Publisher:
McFarland & Company, Inc., Publishers, Jefferson, North Carolina
Native American history and the genesis of Native American images (1492-1880) -- The representation of indigenous women in U.S. Films -- Celluloid Native American film images (1880-1919) -- The noble savage and the white man's enemy (1920-1929) -- In...
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Native American history and the genesis of Native American images (1492-1880) -- The representation of indigenous women in U.S. Films -- Celluloid Native American film images (1880-1919) -- The noble savage and the white man's enemy (1920-1929) -- In the way of progress (1930-1939) -- Native Americans as part of the nation's family (1940-1949) -- New images and consciousness (1950-1959) -- The winds of change (1960-1969) -- The American Indian movement and the reel invisibility (1970-1979) -- Dashed expectations (1980-1989) -- A quincentennial of misappropriation (1990-1999) -- Native voices and native images (2000-2010) -- The return to invisibility (2011-present) -- Looking back and looking forward. "Images from movies and film have had a powerful hand in how Native Americans are perceived. In many cases, they have been represented as violent, uncivilized, and an impediment to progress and civilization. This book analyzes the representation of Native Americans in cinematic images from the 1890s to the present day, deconstructing key films in each decade. This book also addresses efforts by the Native American to improve and have a part in their filmic representations, including mini-biographies of important indigenous filmmakers and performers"--
This is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral...
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This is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and four dramatic films. The book explores how members of colonized groups use the medium of film as a means for cultural and political expression and thus enter the dominant colonial film discourse and create an answering discourse. The theoretical framework is developed as an interdisciplinary approach, combining postcolonial
Includes bibliographical references (p. [359]-386) and index -- Includes filmography (p. 380-384)
Electronic reproduction; Available via World Wide Web
Table of Contents ; Acknowledgements ; Introduction ; 1 The Foucauldian Lens of Power Decolonized ; 2 A Postcolonial Approach to Indigenous Filmmaking in North America ; 3 Oral Tradition as Reflected in Film ; 4 Short Films ; Figures ; 5 Dramatic Films ; Conclusion ; Works Cited ; Appendix ; Index