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Displaying results 1 to 19 of 19.

  1. Die Farbe Purpur im frühen Griechentum
    beobachtet in der Literatur und in der bildenden Kunst
    Author: Stulz, Heinke
    Published: [1990]
    Publisher:  De Gruyter, Berlin ; Boston

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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  2. Colour and meaning
    art, science and symbolism
    Author: Gage, John
    Published: 1999
    Publisher:  Thames and Hudson, London

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  3. Goethe und die "Rettung der Phänomene"
    philosophische Kritik des naturwissenschaftlichen Weltbilds am Beispiel der Farbenlehre
    Author: Rehbock, Theda
    Published: 1995
    Publisher:  Verl. am Hockgraben, Konstanz

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  4. Color codes
    modern theories of color in philosophy, painting and architecture, literature, music, and psychology
    Author: Riley, Charles A.
    Published: 1995
    Publisher:  Univ. Press of New England, Hanover [u.a.]

    Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of... more

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    Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating.

     
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  5. Color for science, art and technology
    Published: 1998
    Publisher:  Elsevier, Amsterdam [u.a.]

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    Universitätsbibliothek Bayreuth
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    Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen (BSV), Museumsabteilung, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0444898468; 9780444898463
    RVK Categories: UH 7400
    Series: AZimuth ; 1
    Subjects: Kleuren; Kleurtheorie; Color; Ästhetik; Physik; Farbstoff; Farbe; Farbenlehre
    Scope: XVII, 491 S., Ill., graph. Darst.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  6. Les couleurs et les mots
    Author: Le Rider, Jacques
    Published: 1997
    Publisher:  Presses Univ. de France, Paris

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Passau
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  7. Die Evolution der Farben
    Goethes Farbenlehre in neuem Licht
    Author: Sölch, Reinhold
    Published: 1998
    Publisher:  Ravensburger Buchverl. [u.a.], Ravensburg [u.a.]

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    Universitätsbibliothek Augsburg
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3473483885; 3363006993
    RVK Categories: GK 4211 ; GK 4680 ; LH 61346 ; LH 70080
    Subjects: Kleurtheorie; Naturwissenschaft; Wissen; Color; Visual perception
    Other subjects: Goethe, Johann Wolfgang von <1749-1832>: Zur Farbenlehre; Goethe, Johann Wolfgang von <1749-1832>; Goethe, Johann Wolfgang von (1749-1832): Zur Farbenlehre; Newton, Isaac (1643-1727)
    Scope: 178 S., Ill., graph. Darst.
    Notes:

    Literaturverz. S. 168 - 173
  8. Die Lehren von der Farbenharmonie
    eine Enzyklopädie zur Geschichte und Theorie der Farbenharmonielehren
    Author: Schwarz, Andreas
    Published: 1999
    Publisher:  Muster-Schmidt, Göttingen [u.a.]

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    Technische Hochschule Augsburg
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    Deutsches Museum, Bibliothek
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    Universitätsbibliothek der LMU München
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3788140534
    RVK Categories: LH 61346 ; LH 70080
    Subjects: Kleurtheorie; Color; Harmony (Aesthetics); Farbe; Kunst; Malerei; Theorie; Harmonie; Farbenharmonie; Geschichte; Ästhetik
    Scope: 396 S., Ill., graph. Darst., Notenbeisp.
    Notes:

    Zugl.: Essen, Univ., Diss., 1995
  9. Die Farbe Purpur im frühen Griechentum
    beobachtet in der Literatur und in der bildenden Kunst
    Author: Stulz, Heinke
    Published: [1990]
    Publisher:  De Gruyter, Berlin ; Boston

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  10. Sprechen über Farbe: Rubens und Poussin
    Bildfarbe und Methoden der Farbforschung im 17. Jahrhundert und heute
    Author: Schütze, Irene
    Published: 2004
    Publisher:  VDG, Weimar

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3897394634
    RVK Categories: LH 70080 ; LI 69060
    Subjects: Kleuren; Kleurtheorie; Geschichte; Color (Philosophy); Color in art; Ästhetik; Farbe; Farbenlehre; Malerei
    Other subjects: Poussin, Nicolas <1594?-1665>; Rubens, Peter Paul <Sir, 1577-1640>; Poussin, Nicolas (1594-1665); Félibien, André (1619-1695); Rubens, Peter Paul (1577-1640)
    Scope: 261 S., Ill.
    Notes:

    Zugl.: Freiburg i. Br., Univ., Diss., 2003
  11. Die Lehren von der Farbenharmonie
    eine Enzyklopädie zur Geschichte und Theorie der Farbenharmonielehren
    Author: Schwarz, Andreas
    Published: 1999
    Publisher:  Muster-Schmidt, Göttingen [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 3788140534
    RVK Categories: LH 61346 ; LH 70080
    Subjects: Kleurtheorie; Color; Harmony (Aesthetics); Farbe; Kunst; Malerei; Theorie; Harmonie; Farbenharmonie; Geschichte; Ästhetik
    Scope: 396 S., Ill., graph. Darst., Notenbeisp.
    Notes:

    Zugl.: Essen, Univ., Diss., 1995
  12. Les couleurs et les mots
    Author: Le Rider, Jacques
    Published: 1997
    Publisher:  Presses Univ. de France, Paris

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: French
    Media type: Book
    ISBN: 2130489109
    RVK Categories: EC 2440 ; EC 3000
    Edition: 1. éd.
    Series: Perspectives critiques
    Subjects: Art dans la littérature; Couleurs dans la littérature; Kleuren; Kleurtheorie; Kunst; Letterkunde; Literatur; Art and literature; Colors in literature; Text; Malerei; Bild; Literatur; Geschichte; Sprache; Moderne; Kunst; Farbe <Motiv>; Farbenlehre; Farbe
    Scope: 428 S.
  13. Die Evolution der Farben
    Goethes Farbenlehre in neuem Licht
    Author: Sölch, Reinhold
    Published: 1998
    Publisher:  Ravensburger Buchverl. [u.a.], Ravensburg [u.a.]

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    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    ISBN: 3473483885; 3363006993
    RVK Categories: GK 4211 ; GK 4680 ; LH 61346 ; LH 70080
    Subjects: Kleurtheorie; Naturwissenschaft; Wissen; Color; Visual perception
    Other subjects: Goethe, Johann Wolfgang von <1749-1832>: Zur Farbenlehre; Goethe, Johann Wolfgang von <1749-1832>; Goethe, Johann Wolfgang von (1749-1832): Zur Farbenlehre; Newton, Isaac (1643-1727)
    Scope: 178 S., Ill., graph. Darst.
    Notes:

    Literaturverz. S. 168 - 173
  14. Color for science, art and technology
    Published: 1998
    Publisher:  Elsevier, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780444898463; 0444898468; 9780080529370; 0080529372
    Series: Azimuth (Amsterdam, Netherlands) ; v. 1
    Subjects: Kleuren; Kleurtheorie; SCIENCE / Physics / Optics & Light; Color; Color; Ästhetik; Farbenlehre; Farbe; Physik; Farbstoff
    Scope: 1 Online-Ressource (xvii, 491 p.)
    Notes:

    The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because: & bull; the measurement of color still has unresolved complexities (Chapter 2) & bull; many of the fine details of color vision remain unknown (Chapter 3) & bull; every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5) & bull; the philosophical approach to color has not yet crystallized (Chapter 7) & bull; new pigments and dyes continue to be discovered (Chapters 10 and 11) & bull; the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2). Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge

    Includes bibliographical references and index
  15. Colour and meaning
    art, science and symbolism
    Author: Gage, John
    Published: 1999
    Publisher:  Thames and Hudson, London

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Fachhochschule Potsdam, Hochschulbibliothek
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  16. Color for science, art and technology
    Published: 1998
    Publisher:  Elsevier, Amsterdam [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    TU Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0444898468; 9780444898463
    RVK Categories: UH 7400
    Series: AZimuth ; 1
    Subjects: Kleuren; Kleurtheorie; Color; Ästhetik; Physik; Farbstoff; Farbe; Farbenlehre
    Scope: XVII, 491 S., Ill., graph. Darst.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  17. Sprechen über Farbe: Rubens und Poussin
    Bildfarbe und Methoden der Farbforschung im 17. Jahrhundert und heute
    Author: Schütze, Irene
    Published: 2004
    Publisher:  VDG, Weimar

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 3897394634
    RVK Categories: LH 70080 ; LI 69060
    Subjects: Kleuren; Kleurtheorie; Geschichte; Color (Philosophy); Color in art; Ästhetik; Farbe; Farbenlehre; Malerei
    Other subjects: Poussin, Nicolas <1594?-1665>; Rubens, Peter Paul <Sir, 1577-1640>; Poussin, Nicolas (1594-1665); Félibien, André (1619-1695); Rubens, Peter Paul (1577-1640)
    Scope: 261 S., Ill.
    Notes:

    Zugl.: Freiburg i. Br., Univ., Diss., 2003
  18. Goethe und die "Rettung der Phänomene"
    philosophische Kritik des naturwissenschaftlichen Weltbilds am Beispiel der Farbenlehre
    Author: Rehbock, Theda
    Published: 1995
    Publisher:  Verl. am Hockgraben, Konstanz

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  19. Color codes
    modern theories of color in philosophy, painting and architecture, literature, music, and psychology
    Author: Riley, Charles A.
    Published: 1995
    Publisher:  Univ. Press of New England, Hanover [u.a.]

    Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating.

     
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