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  1. A companion to Terence
    Published: 2013
    Publisher:  Wiley-Blackwell, Malden, MA

    Location:
    Technische Hochschulbibliothek Rosenheim
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781118301975; 1118301978; 9781118301951; 1118301951; 9781118301999; 1118301994; 1299559816; 9781299559813; 9781405198752; 1405198753
    Other identifier:
    Series: Blackwell companions to the ancient world ; 103
    Subjects: Criticism, interpretation, etc; History; LITERARY CRITICISM / Ancient & Classical; DRAMA / Ancient, Classical & Medieval; Latin drama (Comedy); Theater; Geschichte; Latin drama (Comedy) / History and criticism; Theater / History / To 500; Theater / Rome
    Other subjects: Terence; Terence; Terence / Criticism and interpretation; Terentius Afer, Publius (v195-v159)
    Scope: 1 Online-Ressource
    Notes:

    Machine generated contents note: Notes on Contributors Acknowledgments Introduction Antony Augoustakis and Ariana Traill PART I TERENCE AND ANCIENT COMEDY 1. Terence and Greek New Comedy Peter Brown 2. Terence and the Traditions of Roman New Comedy George Fredric Franko 3. Terence and Non-Comic Intertexts Alison Sharrock 4. Fabula Stataria: Language and Humor in Terence Heather Vincent 5. Meter and Music Timothy J. Moore PART II CONTEXTS AND THEMES 6. Terence and the Scipionic Grex Daniel P. Hanchey 7. opera in bello, in otio, in negotio: Terence and Rome in the 160s BCE John H. Starks, Jr. 8. Religious Ritual and Family Dynamics in Terence T.H.M. Gellar-Goad 9. Gender and Sexuality in Terence Sharon L. James 10. Family and Household in the Comedies of Terence Z.M. Packman 11. Masters and Slaves Evangelos Karakasis PART III THE PLAYS 12. Andria Robert Germany 13. Heauton Timorumenos Eckard Lefevre 14. Eunuchus David M. Christenson 15. Phormio Stavros Frangoulidis 16. Hecyra Ortwin Knorr 17. Adelphoe Ariana Traill PART IV RECEPTION 18. History of the Text and Scholia Benjamin Victor 19. Terence in Latin literature from the Second Century BCE to the Second Century CE Roman Muller 20. Terence in Late Antiquity Andrew Cain 21. Hrotsvit of Gandersheim Christianizes Terence Antony Augoustakis 22. 'Thou shalt present me as an eunuch to him': Terence in Early Modern England Martine van Elk 23. mulier inopia et cognatorum neglegentia coacta: Thornton Wilder's Tragic Take on The Woman of Andros Mathias Hanses 24. Terence in Translation John Barsby 25. Performing Terence (and Hrotsvit) Now Mary-Kay Gamel General Index Index Locorum

    "A Companion to Terence offers the first comprehensive collection of essays on Terence in English. It includes a detailed study of Terence's plays, situating them in their socio-historical context and exploring their reception from the Classical through late antiquity, the Middle Ages, the Renaissance, to present day literature and performance. Each chapter discusses key issues in Terence, including Terence's relationship with his Greco-Roman models, his language and style, the question of performance and dramatic technique, and the socio-political background that shapes the themes, characters, structures, and cultural-political concerns. A Companion to Terence is a useful research tool for the growing number of scholars, students and critics of Terence and Roman comedy"--

    Includes bibliographical references and index
  2. Understanding Terence
    Author: Goldberg, Sander M.
    Published: [1986]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400857968
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    Subjects: Lateinische Literatur; Latin drama (Comedy) / History and criticism; Theater / History / To 500; Theater / Rome; DRAMA / Ancient & Classical; Theater; Geschichte
    Other subjects: Terentius Afer, Publius (v195-v159)
    Scope: 1 Online-Ressource (248p.)
    Notes:

    Instead of seeing Terence primarily as an adapter of Greek New Comedy, Sander Goldberg treats him as an innovative dramatist writing for a specifically Roman audience. His book will interest not only students of classical literature but also those concerned with wider problems of critical theory and the comic tradition.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  3. Terenz' und Menanders Adelphoe
    Author: Lefèvre, Eckard
    Published: 2013
    Publisher:  Beck, München

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783406647710; 3406647715; 9783406647727
    Edition: 1. Aufl
    Series: Zetemata ; Heft 145
    Subjects: Latin drama (Comedy) / History and criticism
    Other subjects: Terence / Adelphi; Terence / Criticism and interpretation; Menander / of Athens; Terentius Afer, Publius (v195-v159): Adelphoe; Menander (v342-v291): Adelphi; Menander (v342-v291)
    Scope: 1 Online-Ressource (186 p.)
    Notes:

    Includes bibliographical references and index
  4. Music in Roman comedy
    Author: Moore, Timothy J.
    Published: 2012
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Akademie der Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107006485
    RVK Categories: FB 4162 ; NH 8575
    Edition: 1. publ.
    Subjects: Geschichte; Latin drama (Comedy) / History and criticism; Musical theater / Rome / History; Latein; Musik; Komödie
    Other subjects: Plautus, Titus Maccius / Criticism and interpretation; Terence / Criticism and interpretation
    Scope: XVI, 452 S., Ill., 23 cm
  5. Letters in Plautus
    writing between the lines
    Author: Barbiero, Emilia
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge ; New York, NY

    The letters in Plautus are potent tools for making and thinking about Plautine comedy inside Plautine comedy. Emilia Barbiero demonstrates that Plautus' embedded letters reify the internal performance and evince its theatricality by means of the... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    The letters in Plautus are potent tools for making and thinking about Plautine comedy inside Plautine comedy. Emilia Barbiero demonstrates that Plautus' embedded letters reify the internal performance and evince its theatricality by means of the epistolary medium's script-like ability to precipitate presence in absence. These missives thus serve as emblems of the dramatic script, and in their onstage composition and recitation they cast a portrait of the plays' textual origins into the plays themselves. But by virtue of their inscription with a premise which is identical to that of the comedies they inhabit, the Plautine letters also reproduce the relationship between the playwright's Greek models and his Latin translations: the mirror effect created by a dramatic text inscribed, read and realized within a dramatic text whose plot it also duplicates generates a mise-en-abyme which ultimately serves to contemplate problems of novelty and literary ownership that beset Plautus' literary endeavor

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781009168502
    Other identifier:
    Subjects: Latin drama (Comedy) / History and criticism; Letters in literature; Brief <Motiv>
    Other subjects: Plautus, Titus Maccius / Criticism and interpretation; Plautus, Titus Maccius (v254-v184)
    Scope: 1 Online-Ressource (xii, 229 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Dec 2022)
  6. Feminine discourse in Roman comedy
    on echoes and voices
    Author: Dutsch, Dorota
    Published: 2008
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780199533381
    RVK Categories: FT 20200 ; FT 20400
    Edition: 1. publ.
    Series: Oxford studies in classical literature and gender theory
    Subjects: Frau; Latin drama (Comedy) / History and criticism; Women in literature; Latin drama (Comedy); Women in literature; Komödie; Frau; Frau <Motiv>; Sprachstil; Latein
    Other subjects: Plautus, Titus Maccius / Characters / Women; Terence / Characters / Women; Plautus, Titus Maccius; Terence
    Scope: XIII, 278 S.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  7. Feminine discourse in Roman comedy
    on echoes and voices
    Author: Dutsch, Dorota M.
    Published: 2008
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199533381
    Other identifier:
    RVK Categories: FT 20400
    Edition: 1. publ.
    Series: Oxford studies in classical literature and gender theory
    Subjects: Women in literature; Latin drama (Comedy) / History and criticism; Plautus, Titus Maccius / Characters / Women; Terence / Characters / Women; Frau; Frau <Motiv>; Komödie; Sprachstil; Latein; Frau
    Other subjects: Plautus, Titus Maccius / Characters / Women; Terence / Characters / Women
    Scope: 1 Online-Ressource (XIII, 278 S.)
  8. Terence: Andria
    Author: Goldberg, Sander M
    Published: 2019
    Publisher:  Bloomsbury Publishing, London, England

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    Location:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Edition: First edition
    Series: Bloomsbury ancient comedy companions
    Subjects: Latin drama (Comedy) / History and criticism
    Other subjects: Terence / Andria
    Scope: 1 online resource
    Notes:

    Also available in printing
  9. Plautus
    Curculio
    Author: Gellar-Goad, T. H. M
    Published: 2020
    Publisher:  Bloomsbury Academic, London [England] ; Bloomsbury Publishing, [London, England]

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    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350079779
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    Edition: First edition
    Series: Bloomsbury ancient comedy companions
    Subjects: Latin drama (Comedy) / History and criticism; Ancient Rome
    Other subjects: Plautus, Titus Maccius / Curculio
    Scope: 1 online resource (200 pages)
    Notes:

    Includes bibliographical references and index

    Also published in print
  10. Music in Roman comedy
    Author: Moore, Timothy J.
    Published: 2012
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107006485
    RVK Categories: FB 4162 ; NH 8575
    Edition: 1. publ.
    Subjects: Geschichte; Latin drama (Comedy) / History and criticism; Musical theater / Rome / History; Latein; Musik; Komödie
    Other subjects: Plautus, Titus Maccius / Criticism and interpretation; Terence / Criticism and interpretation
    Scope: XVI, 452 S., Ill., 23 cm
  11. Feminine discourse in Roman comedy
    on echoes and voices
    Author: Dutsch, Dorota
    Published: 2008
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780199533381
    RVK Categories: FT 20200 ; FT 20400
    Edition: 1. publ.
    Series: Oxford studies in classical literature and gender theory
    Subjects: Frau; Latin drama (Comedy) / History and criticism; Women in literature; Latin drama (Comedy); Women in literature; Komödie; Frau; Frau <Motiv>; Sprachstil; Latein
    Other subjects: Plautus, Titus Maccius / Characters / Women; Terence / Characters / Women; Plautus, Titus Maccius; Terence
    Scope: XIII, 278 S.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  12. Terence and the language of Roman comedy
    Author: Karakasēs, Euangelos
    Published: 2005
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo

    This book offers a comprehensive examination of the language of Roman comedy in general and that of Terence in particular. The study explores Terence's use of language to differentiate his characters and his language in relation to the language of... more

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    Freie Universität Berlin, Universitätsbibliothek
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    This book offers a comprehensive examination of the language of Roman comedy in general and that of Terence in particular. The study explores Terence's use of language to differentiate his characters and his language in relation to the language of the comic fragments of the palliata, the togata and the atellana. Linguistic categories in the Terentian corpus explored include colloquialisms, archaisms, hellenisms and idiolectal features. Terence is shown to give his old men an old-fashioned and verbose tone, while low characters are represented as using colloquial diction. An examination of Eunuchus' language shows it to be closer to the Plautine linguistic tradition. The book also provides a thorough linguistic/stylistic commentary on all the fragments of the palliata, the togata and the atellana. It shows that Terence, except in the case of his Eunuchus, consciously distances himself from the linguistic/stylistic tradition of Plautus followed by all other comic poets

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511482267
    Other identifier:
    RVK Categories: FX 117605 ; FX 172105
    Series: Cambridge classical studies
    Subjects: Latin drama (Comedy) / History and criticism; Latin language / Style; Comedy; Sprache; Komödie; Latein
    Other subjects: Terence / Criticism and interpretation; Terence / Language; Terentius Afer, Publius (v195-v159): Comoediae
    Scope: 1 Online-Ressource (xiv, 309 Seiten)
  13. The stagecraft and performance of Roman comedy
    Author: Marshall, C. W.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo

    A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights on the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights on the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman actors and the Roman audience, addressing among other things the economic concerns of putting on a play in the Roman republic, subsequent chapters provide detailed studies of troupe size and the implications for role assignment, masks, stage action, music, and improvisation in the plays of Plautus and Terence. Marshall argues that Roman comedy was raw comedy, much more rough-and-ready than its Hellenistic precursors, but still fully conscious of its literary past. The consequences of this lead to fresh conclusions concerning the dramatic structure of Roman comedy, and a clearer understanding of the relationship between the plays-as-text and the role of improvisation during performance

     
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511486203
    Other identifier:
    Subjects: Latin drama (Comedy) / History and criticism; Aufführungspraxis; Latein; Komödie
    Scope: 1 Online-Ressource (xiii, 320 Seiten)
  14. Ancient comedy and reception
    essays in honor of Jeffrey Henderson
    Contributor: Olson, S. Douglas (Publisher); Henderson, Jeffrey
    Published: [2014]; © 2014
    Publisher:  De Gruyter, Berlin

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Contributor: Olson, S. Douglas (Publisher); Henderson, Jeffrey
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781614511250; 161451125X; 9781614511663
    Subjects: Greek drama (Comedy) / History and criticism; Greek drama (Comedy); Latin drama (Comedy) / History and criticism; DRAMA / Ancient, Classical & Medieval; Greek drama (Comedy); Latin drama (Comedy); Array; Griechisch; Latein; Rezeption; Komödie
    Scope: 1 online resource (xi, 1086 pages), illustrations (chiefly color)
    Notes:

    "This volume represents an attempt to offer not a systematic history of the comic genre from Graeco-Roman times to today, but a series of interconnected studies of some of the most important moments and figures in that history. These studies are dedicated to Jeffrey Henderson, whose Maculate Muse (1975) and critical edition and commentary on Aristophanes' Lysistrata (1987) -- among other major scholarly contributions -- have decisively shaped the way Athenian 'Old Comedy' is read and received today."--Foreword

    Online resource; title from PDF title page (EBL, viewed September 17, 2014)

    Foreword; Ancient Comedy and Receptions; Exchanging Metaphors in Cratinus and Aristophanes; Comic Parrhêsia and the Paradoxes of Repression; Slipping One In: The Introduction of Obscene Lexical Items in Aristophanes; Ancient Comedy and Historiography: Aristophanes Meets Herodotus; Epiphany of a Serious Dionysus in a Comedy?; Toponimi e immaginario sessuale nella Lisistrata di Aristofane; Dionysus' Choice in Frogs and Aristophanes' Paraenetic Pedigree; Two Phaedras: Euripides and Aristophanes?; Plato's Aristophanes; Menander's Samia and the Phaedra Theme

    Dynamics of Appropriation in Roman Comedy: Menander's Kolax in Three Roman Receptions (Naevius, Plautus and Terence's Eunuchus)Libera lingua loquemur ludis Liberalibus: Gnaeus Naevius as a Latin Aristophanes?; Plautus und die Techniken des Improvisationstheaters; Lege dura vivont mulieres: Syra's Complaint about the Sexual Double Standard (Plautus Merc. 817-29); "Letting It All Hang Out": Lucian, Old Comedy and the Origins of Roman Satire; Old Comedy at Rome: Rhetorical Model and Satirical Problem; Inventing Everything: Comic and Performative Sources of Graeco-Roman Fiction

    From Drama to Narrative: The Reception of Comedy in the Ancient NovelGreek Culture as Images: Menander's Comedies and Their Patrons in the Roman West and the Greek East; The Evidence of the Zeugma Synaristosai Mosaic for Imperial Performance of Menander; Medieval, Renaissance and Early Modern Receptions; Medieval Vernacular Versions of Ancient Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus' Amphitryon; Aristofane mascherato: Un secolo (1415-1504) di fortuna e 'sfortuna'; L'influence de Plaute sur la définition du comique chez Giovanni Pontano

    Strepsiades' Latin Voice: Two Renaissance Translations of Aristophanes' CloudsThe Trickster Onstage: The Cunning Slave from Plautus to Commedia dell'Arte; Aristophanes in England, 1500-1660; Exaggerating Terence's Andria: Steele's The Conscious Lovers, Bellamy's The Perjur'd Devotee and Terentian Criticism; Roman Comedy and Renaissance Revenge Drama: Titus Andronicus as Exemplary Text; Molière and the Roman Comic Tradition; Jacob Masen's Rusticus imperans (1657) and Ancient Theater; La recepción de Plauto y Terencio en la literatura española

    Reform: A Farce Modernised from Aristophanes (1792)Modern Receptions; Polos und Polis: Aristophanes' Vögel und deren Bearbeitung durch Goethe, Karl Kraus und Peter Hacks; Translations of Aristophanes in Italy in the 19th century; Close Encounters of the Comic Kind: Aristophanes' Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s; Rodgers and Hart's The Boys from Syracuse: Shakespeare Made Plautine; She (Don't) Gotta Have It: African-American Reception of Lysistrata; "Es ist, um aus der Rüstung zu fahren!": Erich Kästners Adaption der Acharner des Aristophanes

    This collection provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Looking first at Athenian comic poets and comedy in the Roman Empire, the volume goes on to discuss Greco-Roman comedy's reception throughout the ages. It concludes with a look at the modern era, taking into account literary translations and stage productions as well as modern media such as radio and film
  15. Linguistic interaction in Roman comedy
    Author: Barrios-Lech, Peter
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

    This book presents a comprehensive account of features of Latin that emerge from dialogue: commands and requests, command softeners and strengtheners, statement hedges, interruptions, attention-getters, greetings and closings. In analyzing these... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    This book presents a comprehensive account of features of Latin that emerge from dialogue: commands and requests, command softeners and strengtheners, statement hedges, interruptions, attention-getters, greetings and closings. In analyzing these features, Peter Barrios-Lech employs a quantitative method and draws on all the data from Roman comedy and the fragments of Latin drama. In the first three parts, on commands and requests, particles, attention-getters and interruptions, the driving questions are firstly - what leads the speaker to choose one form over another? And secondly - how do the playwrights use these features to characterize on the linguistic level? Part IV analyzes dialogues among equals and slave speech, and employs data-driven analyses to show how speakers enact roles and construct relationships with each other through conversation. The book will be important to all scholars of Latin, and especially to scholars of Roman drama

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316416983
    Other identifier:
    RVK Categories: FT 20200
    Subjects: Latin drama (Comedy) / History and criticism; Latin language / Grammar, Historical; Rhetoric, Ancient / History and criticism; Komödie; Dialog; Sprachstatistik; Latein
    Scope: 1 online resource (xxiii, 381 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 May 2016)

    Machine generated contents note: 1. Introduction; Part I. The Latin Directive: Introduction to Part I; 2. The moods of command -- imperatives and subjunctives; 3. Prohibitions in Early Latin; 4. Indirect requests -- questions and statements; 5. The 'can you' request and others; Conclusion to Part I; Part II. Interactional Particles in Roman Comedy: 6. How to soften a command; 7. How to strengthen a command; 8. How to soften a statement in Latin; Part III. Structuring Conversation: 9. Interruptions and attention-getters; 10. Openings and closings in Roman comedy; Conclusion to Parts I-III: summary of findings; Part IV. Interpreting Interactions in Roman Comedy: 11. Discourse in Roman comedy; 12. Role shifts, speech shifts; Appendix 1. Speech and character types in Roman comedy; Appendix 2. About the directive database; Appendix 3. Politeness phenomena in Roman comedy
  16. Music in Roman comedy
    Author: Moore, Timothy J.
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107535282; 9781107006485
    RVK Categories: FB 4162 ; NH 8575
    Edition: First paperback edition
    Subjects: Latin drama (Comedy) / History and criticism; Musical theater / Rome / History; Geschichte; Latein; Komödie; Musik
    Other subjects: Plautus, Titus Maccius / Criticism and interpretation; Terence / Criticism and interpretation
    Scope: xvi, 452 Seiten, Illustrationen, 23 cm
  17. The stagecraft and performance of Roman comedy
    Author: Marshall, C. W.
    Published: 2006
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo

    A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights on the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman... more

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    A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights on the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman actors and the Roman audience, addressing among other things the economic concerns of putting on a play in the Roman republic, subsequent chapters provide detailed studies of troupe size and the implications for role assignment, masks, stage action, music, and improvisation in the plays of Plautus and Terence. Marshall argues that Roman comedy was raw comedy, much more rough-and-ready than its Hellenistic precursors, but still fully conscious of its literary past. The consequences of this lead to fresh conclusions concerning the dramatic structure of Roman comedy, and a clearer understanding of the relationship between the plays-as-text and the role of improvisation during performance

     
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    Volltext (URL des Erstveröffentlichers)
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511486203
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    Subjects: Latin drama (Comedy) / History and criticism; Aufführungspraxis; Latein; Komödie
    Scope: 1 Online-Ressource (xiii, 320 Seiten)
  18. Terence and the language of Roman comedy
    Author: Karakasēs, Euangelos
    Published: 2005
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo

    This book offers a comprehensive examination of the language of Roman comedy in general and that of Terence in particular. The study explores Terence's use of language to differentiate his characters and his language in relation to the language of... more

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    This book offers a comprehensive examination of the language of Roman comedy in general and that of Terence in particular. The study explores Terence's use of language to differentiate his characters and his language in relation to the language of the comic fragments of the palliata, the togata and the atellana. Linguistic categories in the Terentian corpus explored include colloquialisms, archaisms, hellenisms and idiolectal features. Terence is shown to give his old men an old-fashioned and verbose tone, while low characters are represented as using colloquial diction. An examination of Eunuchus' language shows it to be closer to the Plautine linguistic tradition. The book also provides a thorough linguistic/stylistic commentary on all the fragments of the palliata, the togata and the atellana. It shows that Terence, except in the case of his Eunuchus, consciously distances himself from the linguistic/stylistic tradition of Plautus followed by all other comic poets

     
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511482267
    Other identifier:
    RVK Categories: FX 117605 ; FX 172105
    Series: Cambridge classical studies
    Subjects: Latin drama (Comedy) / History and criticism; Latin language / Style; Comedy; Sprache; Komödie; Latein
    Other subjects: Terence / Criticism and interpretation; Terence / Language; Terentius Afer, Publius (v195-v159): Comoediae
    Scope: 1 Online-Ressource (xiv, 309 Seiten)
  19. Plautus
    Menaechmi
    Author: Klein, V Sophie
    Published: 2022; 2021
    Publisher:  Bloomsbury Academic, London [England] ; Bloomsbury Publishing, [London, England]

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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350092761
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    Edition: First edition
    Series: Bloomsbury ancient comedy companions
    Subjects: Latin drama (Comedy) / History and criticism; Classical texts,Literary studies: classical, early & medieval,Literary studies: plays & playwrights
    Other subjects: Plautus, Titus Maccius / Menaechmi
    Scope: 1 online resource
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    Also published in print
  20. Plautus: "Mostellaria"
    Author: Franko, George Fredric
    Published: 2022
    Publisher:  Bloomsbury Academic, London

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    Media type: Ebook
    Format: Online
    ISBN: 9781350188440; 9781350188426; 9781350188433
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    Edition: First edition
    Series: Bloomsbury ancient comedy companions
    Subjects: Latin drama (Comedy) / History and criticism; Literary studies: classical, early & medieval,Literary studies: plays & playwrights,Classical texts
    Other subjects: Plautus, Titus Maccius / Mostellaria
    Scope: 1 Online-Ressource (xv, 159 Seiten )
  21. Texte zur Handlungsgliederung in Nea und Palliata
    Author: Primmer, Adolf
    Published: [2014]; ©2015
    Publisher:  De Gruyter, Berlin ; Boston

    Dieses Werk stellt die Publikationen des verstorbenen Wiener Klassischen Philologen auf dem Gebiet der Komödienforschung gesammelt zur Diskussion. Durch die Zusammenschau sämtlicher Publikationen, eines Vortrags und bislang nicht gedruckter... more

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    Dieses Werk stellt die Publikationen des verstorbenen Wiener Klassischen Philologen auf dem Gebiet der Komödienforschung gesammelt zur Diskussion. Durch die Zusammenschau sämtlicher Publikationen, eines Vortrags und bislang nicht gedruckter Strukturpläne zu diesem Thema wird Primmers Suche nach Aufbauprinzipien der griechischen wie der römischen Komödie nachvollziehbar, die als Grundlage für seine unitarisch-analytische Forschung dienen sollte Primmer’s Papers on the Structure of Action in the Nea and Palliata brings together the writings of the late Viennese classical philologist in the field of research on comedy. Reviewing the full corpus of his work on this topic makes it possible to track Primmer’s quest for structural principles in Greek and Roman comedy, which formed the foundation for his unitary analytic research

     
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    Source: Union catalogues
    Contributor: Dunshirn, Alfred (Herausgeber); Pernerstorfer, Matthias J (Herausgeber)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110402247
    Other identifier:
    Series: Untersuchungen zur antiken Literatur und Geschichte ; 118
    Subjects: Greek drama (Comedy) / History and criticism; Griechisch; Handlung (Literatur); Komödie; Latein; Latin drama (Comedy) / History and criticism; Adolf Primmer; Nea; Palliata; LITERARY CRITICISM / Ancient & Classical
    Scope: 1 online resource (403 p.)
  22. Das Komische bei Plautus
    Eine Analyse zur plautinischen Poetik
    Author: Sander-Pieper, Gudrun
    Published: [2012]; ©2007
    Publisher:  De Gruyter, Berlin ; Boston

    Im Mittelpunkt dieser Plautus-Interpretation steht die Besonderheit Plautinischer Dramaturgie, die von der Autorin auf der Grundlage eines methodisch neuen Ansatzes erarbeitet wird. Ausgehend von den Leitgedanken einer seit über 2000 Jahren geführten... more

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    Im Mittelpunkt dieser Plautus-Interpretation steht die Besonderheit Plautinischer Dramaturgie, die von der Autorin auf der Grundlage eines methodisch neuen Ansatzes erarbeitet wird. Ausgehend von den Leitgedanken einer seit über 2000 Jahren geführten Diskussion um das Phänomen des Komischen wird zunächst ein eigenes, in dieser Form noch nicht vorliegendes Strukturmodell dramatischer Komik entworfen. Nicht nach traditionell analytischem Verfahren, sondern weitestgehend textimmanent werden auf dieser Basis Einzelpassagen Plautinischer Komödien sowie die Menaechmi in ihrer Gesamtheit untersucht. Dabei zeigt sich, dass die für jede Komödie grundsätzlich relevanten Kategorien Wissensstrukturen zwischen Zuschauern und Bühnefiguren, Komik und Spannung, von jedem einzelnen Dramenautor individuell umsetzbar, bei Plautus in dramatisch besonders wirkungsvoller und kohärenter Form Anwendung finden, was als Plautinische Poetik bezeichnet werden kann. Die Studie bietet somit nicht nur zahlreiche Anregungen für die Plautus-Forschung, sondern die Untersuchung zum Phänomen der Dramatischen und Komischen überhaupt

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110897821
    Other identifier:
    RVK Categories: FX 105905
    Series: Beiträge zur Altertumskunde ; 244
    Subjects: Latin drama (Comedy) / History and criticism; Drama; Komik; Komödie; Plautus; Roman comedy; Römische Literatur; dramatic tension; HISTORY / Ancient / General
    Scope: 1 online resource (300 p.)
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    Dissertation
  23. Studien zur Originalität der römischen Komödie
    Kleine Schriften
    Author: Lefèvre, Eckard
    Published: [2013]; ©2014
    Publisher:  De Gruyter, Berlin ; Boston

    Die Römische Komödie, deren bekannteste Dichter Plautus und Terenz waren, entstand unter Anlehnung an die Griechische Neue Komödie. Die Forschung bemüht sich seit etwa 200 Jahren, aus den römischen Nachbildungen verlorene Originale zu erschließen.... more

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    Die Römische Komödie, deren bekannteste Dichter Plautus und Terenz waren, entstand unter Anlehnung an die Griechische Neue Komödie. Die Forschung bemüht sich seit etwa 200 Jahren, aus den römischen Nachbildungen verlorene Originale zu erschließen. Dies ist besonders aufgrund weitgehend erhaltener Stücke Menanders (dessen Kenntnis im 20. Jh. durch zahlreiche Neufunde erweitert wurde) möglich. Das analytische Verfahren macht sowohl die Eigenart der Griechischen als auch der Römischen Komödie deutlich. Als besonders fruchtbar erweist sich der in den letzten Jahrzehnten entwickelte Ansatzpunkt, die vielfältigen Einflüsse des altitalischen Stegreifspiels auf die Palliata nachzuweisen. In 30 Abhandlungen aus den Jahren 1963 bis 2013, von denen 10 unpubliziert sind, wird neben einer ausführlichen Vorstellung Menanders in übergreifenden und speziellen Beiträgen zu Plautus und Terenz unter analytischem Blickwinkel die Problematik der spezifischen Dramaturgie und der zuweilen utopischen Weltdeutung ihrer Stücke herausgestellt. Aufgrund der Vielfalt der behandelten Aspekte ergibt sich ein umfassendes Bild der Römischen Komödie

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110306408
    Other identifier:
    RVK Categories: FT 20200
    Series: Beiträge zur Altertumskunde ; 323
    Subjects: Latin drama (Comedy) / History and criticism; Greek literature, Plautus, Roman literature, Terence; Griechische Literatur; Plautus; Römische Literatur; Terenz; Latein; Komödie; LITERARY CRITICISM / Ancient & Classical
    Scope: 1 online resource (706 p.)