Topf und Deckel - Kunst und Küche
[... erscheint anlässlich der Ausstellung ... 25.10.2014 - 8.3.2015, Kunstmuseum Villa Zanders]
Weltumsegler
Ethnographie eines mobilen Lebensstils zwischen Abenteuer, Ausstieg und Auswanderung
Weltumsegler
Ethnographie eines mobilen Lebensstils zwischen Abenteuer, Ausstieg und Auswanderung
Location:
Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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Zentralbibliothek der Sportwissenschaften der Deutschen Sporthochschule Köln
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Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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Women's work is never done
an anthology ; [artists Everlyn Nicodemus, Cecilia Vicuña, Mona Hatoum ... Simryn Gill]
Location:
Ruhr-Universität Bochum, Universitätsbibliothek
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Universitäts- und Landesbibliothek Bonn
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Hochschulbibliothek der Hochschule Düsseldorf
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Kunst- und Museumsbibliothek der Stadt Köln
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Hochschulbibliothek Trier
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Wörter als Türen in Sprache, Kunst, Film
= Words as doors in language, art, film
Location:
Ruhr-Universität Bochum, Universitätsbibliothek
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Kleists Erzählungen als Film
Historisierung und Aktualisierung in Literaturverfilmungen
Location:
Ruhr-Universität Bochum, Universitätsbibliothek
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Universitäts- und Landesbibliothek Düsseldorf
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Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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New literary portraits of the American West
contemporary Nevada fiction
Belichtungen
zur fotografischen Gegenwart
<<The>> reluctant narrator
Julieta Aranda, Armando Andrade Tudela, Leonor Antunes, Kader Attia, Nina Beier, Derek Boshier, Aleksandra Domanovic, Dani Gal, Karl Holmqvist, Christoph Keller, David Levine, Amalia Pica, Bojan Šarcevic, John Smith, Hito Steyerl, Stephen Sutcliffe, Andreas Töpfer, Gernot Wieland
Often referred to as the “narrative turn,” an explosion of interest in narrative practices at the end of the twentieth century was predicated on the notion that life itself is storied, or - as Jacques Ranciére put it - that the real must be...
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Often referred to as the “narrative turn,” an explosion of interest in narrative practices at the end of the twentieth century was predicated on the notion that life itself is storied, or - as Jacques Ranciére put it - that the real must be fictionalized in order to be thought. Postmodernism itself was described as a “narrative turn” in which a rekindled interest in the fictive, the chronicle, and the anecdotal upstaged the symbolic unity of high modernism. But as Susan Buck-Morss has noted, modernism and postmodernism are not historical moments, they are political positions: two poles of a recurring movement, expressing the contradictions inherent to the industrial mode of production in the identity and nonidentity between social function and aesthetic form. Rather than opposing a myriad of micro-narratives to the grand narrative of modernism, The Reluctant Narrator attempts to map the migration of narrative modes across several media, bringing together works that intertwine personal biography with historical events, or that deal with stories that fell through the crevices of history. (Quelle: www.sternberg-press.com)
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Heimat, space, narrative
toward a transnational approach to flight and expulsion
"At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in Cold War and post-Cold War Europe since the 1970s, writers have...
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"At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in Cold War and post-Cold War Europe since the 1970s, writers have responded to memories or postmemories of this traumatic displacement. Friederike Eigler engages with important currents in scholarship -- on "Heimat," the much-debated German concept of "homeland"; on the spatial turn in literary studies; and on German-Polish relations -- arguing for a transnational approach to the legacies of flight and expulsion and for a spatial approach to Heimat. She explores notions of belonging in selected postwar and contemporary German novels, with a comparative look at a Polish novel, Olga Tokarczuk's House of Day, House of Night (1998). Eigler finds dynamic manifestations of place in Tokarczuk's novel, in Horst Bienek's 1972-82 Gleiwitz tetralogy about the historical border region of Upper Silesia, and in contemporary novels by Reinhard Jirgl, Christoph Hein, Kathrin Schmidt, Tanja Dückers, Olaf Müller, and Sabrina Janesch. In a decisive departure from earlier approaches, Eigler explores how these novels foster an awareness of the regions' multiethnic and multinational histories, unsettling traditional notions of Heimat without altogether abandoning place-based notions of belonging." -- Publisher's description.
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Kleists Erzählungen als Film
Historisierung und Aktualisierung in Literaturverfilmungen
Location:
Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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Technische Universität Chemnitz, Universitätsbibliothek
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Universitätsbibliothek Freiburg
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Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
Signature:
GS/900/kle 7/127
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Universitätsbibliothek Heidelberg
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Location:
Thüringer Universitäts- und Landesbibliothek
Signature:
GER:GK:3940:S81::2019
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Universitätsbibliothek Leipzig
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Universitätsbibliothek Mannheim
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500 GK 5164 P865
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Deutsches Literaturarchiv Marbach, Bibliothek
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Saarländische Universitäts- und Landesbibliothek
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Württembergische Landesbibliothek
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Herzog August Bibliothek Wolfenbüttel
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The reluctant narrator
Julieta Aranda ... ; [Museu Coleção Berardo, Lisbon, 15 October 2014 - 11 January 2015]
Location:
Stiftung Galerie für Zeitgenössische Kunst Leipzig, Bibliothek
Signature:
30.15 Lissabon Coleção Berardo 2014:1
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Per una didattica della letteratura
La didattica della letteratura italiana è un settore di studi giovane, i cui inizi si possono far risalire agli anni Sessanta-Settanta del secolo scorso, situato all'incrocio tra linguistica, italianistica e teoria della letteratura. A partire da un...
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Location:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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La didattica della letteratura italiana è un settore di studi giovane, i cui inizi si possono far risalire agli anni Sessanta-Settanta del secolo scorso, situato all'incrocio tra linguistica, italianistica e teoria della letteratura. A partire da un percorso storico teso a ricostruirne i fondamenti teorici e le diverse linee di tendenza, il saggio esplora le possibilità di rinnovamento e di riconfigurazione del ruolo del docente di lingua e letteratura italiana e, più in generale, del ruolo stesso della letteratura all'interno dei sistemi educativi
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The blue of distance
[... on view at the Aspen Art Museum April 10 - June 28, 2015]
Location:
Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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Walter Vogel - Ewa Eva
Fotografien 1970-2014
Der international renommierte Fotograf und Buchautor Walter Vogel (*1932), weithin bekannt für seine unvergesslichen Porträts von Pina Bausch und Joseph Beuys, ist ebenso erfolgreich mit seinen vielfältigen Reisebildern mit Schwerpunkt auf Italiens...
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Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Signature:
::8:2019:3978:
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Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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Goethe-Institut e. V. Zentrale, Bibliothek
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Der international renommierte Fotograf und Buchautor Walter Vogel (*1932), weithin bekannt für seine unvergesslichen Porträts von Pina Bausch und Joseph Beuys, ist ebenso erfolgreich mit seinen vielfältigen Reisebildern mit Schwerpunkt auf Italiens Café-Bars. Weniger beachtet blieb bisher eine von ihm bevorzugte Art des Fotografierens weiblicher Schönheit, die sich periodisch wiederholend über einen langen Zeitraum hinzieht und sich zur Aufgabe gestellt hat, Schönheit mit den unverwechselbaren Persönlichkeiten seiner Modelle zu verbinden. Das neue Fotobuch Ewa Eva präsentiert nun diesen Teil seines OEuvres und gilt gleichzeitig als Hommage an eben jene zahlreichen, der Öffentlichkeit größtenteils unbekannten Frauen, die ihm Modell gestanden haben. Die Abbildungen werden ergänzt durch die persönlichen Erinnerungen von Walter Vogel
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Unsettled landscapes
[... accompanies the Exhibition Unsettled Landscapes, SITE Santa Fe, July 20, 2014 - January 11, 2015]
Published by SITE Santa Fe on occasion of the inaugural SITElines Biennial, 'Unsettled Landscapes'. Unsettled Landscapes was curated by Janet Dees, Irene Hofmann, Candice Hopkins, and Lucía Sanromán. The exhibition, featuring 47 artists from 14...
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Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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Published by SITE Santa Fe on occasion of the inaugural SITElines Biennial, 'Unsettled Landscapes'. Unsettled Landscapes was curated by Janet Dees, Irene Hofmann, Candice Hopkins, and Lucía Sanromán. The exhibition, featuring 47 artists from 14 countries, looks at the urgencies, political conditions and historical narratives that inform the work of contemporary artists across the Americas from Nunavut to Tierra del Fuego. Through three themes landscape, territory, and trade this exhibition expresses the interconnections among representations of the land, movement across the land, and economies and resources derived from the land. 00Exhibition: Site Santa Fe, USA (20.07.2014-11.01.2015)
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France since the 1970s
history, politics and memory in an age of uncertainty
Location:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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The reluctant narrator
Julieta Aranda, Armando Andrade Tudela, Leonor Antunes, Kader Attia, Nina Beier, Derek Boshier, Aleksandra Domanovic, Dani Gal, Karl Holmqvist, Christoph Keller, David Levine, Amalia Pica, Bojan Šarcevic, John Smith, Hito Steyerl, Stephen Sutcliffe, Andreas Töpfer, Gernot Wieland ; [a survey of narrative practices across media ; Museu Coleção Berardo, Lisbon, 15 October 2014 - 11 January 2015]
Often referred to as the "narrative turn," an explosion of interest in narrative practices at the end of the twentieth century was predicated on the notion that life itself is storied, oras Jacques Ranciére put itthat the real must be fictionalized...
more
Location:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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Unlimited inter-library loan, copies and loan
Location:
Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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Often referred to as the "narrative turn," an explosion of interest in narrative practices at the end of the twentieth century was predicated on the notion that life itself is storied, oras Jacques Ranciére put itthat the real must be fictionalized in order to be thought. Postmodernism itself was described as a "narrative turn" in which a rekindled interest in the fictive, the chronicle, and the anecdotal upstaged the symbolic unity of high modernism. But as Susan Buck-Morss has noted, modernism and postmodernism are not historical moments, they are political positions: two poles of a recurring movement, expressing the contradictions inherent to the industrial mode of production in the identity and nonidentity between social function and aesthetic form. Rather than opposing a myriad of micro-narratives to the grand narrative of modernism, The Reluctant Narrator attempts to map the migration of narrative modes across several media, bringing together works that intertwine personal biography with historical events, or that deal with stories that fell through the crevices of history.
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Per una didattica della letteratura
La didattica della letteratura italiana è un settore di studi giovane, i cui inizi si possono far risalire agli anni Sessanta-Settanta del secolo scorso, situato all'incrocio tra linguistica, italianistica e teoria della letteratura. A partire da un...
more
Location:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Inter-library loan:
Unlimited inter-library loan, copies and loan
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La didattica della letteratura italiana è un settore di studi giovane, i cui inizi si possono far risalire agli anni Sessanta-Settanta del secolo scorso, situato all'incrocio tra linguistica, italianistica e teoria della letteratura. A partire da un percorso storico teso a ricostruirne i fondamenti teorici e le diverse linee di tendenza, il saggio esplora le possibilità di rinnovamento e di riconfigurazione del ruolo del docente di lingua e letteratura italiana e, più in generale, del ruolo stesso della letteratura all'interno dei sistemi educativi
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Poética de la hibridez en la literatura mexicana posmodernista
(Laura Esquivel, Margo Glantz, Luis Zapata)
Location:
Universitätsbibliothek Bielefeld
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Kleists Erzählungen als Film
Historisierung und Aktualisierung in Literaturverfilmungen
Location:
Bibliothek des Bundesarchivs
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Unlimited inter-library loan, copies and loan
Location:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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Walter Vogel - Ewa Eva
Fotografien 1970-2014
Der international renommierte Fotograf und Buchautor Walter Vogel (*1932), weithin bekannt für seine unvergesslichen Porträts von Pina Bausch und Joseph Beuys, ist ebenso erfolgreich mit seinen vielfältigen Reisebildern mit Schwerpunkt auf Italiens...
more
Location:
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Inter-library loan:
Unlimited inter-library loan, copies and loan
|
Der international renommierte Fotograf und Buchautor Walter Vogel (*1932), weithin bekannt für seine unvergesslichen Porträts von Pina Bausch und Joseph Beuys, ist ebenso erfolgreich mit seinen vielfältigen Reisebildern mit Schwerpunkt auf Italiens Café-Bars. Weniger beachtet blieb bisher eine von ihm bevorzugte Art des Fotografierens weiblicher Schönheit, die sich periodisch wiederholend über einen langen Zeitraum hinzieht und sich zur Aufgabe gestellt hat, Schönheit mit den unverwechselbaren Persönlichkeiten seiner Modelle zu verbinden. Das neue Fotobuch Ewa Eva präsentiert nun diesen Teil seines OEuvres und gilt gleichzeitig als Hommage an eben jene zahlreichen, der Öffentlichkeit größtenteils unbekannten Frauen, die ihm Modell gestanden haben. Die Abbildungen werden ergänzt durch die persönlichen Erinnerungen von Walter Vogel
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