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Displaying results 1 to 25 of 28.

  1. Victorian glassworlds
    glass culture and the imagination 1830-1880
    Published: c2008
    Publisher:  Oxford University Press, Oxford

    Isobel Armstrong's startlingly original book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts,... more

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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Deutsches Zentrum für Luft- und Raumfahrt, DLR-Bibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    ProQuest
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    Isobel Armstrong's startlingly original book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. - ;Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0199205205; 9780199205202
    RVK Categories: HL 1091
    Subjects: Material culture; Glass manufacture; Glass; Glass -- Great Britain -- History -- 19th century; Glass manufacture -- Great Britain -- History -- 19th century; Material culture -- Great Britain -- History -- 19th century; Great Britain -- Intellectual life -- 19th century; Electronic books ; local; Glass ; Great Britain ; History ; 19th century; Glass manufacture ; Great Britain ; History ; 19th century; Great Britain ; Intellectual life ; 19th century; Material culture ; Great Britain ; History ; 19th century; Electronic books
    Scope: Online-Ressource (xix, 449 p), ill., maps
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Contents; List of Illustrations; Introduction. The Poetics of Transparency; PART I: FACETS OF GLASS CULTURE: MAKING AND BREAKING GLASS; PART II: PERSPECTIVES OF THE GLASS PANEL: WINDOWS, MIRRORS, WALLS; PART III: LENS-MADE IMAGES: OPTICAL TOYS AND PHILOSOPHICAL INSTRUMENTS; Notes; Bibliography; Index

  2. Lake Methodism
    Polite Literature and Popular Religion in England, 1780–1830
    Published: 2013
    Publisher:  Ohio State University Press, Columbus

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
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  3. A Concise Companion to the Romantic Age.
    Published: 2009; ©2009.
    Publisher:  John Wiley & Sons, Incorporated, Hoboken

    A Concise Companion to the Romantic Age provides new perspectives on the relationships between literature and culture in Britain from 1780 to 1830 Provides original essays from a variety of multi-disciplinary scholars on the Romantic era Includes... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    A Concise Companion to the Romantic Age provides new perspectives on the relationships between literature and culture in Britain from 1780 to 1830 Provides original essays from a variety of multi-disciplinary scholars on the Romantic era Includes fresh insights into such topics as religious controversy and politics, empire and nationalism, and the relationship of Romanticism to modernist aesthetics Ranges across the Romantic era's literary, visual, and non-fictional genres. Intro -- List of Illustrations -- Notes on Contributors -- Introduction Jon Klancher -- 1 Transfiguring God: Religion, Revolution, Romanticism Robert M. Maniquis -- 2 Romanticism and Empire Saree Makdisi -- 3 "Associations Respect[ing] the Past": Enlightenment and Romantic Historicism Anthony Jarrells -- 4 Nationalisms in Romantic Britain and Ireland: Culture, Politics, and the Global Miranda Burgess -- 5 "With an Industry Incredible": Politics, Writing, and the Public Sphere Paul Keen -- 6 Romantic Justice: Law, Literature, and Individuality Mark Schoenfield -- 7 Natural History in the Romantic Period Noah Heringman -- 8 Romantic Sciences: British and Continental Thresholds Frederick Burwick -- 9 Consumer Culture: Getting and Spending in the Romantic Age Nicholas Mason -- 10 The Romantic-Era Book Trade Lee Erickson -- 11 Visual Pleasures, Visionary States: Art, Entertainment, and the Nation Gillen D'Arcy Wood -- 12 What's at Stake? Kantian Aesthetics, Romantic and Modern Poetics, Sociopolitical Commitment Robert Kaufman -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781444308570
    Edition: 1st ed.
    Series: Concise Companions to Literature and Culture Ser ; v.32
    Blackwell concise companions to literature and culture
    Subjects: English literature ; 18th century ; History and criticism; English literature ; 19th century ; History and criticism; Great Britain ; Intellectual life ; 18th century; Great Britain ; Intellectual life ; 19th century; Literature and society ; Great Britain ; History ; 18th century; Literature and society ; Great Britain ; History ; 19th century; Romanticism ; Great Britain; Electronic books
    Scope: 1 online resource (312 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  4. The Cambridge companion to Victorian culture
    Contributor: O'Gorman, Francis (Hrsg.)
    Published: 2010
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    "The Victorian era produced artistic achievements, technological inventions and social developments that continue to shape how we live today. This Companion offers authoritative coverage of that period's culture and its contexts in a group of... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "The Victorian era produced artistic achievements, technological inventions and social developments that continue to shape how we live today. This Companion offers authoritative coverage of that period's culture and its contexts in a group of specially commissioned essays reflecting the current state of research in each particular field. Covering topics from music to politics, art to technology, war to domestic arts, journalism to science, the essays address multiple aspects of the Victorian world. The book explores what 'Victorian' has come to mean and how an idea of the 'Victorian' might now be useful to historians of culture. It explores too the many different meanings of 'culture' itself in the nineteenth century and in contemporary scholarship. An invaluable resource for students of literature, history, and interdisciplinary studies, this Companion analyses the nature of nineteenth-century British cultural life and offers searching perspectives on their culture as seen from ours"--Provided by publisher

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: O'Gorman, Francis (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780521715065; 0521715067; 0521886996; 9780521886994
    Other identifier:
    9780521715065
    RVK Categories: HL 1090
    Edition: 1. publ.
    Series: Cambridge companions to culture
    Cambridge Collections Online
    The Cambridge Companions to Philosophy, Religion and Culture
    Subjects: Great Britain ; History ; Victoria, 1837-19 ; 1; Great Britain ; Intellectual life ; 19th century
    Other subjects: Array; Array; Array
    Scope: XV, 309 S., Ill.
    Notes:

    Title from publisher's bibliographic system (viewed on 09 Nov 2015)

    Machine generated contents note: 1. Introduction Francis O'Gorman; 2. Science and culture Bernard V. Lightman; 3. Technology Nicholas Daly; 4. Economics and business Timothy Alborn; 5. War Edward S. Spiers; 6. Music Ruth A. Solie; 7. Theatre Katherine Newey; 8. Popular culture Dennis Denisoff; 9. Satirical print culture John Strachan; 10. Journalism Matthew Rubery; 11. Art Elizabeth Prettejohn; 12. Domestic arts Nicola Humble; 13. Victorian literary theory Anna Maria Jones; 14. The dead Francis O'Gorman; 15. Remembering the Victorians Samantha Matthews; Guide to further reading; Index.

  5. British satire and the politics of style, 1789-1832
    Author: Dyer, Gary
    Published: 1997
    Publisher:  Cambridge University Press, Cambridge

    This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary... more

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    This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ('Peter Pindar') and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramification for women writers of satire's 'masculine' connotations. The book includes a bibliography of more than 700 volumes containing satirical verses 1. The scope of satire, 1789-1832 -- 2. The modes of satire and the politics of style -- 3. The meaning of Radical verse satire -- 4. Peacock, Disraeli, and the satirical prose narrative -- 5. Satire displaced, satire domesticated -- A select bibliography of British satirical verse, 1789-1832

     

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  6. Rereading Walter Pater
    Published: 1997
    Publisher:  Cambridge University Press, Cambridge

    Walter Pater is increasingly gaining recognition as a pivotal figure in nineteenth-century culture. His later work is often regarded as an effort to distance himself from his earlier, more controversial texts. In this 1997 book, William F. Shuter... more

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    Walter Pater is increasingly gaining recognition as a pivotal figure in nineteenth-century culture. His later work is often regarded as an effort to distance himself from his earlier, more controversial texts. In this 1997 book, William F. Shuter argues that Pater's writings demand a twofold reading. Shuter first offers an account of the texts in the order in which they were written, paying close attention to the changes in Pater's thought and interests over time; he then returns to the earlier texts, showing how the later work serves, paradoxically, as an introduction to the earlier. Drawing extensively on unpublished manuscript material, Shuter reveals that Pater himself authorised rereadings of his work in an effort to rewrite his own literary past and the past of his culture. This perspective on Pater's work uncovers patterns of continuity and anticipation that decisively alter our understanding of Pater and his writings

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511583025
    Other identifier:
    Series: Cambridge studies in nineteenth-century literature and culture ; 9
    Subjects: English essays; Prose literature; Manuscripts, English; Pater, Walter ; 1839-1894 ; Knowledge and learning; Pater, Walter ; 1839-1894 ; Criticism, Textual; Pater, Walter ; 1839-1894 ; Manuscripts; English essays ; Criticism, Textual; Prose literature ; Technique; Manuscripts, English; Great Britain ; Intellectual life ; 19th century
    Other subjects: Pater, Walter (1839-1894); Pater, Walter (1839-1894); Pater, Walter (1839-1894)
    Scope: 1 Online-Ressource (xvi, 157 pages), digital, PDF file(s)
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  7. Muscular Christianity
    embodying the Victorian Age
    Contributor: Hall, Donald E (HerausgeberIn)
    Published: 1994
    Publisher:  Cambridge University Press, Cambridge

    Muscular Christianity was an important religious, literary and social movement of the mid-nineteenth century. This volume draws on recent developments in culture and gender theory to reveal ideological links between muscular Christianity and the work... more

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    Muscular Christianity was an important religious, literary and social movement of the mid-nineteenth century. This volume draws on recent developments in culture and gender theory to reveal ideological links between muscular Christianity and the work of novelists and essayists, including Kingsley, Emerson, Dickens, Hughes, MacDonald and Pater, and to explore the use of images of hyper-masculinized male bodies to represent social as well as physical ideals. Muscular Christianity argues that the ideologies of the movement were extreme versions of common cultural conceptions, and that anxieties evident in Muscular Christian texts, often manifested through images of the body as a site of socio-political conflict, were pervasive throughout society. Throughout, muscular Christianity is shown to be at the heart of issues of gender, class and national identity in the Victorian age. Muscular Christianity: reading and writing the male social body / Donald E. Hall -- The volcano and the cathedral: muscular Christianity and the origins of primal manliness / David Rosen -- On the making and unmaking of monsters: Christian Socialism, muscular Christianity, and the metaphorization of class conflict / Donal E. Hall -- Christian manliness and national identity: the problematic construction of a racially "pure" nation / C.J.W.-L Wee -- Charles Kingsley's scientific treatment of gender / Laura Fasick -- Young England: muscular Christianity and the politics of the body in Tom Brown's schooldays / Dennis W. Allen -- Muscular spirituality in George MacDonald's Curdie books / John Pennington -- "Degenerate effeminacy" and the making of a masculine spirituality in the sermons of Ralph Waldo Emerson / Susan L. Roberson -- The confidence man: empire and the deconstruction of muscular Christianity in The Mystery of Edwin Drood / Daniel Faulkner -- The re-subjection of "Lucas Malet": Charles Kingsley's daughter and the response to muscular Christianity / Patricia Srebrnik -- Pater's muscular aestheticism / James Eli Adams

     

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  8. The Lake poets and professional identity
    Published: 2007
    Publisher:  Cambridge University Press, Cambridge

    The idea that the inspired poet stands apart from the marketplace is considered central to British Romanticism. However, Romantic authors were deeply concerned with how their occupation might be considered a kind of labour comparable to that of the... more

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    The idea that the inspired poet stands apart from the marketplace is considered central to British Romanticism. However, Romantic authors were deeply concerned with how their occupation might be considered a kind of labour comparable to that of the traditional professions. In the process of defining their work as authors, Wordsworth, Southey and Coleridge - the 'Lake school' - aligned themselves with emerging constructions of the 'professional gentleman' that challenged the vocational practices of late eighteenth-century British culture. They modelled their idea of authorship on the learned professions of medicine, church, and law, which allowed them to imagine a productive relationship to the marketplace and to adopt the ways eighteenth-century poets had related their poetry to other kinds of intellectual work. In this work, Goldberg explores the ideas of professional risk, evaluation and competition that the writers developed as a response to a variety of eighteenth-century depictions of the literary career Introduction. Professionalism and the Lake school of poetry -- pt. I. Romanticism, risk, and professionalism -- 1. Cursing Doctor Young, and after -- pt. II. Genealogies of the romantic wanderer -- 2. Merit and reward in 1729 -- 3. James Beattie and 'The minstrel' -- pt. III. Romantic itinerants -- 4. Authority and the itinerant cleric -- 5. William Cowper and the itinerant Lake poet -- pt. IV. The Lake school, professionalism, and the public -- 6. Robert Southey and the claims of literature -- 7. "Ministry more palpable" : William Wordsworth's romantic professionalism

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484247
    Other identifier:
    RVK Categories: HL 1131 ; HL 2465 ; HL 4425 ; HL 4905
    Series: Cambridge studies in Romanticism ; 71
    Subjects: English poetry; Lake poets; Lake poets; English poetry ; 19th century ; History and criticism; Great Britain ; Intellectual life ; 19th century
    Scope: 1 Online-Ressource (viii, 297 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  9. Realism, ethics and secularism
    essays on Victorian literature and science
    Published: 2008
    Publisher:  Cambridge University Press, Cambridge

    George Levine is one of the world's leading scholars of Victorian literature and culture. This collection of his essays develops the key themes of his work: the intersection of nineteenth-century British literature, culture and science and the... more

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    George Levine is one of the world's leading scholars of Victorian literature and culture. This collection of his essays develops the key themes of his work: the intersection of nineteenth-century British literature, culture and science and the relation of knowledge and truth to ethics. The essays offer perspectives on George Eliot, Thackeray, the Positivists, and the Scientific Naturalists, and reassess the complex relationship between Ruskin and Darwin. In readings of Lawrence and Coetzee, Levine addresses Victorian and modern efforts to push beyond the limits of realist art by testing its aesthetic and epistemological limits in engagement with the self and the other. Some of Levine's most important contributions to the field are reprinted, in revised and updated form, alongside previously unpublished material. Together, these essays cohere into an exploration both of Victorian literature and culture and of ethical, epistemological, and aesthetic problems fundamental to our own times Part I : the subject broached : otherness, epistemology, and ethics -- George Eliot's hypothesis of reality -- Part II : ethics without God, or, can "is" can become "ought"? -- Is life worth living? -- Ruskin and Darwin and the matter of matter -- Scientific discourse as an alternative to faith -- In defense of Positivism -- Why science isn't literature : the importance of differences -- Part III : literature, secularity, and the quest for otherness -- Realism -- Dickens, secularism, and agency -- The heartbeat of the squirrel -- Real toads in imaginary gardens, or vice versa

     

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  10. Print and performance in the 1820s
    improvisation, speculation, identity
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism... more

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    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism self-consciously experimented with new media. It presents an age preoccupied with improvisation and speculation - a mode of behaviour that dominated financial and literary markets, generating reflections on risk, agency, and the importance of public opinion. Print and Performance in the 1820s interprets a rich constellation of fictional texts and theatrical productions that gained popularity among middle-class metropolitan audiences through experiments with intersecting fantasy worlds and acutely described real worlds. Providing new contexts for figures such as Byron and Scott, and recovering the work of lesser-known contemporaries including Charles Mathews' character impersonations and the performances of celebrity improvvisatore Tommaso Sgricci, Angela Esterhammer explores the era's influential representations of the way identity is constructed, performed, and perceived.

     

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  11. The Cambridge companion to fiction in the Romantic period
    Contributor: Maxwell, Richard (Hrsg.)
    Published: 2008
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less... more

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    While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re-discovered and reread intensively. This Companion offers an overview of British fiction written between roughly the mid-1760s and the early 1830s and is an ideal guide to the major authors, historical and cultural contexts, and later critical reception. The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences. The historiography of fiction in the Romantic period / Richard Maxwell -- Publishing, authorship, and reading / William St Clair -- Gothic fiction / Deidre Shauna Lynch -- The historical novel / Richard Maxwell -- Thinking locally: novelistic worlds in provincial fiction / Martha Bohrer -- Poetry and the novel / Marshall Brown -- Orientalism and empire / James Watt -- Intellectual history and political theory / Paul Keen -- Women writers and the woman's novel: the trope of maternal transmission / Jill Campbell -- Tales for child readers / Katie Trumpener -- Sentimental fiction / Ann Wierda Rowland -- Fiction and the working classes / Gary Kelly -- The Irish novel 1800-1829 / Ina Ferris -- Scotland and the novel / Ian Duncan The historiography of fiction in the Romantic period / Richard Maxwell -- Publishing, authorship, and Reading / William St Clair -- Gothic fiction / Deidre Shauna Lynch -- The historical novel / Richard Maxwell -- Thinking locally: novelistic worlds in provincial fiction / Martha Bohrer -- Poetry and the novel / Marshall Brown -- Orientalism and empire / James Watt -- Intellectual history and political theory / Paul Keen -- Women writers and the woman's novel: The trope of maternal -- Transmission / Jill Campbell -- Tales for child readers / Katie Trumpener -- Sentimental fiction / Ann Wierda Rowland -- Fiction and the working classes / Gary Kelly -- The Irish novel 1800-1829 / Ina Ferris -- Scotland and the novel / Ian Duncan

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Maxwell, Richard (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521681081; 0521862523; 9780521681087; 9780521862523
    Other identifier:
    RVK Categories: HL 1131 ; HL 1301
    Edition: 1. publ.
    Series: The Cambridge companions to literature and classics
    Cambridge companions to literature
    The Cambridge companions complete collection
    Cambridge collections online
    Subjects: English fiction; English fiction; Romanticism; Books and reading; Books and reading; Gothic revival (Literature); English literature; English literature; English fiction ; 18th century ; History and criticism; English fiction ; 19th century ; History and criticism; Books and reading ; Great Britain ; History ; 18th century; Books and reading ; Great Britain ; History ; 19th century; English literature ; Scottish authors ; History and criticism; English literature ; Irish authors ; History and criticism; Gothic revival (Literature) ; Great Britain; Romanticism ; Great Britain; Great Britain ; Intellectual life ; 18th century; English fiction; English fiction; Romanticism; Books and reading; Books and reading; Gothic revival (Literature); English literature; English literature; Great Britain ; Intellectual life ; 19th century
    Scope: XVIII, 286 S., Ill.
    Notes:

    Title from publisher's bibliographic system (viewed on 09 Nov 2015)

    Richard Maxwell: The historiography of fiction in the Romantic period

    Richard Maxwell: The historiography of fiction in the Romantic period

    William St Clair: Publishing, authorship, and Reading

    Deidre Shauna Lynch: Gothic fiction

    Richard Maxwell: The historical novel

    Martha Bohrer: Thinking locally: novelistic worlds in provincial fiction

    Marshall Brown: Poetry and the novel

    James Watt: Orientalism and empire

    Paul Keen: Intellectual history and political theory

    Jill Campbell: Women writers and the woman's novel: The trope of maternal ; Transmission

    Katie Trumpener: Tales for child readers

    Ann Wierda Rowland: Sentimental fiction

    Gary Kelly: Fiction and the working classes

    Ina Ferris: The Irish novel 1800-1829

    Ian Duncan.: Scotland and the novel

    William St Clair: Publishing, authorship, and reading

    Deidre Shauna Lynch: Gothic fiction

    Richard Maxwell: The historical novel

    Martha Bohrer: Thinking locally: novelistic worlds in provincial fiction

    Marshall Brown: Poetry and the novel

    James Watt: Orientalism and empire

    Paul Keen: Intellectual history and political theory

    Jill Campbell: Women writers and the woman's novel: the trope of maternal transmission

    Katie Trumpener: Tales for child readers

    Ann Wierda Rowland: Sentimental fiction

    Gary Kelly: Fiction and the working classes

    Ina Ferris: The Irish novel 1800-1829

    Ian Duncan.: Scotland and the novel

  12. Moving images
    nineteenth-century reading and screen practices
    Author: Groth, Helen
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the... more

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    This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind. Reading between these parallel histories of mind and media reveals a dynamic conceptual, aesthetic and technological engagement with the moving image that, in turn, produces a new understanding of the production and circulation of the work of key nineteenth-century writers, such as Lord Byron, Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace Thackeray. As Helen Groth shows, this engagement is both typical of the nineteenth-century in its preoccupation with questions of automatism and volition (unconscious and conscious thought), spirit and materiality, art and machine, but also definitively modern in its secular articulation of the instructive and entertaining applications of making images move both inside and outside the mind Moving books in regency London -- Byronic networks: circulating images in minds and media -- Natural magic and the technologies of reading: David Brewster and Sir Walter Scott -- Reading habits and magic lanterns: Dickens and Dr Pepper's ghost -- Dissolving views: dreams of reading Alice -- Flickering effects: George Robert Sims and the psychology of moving images -- Literary projections and residual media: Cecil Hepworth and Robert Paul

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748669493
    RVK Categories: HL 1031 ; HL 1091
    Subjects: Projectors in literature; Books and reading; English literature; English literature ; 19th century ; History and criticism; Projectors in literature; Books and reading ; Great Britain ; History ; 19th century; Great Britain ; Intellectual life ; 19th century
    Scope: 1 Online-Ressource (xi, 212 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  13. The world of Mr Casaubon
    Britain's wars of mythography, 1700-1870
    Author: Kidd, Colin
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

    The World of Mr Casaubon takes as its point of departure a fictional character - Mr Casaubon in George Eliot's classic novel, Middlemarch. The author of an unfinished 'Key to All Mythologies', Casaubon has become an icon of obscurantism, irrelevance... more

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    The World of Mr Casaubon takes as its point of departure a fictional character - Mr Casaubon in George Eliot's classic novel, Middlemarch. The author of an unfinished 'Key to All Mythologies', Casaubon has become an icon of obscurantism, irrelevance and futility. Crossing conventional disciplinary boundaries, Colin Kidd excavates Casaubon's hinterland, and illuminates the fierce ideological war which raged over the use of pagan myths to defend Christianity from the existential threat posed by radical Enlightenment criticism. Notwithstanding Eliot's portrayal of Casaubon, Anglican mythographers were far from unworldly, and actively rebutted the radical freethinking associated with the Enlightenment and French Revolution. Orientalism was a major theatre in this ideological conflict, and mythography also played an indirect but influential role in framing the new science of anthropology. The World of Mr Casaubon is rich in interdisciplinary twists and ironies, and paints a vivid picture of the intellectual world of eighteenth- and nineteenth-century Britain.

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139226646
    Other identifier:
    RVK Categories: HL 2745
    Series: Ideas in context ; 115
    Subjects: Mythology; Mythologists; Orientalism; Church of England ; History ; 18th century; Church of England ; History ; 19th century; Mythology ; History; Mythologists ; Great Britain; Orientalism ; Great Britain; Great Britain ; Intellectual life ; 18th century; Great Britain ; Intellectual life ; 19th century
    Other subjects: Eliot, George 1819-1880
    Scope: 1 Online-Ressource (vi, 232 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 28 Nov 2016)

  14. China from the ruins of Athens and Rome
    classics, sinology, and romanticism, 1793-1938
    Published: 2020
    Publisher:  Oxford University Press, Oxford

    Fascinated and often baffled by China, Anglophone writers have turned to classics to provide interpretative paradigms and narrative shape to inform their understanding. This volume reveals key insights into British cosmopolitanism, which sought its... more

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    Fascinated and often baffled by China, Anglophone writers have turned to classics to provide interpretative paradigms and narrative shape to inform their understanding. This volume reveals key insights into British cosmopolitanism, which sought its bearings in the ancient past in encounters with Qing Dynasty China

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191821240
    Edition: First edition
    Series: Classical presences
    Subjects: Civilization, Classical ; Influence; China ; Foreign public opinion, British ; History ; 19th century; Great Britain ; Foreign relations ; China; China ; Foreign relations ; Great Britain; Great Britain ; Intellectual life ; 19th century
    Scope: 1 Online-Ressource (x, 265 Seiten), Illustrationen
  15. The fin-de-siècle poem
    English literary culture and the 1890s
    Published: c2005
    Publisher:  Ohio University Press, Athens

    Intro -- Contents -- Illustrations -- Preface -- Acknowledgments -- Fin-de-Siecle Poets: A Chronology -- Fin-de-Siecle Poetry: A Chronology -- Introduction -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- 8 -- 9 -- 10 -- 11 -- Select Bibliography -- Notes on... more

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    Intro -- Contents -- Illustrations -- Preface -- Acknowledgments -- Fin-de-Siecle Poets: A Chronology -- Fin-de-Siecle Poetry: A Chronology -- Introduction -- 1 -- 2 -- 3 -- 4 -- 5 -- 6 -- 7 -- 8 -- 9 -- 10 -- 11 -- Select Bibliography -- Notes on Contributors -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0821416278; 0821416286; 0821441531
    Subjects: English poetry; Modernism (Literature); English poetry ; 19th century ; History and criticism; Great Britain ; Intellectual life ; 19th century; Modernism (Literature) ; Great Britain; Electronic books
    Scope: Online-Ressource (xxxi, 352 p), ill., ports
    Notes:

    Includes bibliographical references (p. 337-339 ) and index

    Electronic reproduction; Available via World Wide Web

    ""Contents""; ""Illustrations""; ""Preface""; ""Acknowledgments""; ""Fin-de-Siecle Poets: A Chronology""; ""Fin-de-Siecle Poetry: A Chronology""; ""Introduction""; ""1""; ""2""; ""3""; ""4""; ""5""; ""6""; ""7""; ""8""; ""9""; ""10""; ""11""; ""Select Bibliography""; ""Notes on Contributors""; ""Index""

  16. The Cambridge companion to Victorian culture
    Contributor: O'Gorman, Francis (Hrsg.)
    Published: 2010
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    "The Victorian era produced artistic achievements, technological inventions and social developments that continue to shape how we live today. This Companion offers authoritative coverage of that period's culture and its contexts in a group of... more

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    "The Victorian era produced artistic achievements, technological inventions and social developments that continue to shape how we live today. This Companion offers authoritative coverage of that period's culture and its contexts in a group of specially commissioned essays reflecting the current state of research in each particular field. Covering topics from music to politics, art to technology, war to domestic arts, journalism to science, the essays address multiple aspects of the Victorian world. The book explores what 'Victorian' has come to mean and how an idea of the 'Victorian' might now be useful to historians of culture. It explores too the many different meanings of 'culture' itself in the nineteenth century and in contemporary scholarship. An invaluable resource for students of literature, history, and interdisciplinary studies, this Companion analyses the nature of nineteenth-century British cultural life and offers searching perspectives on their culture as seen from ours"--Provided by publisher

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: O'Gorman, Francis (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780521715065; 9781139002813
    Other identifier:
    9780521715065
    RVK Categories: HL 1090
    Series: Cambridge companions to culture
    Cambridge Collections Online
    The Cambridge Companions to Philosophy, Religion and Culture
    Subjects: Great Britain ; History ; Victoria, 1837-19 ; 1; Great Britain ; Intellectual life ; 19th century
    Other subjects: Array; Array; Array
    Scope: Online-Ressource
    Notes:

    Title from publisher's bibliographic system (viewed on 09 Nov 2015)

    Machine generated contents note: 1. Introduction Francis O'Gorman; 2. Science and culture Bernard V. Lightman; 3. Technology Nicholas Daly; 4. Economics and business Timothy Alborn; 5. War Edward S. Spiers; 6. Music Ruth A. Solie; 7. Theatre Katherine Newey; 8. Popular culture Dennis Denisoff; 9. Satirical print culture John Strachan; 10. Journalism Matthew Rubery; 11. Art Elizabeth Prettejohn; 12. Domestic arts Nicola Humble; 13. Victorian literary theory Anna Maria Jones; 14. The dead Francis O'Gorman; 15. Remembering the Victorians Samantha Matthews; Guide to further reading; Index.

  17. British Literary Salons of the Late Eighteenth and Early Nineteenth Centuries
    Published: 2013
    Publisher:  Palgrave Macmillan, New York

    British salons, with guests such as Byron, Moore, and Thackeray, were veritable hothouses of political and cultural agitation. Using a number of sources - diaries, letters, silver-fork novels, satires, travel writing, Keepsakes, and imaginary... more

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    British salons, with guests such as Byron, Moore, and Thackeray, were veritable hothouses of political and cultural agitation. Using a number of sources - diaries, letters, silver-fork novels, satires, travel writing, Keepsakes, and imaginary conversations - Schmid paints a vivid picture of the British salon between the 1780s and the 1840s. British Literary Salons of the Late Eighteenth and Early Nineteenth Centuries is a comprehensive study of the British salon between the 1780s and the 1840s. Using a number of sources - diaries, letters, silver-fork novels, satires, travel writing, Keepsakes, and imaginary conversations - this study establishes sociable networks of days gone by

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137063748
    Series: Nineteenth Century Major Lives and Letters
    Subjects: Salons ; Great Britain ; History ; 18th century; Salons ; Great Britain ; History ; 19th century; English literature ; 18th century ; History and criticism; English literature ; 19th century ; History and criticism; Great Britain ; Intellectual life ; 18th century; Great Britain ; Intellectual life ; 19th century; Electronic books
    Scope: Online-Ressource (269 p)
    Notes:

    Description based upon print version of record

    Cover; Title; Copyright; Contents; Acknowledgments; Abbreviations; 1 Traditions and Theories; Salons as Non-Places; Traditions I: The French Salons; Traditions II: The Bluestockings; Private, Public, and Sociable Spheres; The Theatricality of the Salon; Sources and Source Problems; Stages of Exploration; 2 Mary Berry and Her British Spaces; Mary Berry: The Life of a Conservative Feminist; The Misses Otranto, Strawberry Hill, and Horace Walpole's Family Romances; Anne Damer; From the Closet to Drury Lane: Fashionable Friends (1801) on Stage; 3 Mary Berry as a Learned Woman: Out of the Closet

    From a Parmesan Otranto to Malthus: Mary Berry's ReadingIn and Out of the Drawing-Rooms in North Audley Street and Curzon Street; The Freedom of the Road in France and Italy; Mary Berry as Editor and Historian; 4 Holland House and Lady Holland; Holland House and Whig Culture; Lady and Lord Holland; Reflections on Traveling: Italy and Spain; Politics: Enthusiasm for Napoleon; Spontaneous Versification; 5 The Holland House Set; The Circle and Its Oracle: The Edinburgh Review; Three Habitués: Samuel Rogers, Sydney Smith, and Thomas Moore; Byron and Holland House

    Amorous Entanglements and Caroline Lamb's Glenarvon6 The Countess of Blessington as Hostess; From Irish Country Girl to London's Outcast Queen: Lady Blessington's Life; The Conversations of Lord Byron; "Her Genius Lay in Her Tongue": The Salons at Seamore Place and Gore House; Nathaniel Parker Willis: An American Connection; 7 The Countess of Blessington as Writer and Editor; Sociable Idlers in Italy; Irishness: Female Idylls and an Irishwoman on the Loose; London Society in Blessington's Silver-Fork Novels; The Book of Beauty and Other Keepsakes; 8 Epilogue; Notes; Works Cited; Index

  18. The woman and the hour
    Harriet Martineau and Victorian ideologies
    Published: 2002
    Publisher:  University of Toronto Press, Toronto, Ont

    Roberts situates Martineau's controversial writing in its historical context and presents a sophisticated scholarly analysis of their predominantly hostile reception more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Roberts situates Martineau's controversial writing in its historical context and presents a sophisticated scholarly analysis of their predominantly hostile reception

     

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  19. The Cambridge companion to fiction in the Romantic period
    Contributor: Maxwell, Richard (Hrsg.)
    Published: 2008
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less... more

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    While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re-discovered and reread intensively. This Companion offers an overview of British fiction written between roughly the mid-1760s and the early 1830s and is an ideal guide to the major authors, historical and cultural contexts, and later critical reception. The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences. The historiography of fiction in the Romantic period / Richard Maxwell -- Publishing, authorship, and reading / William St Clair -- Gothic fiction / Deidre Shauna Lynch -- The historical novel / Richard Maxwell -- Thinking locally: novelistic worlds in provincial fiction / Martha Bohrer -- Poetry and the novel / Marshall Brown -- Orientalism and empire / James Watt -- Intellectual history and political theory / Paul Keen -- Women writers and the woman's novel: the trope of maternal transmission / Jill Campbell -- Tales for child readers / Katie Trumpener -- Sentimental fiction / Ann Wierda Rowland -- Fiction and the working classes / Gary Kelly -- The Irish novel 1800-1829 / Ina Ferris -- Scotland and the novel / Ian Duncan The historiography of fiction in the Romantic period / Richard Maxwell -- Publishing, authorship, and Reading / William St Clair -- Gothic fiction / Deidre Shauna Lynch -- The historical novel / Richard Maxwell -- Thinking locally: novelistic worlds in provincial fiction / Martha Bohrer -- Poetry and the novel / Marshall Brown -- Orientalism and empire / James Watt -- Intellectual history and political theory / Paul Keen -- Women writers and the woman's novel: The trope of maternal -- Transmission / Jill Campbell -- Tales for child readers / Katie Trumpener -- Sentimental fiction / Ann Wierda Rowland -- Fiction and the working classes / Gary Kelly -- The Irish novel 1800-1829 / Ina Ferris -- Scotland and the novel / Ian Duncan

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Maxwell, Richard (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521681081; 0521862523; 9780521681087; 9780521862523
    Other identifier:
    RVK Categories: HL 1131 ; HL 1301
    Edition: 1. publ.
    Series: The Cambridge companions to literature and classics
    Cambridge companions to literature
    The Cambridge companions complete collection
    Cambridge collections online
    Subjects: English fiction; English fiction; Romanticism; Books and reading; Books and reading; Gothic revival (Literature); English literature; English literature; English fiction ; 18th century ; History and criticism; English fiction ; 19th century ; History and criticism; Books and reading ; Great Britain ; History ; 18th century; Books and reading ; Great Britain ; History ; 19th century; English literature ; Scottish authors ; History and criticism; English literature ; Irish authors ; History and criticism; Gothic revival (Literature) ; Great Britain; Romanticism ; Great Britain; Great Britain ; Intellectual life ; 18th century; English fiction; English fiction; Romanticism; Books and reading; Books and reading; Gothic revival (Literature); English literature; English literature; Great Britain ; Intellectual life ; 19th century
    Scope: XVIII, 286 S., Ill.
    Notes:

    Title from publisher's bibliographic system (viewed on 09 Nov 2015)

    Richard Maxwell: The historiography of fiction in the Romantic period

    Richard Maxwell: The historiography of fiction in the Romantic period

    William St Clair: Publishing, authorship, and Reading

    Deidre Shauna Lynch: Gothic fiction

    Richard Maxwell: The historical novel

    Martha Bohrer: Thinking locally: novelistic worlds in provincial fiction

    Marshall Brown: Poetry and the novel

    James Watt: Orientalism and empire

    Paul Keen: Intellectual history and political theory

    Jill Campbell: Women writers and the woman's novel: The trope of maternal ; Transmission

    Katie Trumpener: Tales for child readers

    Ann Wierda Rowland: Sentimental fiction

    Gary Kelly: Fiction and the working classes

    Ina Ferris: The Irish novel 1800-1829

    Ian Duncan.: Scotland and the novel

    William St Clair: Publishing, authorship, and reading

    Deidre Shauna Lynch: Gothic fiction

    Richard Maxwell: The historical novel

    Martha Bohrer: Thinking locally: novelistic worlds in provincial fiction

    Marshall Brown: Poetry and the novel

    James Watt: Orientalism and empire

    Paul Keen: Intellectual history and political theory

    Jill Campbell: Women writers and the woman's novel: the trope of maternal transmission

    Katie Trumpener: Tales for child readers

    Ann Wierda Rowland: Sentimental fiction

    Gary Kelly: Fiction and the working classes

    Ina Ferris: The Irish novel 1800-1829

    Ian Duncan.: Scotland and the novel

  20. Realism, ethics and secularism
    essays on Victorian literature and science
    Published: 2008
    Publisher:  Cambridge University Press, Cambridge

    George Levine is one of the world's leading scholars of Victorian literature and culture. This collection of his essays develops the key themes of his work: the intersection of nineteenth-century British literature, culture and science and the... more

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    George Levine is one of the world's leading scholars of Victorian literature and culture. This collection of his essays develops the key themes of his work: the intersection of nineteenth-century British literature, culture and science and the relation of knowledge and truth to ethics. The essays offer perspectives on George Eliot, Thackeray, the Positivists, and the Scientific Naturalists, and reassess the complex relationship between Ruskin and Darwin. In readings of Lawrence and Coetzee, Levine addresses Victorian and modern efforts to push beyond the limits of realist art by testing its aesthetic and epistemological limits in engagement with the self and the other. Some of Levine's most important contributions to the field are reprinted, in revised and updated form, alongside previously unpublished material. Together, these essays cohere into an exploration both of Victorian literature and culture and of ethical, epistemological, and aesthetic problems fundamental to our own times Part I : the subject broached : otherness, epistemology, and ethics -- George Eliot's hypothesis of reality -- Part II : ethics without God, or, can "is" can become "ought"? -- Is life worth living? -- Ruskin and Darwin and the matter of matter -- Scientific discourse as an alternative to faith -- In defense of Positivism -- Why science isn't literature : the importance of differences -- Part III : literature, secularity, and the quest for otherness -- Realism -- Dickens, secularism, and agency -- The heartbeat of the squirrel -- Real toads in imaginary gardens, or vice versa

     

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  21. Modernist Heresies
    British Literary History, 1883-1924
    Published: 2008
    Publisher:  Ohio State University Press, Columbus

    "In Modernist Heresies, Damon Franke presents the discourse of heresy as central to the intellectual history of the origins of British modernism. The book examines heretical discourses from literature and culture of the fin de siecle and the... more

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    "In Modernist Heresies, Damon Franke presents the discourse of heresy as central to the intellectual history of the origins of British modernism. The book examines heretical discourses from literature and culture of the fin de siecle and the Edwardian period in order to establish continuities between Victorian blasphemy and modernist obscenity by tracing the dialectic of heresy and orthodoxy, and the pragmatic shifting of both heterodox and authoritative discourses." "Franke documents the untold history of the Cambridge Heretics Society and places the concerns of this discussion society in dialogue with contemporaneous literature by such authors as Pater, Hardy, Shaw, Joyce, Woolf, Lawrence, and Orwell. Since several highly influential figures of the modernist literati were members of the Heretics or in dialogue with the group, heresy and its relation to synthesis now become crucial to an understanding of modernist aesthetics and ethics."--Jacket

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780814271919; 081427191X
    Subjects: Paganism in literature; Christian heresies in literature; Christian heretics; Religion and literature; Religion and literature; English literature; English literature; Modernism (Literature); Christian heretics ; Great Britain ; History; Religion and literature ; Great Britain ; History ; 19th century; Religion and literature ; Great Britain ; History ; 20th century; English literature ; 19th century ; History and criticism; English literature ; 20th century ; History and criticism; Modernism (Literature) ; Great Britain; Great Britain ; Intellectual life ; 19th century; Great Britain ; Intellectual life ; 20th century; Literatur ; idszbz; Englische Literatur ; Motiv ; Häresie ; idsbb; Häresie ; Motiv ; Englische Literatur ; idsbb; Englische Literatur ; Modernismus ; idsbb; Moderne ; gnd; Literatur ; gnd; Literarisches Leben ; gnd; Häresie ; gnd; Englisch ; gnd; Cambridge Heretics Society ; gnd; Hedendom ; i litteraturen ; sao; Heresier i litteraturen ; sao; Heresier ; kristendom ; historia ; Storbritannien ; sao; Religion och litteratur ; historia ; Storbritannien ; 1800-talet ; 1900-talet ; sao; Engelsk litteratur ; historia ; 1800-talet ; 1900-talet ; sao; Modernism (litteratur) ; Storbritannien ; sao; Literarisches Leben ; idszbz; Englisch ; swd; Storbritannien ; intellektuellt liv ; 1800-talet ; 1900-talet ; sao; Grossbritannien ; idszbz; Häresie ; idszbz; Englisch ; idszbz; Paganism in literature; Christian heresies in literature; LITERARY CRITICISM ; General; Paganisme dans la litterature; Heresies chretiennes dans la litterature; Heretiques chretiens ; Grande-Bretagne ; Histoire; Religion et litterature ; Grande-Bretagne ; Histoire ; 19e siecle; Religion et litterature ; Grande-Bretagne ; Histoire ; 20e siecle; Litterature anglaise ; 19e siecle ; Histoire et critique; Litterature anglaise ; 20e siecle ; Histoire et critique; Modernisme (Litterature) ; Grande-Bretagne; Grande-Bretagne ; Vie intellectuelle ; 19e siecle; Grande-Bretagne ; Vie intellectuelle ; 20e siecle; Englische Literatur ; Modernismus; Moderne; Literatur; Literarisches Leben; Häresie; Englisch; Religion and literature; Cambridge Heretics Society; Modernism (Literature); Intellectual life; English literature; Christian heretics; Hedendom ; i litteraturen; Heresier i litteraturen; Heresier ; kristendom ; historia ; Storbritannien; Religion och litteratur ; historia ; Storbritannien ; 1800-talet ; 1900-talet; Engelsk litteratur ; historia ; 1800-talet ; 1900-talet; Modernism (litteratur) ; Storbritannien; Literarisches Leben; Häresie; Englisch; Literatur; Englisch; Storbritannien ; intellektuellt liv ; 1800-talet ; 1900-talet; Grossbritannien; Great Britain; Englische Literatur ; Motiv ; Häresie; Häresie ; Motiv ; Englische Literatur; History; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (xx, 258 p.), ill.
    Notes:

    Includes bibliographical references (p. 241-250) and index. - Description based on print version record

  22. Print and performance in the 1820s
    improvisation, speculation, identity
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism... more

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    During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism self-consciously experimented with new media. It presents an age preoccupied with improvisation and speculation - a mode of behaviour that dominated financial and literary markets, generating reflections on risk, agency, and the importance of public opinion. Print and Performance in the 1820s interprets a rich constellation of fictional texts and theatrical productions that gained popularity among middle-class metropolitan audiences through experiments with intersecting fantasy worlds and acutely described real worlds. Providing new contexts for figures such as Byron and Scott, and recovering the work of lesser-known contemporaries including Charles Mathews' character impersonations and the performances of celebrity improvvisatore Tommaso Sgricci, Angela Esterhammer explores the era's influential representations of the way identity is constructed, performed, and perceived.

     

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  23. Muscular Christianity
    embodying the Victorian Age
    Contributor: Hall, Donald E (HerausgeberIn)
    Published: 1994
    Publisher:  Cambridge University Press, Cambridge

    Muscular Christianity was an important religious, literary and social movement of the mid-nineteenth century. This volume draws on recent developments in culture and gender theory to reveal ideological links between muscular Christianity and the work... more

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    Muscular Christianity was an important religious, literary and social movement of the mid-nineteenth century. This volume draws on recent developments in culture and gender theory to reveal ideological links between muscular Christianity and the work of novelists and essayists, including Kingsley, Emerson, Dickens, Hughes, MacDonald and Pater, and to explore the use of images of hyper-masculinized male bodies to represent social as well as physical ideals. Muscular Christianity argues that the ideologies of the movement were extreme versions of common cultural conceptions, and that anxieties evident in Muscular Christian texts, often manifested through images of the body as a site of socio-political conflict, were pervasive throughout society. Throughout, muscular Christianity is shown to be at the heart of issues of gender, class and national identity in the Victorian age. Muscular Christianity: reading and writing the male social body / Donald E. Hall -- The volcano and the cathedral: muscular Christianity and the origins of primal manliness / David Rosen -- On the making and unmaking of monsters: Christian Socialism, muscular Christianity, and the metaphorization of class conflict / Donal E. Hall -- Christian manliness and national identity: the problematic construction of a racially "pure" nation / C.J.W.-L Wee -- Charles Kingsley's scientific treatment of gender / Laura Fasick -- Young England: muscular Christianity and the politics of the body in Tom Brown's schooldays / Dennis W. Allen -- Muscular spirituality in George MacDonald's Curdie books / John Pennington -- "Degenerate effeminacy" and the making of a masculine spirituality in the sermons of Ralph Waldo Emerson / Susan L. Roberson -- The confidence man: empire and the deconstruction of muscular Christianity in The Mystery of Edwin Drood / Daniel Faulkner -- The re-subjection of "Lucas Malet": Charles Kingsley's daughter and the response to muscular Christianity / Patricia Srebrnik -- Pater's muscular aestheticism / James Eli Adams

     

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  24. The Lake poets and professional identity
    Published: 2007
    Publisher:  Cambridge University Press, Cambridge

    The idea that the inspired poet stands apart from the marketplace is considered central to British Romanticism. However, Romantic authors were deeply concerned with how their occupation might be considered a kind of labour comparable to that of the... more

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    The idea that the inspired poet stands apart from the marketplace is considered central to British Romanticism. However, Romantic authors were deeply concerned with how their occupation might be considered a kind of labour comparable to that of the traditional professions. In the process of defining their work as authors, Wordsworth, Southey and Coleridge - the 'Lake school' - aligned themselves with emerging constructions of the 'professional gentleman' that challenged the vocational practices of late eighteenth-century British culture. They modelled their idea of authorship on the learned professions of medicine, church, and law, which allowed them to imagine a productive relationship to the marketplace and to adopt the ways eighteenth-century poets had related their poetry to other kinds of intellectual work. In this work, Goldberg explores the ideas of professional risk, evaluation and competition that the writers developed as a response to a variety of eighteenth-century depictions of the literary career Introduction. Professionalism and the Lake school of poetry -- pt. I. Romanticism, risk, and professionalism -- 1. Cursing Doctor Young, and after -- pt. II. Genealogies of the romantic wanderer -- 2. Merit and reward in 1729 -- 3. James Beattie and 'The minstrel' -- pt. III. Romantic itinerants -- 4. Authority and the itinerant cleric -- 5. William Cowper and the itinerant Lake poet -- pt. IV. The Lake school, professionalism, and the public -- 6. Robert Southey and the claims of literature -- 7. "Ministry more palpable" : William Wordsworth's romantic professionalism

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484247
    Other identifier:
    RVK Categories: HL 1131 ; HL 2465 ; HL 4425 ; HL 4905
    Series: Cambridge studies in Romanticism ; 71
    Subjects: English poetry; Lake poets; Lake poets; English poetry ; 19th century ; History and criticism; Great Britain ; Intellectual life ; 19th century
    Scope: 1 Online-Ressource (viii, 297 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  25. The world of Mr Casaubon
    Britain's wars of mythography, 1700-1870
    Author: Kidd, Colin
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

    The World of Mr Casaubon takes as its point of departure a fictional character - Mr Casaubon in George Eliot's classic novel, Middlemarch. The author of an unfinished 'Key to All Mythologies', Casaubon has become an icon of obscurantism, irrelevance... more

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    The World of Mr Casaubon takes as its point of departure a fictional character - Mr Casaubon in George Eliot's classic novel, Middlemarch. The author of an unfinished 'Key to All Mythologies', Casaubon has become an icon of obscurantism, irrelevance and futility. Crossing conventional disciplinary boundaries, Colin Kidd excavates Casaubon's hinterland, and illuminates the fierce ideological war which raged over the use of pagan myths to defend Christianity from the existential threat posed by radical Enlightenment criticism. Notwithstanding Eliot's portrayal of Casaubon, Anglican mythographers were far from unworldly, and actively rebutted the radical freethinking associated with the Enlightenment and French Revolution. Orientalism was a major theatre in this ideological conflict, and mythography also played an indirect but influential role in framing the new science of anthropology. The World of Mr Casaubon is rich in interdisciplinary twists and ironies, and paints a vivid picture of the intellectual world of eighteenth- and nineteenth-century Britain.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139226646
    Other identifier:
    RVK Categories: HL 2745
    Series: Ideas in context ; 115
    Subjects: Mythology; Mythologists; Orientalism; Church of England ; History ; 18th century; Church of England ; History ; 19th century; Mythology ; History; Mythologists ; Great Britain; Orientalism ; Great Britain; Great Britain ; Intellectual life ; 18th century; Great Britain ; Intellectual life ; 19th century
    Other subjects: Eliot, George 1819-1880
    Scope: 1 Online-Ressource (vi, 232 pages), digital, PDF file(s).
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    Title from publisher's bibliographic system (viewed on 28 Nov 2016)