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  1. Sarra Copia Sulam
    A Jewish Salonnière and the Press in Counter-Reformation Venice
    Author: Westwater, Lynn Lara
    Published: [2020]; © 2020
    Publisher:  University of Toronto Press, Toronto

    For nearly a decade at the height of the Counter-Reformation in Italy, the Jewish poet and polemicist Sarra Copia Sulam (ca. 1592-1641) hosted a literary salon at her house in the Venetian ghetto, providing one of the most public and enduring forums... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Universität Potsdam, Universitätsbibliothek
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    Gemeinsamer Bibliotheksverbund (GBV)

     

    For nearly a decade at the height of the Counter-Reformation in Italy, the Jewish poet and polemicist Sarra Copia Sulam (ca. 1592-1641) hosted a literary salon at her house in the Venetian ghetto, providing one of the most public and enduring forums for Jewish-Christian interaction in early modern Venice. Though Copia Sulam built a powerful intellectual network, published a popular work on the immortality of the soul, and gained fame for her erudition, her literary career foundered under the weight of slanderous charges against her sexual, professional, and religious integrity. This first biography of Copia Sulam examines the explosive relationship between gender, religion, and the press in seventeenth-century Venice through a study of the salonnière's literary career. The backdrop to this inquiry is Venice's tumultuous religious, cultural, and political climate and the competitive world of its presses, where men and women, Christians and Jews, alternately collaborated and clashed as they sought to gain a foothold in Europe's most prestigious publishing capital

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487532789
    Other identifier:
    Series: Toronto Italian Studies
    Subjects: Christian-Jewish dialogue; Counter-Reformation; Italy; Jewish history; Jewish poetry; Sara Copia Sulam; Sarra Copia Sulam; Venice; history of publishing; salons; westwate; women's writing; HISTORY / Renaissance; Jewish women authors; Jewish women; Salons
    Scope: 1 online resource (384 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
  2. Sarra Copia Sulam
    a Jewish Salonnière and the press in counter-reformation Venice
    Author: Westwater, Lynn Lara
    Published: [2020]; © 2020
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    For nearly a decade at the height of the Counter-Reformation in Italy, the Jewish poet and polemicist Sarra Copia Sulam (ca. 1592-1641) hosted a literary salon at her house in the Venetian ghetto, providing one of the most public and enduring forums... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Universitätsbibliothek Passau
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    Unlimited inter-library loan, copies and loan

     

    For nearly a decade at the height of the Counter-Reformation in Italy, the Jewish poet and polemicist Sarra Copia Sulam (ca. 1592-1641) hosted a literary salon at her house in the Venetian ghetto, providing one of the most public and enduring forums for Jewish-Christian interaction in early modern Venice. Though Copia Sulam built a powerful intellectual network, published a popular work on the immortality of the soul, and gained fame for her erudition, her literary career foundered under the weight of slanderous charges against her sexual, professional, and religious integrity. This first biography of Copia Sulam examines the explosive relationship between gender, religion, and the press in seventeenth-century Venice through a study of the salonnière's literary career. The backdrop to this inquiry is Venice's tumultuous religious, cultural, and political climate and the competitive world of its presses, where men and women, Christians and Jews, alternately collaborated and clashed as they sought to gain a foothold in Europe's most prestigious publishing capital

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487532789; 9781487532796
    Other identifier:
    Series: Toronto Italian Studies
    Subjects: Christian-Jewish dialogue; Counter-Reformation; Italy; Jewish history; Jewish poetry; Sara Copia Sulam; Sarra Copia Sulam; Venice; history of publishing; salons; westwate; women's writing; HISTORY / Renaissance; Jewish women authors; Jewish women; Salons
    Other subjects: Copia Sullam, Sarra (1592-1641)
    Scope: 1 Online-Ressource (xxiii, 352 Seiten)
  3. When the menorah fades
    Author: Praigerzon, Tsevi
    Published: 2020; © 2020
    Publisher:  Academic Studies Press, Boston

    Zvi Preigerzon (1900-1969), a Hebrew writer in the Soviet Union, wrote this book in complete secrecy, to the extent that he even hid its existence from his own family. The book is about the Jewish community in Hadiach, a small town in Ukraine where... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

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    Universitätsbibliothek Passau
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    Zvi Preigerzon (1900-1969), a Hebrew writer in the Soviet Union, wrote this book in complete secrecy, to the extent that he even hid its existence from his own family. The book is about the Jewish community in Hadiach, a small town in Ukraine where Shneur Zalman Schneerson, the founder of the Chabad movement, is buried. The town was occupied by the German army during the war and most of its Jewish population perished. Zvi Preigerzon describes the life of the simple Jewish people and their suffering under the Nazis, with a Kabbalistic spiritual touch: the Perpetual Flame of the Menorah at the grave of Shneur Zalman Schneerson symbolizes the very spirit of Jewish life, which it is said will persist as long as the flame is burning

     
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  4. Sarra Copia Sulam
    a Jewish Salonnière and the press in counter-reformation Venice
    Author: Westwater, Lynn Lara
    Published: [2020]; © 2020
    Publisher:  University of Toronto Press, Toronto

    For nearly a decade at the height of the Counter-Reformation in Italy, the Jewish poet and polemicist Sarra Copia Sulam (ca. 1592-1641) hosted a literary salon at her house in the Venetian ghetto, providing one of the most public and enduring forums... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    For nearly a decade at the height of the Counter-Reformation in Italy, the Jewish poet and polemicist Sarra Copia Sulam (ca. 1592-1641) hosted a literary salon at her house in the Venetian ghetto, providing one of the most public and enduring forums for Jewish-Christian interaction in early modern Venice. Though Copia Sulam built a powerful intellectual network, published a popular work on the immortality of the soul, and gained fame for her erudition, her literary career foundered under the weight of slanderous charges against her sexual, professional, and religious integrity. This first biography of Copia Sulam examines the explosive relationship between gender, religion, and the press in seventeenth-century Venice through a study of the salonnière's literary career. The backdrop to this inquiry is Venice's tumultuous religious, cultural, and political climate and the competitive world of its presses, where men and women, Christians and Jews, alternately collaborated and clashed as they sought to gain a foothold in Europe's most prestigious publishing capital

     
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  5. When the menorah fades
    Author: Praigerzon, Tsevi
    Published: 2020; © 2020
    Publisher:  Academic Studies Press, Boston

    Zvi Preigerzon (1900-1969), a Hebrew writer in the Soviet Union, wrote this book in complete secrecy, to the extent that he even hid its existence from his own family. The book is about the Jewish community in Hadiach, a small town in Ukraine where... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Zvi Preigerzon (1900-1969), a Hebrew writer in the Soviet Union, wrote this book in complete secrecy, to the extent that he even hid its existence from his own family. The book is about the Jewish community in Hadiach, a small town in Ukraine where Shneur Zalman Schneerson, the founder of the Chabad movement, is buried. The town was occupied by the German army during the war and most of its Jewish population perished. Zvi Preigerzon describes the life of the simple Jewish people and their suffering under the Nazis, with a Kabbalistic spiritual touch: the Perpetual Flame of the Menorah at the grave of Shneur Zalman Schneerson symbolizes the very spirit of Jewish life, which it is said will persist as long as the flame is burning

     
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  6. Between philology and Foucault
    new syntheses in contemporary Mishnah studies
    Author: Simon-Shoshan, Moshe
    Published: [2008]

    The work of many emerging young rabbinics scholars today, particularly that which is focused on the Mishnah, is animated by a desire to synthesize two distinct approaches to rabbinic texts. One is the traditional philological-historical approach,... more

     

    The work of many emerging young rabbinics scholars today, particularly that which is focused on the Mishnah, is animated by a desire to synthesize two distinct approaches to rabbinic texts. One is the traditional philological-historical approach, which traces its roots back to the European Wissenschaft des Judentums tradition of the nineteenth and early twentieth centuries. In its current form, traditional Talmud criticism is perhaps most associated in Israel with the work of J. N. Epstein, the founder of the Hebrew University Talmud Department and the “father of exact scientific Talmudic inquiry.” While most of Epstein's students proceeded to shape the study of rabbinic literature in the Israeli academy, Saul Lieberman, perhaps his most distinguished disciple, moved to America, where his presence dominated the study of rabbinic literature at the Jewish Theological Seminary in the postwar decades. Traditional Talmud criticism is characterized by a scrupulous attention to manuscripts and textual variants, a systematic use of the findings of Semitic and comparative linguistics, and the use of form and source criticism to determine the history and development of larger textual units.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Association for Jewish Studies; AJS review; Philadelphia, PA : University of Pennsylvania Press, 1976; 32(2008), 2, Seite 251-262; Online-Ressource

    Subjects: Talmud; Jewish rituals; Judaism; Rabbis; Discourse; Philology; Jewish history; Capital punishment; Literary criticism; Tearing
  7. The Dead Sea Scrolls and the history of the jewish book
    Author: Schiffman, Lawrence H.
    Published: [2010]

    The complicated process whereby the biblical books took shape and were copied and transmitted in biblical times can only be partly reconstructed based on biblical evidence, with the help of ancient Near Eastern parallels. Clearly, the biblical era... more

     

    The complicated process whereby the biblical books took shape and were copied and transmitted in biblical times can only be partly reconstructed based on biblical evidence, with the help of ancient Near Eastern parallels. Clearly, the biblical era constitutes the first stage in the history of the Jewish book, or more correctly, the Jewish book par excellence. However, for the period immediately following, the Second Temple period, the level of documentation for creating, editing/redacting, and copying and disseminating Jewish books is now enormous due to the discovery, publication, and analysis of the Dead Sea Scrolls. While this information relates directly to the period in which the Scrolls were copied, from the last part of the third century bce through the early first century ce, it also allows us a model with which to supplement our understanding of the biblical period, and much of it is directly relevant to the rabbinic period in which most of the same scribal conventions were in use.

     
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    Volltext (lizenzpflichtig)
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Association for Jewish Studies; AJS review; Philadelphia, PA : University of Pennsylvania Press, 1976; 34(2010), 2, Seite 359-365; Online-Ressource

    Subjects: Scrolls; Judaism; Dead Sea Scrolls; Jewish history; Sectarianism; Classical literature; Temples; Library collections
  8. Entangled stories
    the red Jews in premodern yiddish and german apocalyptic lore
    Author: Voß, Rebekka
    Published: [2012]

    “Far, far away from our areas, somewhere beyond the Mountains of Darkness, on the other side of the Sambatyon River…there lives a nation known as the Red Jews.” The Red Jews are best known from classic Yiddish writing, most notably from Mendele's... more

     

    “Far, far away from our areas, somewhere beyond the Mountains of Darkness, on the other side of the Sambatyon River…there lives a nation known as the Red Jews.” The Red Jews are best known from classic Yiddish writing, most notably from Mendele's Kitser masoes Binyomin hashlishi (The Brief Travels of Benjamin the Third). This novel, first published in 1878, represents the initial appearance of the Red Jews in modern Yiddish literature. This comical travelogue describes the adventures of Benjamin, who sets off in search of the legendary Red Jews. But who are these Red Jews or, in Yiddish, di royte yidelekh? The term denotes the Ten Lost Tribes of Israel, the ten tribes that in biblical times had composed the Northern Kingdom of Israel until they were exiled by the Assyrians in the eighth century BCE. Over time, the myth of their return emerged, and they were said to live in an uncharted location beyond the mysterious Sambatyon River, where they would remain until the Messiah's arrival at the end of time, when they would rejoin the rest of the Jewish people.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Association for Jewish Studies; AJS review; Philadelphia, PA : University of Pennsylvania Press, 1976; 36(2012), 1, Seite 1-41; Online-Ressource

    Subjects: Jewish peoples; Judaism; Jewish history; Christian history; Polemics; Folktales; Piyyut; Allegory
  9. Footprints: A Digital Approach to (Jewish) Book History
    Author: Margolis, Michelle; Lehman, Marjorie; Shear, Adam; Teplitsky, Joshua
    Published: 2023

    This article describes and analyzes the methods of Footprints: Jewish Books Through Time and Place, a digital humanities contribution to book history. Footprints collects and aggregates information about the movement of copies of Hebrew books and... more

    Location:
    Index theologicus der Universitätsbibliothek Tübingen
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    No inter-library loan

     

    This article describes and analyzes the methods of Footprints: Jewish Books Through Time and Place, a digital humanities contribution to book history. Footprints collects and aggregates information about the movement of copies of Hebrew books and books of Judaica in other languages printed in the early modern period (roughly corresponding to the hand-press era) and follows evidence of their movement into the twenty-first century. It stores this information in a relational database in which users can run specific queries and delivers the results in a number of visual representations for analysis and interpretation. Footprints undertakes two concurrent and more open-ended aims: (1) the on-going assemblage of a dataset about post-print mobility based on evidence other than the printed text (e.g. marginalia, catalog records, archival letters, other printed texts); and (2) the creation and iterative refining of a scholarly instrument to analyze the dataset through computational methods and modes of representation.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: European journal of jewish studies; Biggleswade : Brill, 2007; 17(2023), 2, Seite 297-326; Online-Ressource

    Subjects: migration; Jewish history; digital humanities; book history
  10. Zacharias Frankel’s Conception of the Septuagint in Context
    Author: Louw, Theo A. W. van der
    Published: 2021

    Zacharias Frankel had a very low opinion of the abilities of the LXX translators, the quality of their work and the ensuing textual transmission. He considered the Septuagint only useful as a testimony to help prove the antiquity of the halakah, a... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    Zacharias Frankel had a very low opinion of the abilities of the LXX translators, the quality of their work and the ensuing textual transmission. He considered the Septuagint only useful as a testimony to help prove the antiquity of the halakah, a notion with apologetic value. Methodologically, he conceptualized the genesis of the Greek Pentateuch through the theories of contemporary historical criticism. His monographs on the Septuagint display great continuity with early modern scholarship. This also holds true for the assumption that the Septuagint reflects Jewish interpretation, and the notion of five translators/editors for the Greek Pentateuch. Frankel’s works were considered important, but his innovations, viz. the insistence that all Jewish exegesis was Palestinian in origin and his rejection of textual criticism, were accepted by few and rejected by most scholars, Jews and Christians alike. Frankel’s boldness and his use of German helped to keep his ideas on the scholarly agenda.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Textus; Jerusalem : The Hebrew University of Jerusalem, 1960; 30(2021), 2, Seite 187-205; Online-Ressource

    Subjects: Pentateuch; Septuagint; textual criticism; Wissenschaft des Judentums; Jewish history; Zacharias Frankel