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  1. The Participatory Journalism of Michael Herr, Norman Mailer, Hunter S. Thompson, and Joan Didion
    Creating New Reporting Styles
    Author: Mosser, Jason
    Published: 2011
    Publisher:  Edwin Mellen Press, Lewiston

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0773421572; 9780773421578
    Subjects: American prose literature / 20th century / History and criticism; Didion, Joan / Criticism and interpretation; Herr, Michael / Criticism and interpretation; Journalism / United States / History / 20th century; Mailer, Norman / Criticism and interpretation; Reportage literature, American / History and criticism; Thompson, Hunter S. / Criticism and interpretation; LITERARY CRITICISM / American / General; American prose literature; Journalism; Reportage literature, American; Geschichte; Reportage literature, American; American prose literature; Journalism; New journalism; Textanalyse
    Other subjects: Didion, Joan; Herr, Michael; Mailer, Norman; Thompson, Hunter S.; Herr, Michael; Mailer, Norman; Thompson, Hunter S.; Didion, Joan
    Scope: 1 online resource (260 pages)
    Notes:

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    Among New Journalists of the 1960s-1970s, Michael Herr, Norman Mailer, Hunter S. Thompson, and Joan Didion approached their subjects by placing themselves in the center of their narratives as protagonists and by openly acknowledging their subjective impressions of the events they reported. Unlike journalists who adopted the conventions of detachment and objectivity, these New Journalists employed their subjective, literary styles to construct their narrative personae and to dramatize not only the events like the Vietnam War and the 1972 presidential campaign but their direct participation in t
  2. The politics and poetics of journalistic narrative
    the timely and the timeless
    Author: Frus, Phyllis
    Published: 1994
    Publisher:  Cambridge University Press, Cambridge

    The Politics and Poetics of Journalistic Narrative investigates the textuality of all discourse, arguing that the ideologically charged distinction between 'journalism' and 'fiction' is socially constructed rather than natural. Phyllis Frus separates... more

    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Bayerische Staatsbibliothek
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    The Politics and Poetics of Journalistic Narrative investigates the textuality of all discourse, arguing that the ideologically charged distinction between 'journalism' and 'fiction' is socially constructed rather than natural. Phyllis Frus separates literariness from aesthetic definitions, regarding it as a way of reading a text through its style to discover how it 'makes' reality. Frus examines narratives by Stephen Crane and Ernest Hemingway, showing that conventional understanding of the categories of fiction and non-fiction frequently determines the differences we perceive in texts. When journalists writing about historical events adopt the Hemingway-esque, understated narrative style that is commonly associated with both 'objectivity' and 'literature', it leads to an audience unable to face the historical and social conditions in which it must function. She interprets New Journalistic narratives, such as that of Truman Capote, as ways to counter the reification of modern consciousness to which both objective journalism and aestheticised fiction contribute

     
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