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  1. Gothic writing
    1750 - 1820 ; a genealogy
    Published: 2002
    Publisher:  Manchester Univ. Press, Manchester [u.a.]

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  2. A geography of Victorian Gothic fiction
    mapping history's nightmares
    Published: 1999
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    "This is the first major full-length study of Victorian Gothic fiction. Combining original readings of familiar texts with a rich store of historical sources, A Geography of Victorian Gothic Fiction is an historicist survey of nineteenth-century... more

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    "This is the first major full-length study of Victorian Gothic fiction. Combining original readings of familiar texts with a rich store of historical sources, A Geography of Victorian Gothic Fiction is an historicist survey of nineteenth-century Gothic writing - from Dickens to Stoker, Wilkie Collins to Conan Doyle, through European travelogues, sexological textbooks, ecclesiastic histories and pamphlets on the perils of self-abuse. Mighall challenges the psychological approach to Gothic fiction which currently prevails, demonstrating the importance of geographical, historical, and discursive factors that have been largely neglected by critics, and employing a variety of original sources to demonstrate the contexts of Gothic fiction and explain its development in the Victorian period."--BOOK JACKET.

     

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  3. Gothic writing
    1750 - 1820 ; a genealogy
    Published: 2002
    Publisher:  Manchester Univ. Press, Manchester [u.a.]

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  4. Skin shows
    gothic horror and the technology of monsters
    Published: 1995
    Publisher:  Duke Univ. Press, Durham [u.a.]

    Universitätsbibliothek Bayreuth
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  5. The fear of the other
    approaches to English stories of the double (1764 - 1910)
    Published: 1996
    Publisher:  Lang, Bern [u.a.]

    Universitätsbibliothek Augsburg
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  6. The gothic tradition
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    Universitätsbibliothek Bayreuth
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  7. Gothic radicalism
    literature, philosophy and psychoanalysis in the nineteenth century
    Published: 2000
    Publisher:  Macmillan [u.a.], Basingstoke [u.a.]

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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  8. The return of the repressed
    gothic horror from the Castle of Otranto to Alien
    Published: 1999
    Publisher:  State Univ. of New York Press, Albany

    "Exploring the psychological and political implications of Gothic fiction, Valdine Clemens focuses on some major works in the tradition: The Castle of Otranto, Frankenstein, Dr. Jekyll and Mr. Hyde, Dracula, The Shining, and Alien. She applies both... more

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    "Exploring the psychological and political implications of Gothic fiction, Valdine Clemens focuses on some major works in the tradition: The Castle of Otranto, Frankenstein, Dr. Jekyll and Mr. Hyde, Dracula, The Shining, and Alien. She applies both psychoanalytic theory and sociohistorical contexts to offer a fresh approach to Gothic fiction, presenting new insights both about how such novels "work" and about their cultural concerns." "Clemens argues that by stimulating a sense of primordial fear in readers, Gothic horror dramatically calls attention to collective and attitudinal problems that have been unrecognized or repressed in the society at large. Gothic fiction does more, however, than simply reflect social anxieties; it actually facilitates social change. That is, in frightening us out of our collective "wits," Gothic fiction actually shocks us into using them in more viable ways."--BOOK JACKET.

     

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  9. Romanticism and the gothic
    genre, reception, and canon formation
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing,... more

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    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--BOOK JACKET.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521773288
    RVK Categories: HL 1131
    Edition: 1. publ.
    Series: Cambridge studies in romanticism ; 40
    Subjects: Chefs-d'œuvre (Littérature); Engels; Genres littéraires; Gothic novel; Letterkunde; Littérature anglaise - 18e siècle - Histoire et critique; Littérature anglaise - 19e siècle - Histoire et critique; Littérature frénétique - Grande Bretagne; Romantiek; Romantisme - Grande-Bretagne; Englisch; Geschichte; Literatur; English literature -- 18th century -- History and criticism; Gothic revival (Literature) -- Great Britain; English literature -- 19th century -- History and criticism; Literary form -- History -- 18th century; Literary form -- History -- 19th century; Romanticism -- Great Britain; Canon (Literature); Englisch; Schauerliteratur; Romantik
    Other subjects: Baillie, Joanna - Criticism and interpretation; Baillie, Joanna <1762-1851> - Critique et interprétation; Scott, Walter <Sir, 1771-1832> - Criticism and interpretation; Scott, Walter <Sir, 1771-1832> - Critique et interprétation; Wordsworth, William <1770-1850>; Wordsworth, William <1770-1850> / Lyrical ballads; Wordsworth, William, 1770-1850; Baillie, Joanna, 1762-1851 -- Criticism and interpretation; Scott, Walter, Sir, 1771-1832 -- Criticism and interpretation; Wordsworth, William <1770-1850>: Lyrical ballads; Wordsworth, William (1770-1850): Lyrical ballads; Scott, Walter (1771-1832); Baillie, Joanna (1762-1851)
    Scope: XIII, 255 S.
  10. Gothic modernisms
    Published: 2001
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Universitätsbibliothek Augsburg
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  11. The Cambridge companion to Gothic fiction
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek Bamberg
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  12. Skin shows
    gothic horror and the technology of monsters
    Published: [2006]
    Publisher:  Duke Univ. Press, Durham [u.a.]

    Universitätsbibliothek Bamberg
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  13. Romanticism and the gothic
    genre, reception, and canon formation
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing,... more

    Universitätsbibliothek Bamberg
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    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--BOOK JACKET.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521773288; 9780511484216; 9780521026932; 9780521773287
    Other identifier:
    RVK Categories: HL 1131
    Edition: 1. publ.
    Series: Cambridge studies in romanticism ; 40
    Subjects: Chefs-d'œuvre (Littérature); Engels; Genres littéraires; Gothic novel; Letterkunde; Littérature anglaise - 18e siècle - Histoire et critique; Littérature anglaise - 19e siècle - Histoire et critique; Littérature frénétique - Grande Bretagne; Romantiek; Romantisme - Grande-Bretagne; Englisch; Geschichte; Literatur; English literature -- 18th century -- History and criticism; Gothic revival (Literature) -- Great Britain; English literature -- 19th century -- History and criticism; Literary form -- History -- 18th century; Literary form -- History -- 19th century; Romanticism -- Great Britain; Canon (Literature); Englisch; Schauerliteratur; Romantik
    Other subjects: Baillie, Joanna - Criticism and interpretation; Baillie, Joanna <1762-1851> - Critique et interprétation; Scott, Walter <Sir, 1771-1832> - Criticism and interpretation; Scott, Walter <Sir, 1771-1832> - Critique et interprétation; Wordsworth, William <1770-1850>; Wordsworth, William <1770-1850> / Lyrical ballads; Wordsworth, William, 1770-1850; Baillie, Joanna, 1762-1851 -- Criticism and interpretation; Scott, Walter, Sir, 1771-1832 -- Criticism and interpretation; Wordsworth, William <1770-1850>: Lyrical ballads; Scott, Walter (1771-1832); Wordsworth, William (1770-1850): Lyrical ballads; Baillie, Joanna (1762-1851)
    Scope: 1 Online-Ressource (XIII, 255 S.)
  14. The gothic tradition
    Published: 2010
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek Passau
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  15. Gothic modernisms
    Published: 2001
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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  16. The Cambridge companion to Gothic fiction
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  17. Romanticism and the gothic
    genre, reception, and canon formation
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing,... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--BOOK JACKET.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0521773288
    RVK Categories: HL 1131
    Edition: 1. publ.
    Series: Cambridge studies in romanticism ; 40
    Subjects: Chefs-d'œuvre (Littérature); Engels; Genres littéraires; Gothic novel; Letterkunde; Littérature anglaise - 18e siècle - Histoire et critique; Littérature anglaise - 19e siècle - Histoire et critique; Littérature frénétique - Grande Bretagne; Romantiek; Romantisme - Grande-Bretagne; Englisch; Geschichte; Literatur; English literature -- 18th century -- History and criticism; Gothic revival (Literature) -- Great Britain; English literature -- 19th century -- History and criticism; Literary form -- History -- 18th century; Literary form -- History -- 19th century; Romanticism -- Great Britain; Canon (Literature); Englisch; Schauerliteratur; Romantik
    Other subjects: Baillie, Joanna - Criticism and interpretation; Baillie, Joanna <1762-1851> - Critique et interprétation; Scott, Walter <Sir, 1771-1832> - Criticism and interpretation; Scott, Walter <Sir, 1771-1832> - Critique et interprétation; Wordsworth, William <1770-1850>; Wordsworth, William <1770-1850> / Lyrical ballads; Wordsworth, William, 1770-1850; Baillie, Joanna, 1762-1851 -- Criticism and interpretation; Scott, Walter, Sir, 1771-1832 -- Criticism and interpretation; Wordsworth, William <1770-1850>: Lyrical ballads; Wordsworth, William (1770-1850): Lyrical ballads; Scott, Walter (1771-1832); Baillie, Joanna (1762-1851)
    Scope: XIII, 255 S.
  18. Skin shows
    gothic horror and the technology of monsters
    Published: [2006]
    Publisher:  Duke Univ. Press, Durham [u.a.]

    Universität der Künste Berlin, Universitätsbibliothek
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  19. A geography of Victorian Gothic fiction
    mapping history's nightmares
    Published: 1999
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    "This is the first major full-length study of Victorian Gothic fiction. Combining original readings of familiar texts with a rich store of historical sources, A Geography of Victorian Gothic Fiction is an historicist survey of nineteenth-century... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Europa-Universität Viadrina, Universitätsbibliothek
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    "This is the first major full-length study of Victorian Gothic fiction. Combining original readings of familiar texts with a rich store of historical sources, A Geography of Victorian Gothic Fiction is an historicist survey of nineteenth-century Gothic writing - from Dickens to Stoker, Wilkie Collins to Conan Doyle, through European travelogues, sexological textbooks, ecclesiastic histories and pamphlets on the perils of self-abuse. Mighall challenges the psychological approach to Gothic fiction which currently prevails, demonstrating the importance of geographical, historical, and discursive factors that have been largely neglected by critics, and employing a variety of original sources to demonstrate the contexts of Gothic fiction and explain its development in the Victorian period."--BOOK JACKET.

     

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  20. The return of the repressed
    gothic horror from the Castle of Otranto to Alien
    Published: 1999
    Publisher:  State Univ. of New York Press, Albany

    "Exploring the psychological and political implications of Gothic fiction, Valdine Clemens focuses on some major works in the tradition: The Castle of Otranto, Frankenstein, Dr. Jekyll and Mr. Hyde, Dracula, The Shining, and Alien. She applies both... more

    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Europa-Universität Viadrina, Universitätsbibliothek
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    "Exploring the psychological and political implications of Gothic fiction, Valdine Clemens focuses on some major works in the tradition: The Castle of Otranto, Frankenstein, Dr. Jekyll and Mr. Hyde, Dracula, The Shining, and Alien. She applies both psychoanalytic theory and sociohistorical contexts to offer a fresh approach to Gothic fiction, presenting new insights both about how such novels "work" and about their cultural concerns." "Clemens argues that by stimulating a sense of primordial fear in readers, Gothic horror dramatically calls attention to collective and attitudinal problems that have been unrecognized or repressed in the society at large. Gothic fiction does more, however, than simply reflect social anxieties; it actually facilitates social change. That is, in frightening us out of our collective "wits," Gothic fiction actually shocks us into using them in more viable ways."--BOOK JACKET.

     

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  21. Gothic radicalism
    literature, philosophy and psychoanalysis in the nineteenth century
  22. The gothic tradition
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    Freie Universität Berlin, Universitätsbibliothek
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  23. The fear of the other
    approaches to English stories of the double (1764 - 1910)
    Published: 1996
    Publisher:  Lang, Bern [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  24. Skin shows
    gothic horror and the technology of monsters
    Published: 1995
    Publisher:  Duke Univ. Press, Durham [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  25. Skin shows
    Gothic horror and the technology of monsters
    Published: 2006
    Publisher:  Duke Univ. Press, Durham [u.a.]

    Staats- und Universitätsbibliothek Bremen
    a tea 851/500
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    Universitätsbibliothek Hildesheim
    TFF 490 : H05
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    2007.06285:1
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    Merz Akademie, Hochschule für Gestaltung, Kunst und Medien, Stuttgart, staatlich anerkannt, Bibliothek
    Mfd Hal
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0822316633; 082231651X
    RVK Categories: HG 674
    Edition: 4. print.
    Subjects: Gothic revival (Literature) -- Great Britain; Horror films -- History and criticism; Horror tales, English -- History and criticism; Literature and technology -- Great Britain; Monsters in literature; Monsters in motion pictures
    Scope: X, 215 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. [203] - 209) and index