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Displaying results 1 to 25 of 57.

  1. Campania in the Flavian poetic imagination
    Contributor: Augoustakis, Antony (HerausgeberIn); Littlewood, R. Joy (HerausgeberIn)
    Published: 2019
    Publisher:  Oxford University Press, Oxford

    The volcanic soil of Campania, the region surrounding Vesuvius, was fertile ground for the imaginations of Flavian writers. In the aftermath of the volcano's eruption in 79 CE, authors including Martial, Silius Italicus, Statius, and Valerius Flaccus... more

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    The volcanic soil of Campania, the region surrounding Vesuvius, was fertile ground for the imaginations of Flavian writers. In the aftermath of the volcano's eruption in 79 CE, authors including Martial, Silius Italicus, Statius, and Valerius Flaccus continued to live and work in Campania, writing about it as an alluring region of luxury and peril

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Augoustakis, Antony (HerausgeberIn); Littlewood, R. Joy (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191845567
    Other identifier:
    RVK Categories: FT 12800
    Edition: First edition
    Series: Oxford scholarship online
    Subjects: Latin poetry; Latin poetry ; History and criticism; Campania (Italy) ; In literature
    Scope: 1 Online-Ressource (xviii, 330 Seiten), maps (black and white)
    Notes:

    Includes bibliographical references and index

    Zielgruppe - Audience: Specialized

  2. Imagining the chorus in Augustan poetry
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    From archaic Sparta to classical Athens the chorus was a pervasive feature of Greek social and cultural life. Until now, however, its reception in Roman literature and culture has been little appreciated. This book examines how the chorus is... more

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    From archaic Sparta to classical Athens the chorus was a pervasive feature of Greek social and cultural life. Until now, however, its reception in Roman literature and culture has been little appreciated. This book examines how the chorus is reimagined in a brief but crucial period in the history of Latin literature, the early Augustan period from 30 to 10 BCE. It argues that in the work of Horace, Virgil, and Propertius, the language and imagery of the chorus articulate some of their most pressing concerns surrounding social and literary belonging in a rapidly changing Roman world. By re-examining seminal Roman texts such as Horace's Odes and Virgil's Aeneid from this fresh perspective, the book connects the history of musical culture with Augustan poetry's interrogation of fundamental questions surrounding the relationship between individual and community, poet and audience, performance and writing, Greek and Roman, and tradition and innovation Machine generated contents note: Introduction: the chorus in the Augustan imagination; 1. Imagined choruses from Alexandria to Rome; 2. Dance and desire in Propertius' Elegies; 3. Horace and the erotics of the lyric chorus; 4. Canon, community, and chorus; 5. Virgil's Aeneid and the relocation of ritual; 6. Foundational choreography in the Aeneid; Epilogue

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316986677
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    Subjects: Music and literature; Latin poetry; Augustus ; Emperor of Rome ; 63 B.C.-14 A.D ; Influence; Latin poetry ; History and criticism; Music and literature ; To 500
    Other subjects: Augustus Emperor of Rome (63 B.C.-14 A.D)
    Scope: 1 Online-Ressource (xv, 268 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 15 Sep 2017)

  3. Tombs of the ancient poets
    between literary reception and material culture
    Published: [2018]; © 2018
    Publisher:  Oxford University Press, Oxford

    Drawing together a range of examples, this volume explores the tombs of the ancient poets - real or otherwise - in the ancient cultural imagination, and the ways in which they act as crucial sites for the reception of Greek and Latin poetry, uniquely... more

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    Drawing together a range of examples, this volume explores the tombs of the ancient poets - real or otherwise - in the ancient cultural imagination, and the ways in which they act as crucial sites for the reception of Greek and Latin poetry, uniquely positioned as they are between literary reception and material culture

     

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  4. Cinis omnia fiat
    zum poetologischen Verhältnis der pseudo-vergilischen "Dirae" zu den Bucolica Vergils
    Published: 2007
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

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  5. Persuasion, rhetoric and Roman poetry
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge

    Previous studies on the relationship between rhetorical theory and Roman poetry have generally taken the form of lists enumerating elements of style and arrangement that poets are said to have 'borrowed' from rhetorical critics. This book examines,... more

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    Previous studies on the relationship between rhetorical theory and Roman poetry have generally taken the form of lists enumerating elements of style and arrangement that poets are said to have 'borrowed' from rhetorical critics. This book examines, and ultimately questions, this entrenched theoretical model and the very notion of rhetorical influence on which this paradigm is built. Tracing key moments in the poetic and the rhetorical traditions, in the context of which the problematic relationship of difference and similarity between rhetorical and poetic discourse is discussed, the book focuses on the cultural relevance of this intellectual divide in Roman literary culture. The study of rhetorical sources, such as Cicero, Seneca the Elder and Quintilian, and of select responses in Roman poetry, sheds light on long-standing scholarly assumptions about classical poetry as artless language and about the role of rhetoric in the construction of the decline of post-classical cultures.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316219355
    Other identifier:
    RVK Categories: FT 11600 ; FB 4052
    Subjects: Latin poetry; Rhetoric, Ancient; Latin poetry ; History and criticism; Rhetoric, Ancient
    Scope: 1 online resource (ix, 287 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 09 Aug 2019)

  6. Afterlives of the Roman poets
    biofiction and the reception of Latin poetry
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge

    Conscious of ancient modes of reading poetry 'for the life', Roman poets encoded versions of their lives into their texts. The result is a body of literature that cries out to be read in terms of lives in reception. Afterlives of the Roman Poets... more

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    Conscious of ancient modes of reading poetry 'for the life', Roman poets encoded versions of their lives into their texts. The result is a body of literature that cries out to be read in terms of lives in reception. Afterlives of the Roman Poets shows how the fictional biographies (or 'biofictions') of its authors have shaped the reception of Latin poetry. From medieval biographies of Ovid inscribed in the margins of his texts to republican readings of Lucan's death in periods of revolution to the 'death of the author' in Hermann Broch's Der Tod des Vergil, the book tells a cultural history of the reception of ancient literature as imagined through the lens of poets' lives. Putting modern life-writing studies and ancient poetry into dialogue, it brings biofictional reception to debates in classics, and puts antiquity and its reception onto the map of modern studies in life-writing.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316847879
    Other identifier:
    Series: Classics after antiquity
    Subjects: Latin poetry; Biography as a literary form; Latin poetry; Latin poetry ; History and criticism; Biography as a literary form; Latin poetry ; Appreciation
    Scope: 1 Online-Ressource (xvii, 220 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 11 Nov 2019)

  7. The war with god
    theomachy in Roman imperial poetry
    Published: 2014
    Publisher:  Oxford University Press, Oxford

    This work - the first full-length study of human-divine conflict in Roman literature - asks why the war against god was so important to the poets of the time and how this understudied period of literary history influenced a larger tradition in... more

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    This work - the first full-length study of human-divine conflict in Roman literature - asks why the war against god was so important to the poets of the time and how this understudied period of literary history influenced a larger tradition in Western literature. Drawing on a variety of contexts - politics, religion, philosophy, and aesthetics - Pramit Chaudhuri argues for the fundamental importance of battles between humans and gods in representing the Roman world.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190204990
    Other identifier:
    RVK Categories: FT 14000 ; NH 8575
    Subjects: Latin poetry; Theology in literature; Theomachy; Good and evil in literature; Latin poetry; Latin poetry ; History and criticism; Theology in literature; Theomachy; Good and evil in literature
    Scope: 1 Online-Ressource (XIV, 386 Seiten)
  8. Fragments of Roman poetry, c.60 B.C.-A.D. 20
    Contributor: Hollis, A. S (MitwirkendeR)
    Published: 2007
    Publisher:  Oxford University Press, Oxford

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    Source: Union catalogues
    Contributor: Hollis, A. S (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191819155
    Other identifier:
    Subjects: Latin poetry ; History and criticism; Latin poetry ; Translations into English; Lost literature ; Rome
    Scope: 1 online resource (xviii, 440 p.)
    Notes:

    Translated from the Latin. - Includes bibliographical references and index. - Description based on print version record

  9. A commentary on Virgil
    Author: Virgil
    Published: 2015
    Publisher:  Oxford University Press, Oxford

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    Source: Union catalogues
    Contributor: Clausen, Wendell (HerausgeberIn)
    Language: Latin
    Media type: Ebook
    Format: Online
    ISBN: 9780191819278
    Other identifier:
    Subjects: Virgil ; Eclogues; Latin poetry; Pastoral poetry, Latin; Latin poetry ; History and criticism; Pastoral poetry, Latin ; History and criticism
    Scope: 1 online resource
    Notes:

    Previously issued in print: 1994. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 30, 2015)

  10. Latin Poets and Italian Gods.
    Published: 2009; ©2009.
    Publisher:  University of Toronto Press, Toronto

    Latin Poets and Italian Gods reconstructs the response of Roman poets in the late republic and Augustan age to the rural cults of central Italy. Intro -- CONTENTS -- PREFACE -- PART I: Honouring the Italian Gods -- 1 Rustica Numina: The Country Gods... more

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    Latin Poets and Italian Gods reconstructs the response of Roman poets in the late republic and Augustan age to the rural cults of central Italy. Intro -- CONTENTS -- PREFACE -- PART I: Honouring the Italian Gods -- 1 Rustica Numina: The Country Gods of Italy and Their Reception in Roman Poetry -- 2 Virgil's Gods of the Land -- 3 Ovid's Fasti and the Local Gods of the City -- PART II: Counter-Examples, and the Triumph of Artistry over Fading Devotion -- 4 Ovidian Variations: From Friendly Flora to Lewd Salmacis and Angry Acheloüs -- 5 Gods in a Man-made Landscape: Priapus -- 6 Gods in Statian Settings -- NOTES -- BIBLIOGRAPHY -- Abbreviations -- Principal Editions Cited -- GENERAL INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- L -- M -- N -- P -- R -- S -- T -- V -- INDEX OF PRINCIPAL PASSAGES DISCUSSED -- A -- C -- D -- E -- F -- H -- L -- M -- N -- O -- P -- S -- T -- V.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442685802
    Series: Robson Classical Lectures
    Subjects: Religion and literature - Rome; Electronic books; Mythology, Roman, in literature; Latin poetry ; History and criticism; Gods, Roman, in literature
    Scope: 1 online resource (242 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  11. Ovid's Revisions
    The Editor as Author
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Scrutinizes Ovid's tendency to edit his major works and advertise their revised status, a distinctive feature of his literary career more

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    Scrutinizes Ovid's tendency to edit his major works and advertise their revised status, a distinctive feature of his literary career

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107037717
    Subjects: Latin poetry ; History and criticism; Ovid ; 43 B.C.-17 A.D. or 18 A.D ; Criticism, Textual; Electronic books
    Scope: Online-Ressource (274 p)
    Notes:

    Description based upon print version of record

    Cover; Half title; Title; Copyright; Dedication; Contents; Acknowledgements; Note on the texts; Abbreviations; 1 Introduction: Ovid and authorial revision; Revision and textual authority; Revision and the preface; Revision and the author; 2 Gemini amores: approaching the two editions; Amores 1.1-1.6: the opening sequence; The first book division: Amores 1.14, 1.15and 2.1; The second book division: Amores 2.18, 2.19and 3.1; Middles: Amores 2.9a and b, and 2.10; Closing the 'second edition': Amores 3.12, 3.14and 3.15; 3 The ends of the affair: desire and deferral in the Ars Amatoria

    Repetition, metonymy, working through: Freud and the art of narrativeMobile endings, mobile middles; Exposure, castration and the body in the middle; Repetition: overlapping (and lapping over) at Ars 2.112-42; 4 Reformatting Time (revising the Fasti); Incompletion and revision; Whose calendar?; Which calendar?; Opening the year; Closing the year; Closing the year (again); 5 Tristia: revision and the authorial name; Book-roll/monument: Tr. 1.1/Tr. 5.14 (and Hor. Epist. 1.20/Odes 3.30); Monument/book-roll: Met. 15.871-9/Tr. 1.1; Monumental names: Met. 15.807-879; Bookends: Tr. 3.14and Tr. 4.10

    Inscribing names: Tr. 3.3Revising the monument: Tristia 5; 6 Books of letters: revision and the letter collection in the Epistulae ex Ponto; Author/reader: Ex P. 1.1; Public/private: the Ex Ponto and the Domus Augusta; Publica monumenta: writing the exemplum; Authorship: sublimation/distribution; Epilogue; Bibliography; General index; Index locorum

  12. Latin poetry in the ancient Greek novels
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    'Latin Poetry in the Ancient Greek Novels' establishes and explores connections between Greek imperial literature and Latin poetry. The work offers the first book-length study of the role of Latin literature in Greek literary culture and provides... more

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    'Latin Poetry in the Ancient Greek Novels' establishes and explores connections between Greek imperial literature and Latin poetry. The work offers the first book-length study of the role of Latin literature in Greek literary culture and provides fresh perspectives and new approaches to the literature and culture of this period.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191915680
    Other identifier:
    RVK Categories: FE 3225
    Edition: First edition
    Series: Oxford classical monographs
    Oxford scholarship online
    Subjects: Greek fiction; Greek literature; Latin poetry; Greek fiction ; History and criticism; Greek literature ; Foreign influences; Latin poetry ; History and criticism
    Scope: 1 online ressource (401 pages)
    Notes:

    This edition also issued in print: 2021. - "Published under the supervision of a Committee of the Faculty of Classics in the University of Oxford"--Home page. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 22, 2021)

  13. Ovid's early poetry
    from his single Heroides to his Remedia amoris
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge, UK

    Ovid is one of the greatest poets in the Classical tradition and Western literature. This book represents the most comprehensive study to date of his early output as a unified literary production. Firstly, the book proposes new ways of organising... more

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    Ovid is one of the greatest poets in the Classical tradition and Western literature. This book represents the most comprehensive study to date of his early output as a unified literary production. Firstly, the book proposes new ways of organising this part of Ovid's poetic career, the chronology of which is notoriously difficult to establish. Next, by combining textual criticism with issues relating to manuscript transmission, the book decisively counters arguments levelled against the authenticity of Heroides 15, which consequently allows for a revaluation of Ovid's early output. Furthermore, by focusing on the literary device of allusion, the book stresses the importance of Ovid's single Heroides 1-15 in relationship with his Amores I-III, Ars amatoria I-III and Remedia amoris. Finally, the book identifies three kinds of Ovidian poetics that are found in his early poetry and that point towards the works of myth and exile that followed in his later career. Dating the young Ovid -- Ovidian signatures and the single Heroides -- Being last -- with the latest news -- The authenticity of Heroides 15 -- Sappho among heroines -- Sapphic self-reflections in Ovid's amores -- Art, being and nothingness: Ars amatoria and Remedia amoris

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139628952
    Other identifier:
    RVK Categories: FX 191705
    Subjects: Latin poetry; Ovid ; 43 B.C.-17 A.D. or 18 A.D ; Criticism and interpretation; Latin poetry ; History and criticism
    Other subjects: Ovid (43 B.C.-17 A.D. or 18 A.D); Ovid
    Scope: 1 Online-Ressource (XII, 223 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  14. Rethinking Roman alliance
    a study in poetics and society
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

    In this book, Bill Gladhill studies one of the most versatile concepts in Roman society, the ritual event that concluded an alliance, a foedus (ritual alliance). Foedus signifies the bonds between nations, men, men and women, friends, humans and... more

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    In this book, Bill Gladhill studies one of the most versatile concepts in Roman society, the ritual event that concluded an alliance, a foedus (ritual alliance). Foedus signifies the bonds between nations, men, men and women, friends, humans and gods, gods and goddesses, and the mass of matter that gives shape to the universe. From private and civic life to cosmology, Roman authors, time and time again, utilized the idea of ritual alliance to construct their narratives about Rome. To put it succinctly, Roman civilization in its broadest terms was conditioned on ritual alliance. Yet, lurking behind every Roman relationship, in the shadows of Roman social and international relations, in the dark recesses of cosmic law, were the breakdown and violation of ritual alliance and the release of social pollution. Rethinking Roman Alliance investigates Roman culture and society through the lens of foedus and its consequences Machine generated contents note: Introduction: approaching ritual alliance; 1. A prolegomenon to ritual alliance; 2. Atomizing ritual alliance; 3. Star wars in Manilius' Astronomica; 4. Ritual alliance in Vergil's Aeneid; 5. Ritual alliance in Lucan's Bellum Civile; Conclusion

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107706996
    Other identifier:
    Subjects: Literature and society; Ritual in literature; Latin poetry; Latin poetry ; History and criticism; Ritual in literature; Literature and society ; Rome
    Scope: 1 Online-Ressource (x, 216 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 06 Jun 2016)

  15. The closure of space in Roman poetics
    empire's inward turn
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    This ambitious book investigates a major yet underexplored nexus of themes in Roman cultural history: the evolving tropes of enclosure, retreat and compressed space within expanding, potentially borderless empire. In Roman writers' exploration of... more

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    This ambitious book investigates a major yet underexplored nexus of themes in Roman cultural history: the evolving tropes of enclosure, retreat and compressed space within expanding, potentially borderless empire. In Roman writers' exploration of real and symbolic enclosures - caves, corners, villas, bathhouses, the 'prison' of the human body itself - we see the aesthetic, philosophical and political intersecting in fascinating ways, as the machine of empire is recast in tighter and tighter shapes. Victoria Rimell brings ideas and methods from literary theory, cultural studies and philosophy to bear on an extraordinary range of ancient texts rarely studied in juxtaposition, from Horace's Odes, Virgil's Aeneid and Ovid's Ibis, to Seneca's Letters, Statius' Achilleid and Tacitus' Annals. A series of epilogues puts these texts in conceptual dialogue with our own contemporary art world, and emphasizes the role Rome's imagination has played in the history of Western thinking about space, security and dwelling Introduction: interior designs -- 1. Empire without end: opening, expansion, enclosure -- 2. All four corners of the world: Horace's enclaves -- 3. Roman philosophy and the house of being: Seneca's Letters -- 4. Blood, sweat and fears in the Roman baths -- 5. Imperial enclosure, epic spectacle -- 6. The homeless problem: exile, entrapment, desire

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139941532
    Other identifier:
    Series: The W.B. Stanford memorial lectures
    Subjects: Space perception in literature; Literature and society; Space (Architecture) in literature; Latin poetry; Latin poetry ; History and criticism; Space (Architecture) in literature; Space perception in literature; Literature and society ; Rome
    Scope: 1 Online-Ressource (xi, 358 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  16. Freud's Rome
    psychoanalysis and Latin poetry
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge

    This book is a meditation on the role of psychoanalysis within Latin literary studies. Neither a sceptic nor a true believer, Oliensis adopts a pragmatic approach to her subject, emphasizing what psychoanalytic theory has to contribute to... more

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    This book is a meditation on the role of psychoanalysis within Latin literary studies. Neither a sceptic nor a true believer, Oliensis adopts a pragmatic approach to her subject, emphasizing what psychoanalytic theory has to contribute to interpretation. Drawing especially on Freud's work on dreams and slips, she spotlights textual phenomena that cannot be securely anchored in any intention or psyche but that nevertheless, or for that very reason, seem fraught with meaning; the 'textual unconscious' is her name for the indefinite place from which these phenomena erupt, or which they retroactively constitute, as a kind of 'unconsciousness-effect'. The discussion is organized around three key topics in psychoanalysis - mourning, motherhood, and the origins of sexual difference - and takes the poetry of Catullus, Virgil, and Ovid as its point of reference. A brief afterword considers Freud's own witting and unwitting engagement with the idea of Rome Introduction: psychoanalysis and Latin poetry -- Two poets mourning -- Murdering mothers -- Variations on a phallic theme -- Afterword: Freud's Rome

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511806919
    Other identifier:
    RVK Categories: FB 5125
    Series: Roman literature and its contexts
    Subjects: Latin poetry; Psychoanalysis and literature; Catullus, Gaius Valerius ; Criticism and interpretation; Virgil ; Criticism and interpretation; Ovid ; 43 B.C.-17 A.D. or 18 A.D ; Criticism and interpretation; Freud, Sigmund ; 1856-1939; Latin poetry ; History and criticism; Psychoanalysis and literature
    Other subjects: Ovid (43 B.C.-17 A.D. or 18 A.D); Freud, Sigmund (1856-1939); Virgil; Catullus, Gaius Valerius
    Scope: 1 Online-Ressource (xi, 148 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  17. Studies in Latin poetry
    Contributor: Dawson, Christopher Mounsey (HerausgeberIn); Cole, Thomas (HerausgeberIn)
    Published: 1969
    Publisher:  Cambridge University Press, Cambridge

    This volumes begins with a long essay on the nature and structure of Saturnian verse. This is followed by two studies of Plautus (the Menaechmi seen as a comedy of errors and the prologue of the Poenulus as an editor's conflation of several scripts).... more

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    This volumes begins with a long essay on the nature and structure of Saturnian verse. This is followed by two studies of Plautus (the Menaechmi seen as a comedy of errors and the prologue of the Poenulus as an editor's conflation of several scripts). There is an essay on nine graffito epigrams from Pompeii, and an analysis of the poetic quality of the scientific passages in the De Rerum Natura. Catullus 64 is studied as an epitome of the whole age of heroes; and there are two essays on Horace (his handling of the rhetorical recusatio in the odes to Bacchus and his lyric prayers for poetic inspiration). The volume ends with an investigation into how much Ovid actually knew of the law, and how he exploited this knowledge with piquancy and inventiveness in his writings The Saturnian verse / Thomas Cole -- The Menaechmi: Roman comedy of errors / Erich Segal -- Imperator histricus / H.D. Jocelyn -- Nine Epigrams from Pompeii (CIL 4.4966-73) / David O. Ross, Jr. -- Obscura de re lucida carmina: science and poetry in De rerum natura / Anne Amory -- Catullus 64 and the heroic age / Leo C. Curran -- Bacchus and the Horatian Recusatio / Edmund T. Silk -- Two Horatian proems: Carm. 1.26 and 1.32 / Ross S. Kilpatrick -- Ovis and the law / E.J. Kenney

     

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    Contributor: Dawson, Christopher Mounsey (HerausgeberIn); Cole, Thomas (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511933721
    Other identifier:
    Series: Yale classical studies ; 21
    Subjects: Latin poetry; Latin poetry ; History and criticism; Rome ; In literature
    Scope: 1 Online-Ressource (263 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  18. Ovid's revisions
    the editor as author
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    A striking feature of Ovid's literary career derives from the processes of revision to which he subjects the works and collections that make up his oeuvre. From the epigram prefacing the Amores, to the editorial notices built into the book-frames of... more

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    A striking feature of Ovid's literary career derives from the processes of revision to which he subjects the works and collections that make up his oeuvre. From the epigram prefacing the Amores, to the editorial notices built into the book-frames of the Epistulae Ex Ponto, Ovid repeatedly invites us to consider the transformative horizons that these editorial interventions open up for his individual works, and which also affect the shape of his career and authorial identity. Francesca K. A. Martelli plots the vicissitudes of Ovid's distinctive career-long habit, considering how it transforms the relationship between text, oeuvre and authorial voice, and how it relates to the revisory practices at work in the wider cultural and political matrix of Ovid's day. This fascinating study will be of great interest to students and scholars of classical literature, and to any literary critic interested in revision as a mode of authorial self-fashioning Gemini Amores: Approaching the two editions -- The ends of the affair: Desire and deferral in the Ars Amatoria -- Reformatting time (revision and the fasti) -- Tristia: Revision and the authorial name -- Books of letters: Revision and the letter collection in the Epistulae Ex Ponto

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139794800
    Other identifier:
    Subjects: Latin poetry; Ovid ; 43 B.C.-17 A.D. or 18 A.D ; Criticism, Textual; Latin poetry ; History and criticism
    Other subjects: Ovid (43 B.C.-17 A.D. or 18 A.D)
    Scope: 1 Online-Ressource (xii, 260 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  19. The war with god
    theomachy in Roman imperial poetry
    Published: 2014
    Publisher:  Oxford University Press, Oxford

    This work - the first full-length study of human-divine conflict in Roman literature - asks why the war against god was so important to the poets of the time and how this understudied period of literary history influenced a larger tradition in... more

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    This work - the first full-length study of human-divine conflict in Roman literature - asks why the war against god was so important to the poets of the time and how this understudied period of literary history influenced a larger tradition in Western literature. Drawing on a variety of contexts - politics, religion, philosophy, and aesthetics - Pramit Chaudhuri argues for the fundamental importance of battles between humans and gods in representing the Roman world.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190204990
    Other identifier:
    RVK Categories: FT 14000 ; NH 8575
    Subjects: Latin poetry; Theology in literature; Theomachy; Good and evil in literature; Latin poetry; Latin poetry ; History and criticism; Theology in literature; Theomachy; Good and evil in literature
    Scope: 1 Online-Ressource (XIV, 386 Seiten)
  20. Afterlives of the Roman poets
    biofiction and the reception of Latin poetry
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge

    Conscious of ancient modes of reading poetry 'for the life', Roman poets encoded versions of their lives into their texts. The result is a body of literature that cries out to be read in terms of lives in reception. Afterlives of the Roman Poets... more

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    Conscious of ancient modes of reading poetry 'for the life', Roman poets encoded versions of their lives into their texts. The result is a body of literature that cries out to be read in terms of lives in reception. Afterlives of the Roman Poets shows how the fictional biographies (or 'biofictions') of its authors have shaped the reception of Latin poetry. From medieval biographies of Ovid inscribed in the margins of his texts to republican readings of Lucan's death in periods of revolution to the 'death of the author' in Hermann Broch's Der Tod des Vergil, the book tells a cultural history of the reception of ancient literature as imagined through the lens of poets' lives. Putting modern life-writing studies and ancient poetry into dialogue, it brings biofictional reception to debates in classics, and puts antiquity and its reception onto the map of modern studies in life-writing.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316847879
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    Series: Classics after antiquity
    Subjects: Latin poetry; Biography as a literary form; Latin poetry; Latin poetry ; History and criticism; Biography as a literary form; Latin poetry ; Appreciation
    Scope: 1 Online-Ressource (xvii, 220 pages)
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    Title from publisher's bibliographic system (viewed on 11 Nov 2019)

  21. Persuasion, rhetoric and Roman poetry
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge

    Previous studies on the relationship between rhetorical theory and Roman poetry have generally taken the form of lists enumerating elements of style and arrangement that poets are said to have 'borrowed' from rhetorical critics. This book examines,... more

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    Previous studies on the relationship between rhetorical theory and Roman poetry have generally taken the form of lists enumerating elements of style and arrangement that poets are said to have 'borrowed' from rhetorical critics. This book examines, and ultimately questions, this entrenched theoretical model and the very notion of rhetorical influence on which this paradigm is built. Tracing key moments in the poetic and the rhetorical traditions, in the context of which the problematic relationship of difference and similarity between rhetorical and poetic discourse is discussed, the book focuses on the cultural relevance of this intellectual divide in Roman literary culture. The study of rhetorical sources, such as Cicero, Seneca the Elder and Quintilian, and of select responses in Roman poetry, sheds light on long-standing scholarly assumptions about classical poetry as artless language and about the role of rhetoric in the construction of the decline of post-classical cultures.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316219355
    Other identifier:
    RVK Categories: FT 11600 ; FB 4052
    Subjects: Latin poetry; Rhetoric, Ancient; Latin poetry ; History and criticism; Rhetoric, Ancient
    Scope: 1 online resource (ix, 287 pages), digital, PDF file(s).
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    Title from publisher's bibliographic system (viewed on 09 Aug 2019)

  22. The rhetoric of the Roman fake
    Latin pseudepigrapha in context
    Published: 2012
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Previous scholarship on classical pseudepigrapha has generally aimed at proving issues of attribution and dating of individual works, with little or no attention paid to the texts as literary artefacts. Instead, this book looks at Latin fakes as... more

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    Previous scholarship on classical pseudepigrapha has generally aimed at proving issues of attribution and dating of individual works, with little or no attention paid to the texts as literary artefacts. Instead, this book looks at Latin fakes as sophisticated products of a literary culture in which collaborative practices of supplementation, recasting and role-play were the absolute cornerstones of rhetorical education and literary practice. Texts such as the Catalepton, the Consolatio ad Liviam and the Panegyricus Messallae thus illuminate the strategies whereby Imperial audiences received and interrogated canonical texts and are here explored as key moments in the Imperial reception of Augustan authors such as Virgil, Ovid and Tibullus. The study of the rhetoric of these creative supplements irreverently mingling truth and fiction reveals much not only about the neighbouring concepts of fiction, authenticity and reality, but also about the tacit assumptions by which the latter are employed in literary criticism Introduction -- 1. Literary fakes and their ancient reception -- 2. Constructing the young Virgil: the Catalepton as pseudepigraphic literature -- 3. Poets and patrons: Catalepton 9, the Panegyricus Messallae, the Laus Pisonis and the pseudo-panegyric -- 4. Prefiguring Virgil: the Ciris -- 5. Recreating the past: the Consolatio ad Liviam and Elegiae in Maecenatem -- Epilogue. Towards a rhetoric of the Roman fake: the Helen episode in Aeneid 2

     

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  23. Imagining the chorus in Augustan poetry
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    From archaic Sparta to classical Athens the chorus was a pervasive feature of Greek social and cultural life. Until now, however, its reception in Roman literature and culture has been little appreciated. This book examines how the chorus is... more

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    From archaic Sparta to classical Athens the chorus was a pervasive feature of Greek social and cultural life. Until now, however, its reception in Roman literature and culture has been little appreciated. This book examines how the chorus is reimagined in a brief but crucial period in the history of Latin literature, the early Augustan period from 30 to 10 BCE. It argues that in the work of Horace, Virgil, and Propertius, the language and imagery of the chorus articulate some of their most pressing concerns surrounding social and literary belonging in a rapidly changing Roman world. By re-examining seminal Roman texts such as Horace's Odes and Virgil's Aeneid from this fresh perspective, the book connects the history of musical culture with Augustan poetry's interrogation of fundamental questions surrounding the relationship between individual and community, poet and audience, performance and writing, Greek and Roman, and tradition and innovation Machine generated contents note: Introduction: the chorus in the Augustan imagination; 1. Imagined choruses from Alexandria to Rome; 2. Dance and desire in Propertius' Elegies; 3. Horace and the erotics of the lyric chorus; 4. Canon, community, and chorus; 5. Virgil's Aeneid and the relocation of ritual; 6. Foundational choreography in the Aeneid; Epilogue

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316986677
    Other identifier:
    Subjects: Music and literature; Latin poetry; Augustus ; Emperor of Rome ; 63 B.C.-14 A.D ; Influence; Latin poetry ; History and criticism; Music and literature ; To 500
    Other subjects: Augustus Emperor of Rome (63 B.C.-14 A.D)
    Scope: 1 Online-Ressource (xv, 268 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 15 Sep 2017)

  24. Exemplary comparison from Homer to Petrarch
    Author: Sayce, Olive
    Published: 2008
    Publisher:  Boydell & Brewer, Suffolk

    The book is a study of comparison and identification with exemplary figures drawn from myth, history and historical legend, the Bible, the authorial canon, and literary tradition, from Homer to the interrelated branches of the medieval European... more

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    The book is a study of comparison and identification with exemplary figures drawn from myth, history and historical legend, the Bible, the authorial canon, and literary tradition, from Homer to the interrelated branches of the medieval European vernacular lyric up to the end of the fourteenth century. The first half treats Homer, Virgil, Latin poets from Catullus to Ovid, and late and medieval Latin poets. The second half discusses the troubadour lyric, including Italian and Catalan poets who wrote in the language of the troubadours, the trouvère lyric, the German lyric, and the Sicilian and Italian lyric up to Petrarch. The languages covered are thus classical Greek, classical, post-classical and medieval Latin, Occitan/Old Provençal, Old French, and medieval German and Italian.Representative examples of comparison and identification are given in the original language, followed by translation and textual and literary analysis. OLIVE SAYCE is Emeritus Fellow and Tutor in Modern Languages, Somerville College, Oxford Homer: The Iliad and the Odyssey -- Virgil: the Aeneid -- Latin poets from Catullus to Ovid -- Latin poets from antiquity to the Middle Ages -- The troubadour poets -- the trouvère poets -- The German poets -- The Sicilian and Italian poets

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846156366
    Subjects: Simile; Rhetoric, Ancient; Rhetoric, Medieval; Poetry, Medieval; Latin poetry; Latin poetry, Medieval and modern; Homer ; Criticism and interpretation; Virgil ; Criticism and interpretation; Simile; Rhetoric, Ancient; Rhetoric, Medieval; Poetry, Medieval ; History and criticism; Latin poetry ; History and criticism; Latin poetry, Medieval and modern ; History and criticism
    Other subjects: Virgil; Homer
    Scope: 1 Online-Ressource (xiv, 407 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  25. Cretan women
    Pasiphae, Ariadne, and Phaedra in Latin poetry
    Published: 2006
    Publisher:  Oxford University Press, Oxford

    Armstrong investigates the myths of three Cretan women as they appear in Latin poetry of the late Republic and early Empire. She offers detailed readings of the most prominent treatments of the stories, alongside a thematic investigation of the ideas... more

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    Armstrong investigates the myths of three Cretan women as they appear in Latin poetry of the late Republic and early Empire. She offers detailed readings of the most prominent treatments of the stories, alongside a thematic investigation of the ideas of memory, wildness, and morality which recur so prominently in the tales

     

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