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<<La>> traducción de la Divina commedia atribuida a D. Enrique de Aragon
estudio y edicion del infierno -
Der christliche Metacode im Spätrealismus
die produktive Rezeption von Dante Alighieris Divina Commedia bei Conrad Ferdinand Meyer, Wilhelm Raabe und Ferdinand von Saar -
<<Der>> christliche Metacode im Spätrealismus
die produktive Rezeption von Dante Alighieris "Divina Commedia" bei Conrad Ferdinand Meyer, Wilhelm Raabe und Ferdinand von Saar -
Transferring Dante : Robert Rauschenberg's thirty-four illustrations for the "Inferno"
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Der Höllensammler : die "Commedia", "Vathek" und Borges' Konzeption der Hölle
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'Hell on a paying basis' : morality, the market, and the movies in Harry Lachman's "Dante's Inferno" (1935)
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Literary heresy : the Dantesque metamorphosis of LeRoi Jones into Amiri Baraka
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Dante's "Inferno" and Walter Benjamin's cities : considerations of place, experience, and media
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Man with Snake : Dante in Derek Jarman's "Edward II"
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A cardboard Dante : hell's metropolis revisited
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'Il mal seme d'Adamo' : Dante's "Inferno" and the problem of the literary representation of evil in Thomas Mann's "Doktor Faustus" and Wolfgang Koeppen's "Der Tod in Rom"
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Dante Alighieri, Commedia
übertragen und erläutert von Bernhard Christ -
Die Wirklichkeit schreiben ; Autofiktionales Erzählen in den skandinavischen Gegenwartsliteraturen
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Ulysses, Dante and other stories / Elena Lombardi ; Cultural Inquiry ; 28
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Lucifer sehen und lesen : ein Blatt zu Dantes Inferno ca. 1595
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Der Höllensammler : die "Commedia", "Vathek" und Borges' Konzeption der Hölle
-
Transferring Dante : Robert Rauschenberg's thirty-four illustrations for the "Inferno"
-
'Hell on a paying basis' : morality, the market, and the movies in Harry Lachman's "Dante's Inferno" (1935)
-
Literary heresy : the Dantesque metamorphosis of LeRoi Jones into Amiri Baraka
-
Dante's "Inferno" and Walter Benjamin's cities : considerations of place, experience, and media
-
Man with Snake : Dante in Derek Jarman's "Edward II"
-
A cardboard Dante : hell's metropolis revisited
-
'Il mal seme d'Adamo' : Dante's "Inferno" and the problem of the literary representation of evil in Thomas Mann's "Doktor Faustus" and Wolfgang Koeppen's "Der Tod in Rom"