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  1. Philosophy in Hamlet
    Author: Marić, Jasminka D.
    Published: 2018
    Publisher:  Author's edition, Belgrade

    In this book Jasminka Marić analyses stratified and for interpretations inexhaustible text of the most famous Shakespeare's play, performing precise and meticulous analysis of the ontological aspects of the thematically and semantically heterogeneous... more

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    In this book Jasminka Marić analyses stratified and for interpretations inexhaustible text of the most famous Shakespeare's play, performing precise and meticulous analysis of the ontological aspects of the thematically and semantically heterogeneous work of art, which has proved for centuries to be not only an attractive starting point for exploring the critical-methodological postulates of various theories, but also as valuable domain for clarification of the postulates of artistic creation. With the help of a valid critical-theoretical matrix that is applied consistently and effectively, the author has successfully positioned philosophical and critical corpus that in the recent history of critical thought is still insufficiently read and studied. This study is not only an original contribution to the study of philosophy in "Hamlet," but it is also a successful attempt of filling in the blanks in the reception of this tragedy.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Agnew, Steve (ÜbersetzerIn)
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 8690080201; 9788690080205
    RVK Categories: HG 130 ; HI 3325 ; HI 3423
    Subjects: Philosophy in literature; Shakespeare, William; Hamlet (Shakespeare, William); Philosophy; Criticism, interpretation, etc
    Other subjects: Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616)
    Scope: 270 Seiten, 24 cm
    Notes:

    Revised and updated version of the master's thesis "Analysis of ontological aspects of Shakespeare's tragedy Hamlet", which was successfully defended at the Faculty of Dramatic Arts of Belgrade University on January 25, 2012--Foreword

    Includes bibliographical references (page 250-258) and indexes

    Masterarbeit, Belgrade University, 2012
  2. To be or not to be
    Author: Bruster, Douglas
    Published: c2007
    Publisher:  Continuum, London

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781441125002; 1441125000; 9780826489975; 0826489974; 0826489982; 9780826489982
    Series: Shakespeare now!
    Subjects: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Monolog; Hamlet (Shakespeare, William); Soliloquy; Soliloquy; Monolog
    Other subjects: Shakespeare, William; Shakespeare, William / 1564-1616 / Hamlet / Criticism, Textual; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616): Hamlet
    Scope: 1 Online-Ressource (ix, 108 p.)
    Notes:

    Includes index. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [105]-106) index
  3. Hamlet, Protestantism, and the mourning of contingency
    not to be
    Author: Curran, John E.
    Published: ©2006
    Publisher:  Ashgate, Aldershot, Hampshire, England

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780754681861; 0754681866; 0754654362; 9780754654360
    Subjects: Shakespeare, William; LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Hamlet (Shakespeare, William); Christian drama, English; Contingency (Philosophy); Literature; Politics and literature; Protestantism and literature; Hamlet, prince of Denmarke (Shakespeare); Religiekritiek; Contingentie; Evangelische Theologie; Katholische Theologie; Willensfreiheit; Geschichte; Literatur; Protestantism and literature; Protestantism and literature; Christian drama, English; Politics and literature; Politics and literature; Contingency (Philosophy); Willensfreiheit; Katholische Theologie; Evangelische Theologie
    Other subjects: Shakespeare, William; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xxix, 246 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 219-241) and index

    Bad dreams : the loss of contingency -- The Be, the Eucharist, and the logic of Protestantism -- Purgatory and the value of time -- The theater of merit -- Chastity and the strumpet fortune -- The be, Protestantism, and silence

    Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism while mourning the loss of Catholic notions of contingency
  4. Hamlet
    fold on fold
    Author: Josipovici, Gabriel
    Published: [2016]
    Publisher:  Yale University Press, New Haven ; London

    "William Shakespeare's Hamlet is probably the best-known and most commented upon work of literature in Western culture. The paradox is that it is at once utterly familiar and strangely elusive--very like our own selves, argues Gabriel Josipovici in... more

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    Universitätsbibliothek Augsburg
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    "William Shakespeare's Hamlet is probably the best-known and most commented upon work of literature in Western culture. The paradox is that it is at once utterly familiar and strangely elusive--very like our own selves, argues Gabriel Josipovici in this stimulating and original study. Moreover, our desire to master this elusiveness, to "pluck the heart out of its mystery," as Hamlet himself says, precisely mirrors what is going on in the play; and what Shakespeare's play demonstrates is that to conceive human character (and works of art) in this way is profoundly misguided. Rather than rushing to conclusions or setting out a theory of what Hamlet is "about," therefore, we should read and watch patiently and openly, allowing the play to unfold before us in its own time and trying to see each moment in the context of the whole. Josipovici's valuable book is thus an exercise in analysis which puts the physical experience of watching and reading at the heart of the critical process--at once a practical introduction to a great and much-loved play and a sophisticated intervention in some of the key questions of theory and aesthetics of our time"--

     
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  5. Backwards and forwards
    a technical manual for reading plays
    Author: Ball, David, (David A.)
    Published: c1983
    Publisher:  Southern Illinois University Press, Carbondale

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585111448; 9780585111445
    Subjects: LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; Hamlet (Shakespeare, William); Drama / Technique; Technique; Theater / Production and direction; Drama; Theater
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (ix, 96 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Using Hamlet as illustration, the author provides the tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, motivation/obstacle/conflict, theatricality, and the other crucial parts of the superstructure of a play

    pt. 1. Shape -- 1. What happens that makes something else happen? -- 2. And what happens next? -- 3. But do it backwards -- 4. Stasis and intrusion -- 5. Obstacle, conflict -- 6. Ignorance is bliss -- 7. Things theatrical -- pt. 2. Methods -- 8. Exposition -- 9. Forwards : hungry for next -- 10. Missing persons (character) -- 11. Image -- 12. Theme -- pt. 3. Tricks of the trade -- 13. Background information -- 14. Trusting the playwright -- 15. Families -- 16. Generalities : mood, atmosphere -- 17. The unique factor -- 18. Changing eras -- 19. Climax -- 20. Beginnings/endings -- 21. Rereading -- 22. What next?
  6. William Shakespeare
    Richard III
    Author: Moseley, C. W. R. D., (Charles W. R. D.)
    Published: 2007
    Publisher:  Humanities-Ebooks, Penrith

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1847600298; 9781847600295
    Series: Literature insights
    Subjects: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Hamlet (Shakespeare, William)
    Other subjects: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): King Richard III
    Scope: 1 Online-Ressource (102 p.)
    Notes:

    Title from PDF title page (viewed July 19, 2011)

    Paralleltitel: Guide to William Shakespeare Richard III

    Includes bibliographical references (p. 99-100) and index
  7. The mystery of Hamlet
    a solution
    Author: Stagman, Myron
    Published: c2010
    Publisher:  Cambridge Scholars Pub., Newcastle upon Tyne, UK

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443814407; 1443816221; 1443823872; 9781443814409; 9781443816229; 9781443823876
    Subjects: Hamlet; DRAMA / Shakespeare; LITERARY CRITICISM / Shakespeare; Hamlet (Shakespeare, William); Hamlet (Legendary character); Hamlet (Legendary character)
    Other subjects: Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616): Hamlet
    Scope: 1 Online-Ressource (199 p.)
    Notes:

    Includes bibliographical references (p. [187]-189) and index
  8. The Renaissance Hamlet
    issues and responses in 1600
    Author: Frye, Roland Mushat
    Published: ©1984
    Publisher:  Princeton University Press, Princeton, N.J.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0691065799; 1400852846; 9780691065793; 9781400852840
    Subjects: Politik; Moral; Kunst; Emblem; Rezeption; Zeithintergrund; Hamlet (Shakespeare, William); Hamlet (Legendary character); Renaissance; DRAMA / English, Irish, Scottish, Welsh; DRAMA / Shakespeare; Hamlet (Legendary character); Renaissance; Zeithintergrund; Kunst; Emblem; Moral; Politik; Rezeption
    Other subjects: Shakespeare, William / Hamlet; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616): Hamlet
    Scope: 1 Online-Ressource (xvi, 398 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 367-381) and index
  9. Philosophy in Hamlet
    Author: Marić, Jasminka D.
    Published: 2018
    Publisher:  Author's edition, Belgrade

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    Source: Union catalogues
    Contributor: Agnew, Steve
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9788690080205
    RVK Categories: HI 3325 ; HI 3423
    Subjects: Hamlet (Shakespeare, William); Philosophy
    Other subjects: Shakespeare, William / 1564-1616 / Hamlet / Philosophy; Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616
    Scope: 270 Seiten, 24 cm
    Notes:

    Revised and updated version of the master's thesis "Analysis of ontological aspects of Shakespeare's tragedy Hamlet"

    Literaturverzeichnis Seite: 250-258
  10. Hamlet
    fold on fold
    Author: Josipovici, Gabriel
    Published: [2016]
    Publisher:  Yale University Press, New Haven ; London

    "William Shakespeare's Hamlet is probably the best-known and most commented upon work of literature in Western culture. The paradox is that it is at once utterly familiar and strangely elusive--very like our own selves, argues Gabriel Josipovici in... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "William Shakespeare's Hamlet is probably the best-known and most commented upon work of literature in Western culture. The paradox is that it is at once utterly familiar and strangely elusive--very like our own selves, argues Gabriel Josipovici in this stimulating and original study. Moreover, our desire to master this elusiveness, to "pluck the heart out of its mystery," as Hamlet himself says, precisely mirrors what is going on in the play; and what Shakespeare's play demonstrates is that to conceive human character (and works of art) in this way is profoundly misguided. Rather than rushing to conclusions or setting out a theory of what Hamlet is "about," therefore, we should read and watch patiently and openly, allowing the play to unfold before us in its own time and trying to see each moment in the context of the whole. Josipovici's valuable book is thus an exercise in analysis which puts the physical experience of watching and reading at the heart of the critical process--at once a practical introduction to a great and much-loved play and a sophisticated intervention in some of the key questions of theory and aesthetics of our time"--

     
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  11. William Shakespeare
    Hamlet
    Author: Lennard, John
    Published: c2007
    Publisher:  Humanities-Ebooks, Penrith

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 184760028X; 9781847600288
    Series: Literature insights
    Subjects: DRAMA / Shakespeare; LITERARY CRITICISM / Shakespeare; Hamlet (Shakespeare, William)
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (74 p.)
    Notes:

    Title from PDF title page (viewed Aug. 4, 2011)

    Includes bibliographical references (p. [70]-74)

    Pt. 1. Approaching Shakespeare -- pt. 2. Approaching Hamlet -- pt. 3. Actors and players -- pt. 4. Acts and devices -- pt. 5. Hamlet and Twelfth night -- pt. 6. Critics' corner
  12. The Hamlet zone
    reworking Hamlet for European cultures
    Published: 2012
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443839744; 144384506X; 9781443839747; 9781443845069
    Subjects: DRAMA / Shakespeare; LITERARY CRITICISM / Shakespeare; Hamlet (Shakespeare, William); Rezeption
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616): Hamlet
    Scope: 1 Online-Ressource (xiv, 223 p.)
    Notes:

    Includes bibliographical references and index

    1. Performance as Ironic Supplement: Portuguese Hamlet and One Hamlet too Many / Francesca Rayner -- 2. Dramatic Leaps and Political Falls: Russian Hamlet Ballet in 1991 / Nancy Isenberg -- 3. Tracing a Text of Identity: Hungarian Hamlet Poetry / Márta Minier -- 4. Spectres of Hamlet in Spanish Republican Exile Writing / Helena Buffery -- 5. Spectres of Hamlet in Walter Benjamin and the German Theory of Tragedy / Joshua Billings -- 6. Siting and Citing Hamlet in Elsinore, Denmark / Alexander C. Y. Huang -- 7. Siting Hamlet for the Online Generation: The hamlet_X Project / Conny Loder -- 8.The Born-again Socialist Bard: Hamlet in Romania / Nicoleta Cinpoeş -- 9. History Interrupted: Hamlet and 1956 in Hungary / Veronika Schandl -- 10. Janus-faced Hamlets of the German Stage: Fritz Kortner and Gustaf Gründgens / Peter W. Marx -- 11. Hamlet as Mohamlet: Multiculturalism on the Swedish Stage / Ishrat Lindblad -- 12. The Imprint of France: French Hamlet and Spanish Neoclassicism / Keith Gregor -- 13. Radical Quotation: Papa Hamlet and the Claims of Naturalism / Gijsbert Pols -- 14. Death by Cultural Mobility: Ophelia in German / Ruth J. Owen -- 15. Myth, Metadrama and Metabiography: Rosencrantz and Guildenstern are Dead / Holger Südkamp -- 16. Hamlet as Unmarked Intertext: The Imperative of Remembrance in Horn's End / Robert Blankenship -- Afterword : Hamlet's Infinite Space / Ton Hoenselaars
  13. Shakespeare's Christianity
    Catholic-Protestant presence in Julius Caesar, Hamlet, and Macbeth
    Published: c2006
    Publisher:  Baylor University Press, Waco, Tex.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1429467800; 9781429467803
    Subjects: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Hamlet (Shakespeare, William); Julius Caesar (Shakespeare, William); Macbeth (Shakespeare, William); Literature; Protestantism and literature; Religion; Geschichte; Literatur; Protestantism and literature; Protestantism and literature
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): Julius Caesar; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616): Macbeth
    Scope: 1 Online-Ressource (xvii, 178 p.)
    Notes:

    Includes bibliographical references (p. 159-174)

    Meta-drama in Hamlet and Macbeth / Peter Milward -- Explorers of the revelation: Spenser and Shakespeare / David Daniell -- The problem of self-love in Shakespeare's tragedies and in Renaissance and Reformation theology / Robert Lanier Reid -- "I could not say 'amen'": prayer and providence in Macbeth / Robert S. Miola -- Hamlet and Protestant aural theater / Grace Tiffany -- Providence in Julius Caesar / John W. Mahon -- Cobbling souls in Shakespeare's Julius Caesar / Maurice Hunt
  14. Philosophy and the puzzles of Hamlet
    a study of Shakespeare's method
    Author: Craig, Leon Harold
    Published: 2014
    Publisher:  Bloomsbury Academic, New York

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1628920475; 1628920491; 9781628920475; 9781628920499
    Subjects: DRAMA / English, Irish, Scottish, Welsh; Hamlet (Shakespeare, William); Philosophy; Political and social views; Politics and literature; Politics in literature; Geschichte; Philosophie; Politics and literature; Politics in literature; Politische Philosophie
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): Hamlet
    Scope: 1 online resource
    Notes:

    Description based on print version record

    Horatio and the pirates -- Whichever way the wind blows -- The theatre of reality -- "Why, what a king is this!" -- Hamlet's English madness -- Epilogue
  15. Hamlet in his modern guises
    Author: Welsh, Alexander
    Published: ©2001
    Publisher:  Princeton University Press, Princeton, N.J.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1400814804; 1400824125; 9781400814800; 9781400824120
    Subjects: TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Hamlet (Shakespeare, William); Fiction; Hamlet (Legendary character); Heroes in literature; Influence (Literary, artistic, etc.); Modernism (Literature); Fiction / 19th century / History and criticism; Fiction / 20th century / History and criticism; Shakespeare, William, / 1564-1616 / Influence; Shakespeare, William, / 1564-1616. / Hamlet; Fiction; Fiction; Hamlet (Legendary character); Modernism (Literature); Heroes in literature; Trauer; Geschichte; Rezeption
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): Hamlet
    Scope: 1 Online-Ressource (xii, 178 pages)
    Notes:

    Includes bibliographical references and index

    Title Page; Copyright information; Table of Contents; Preface and Acknowledgments; Chapter One: Medieval Hamlet Gains a Family; Chapter Two: Hamlet's Mourning and Revenge Tragedy; Chapter Three: History, as between Goethe's Hamlet and Scott's; Chapter Four: Hamlet's Expectations, Pip's Great Guilt; Chapter Five: Hamlet Decides to Be a Modernist; Index

    Focusing on Shakespeare's Hamlet as foremost a study of grief, Alexander Welsh offers a powerful analysis of its protagonist as the archetype of the modern hero. For over two centuries writers and critics have viewed Hamlet's persona as a fascinating blend of self-consciousness, guilt, and wit. Yet in order to understand more deeply the modernity of this Shakespearean hero, Welsh first situates Hamlet within the context of family and mourning as it was presented in other revenge tragedies of Shakespeare's time. Revenge, he maintains, appears as a function of mourning rather than an end in its
  16. Hamlet's Arab Journey
    Shakespeare's Prince and Nasser's Ghost
    Author: Litvin, Margaret
    Published: 2011
    Publisher:  Princeton University Press, Princeton

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1400840104; 9781400840106
    Series: Translation/transnation
    Subjects: Shakespeare, William, 1564-1616 / Appreciation / Arab countries; Shakespeare, William, 1564-1616 / Translations into Arabic / History and criticism; Shakespeare, William, 1564-1616. Hamlet; Literature; DRAMA / Shakespeare; LITERARY CRITICISM / Shakespeare; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Hamlet (Shakespeare, William); Arabic drama; Art appreciation; Civilization / English influences; Hamlet (Legendary character); Heroes in literature; Politics in literature; Literatur; Hamlet (Legendary character); Heroes in literature; Politics in literature; Arabic drama; Arabic drama; Rezeption
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): Hamlet
    Scope: 1 online resource (292 pages)
    Notes:

    Print version record

    Cover; Contents; List of Illustrations; Preface and Acknowledgments; Note on Transliteration and Translation; Introduction; 1 Hamlet in the Daily Discourse of Arab Identity; 2 Nasser's Dramatic Imagination, 1952-64; 3 The Global Kaleidoscope: How Egyptians Got Their Hamlet, 1901-64; 4 Hamletizing the Arab Muslim Hero, 1964-67; 5 Time Out of Joint, 1967-76; 6 Six Plays in Search of a Protagonist, 1976-2002; Epilogue: Hamlets without Hamlet; Notes; Bibliography; Index

    For the past five decades, Arab intellectuals have seen themselves in Shakespeare's Hamlet: their times "out of joint," their political hopes frustrated by a corrupt older generation. Hamlet's Arab Journey traces the uses of Hamlet in Arabic theatre and political rhetoric, and asks how Shakespeare's play developed into a musical with a happy ending in 1901 and grew to become the most obsessively quoted literary work in Arab politics today. Explaining the Arab Hamlet tradition, Margaret Litvin also illuminates the "to be or not to be" politics that have turned Shakespeare's tragedy into the ess
  17. Hamlet's absent father
    Author: Erlich, Avi
    Published: 1977; © 1977
    Publisher:  Princeton University Press, Princeton, New Jersey

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400868858; 1400868858; 9780691609256
    Series: Princeton legacy library
    Subjects: Hamlet (Shakespeare, William); DRAMA / Shakespeare; Domestic drama, English; Drama / Psychological aspects; Fathers and sons in literature; Hamlet (Legendary character); Psychoanalysis and literature; DRAMA / English, Irish, Scottish, Welsh; Psychologie; Array; Vater <Motiv>
    Other subjects: Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616): Hamlet
    Scope: 1 online resource (322 pages)
    Notes:

    Includes index

    Description based on print version record

    Avi Erlich finds that Hamlet deals not with repressed patricidal impulses but with a complex search, partially unconscious, for a strong father. Much more than he wants to have killed his father, Hamlet wants his father back and seeks a strong man with whom to identify. The playwright presents one ambivalent father figure after another, each an imitation or parody of the seemingly titanic king. Polonius, Osrick, Yorick, Old Fortinbras, Priam, Achilles, Horatio-these are a few versions ofthe father who bequeathed to his son his own ambivalence. Originally published in 1978. The Princeton Leg
  18. Ours as we play it
    Australia plays Shakespeare
    Author: Flaherty, Kate
    Published: 2011
    Publisher:  UWA Publishing, Crawley, W.A.

    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    Edition: 1.publ.
    Subjects: As you like it (Shakespeare, William); Hamlet (Shakespeare, William); Midsummer night's dream (Shakespeare, William); Art appreciation; Drama; Rezeption
    Other subjects: Shakespeare, William / 1564-1616 / Appreciation / Australia; Shakespeare, William / 1564-1616 / Midsummer night's dream; Shakespeare, William / 1564-1616 / As you like it; Shakespeare, William / 1564-1616 / Hamlet; Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616
    Scope: 287 pages, illustrations, 24 cm
    Notes:

    Includes bibliographical references (pages 261-268) and index

    pt. I. Hamlet. 1. Madness and masculinity in Australian Hamlets -- 2. Play, the First Player, and the idea of theatrical force -- pt. II. As you like it. 3. Re-imagining Arden in Australian space -- 4. 'Necessary tallness' : Australian Rosalinds measure up -- pt. III. 5. 'I Pyramus am not Pyramus' : 'true performing' and the magic within the magic of A midsummer night's dream -- 6. Power and play : staging authority and subversion in A midsummer night's dream
  19. Philosophy in Hamlet
    Author: Marić, Jasminka D.
    Published: 2018
    Publisher:  Author's edition, Belgrade

    In this book Jasminka Marić analyses stratified and for interpretations inexhaustible text of the most famous Shakespeare's play, performing precise and meticulous analysis of the ontological aspects of the thematically and semantically heterogeneous... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    3 A 282366
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Freiburg
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    GE 2020/5644
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    2022/5222
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    Universitätsbibliothek Heidelberg
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    2020 A 6294
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    De 1050
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    UB Weimar
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    In this book Jasminka Marić analyses stratified and for interpretations inexhaustible text of the most famous Shakespeare's play, performing precise and meticulous analysis of the ontological aspects of the thematically and semantically heterogeneous work of art, which has proved for centuries to be not only an attractive starting point for exploring the critical-methodological postulates of various theories, but also as valuable domain for clarification of the postulates of artistic creation. With the help of a valid critical-theoretical matrix that is applied consistently and effectively, the author has successfully positioned philosophical and critical corpus that in the recent history of critical thought is still insufficiently read and studied. This study is not only an original contribution to the study of philosophy in "Hamlet," but it is also a successful attempt of filling in the blanks in the reception of this tragedy.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Agnew, Steve (ÜbersetzerIn)
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 8690080201; 9788690080205
    RVK Categories: HG 130 ; HI 3325 ; HI 3423
    Subjects: Philosophy in literature; Shakespeare, William; Hamlet (Shakespeare, William); Philosophy; Criticism, interpretation, etc
    Other subjects: Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616)
    Scope: 270 Seiten, 24 cm
    Notes:

    Revised and updated version of the master's thesis "Analysis of ontological aspects of Shakespeare's tragedy Hamlet", which was successfully defended at the Faculty of Dramatic Arts of Belgrade University on January 25, 2012--Foreword

    Includes bibliographical references (page 250-258) and indexes

    Masterarbeit, Belgrade University, 2012