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Displaying results 1 to 4 of 4.

  1. Being a boy again
    autobiography and the American boy book
    Author: Jacobson, Marcia A.
    Published: 1994
    Publisher:  Univ. of Alabama Press, Tuscaloosa [u.a.]

    Marcia Jacobson's Being a Boy Again identifies a literary genre that flourished between the Civil War and World War I - the American boy book. Jacobson distinguishes the boy book tradition from the didactic story for boys and the developmental... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Marcia Jacobson's Being a Boy Again identifies a literary genre that flourished between the Civil War and World War I - the American boy book. Jacobson distinguishes the boy book tradition from the didactic story for boys and the developmental autobiography of childhood, describing it as an autobiographical form that concentrates on boyhood alone. She discusses what gave rise to the boy book, what forms it took, what problems it addressed, and finally, why it disappeared Jacobson finds her answers in the widespread social and economic changes of the second half of the 19th century, as well as in the personal crisis that inspired each of the boy books. She argues that key works by such writers as Thomas Bailey Aldrich, William Dean Howells, Mark Twain, Stephen Crane, and Booth Tarkington marked a nostalgic retreat to being a boy again in the face of the difficulties of being a man in 19th-century America. The interplay between the narrating male adult in these books and the child he once was results in wonderfully innovative books - all of which have at their core the narrator's confrontation with his father, the person who should have taught him how to be a man and who inevitably is found wanting Jacobson concludes her study by looking briefly at the social and intellectual changes that brought the genre to its end. She also suggests that in its rich variety of form and texture, the boy book should be recognized as a precursor of the imaginative autobiography we associate with 20th-century writers

     
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  2. The men behind boys' fiction
    Author: Lofts, William O.; Adley, Derek J.
    Published: 1970
    Publisher:  Baker, London

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Internationale Jugendbibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0093047703
    Edition: 1. publ.
    Subjects: Engels; Jongensboeken; Englisch; Authors, English; Boys; Children's stories, English
    Scope: 361 S.
  3. Being a boy again
    autobiography and the American boy book
    Author: Jacobson, Marcia Ann
    Published: ©1994
    Publisher:  University of Alabama Press, Tuscaloosa

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585247161; 0817307648; 9780585247168; 9780817307646
    Subjects: LITERARY CRITICISM / American / General; Jongensboeken; Autobiografieën; Amerikaans; Autobiographical fiction, American; American prose literature; Boys; Boys in literature; Autobiography; Jungenliteratur; Autobiografische Literatur; Junge
    Scope: 1 Online-Ressource (188 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 173-184) and index

    The boy book : the historical context, fiction and autobiography -- Thomas Bailey Aldrich and Charles Dudley Warner -- Mark Twain -- William Dean Howells -- Hamlin Garland -- Stephen Crane -- Booth Tarkington -- The end of the boy book

    Marcia Jacobson's Being a Boy Again identifies a literary genre that flourished between the Civil War and World War I - the American boy book. Jacobson distinguishes the boy book tradition from the didactic story for boys and the developmental autobiography of childhood, describing it as an autobiographical form that concentrates on boyhood alone. She discusses what gave rise to the boy book, what forms it took, what problems it addressed, and finally, why it disappeared

    Jacobson finds her answers in the widespread social and economic changes of the second half of the 19th century, as well as in the personal crisis that inspired each of the boy books. She argues that key works by such writers as Thomas Bailey Aldrich, William Dean Howells, Mark Twain, Stephen Crane, and Booth Tarkington marked a nostalgic retreat to being a boy again in the face of the difficulties of being a man in 19th-century America. The interplay between the narrating male adult in these books and the child he once was results in wonderfully innovative books - all of which have at their core the narrator's confrontation with his father, the person who should have taught him how to be a man and who inevitably is found wanting

    Jacobson concludes her study by looking briefly at the social and intellectual changes that brought the genre to its end. She also suggests that in its rich variety of form and texture, the boy book should be recognized as a precursor of the imaginative autobiography we associate with 20th-century writers
  4. Being a boy again
    autobiography and the American boy book
    Author: Jacobson, Marcia A.
    Published: 1994
    Publisher:  Univ. of Alabama Press, Tuscaloosa [u.a.]

    Marcia Jacobson's Being a Boy Again identifies a literary genre that flourished between the Civil War and World War I - the American boy book. Jacobson distinguishes the boy book tradition from the didactic story for boys and the developmental... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Marcia Jacobson's Being a Boy Again identifies a literary genre that flourished between the Civil War and World War I - the American boy book. Jacobson distinguishes the boy book tradition from the didactic story for boys and the developmental autobiography of childhood, describing it as an autobiographical form that concentrates on boyhood alone. She discusses what gave rise to the boy book, what forms it took, what problems it addressed, and finally, why it disappeared Jacobson finds her answers in the widespread social and economic changes of the second half of the 19th century, as well as in the personal crisis that inspired each of the boy books. She argues that key works by such writers as Thomas Bailey Aldrich, William Dean Howells, Mark Twain, Stephen Crane, and Booth Tarkington marked a nostalgic retreat to being a boy again in the face of the difficulties of being a man in 19th-century America. The interplay between the narrating male adult in these books and the child he once was results in wonderfully innovative books - all of which have at their core the narrator's confrontation with his father, the person who should have taught him how to be a man and who inevitably is found wanting Jacobson concludes her study by looking briefly at the social and intellectual changes that brought the genre to its end. She also suggests that in its rich variety of form and texture, the boy book should be recognized as a precursor of the imaginative autobiography we associate with 20th-century writers

     
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