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  1. Showing Like a Queen
    Female Authority and Literary Experiment in Spenser, Shakespeare, and Milton
    Author: Eggert, Katherine
    Published: [2015]; ©2000.
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing... more

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    For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more inventive in their responses to female authority. In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise Lost upon the formulae of queenship.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292619
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    Subjects: English literature; Feminism and literature; Feminism and literature; Literature, Experimental; English literature; Feminism and literature; Feminism and literature; Literature, Experimental; English literature.; Feminism and literature.; Feminism and literature.; Literature, Experimental.
    Scope: 1 online resource
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    Frontmatter -- -- Contents -- -- Note on Texts and Editions -- -- 1. Forms of Queenship: Female Rule and Literary Structure in the English Renaissance -- -- 2. Genre and the Repeal of Queenship in Spenser's Faerie Queene -- -- 3. Leading Ladies: Feminine Authority and Theatrical Effect in Shakespeare's History Plays -- -- 4. Exclaiming Against Their Own Succession: Queenship, Genre, and What Happens in Hamlet -- -- 5. The Late Queen of Famous Memory: Nostalgic Form in Antony and Cleopatra and The Winter's Tale -- -- 6. Milton's Queenly Paradise -- -- Afterword: Queenship and New Feminine Genres -- -- Notes -- -- Bibliography -- -- Acknowledgments -- -- Index
  2. Neoavanguardia
    Italian experimental literature and arts in the 1960s
    Published: 2016; ©2010
    Publisher:  University of Toronto Press, Toronto

    In examining this often controversial movement, Neoavanguardia's contributors include topics such as critical-theoretical debates, the crisis of literature as defined within the movement, and issues of gender in 1960s Italian art and literature. more

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    In examining this often controversial movement, Neoavanguardia's contributors include topics such as critical-theoretical debates, the crisis of literature as defined within the movement, and issues of gender in 1960s Italian art and literature.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442699984
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    Series: Toronto Italian Studies)
    Subjects: Literature, Experimental; Arts; Italian literature; Literature, Experimental; Italian literature; Arts; Arts.; Italian literature.; Literature, Experimental.
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publishers Web site, viewed Jan. 06, 2016)

    Frontmatter -- -- Contents -- -- Literature and the Arts in the 1960s: An Introduction -- -- Part I: The Cultural Debate -- -- 1. Subverting Literature: Literary Theory and Critical Discourse in the Italian Neoavanguardia -- -- 2. Neoavanguardia and Postmodernism: Oscillations between Innovation and Tradition from 1963 to 2003 -- -- 3. Parasurrealism and Technological Utopia: The Project of Malebolge -- -- Part II: Revisiting Literature -- -- 4. The ‘New’ Novel of the Neoavanguardia -- -- 5. Revolution in Flatland: Giorgio Manganelli’s Critique of the Avant-garde -- -- 6. The Poetry of the Neoavanguardia and the Materiality of Language -- -- 7. Language, Gender, and Sexuality in the Neoavanguardia -- -- 8. Giulia Niccolai: A Wide-Angle Portrait -- -- Part III: Beyond Literature -- -- 9. Signs and Designs: Sanguineti and Baj from Laborintus to The Biggest Art-Book in the World -- -- 10. Gruppo 63 and Music: A Complex Relationship -- -- 11. Superstudio Double-Take: Rescue Operations in the Realms of Architecture -- -- Contributors
  3. "High" und "low
    Zur Interferenz von Hoch- und Populärkultur in der Gegenwartsliteratur
    Author: Wegmann, Thomas; Wolf, Norbert Christian
    Published: 2011; ©2012
    Publisher:  Walter de Gruyter GmbH Co.KG, s.l.

    Norbert Christian Wolf The history of aesthetics portrays the relationship between 'high' and 'low', i.e. between high and popular culture, as being strongly antagonistic. On the other hand crossovers to "illegitimate" forms of art, the integration... more

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    Norbert Christian Wolf The history of aesthetics portrays the relationship between 'high' and 'low', i.e. between high and popular culture, as being strongly antagonistic. On the other hand crossovers to "illegitimate" forms of art, the integration of various forms of non-art and a striking appreciation of "accessory parts" or the supposedly secondary have become a programmatic element in the historic avant-garde.The anthology investigates this conflicting relationship as reflected in various current examples

     
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  4. Szenen der Schrift
    medienästhetische Reflexionen in der literarischen Avantgarde nach 1945
    Author: Gropp, Petra
    Published: [2006]; © 2006
    Publisher:  transcript Verlag, Bielefeld

    Mitte des 20. Jahrhunderts wendet sich die literarische Avantgarde ihrer Medialität zu und erkundet »Szenen der Schrift«, nimmt Formen der Schrift und Praktiken des Schreibens in den Blick. Gemeinsamer Bezugspunkt der experimentellen Literatur sowie... more

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    Mitte des 20. Jahrhunderts wendet sich die literarische Avantgarde ihrer Medialität zu und erkundet »Szenen der Schrift«, nimmt Formen der Schrift und Praktiken des Schreibens in den Blick. Gemeinsamer Bezugspunkt der experimentellen Literatur sowie der Pop-Literatur sind Diskurse zu Medientheorie und Ästhetik. Die Studie eröffnet eine neue Perspektive auf die literarische Avantgarde nach 1945, indem sie materialreich monumentale Schreib-Projekte wie die Arbeiten der französischen Werkstatt für potenzielle Literatur (Oulipo), die phantastischen Textlandschaften Georges Perecs und die Textinszenierungen von Rainald Goetz fokussiert, die Literatur als performativen Akt und medienästhetische Praxis betreiben.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839404041
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    RVK Categories: EC 5195
    Series: Kultur- und Medientheorie
    Subjects: ; Literature, Experimental; Literature, Experimental.; Avantgardeliteratur.; Literatur, Rhetorik, Literaturwissenschaft.; Literature, Experimental.; Medienwissenschaft.; Poetik.; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (447 Seiten)
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    Frontmatter -- INHALT -- SIGLEN -- DANK -- EINLEITUNG -- 1. Perspektiven einer Medienästhetik der Literatur -- 2. Experimentalisierung von Schrift und Literatur Mitte des zwanzigsten Jahrhunderts -- 3. Experimentelle Ästhetik der Schrift. Georges Perec -- 4. Medienphilosophische Ästhetik der Schrift. Vilém Flusser -- 5. Medienästhetik der Pop-Literatur. Rainald Goetz -- Schluss. Perspektiven einer Medienkunst der Schrift -- Literaturverzeichnis -- Backmatter.
  5. Das Zwischen schreiben
    Transgression und avantgardistisches Erbe bei Kathy Acker
    Author: Zappe, Florian
    Published: [2013]
    Publisher:  transcript, Bielefeld

    Biographical note: Florian Zappe (Dr. phil.) ist Literatur- und Kulturwissenschaftler. Er erforscht die Kreuzungspunkte, an denen Philosophie, Kulturtheorie, Kunst und Gesellschaft im kulturellen Raum interagieren. Die Transgression - verstanden als... more

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    Biographical note: Florian Zappe (Dr. phil.) ist Literatur- und Kulturwissenschaftler. Er erforscht die Kreuzungspunkte, an denen Philosophie, Kulturtheorie, Kunst und Gesellschaft im kulturellen Raum interagieren. Die Transgression - verstanden als Überschreitung normativ gesetzter Grenzen von Wissen, Erfahrung und Identität - ist seit der Aufklärung Motiv und gleichermaßen Methode in subversiver Kunst und kritischer Kulturanalyse. Am Beispiel der Schriftstellerin Kathy Acker reflektiert die im interdisziplinären Grenzland zwischen Literaturwissenschaft, Kulturwissenschaft und Philosophie angesiedelte Studie von Florian Zappe nun die Möglichkeiten von radikaler Kunst als Medium der Kulturkritik - und bietet dabei zugleich eine Kulturgeschichte des Transgressionsbegriffs der modernen und postmodernen Avantgarden.

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839423622
    Other identifier:
    RVK Categories: HU 9800 ; EC 5410
    Series: Lettre
    Subjects: American literature; Literature, Experimental; American literature.; Literature, Experimental.; Englische Literatur Amerikas.; Avantgardeliteratur; Kulturkritik; Grenzüberschreitung; LITERARY CRITICISM / American / General; Post-structuralism, Literature, American Studies, British Studies, General Literature Studies, Cultural Studies, Literary Studies
    Scope: 1 Online-Ressource (372 Seiten)
    Notes:

    Description based upon print version of record

    Cover Das Zwischen schreiben; Inhalt; Danksagung; Einleitung; Erster Teil: Theoretische Grundlagen; Versuch einer Theorie der Transgression; Wider die Grenze zwischen Kunst und Leben - Avantgardekunst als transgressive Kunst; Zweiter Teil: Das Transgressive bei Kathy Acker; Vorwort zur Analyse; Außenseiter; Der Außenseiter als Leitfigur der Grenzüberschreitung; Rebellen; Die Rebellion der Jugend: Janey Smith; Die Rebellion gegen die Realität: Don Quixote; Pos tmoderne Anarchis ten: Revolutionäre, Terroris ten, Piraten; Küns tler; Les Poètes maudits: Rimbaud und Verlaine

    Der Tod als let zte Grenze: PasoliniDer entmys tifizierte Heilige: Genet; Sexualität, Körperlichkeit und Identitätspolitik; Über die Ambivalenz der Sexualität und die Rolle der Pornographie; „The bigges t shit in the world" - Ödipus und die normative Kraft der Sexualität; Transgressive Sexualität und die Erweiterung der Grenzen des Selbs t; Der modifizierte Körper als transgressiver Körper; Die Haut als Grenze des Subjekts; Der hybride Körper; Ackers transgressive Ästhetik und ihre Funktion; Das äs thetische Erbe der Avantgarde; Experimentelle Äs thetik und die „Ins titution Kuns t"

    Von der Äs thetik zur Ethik: Das RhizomSchlussbemerkung: „A humanist in some weird way"; Bibliographie
  6. Postscript: writing after conceptual art
    Contributor: Andersson, Andrea (HerausgeberIn)
    Published: [2018]; © 2018
    Publisher:  University of Toronto Press, Toronto

    One of the most important movements in twenty-first century literature is the emergence of conceptual writing. By knowingly drawing on the histories of art and literature, conceptual writing upended traditional categorical conventions. Postscript is... more

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    One of the most important movements in twenty-first century literature is the emergence of conceptual writing. By knowingly drawing on the histories of art and literature, conceptual writing upended traditional categorical conventions. Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves. Using new and old technology, and textual and visual modes including appropriation, transcription, translation, redaction, and repetition, the contributors actively challenge the existing scholarship on conceptual art. Rather than segregating the work of visual artists from that of writers we are shown the ways in which conceptual art is, and remains, a mutually supportive interaction between the arts.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Andersson, Andrea (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442621015
    Other identifier:
    RVK Categories: EC 2440 ; CC 6900
    Subjects: Art and literature; Conceptual art; Conceptualism; Literature, Experimental; Art and literature.; Conceptual art.; Conceptualism.; Literature, Experimental.
    Scope: 1 Online-Ressource (XII, 416 Seiten)
  7. "High" und "low
    Zur Interferenz von Hoch- und Populärkultur in der Gegenwartsliteratur
    Author: Wegmann, Thomas; Wolf, Norbert Christian
    Published: 2011; ©2012
    Publisher:  Walter de Gruyter GmbH Co.KG, s.l.

    Norbert Christian Wolf The history of aesthetics portrays the relationship between 'high' and 'low', i.e. between high and popular culture, as being strongly antagonistic. On the other hand crossovers to "illegitimate" forms of art, the integration... more

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    Norbert Christian Wolf The history of aesthetics portrays the relationship between 'high' and 'low', i.e. between high and popular culture, as being strongly antagonistic. On the other hand crossovers to "illegitimate" forms of art, the integration of various forms of non-art and a striking appreciation of "accessory parts" or the supposedly secondary have become a programmatic element in the historic avant-garde.The anthology investigates this conflicting relationship as reflected in various current examples

     
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  8. <<The>> writing of violence in the Middle East
    inflictions
    Author: Mohaghegh, Jason Bahbak, 1979-
    Published: 2012
    Publisher:  Continuum, London [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781441106308; 1441106308
    Series: Contemporary Middle Eastern and Islamicate thought
    Subjects: Middle Eastern literature--History and criticism--Theory, etc.; Violence in literature.; Literature, Experimental.
    Scope: XL, 208 S., 24 cm
    Notes:

    Literaturverz. S. [197] - 200