adaptations ; History and criticism; LITERARY CRITICISM / General
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William
    Scope: 1 Online-Ressource (xvi, 254 Seiten)
    Notes:

    Includes bibliographical references and index
  25. Adaptation and cultural appropriation
    literature, film, and the arts
    Contributor: Lindner, Oliver (HerausgeberIn); Nicklas, Pascal (HerausgeberIn)
    Published: [2012]
    Publisher:  De Gruyter, Berlin

    "'Hamlet' by Olivier, Kaurismaki or Shepard and 'Pride and Prejudice' in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been... more

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    "'Hamlet' by Olivier, Kaurismaki or Shepard and 'Pride and Prejudice' in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts"--Provided by publisher Adaptation and Cultural Appropriation -- Adaptation in Theory -- Familiarity versus Contempt: Becoming Jane and the Adaptation Genre -- Pride and Promiscuity and Zombies, or: Miss Austen Mashed Up in the Affinity Spaces of Participatory Culture -- Where Did Your Adaptation Begin?: Book Fairs, Screen Festivals and Writers' Weeks as Engine-rooms of Adaptation -- Conversing with Ghosts: Or, the Ethics of Adaptation -- Cultural Heritage / Heritage Culture: Adapting the Contemporary British Historical Novel -- Revisiting Shakespeare: Elizabeth Rex as Filmic Metatext -- "An Entirely Different and New Story": A Case Study of Tim Burton's Planet of the Apes (2001) -- Grisly Skeletons and Happy Endings: The Adaptations and Appropriations of Joseph Conrad's Fiction -- The Adaptation of Adaptation: A Dialogue between the Arts and Sciences -- Fidelity, Simultaneity and the 'Remaking' of Adaptation Studies -- Brontë Meets Bollywood: The Ambivalences of Appropriation and Adaptation in Tamasha's Wuthering Heights -- Odysseus, Crusoe and the Making of the Caribbean Hero. Derek Walcott's Variations of Great Traditions -- Appropriating Achebe: Chimamanda Ngozi Adichie's Purple Hibiscus and "The Headstrong Historian" -- Revisiting Bolton: Transcultural Adaptation and Regional Identity in Ayub Khan-Din's Rafta, Rafta.

     
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    Source: Union catalogues
    Contributor: Lindner, Oliver (HerausgeberIn); Nicklas, Pascal (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1283857790; 3110272237; 9783110272239; 9781283857796
    Other identifier:
    99953669829
    RVK Categories: EC 2410
    Series: Array ; 27
    Subjects: Literature; Film adaptations; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Film adaptations; Literature ; Adaptations; Aanpassing; Bellettrie; Kunstwetenschappen; Filmwetenschap; Filmatisering av litterära verk; Appropriering (konst); Criticism, interpretation, etc
    Scope: 1 Online-Ressource (277 pages), illustrations
    Notes:

    Includes bibliographical references and index