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  1. A Nation of victims?
    representations of German wartime suffering from 1945 to the present
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Preliminary material /Editors A Nation of Victims? -- Introduction: The Return of Wartime Suffering in Contemporary German Memory Culture, Literature and Film /Editors A Nation of Victims? -- Germans in the Lager. Reports and Narratives about... more

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    Preliminary material /Editors A Nation of Victims? -- Introduction: The Return of Wartime Suffering in Contemporary German Memory Culture, Literature and Film /Editors A Nation of Victims? -- Germans in the Lager. Reports and Narratives about Imprisonment in Post-War Allied Internment Camps /Gregor Streim -- Die, von denen man erzählt hat, dass sie die kleinen Kinder schlachten’. Deutsche Leiderfahrung und Bilder von Juden in der deutschen Kultur nach 1945. Zu einigen Texten Wolfgang Weyrauchs /Hans-Joachim Hahn -- The Representation of Wehrmacht Soldiers as Victims in Post-war West German Film: Hunde, wollt ihr ewig leben? and Der Arzt von Stalingrad /Helen Wolfenden -- The German Myth of a Victim Nation: (Re-)presenting Germans as Victims in the New Debate on their Flight and Expulsion from Eastern Europe /Samuel Salzborn -- Implicit Equations in Constructions of German Suffering /Bill Niven -- Dresden and Hamburg - Official Memory and Commemoration of the Victims of Allied Air Raids in the two Germanies /Gilad Margalit -- Regarding and Imagining. Contrived Immediacy of the Allied Bombing Campaign in Photography, Novel and Historiography /Heinz-Peter Preußer -- Lost in Translations? The Discourse of ‘German Suffering’ and W. G. Sebald’s Luftkrieg und Literatur /Annette Seidel Arpacı -- Wahrheit und Erinnerung. Die Spuren des Jahres 1945 in Texten von Christa Wolf /Odile Jansen -- Historicism, Sentimentality and the Problem of Empathy: Uwe Timm’s Am Beispiel meines Bruders in the Context of Recent Representations of German Suffering /Helmut Schmitz -- Literary Representations in Contemporary German Fiction of the Expulsions of Germans from the East in 1945 /Stuart Taberner -- Der Untergang (2004): Victims, Perpetrators and the Continuing Fascination of Fascism /Paul Cooke -- Index of Contributors /Editors A Nation of Victims?. The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980s. The (international) attention and debates triggered by, for example, W.G. Sebald’s Luftkrieg und Literatur , Günter Grass’s Im Krebsgang , Jörg Friedrich’s Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the ‘perpetrator collective’ and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians addressing issues surrounding the representation of German wartime suffering from the immediate post-war period to the present in literature, film and public commemorative discourse. Split into four sections, the volume discusses the representation of Germans as victims in post-war literature and film, the current memory politics of the Bund der Vertriebenen , the public commemoration of the air raids on Hamburg and Dresden and their representation in film, photography, historiography and literature, the impact and reception of W.G. Sebald’s Luftkrieg und Literatur , the representation of flight and expulsion in contemporary writing, the problem of empathy in representations of Germans as victims and the representation of suffering and National Socialism in Oliver Hirschbiegel’s film Der Untergang

     

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    Source: Union catalogues
    Language: English; German
    Media type: Ebook
    Format: Online
    ISBN: 9789401204453
    Other identifier:
    Series: German monitor ; no. 67
    Subjects: Germans in literature; German literature; Germans in literature; Germans in motion pictures; Motion pictures; Suffering in literature; Suffering in motion pictures; War and motion pictures; War in literature; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (265 pages)
    Notes:

    Includes bibliographical references

  2. Screening war
    perspectives on German suffering
    Published: 2010
    Publisher:  Camden House, Rochester, NY

    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 785954
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    Staats- und Universitätsbibliothek Bremen
    a tea 776 2aa/395
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    2011.07840:1
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    Universitätsbibliothek Osnabrück
    KNR K 6131-396 9
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    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1571134379; 9781571134370
    RVK Categories: AP 52700 ; AP 44910
    Series: Screen cultures : German film and the visual
    Subjects: World War, 1939-1945; War films; Suffering in motion pictures; Psychic trauma in motion pictures; Germans in motion pictures
    Scope: vi, 304 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. [267]-285) and indexes

    Paul Cooke and Marc Silberman: Introduction: German suffering?

    Jennifer M. Kapczynski: Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film

    David Clarke: German martyrs: images of Christianity and resistance to national socialism in German cinema

    Manuel Köppen: The rhetoric of victim narratives in West German films of the 1950s

    Erica Carter: Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy

    Sabine Hake: Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf

    Tim Bergfelder: Shadowlands: the memory of the Ostgebiete in contemporary German film and television

    Rachel Palfreyman: Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode

    Daniela Berghahn: Resistance of the heart: female suffering and victimhood in DEFA's antifascist films

    Brad Prager: Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA

    John E. Davidson: Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement

    Johannes von Moltke: The politics of feeling: Alexander Kluge on war, film, and emotion

    Seán Allan.: Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films

  3. Representing the "good German" in literature and culture after 1945
    altruism and moral ambiguity
    Contributor: Ó Dochartaigh, Pól (Herausgeber); Schönfeld, Christiane (Herausgeber)
    Published: 2013
    Publisher:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search... more

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    In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting behavior, moral truth, or at the very least civil disobedience. The "good German's" counterhegemonic practice cannot negate or contradict the barbaric reality of Hitler's Germany, but reflects a value system based on humanity and an "other" ideal community. This volume of new essays explores postwar and recent representations of "good Germans" during the Third Reich, analyzing the logic of moral behavior, cultural and moral relativism, and social conformity found in them. It thus draws together discussions of the function and reception of "Good Germans" in Germany and abroad. Contributors: Eoin Bourke, Manuel Bragança, Maeve Cooke, Kevin De Ornellas, Sabine Egger, Joachim Fischer, Coman Hamilton, Jon Hughes, Karina von Lindeiner-Strásky, Alexandra Ludewig, Pól O Dochartaigh, Christiane Schönfeld, Matthias Uecker. Pól O Dochartaigh is Professor of German and Dean of the Faculty of Arts at the University of Ulster, Northern Ireland. Christiane Schönfeld is Senior Lecturer in German and Head of the Department of German Studies at Mary Immaculate College, University of Limerick.

     

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    Source: Union catalogues
    Contributor: Ó Dochartaigh, Pól (Herausgeber); Schönfeld, Christiane (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137876
    RVK Categories: GN 1411
    DDC Categories: 791; 830
    Subjects: Deutsch; Literatur; Drittes Reich <Motiv>; Deutsche <Motiv>; Moral <Motiv>; Film; Nationalsozialismus <Motiv>; Ethik <Motiv>; Nationalsozialismus; Medien; Literature and morals; German literature; Germans in literature; Germans in motion pictures; Identity (Psychology)
    Scope: 1 Online-Ressource (viii, 261 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  4. A nation of victims?
    representations of German wartime suffering from 1945 to the present
    Contributor: Schmitz, Helmut (HerausgeberIn)
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Schmitz, Helmut (HerausgeberIn)
    Language: English; German
    Media type: Book
    Format: Print
    ISBN: 9789042022096
    RVK Categories: AZ 61820 ; GA 4218 ; GN 1701
    Series: German monitor ; 67
    Subjects: Germans in literature; Germans in motion pictures; Suffering in literature; Suffering in motion pictures; War in literature; World War, 1939-1945; German literature; German literature; Motion pictures
    Scope: 265 Seiten
  5. A Nation of victims?
    representations of German wartime suffering from 1945 to the present
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1435604938; 9042022094; 9781435604933; 9789042022096
    Series: German monitor ; no. 67
    Subjects: Literature; LITERARY CRITICISM / European / German; Oorlogsslachtoffers; Collectief geheugen; Beeldvorming; Tweede Wereldoorlog; Weltkrieg <1939-1945>; Leid; Darstellung; Film; Geschichte; Literatur; Weltkrieg (1939-1945); Germans in literature; Germans in motion pictures; Suffering in literature; Suffering in motion pictures; War in literature; World War, 1939-1945; German literature; German literature; Motion pictures; Literatur; Deutsch; Leid <Motiv>; Zweiter Weltkrieg
    Scope: 1 Online-Ressource (265 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references

    Introduction : the return of wartime suffering in contemporary German memory culture, literature, and film / Helmut Schmitz -- Germans in the Lager : reports and narratives about imprisonment in post-war Allied internment camps / Gregor Streim -- "Die, von denen man erzählt hat, dass sie die kleinen Kinder schlachten" : deutsche Leiderfahrung und Bilder von Juden in der deutschen Kultur nach 1945 : zu einigen Texten Wolfgang Weyrauchs / Hans-Joachim Hahn -- The representation of Wehrmacht soldiers as victims in post-war German film : Hunde, wollt ihr ewig leben? and Der Arzt von Stalingrad / Helen Wolfenden -- The German myth of a victim nation : (re- )presenting Germans as victims in the new debate on their flight and explusion from Eastern Europe / Samuel Salzborn -- Implicit equations in constructions of German suffering / Bill Niven -- Dresden and Hamburg : official memory and commemoration of the victims of Allied air raids in the two Germanies / Gilad Margalit -- Regarding and imagining : contrived immediacy of the Allied bombing campaign in photography, novel, and historiography / Heinz-Peter Preusser -- Lost in translations? : the discourse of "german suffering" and W.G. Sebald's Luftkrieg und Literatur / Annette Seidel Arpaci -- Wahrheit und Erinnerung : die Spuren des Jahres 1945 in Texten von Christa Wolf / Odile Jansen -- Historicism, sentimentality, and the problem of empathy : Uwe Timm's Am Beispiel meines Bruders in the context of recent representations of German suffering / Helmut Schmitz -- Literary representations in contemporary German fiction of the expulsions of Germans from the east in 1945 / Stuart Taberner -- Der Untergang (2004) : victims, perpetrators, and the continuing fascination of fascism / Paul Cooke

  6. A Nation of victims?
    representations of German wartime suffering from 1945 to the present
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042022096; 9042022094
    Series: German monitor ; no. 67
    Subjects: Film; Geschichte; Weltkrieg (1939-1945); Germans in literature; Germans in motion pictures; Suffering in literature; Suffering in motion pictures; War in literature; World War, 1939-1945; German literature; German literature; Motion pictures; Leid <Motiv>; Zweiter Weltkrieg; Literatur; Deutsch
    Scope: 265 p
    Notes:

    Includes bibliographical references

    Introduction : the return of wartime suffering in contemporary German memory culture, literature, and film / Helmut Schmitz -- Germans in the Lager : reports and narratives about imprisonment in post-war Allied internment camps / Gregor Streim -- "Die, von denen man erzählt hat, dass sie die kleinen Kinder schlachten" : deutsche Leiderfahrung und Bilder von Juden in der deutschen Kultur nach 1945 : zu einigen Texten Wolfgang Weyrauchs / Hans-Joachim Hahn -- The representation of Wehrmacht soldiers as victims in post-war German film : Hunde, wollt ihr ewig leben? and Der Arzt von Stalingrad / Helen Wolfenden -- The German myth of a victim nation : (re-)presenting Germans as victims in the new debate on their flight and explusion from Eastern Europe / Samuel Salzborn -- Implicit equations in constructions of German suffering / Bill Niven -- Dresden and Hamburg : official memory and commemoration of the victims of Allied air raids in the two Germanies / Gilad Margalit -- Regarding and imagining : contrived immediacy of the Allied bombing campaign in photography, novel, and historiography / Heinz-Peter Preusser -- Lost in translations? : the discourse of "german suffering" and W.G. Sebald's Luftkrieg und Literatur / Annette Seidel Arpaci -- Wahrheit und Erinnerung : die Spuren des Jahres 1945 in Texten von Christa Wolf / Odile Jansen -- Historicism, sentimentality, and the problem of empathy : Uwe Timm's Am Beispiel meines Bruders in the context of recent representations of German suffering / Helmut Schmitz -- Literary representations in contemporary German fiction of the expulsions of Germans from the east in 1945 / Stuart Taberner -- Der Untergang (2004) : victims, perpetrators, and the continuing fascination of fascism / Paul Cooke

  7. Screening war
    perspectives on German suffering
    Contributor: Cooke, Paul (Publisher)
    Published: 2010
    Publisher:  Camden House, Rochester, NY

    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Contributor: Cooke, Paul (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781571134370; 1571134379
    RVK Categories: AP 44910 ; AP 52700
    Edition: 1. publ.
    Series: Screen cultures
    Subjects: World War, 1939-1945 / Motion pictures and the war; War films / Germany / History / 20th century; Suffering in motion pictures; Psychic trauma in motion pictures; Germans in motion pictures; Geschichte; Weltkrieg (1939-1945); Film; Psychisches Trauma <Motiv>; Deutschlandbild; Zweiter Weltkrieg <Motiv>; Opfer <Sozialpsychologie, Motiv>
    Scope: VI, 304 S., Ill.
    Notes:

    Includes bibliographical references and indexes

    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan

  8. Representing the "good German" in literature and culture after 1945
    altruism and moral ambiguity
    Published: 2013
    Publisher:  Camden House, Rochester, N.Y.

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781571134981; 1571134980
    RVK Categories: GN 1411
    Edition: 1. publ.
    Series: Studies in German literature, linguistics, and culture
    Subjects: Philosophie; Literature and morals; German literature; Germans in literature; Germans in motion pictures; Identity (Psychology); Medien; Film; Deutsche <Motiv>; Literatur; Ethik <Motiv>; Nationalsozialismus
    Scope: VIII, 261 S., Ill.
    Notes:

    Includes bibliographical references and index -- Includes filmography

  9. Barbaren mit humanen Zügen
    Bilder des Deutschen in Filmen Roberto Rossellinis
    Published: 2009
    Publisher:  WVT, Wiss. Verl. Trier, Trier

    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783868211726
    Other identifier:
    9783868211726
    RVK Categories: AP 51297
    DDC Categories: 791
    Series: Filmgeschichte international ; 18
    Subjects: Germans in motion pictures; Motion picture producers and directors; Film; Deutsche <Motiv>; Deutschlandbild
    Other subjects: Rossellini, Roberto <1906-1977>; Rossellini, Roberto (1906-1977)
    Scope: VII, 336 S., Ill., 210 mm x 148 mm
  10. Representing the "good German" in literature and culture after 1945
    altruism and moral ambiguity
    Contributor: Ó Dochartaigh, Pól (Publisher)
    Published: 2013
    Publisher:  Camden House, Rochester, NY

    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Contributor: Ó Dochartaigh, Pól (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571134981; 9781571137876
    RVK Categories: GN 1411
    Series: Studies in German literature, linguistics, and culture
    Subjects: Philosophie; Literature and morals; German literature; Germans in literature; Germans in motion pictures; Identity (Psychology); Medien; Nationalsozialismus; Literatur; Film; Deutsche <Motiv>; Ethik <Motiv>
    Scope: 1 Online-Ressource (VIII, 261 S.), Ill.
  11. Our Nazis
    Representations of Fascism in Contemporary Literature and Film
    Author: Rau, Petra
    Published: [2022]; © 2013
    Publisher:  Edinburgh University Press, Edinburgh

    An analysis of the resurgent cultural fascination with Nazism since 1989Why has a fascination with fascism re-emerged after the Cold War? What is its cultural function now, in an era of commemoration? Focusing particularly on the British context,... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    An analysis of the resurgent cultural fascination with Nazism since 1989Why has a fascination with fascism re-emerged after the Cold War? What is its cultural function now, in an era of commemoration? Focusing particularly on the British context, this study offers the first analysis of contemporary popular and literary fiction, film, TV and art exhibitions about Nazis and Nazism. Petra Rau brings this material into dialogue with earlier responses to fascism and demonstrates how, paradoxically, Nazism has been both mediated and mythologised to the extent that it now often replaces a critical engagement with actual, violent history.In 5 thematic chapters on Nazi Noir, Men in Uniform, Vile Bodies, The Good German and Meta-Cinematic Farce, Rau provides close analysis of contemporary novels such as Jason Lutes' graphic novel series Berlin, historical crime fiction by Philip Kerr and others, Robert Harris' Fatherland, Ian McEwan's Black Dogs and Justin Cartwright's The Song Before It Is Sung; films such as Bryan Singer's Valkyrie and Quentin Tarantino's Inglorious Bastards; art installations including Mirroring Evil: Nazi Imagery/Recent Art, and Fucking Hell by Jake and Dinos Chapman; and Piotr Uklanski's photo frieze, Untitled (The Nazis).Key Features:Broad interdisciplinary approach which includes literature, film, TV and artWide coverage of popular forms and High ArtComparison with earlier material about fascism which reaches back to the 1930s

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748668656
    Other identifier:
    Series: Edinburgh Critical Studies in War and Culture : ECSWC
    Subjects: Literary Studies; LITERARY CRITICISM / European / General; Fascism in literature; Fascism in motion pictures; Germans in motion pictures; Motion pictures; National socialism in art; National socialism in literature; National socialism in motion pictures; Nazis in motion pictures; World War, 1939-1945
    Scope: 1 Online-Ressource (256 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022)

  12. Screening war
    perspectives on German suffering
    Contributor: Cooke, Paul (Publisher); Silberman, Marc (Publisher)
    Published: 2010
    Publisher:  Camden House, Rochester, N.Y.

    Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from... more

    Universitätsbibliothek Bamberg
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    Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel KoÌppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Cooke, Paul (Publisher); Silberman, Marc (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137142
    Other identifier:
    RVK Categories: AP 44910 ; AP 52700
    Series: Screen cultures
    Subjects: World War, 1939-1945 / Motion pictures and the war; War films / Germany / History / 20th century; Suffering in motion pictures; Psychic trauma in motion pictures; Germans in motion pictures; Opfer <Sozialpsychologie, Motiv>; Deutschlandbild; Film; Zweiter Weltkrieg <Motiv>; Psychisches Trauma <Motiv>
    Scope: 1 Online-Ressource (vi, 304 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 28 Feb 2023)

    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan

  13. A nation of victims?
    representations of German wartime suffering from 1945 to the present
    Contributor: Schmitz, Helmut (Publisher)
    Published: 2007
    Publisher:  Rodopi, Amsterdam [u.a.]

    Universitätsbibliothek Augsburg
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  14. Our Nazis
    representations of fascism in contemporary literature and film
    Author: Rau, Petra
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Series: Edinburgh critical studies in war and culture
    Subjects: Fascism in motion pictures; Nazis in motion pictures; Germans in motion pictures; World War, 1939-1945; Motion pictures
    Scope: vii, 214 p., ill
  15. Screening war
    perspectives on German suffering
    Contributor: Cooke, Paul (Herausgeber); Silberman, Marc (Herausgeber)
    Published: 2010
    Publisher:  Camden House, Rochester, N.Y. ; Cambridge University Press, Cambridge, UK

    Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from... more

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    Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel KoÌppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.

     

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    Source: Union catalogues
    Contributor: Cooke, Paul (Herausgeber); Silberman, Marc (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137142
    RVK Categories: AP 52700 ; AP 44910
    DDC Categories: 791
    Series: Screen cultures: German film and the visual
    Subjects: Opfer <Religion, Motiv>; Weltkrieg <1939-1945>; Trauma; Film; Deutschlandbild; Zweiter Weltkrieg <Motiv>; Opfer <Sozialpsychologie, Motiv>; Psychisches Trauma <Motiv>; World War, 1939-1945; War films; Suffering in motion pictures; Psychic trauma in motion pictures; Germans in motion pictures
    Scope: 1 Online-Ressource (vi, 304 pages)
  16. A nation of victims?
    representations of German wartime suffering from 1945 to the present
    Contributor: Schmitz, Helmut (Publisher)
    Published: 2007
    Publisher:  Rodopi, Amsterdam [u.a.]

    Dokumentationszentrum Flucht, Vertreibung, Versöhnung - Bibliothek & Zeitzeugenarchiv
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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Schmitz, Helmut (Publisher)
    Language: English; German
    Media type: Book
    ISBN: 9789042022096
    RVK Categories: GN 1701
    Series: German monitor ; 67
    Subjects: Beeldvorming; Collectief geheugen; Oorlogsslachtoffers; Tweede Wereldoorlog; Darstellung; Film; Geschichte; Weltkrieg (1939-1945); German literature; German literature; Germans in literature; Germans in motion pictures; Motion pictures; Suffering in literature; Suffering in motion pictures; War in literature; World War, 1939-1945; Literatur; Leid <Motiv>; Deutsch; Zweiter Weltkrieg
    Scope: 265 S.
    Notes:

    Beitr. teilw. engl., teilw. dt.

  17. Representing the "good German" in literature and culture after 1945
    altruism and moral ambiguity
    Published: 2013
    Publisher:  Camden House, Rochester, N.Y.

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781571134981; 1571134980
    Parent title:
    RVK Categories: GN 1411
    Edition: 1. publ.
    Series: Studies in German literature, linguistics, and culture
    Subjects: Philosophie; Literature and morals; German literature; Germans in literature; Germans in motion pictures; Identity (Psychology); Medien; Film; Deutsche <Motiv>; Literatur; Ethik <Motiv>; Nationalsozialismus
    Scope: VIII, 261 S., Ill.
    Notes:

    Includes bibliographical references and index -- Includes filmography

  18. Barbaren mit humanen Zügen
    Bilder des Deutschen in Filmen Roberto Rossellinis
    Published: 2009
    Publisher:  WVT, Wiss. Verl. Trier, Trier

    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    ISBN: 9783868211726
    Other identifier:
    9783868211726
    RVK Categories: AP 51297
    DDC Categories: 791
    Series: Filmgeschichte international ; 18
    Subjects: Germans in motion pictures; Motion picture producers and directors; Film; Deutsche <Motiv>; Deutschlandbild
    Other subjects: Rossellini, Roberto <1906-1977>; Rossellini, Roberto (1906-1977)
    Scope: VII, 336 S., Ill., 210 mm x 148 mm
  19. Representing the "good German" in literature and culture after 1945
    altruism and moral ambiguity
    Contributor: Ó Dochartaigh, Pól (Publisher)
    Published: 2013
    Publisher:  Camden House, Rochester, NY

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Ó Dochartaigh, Pól (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571134981; 9781571137876
    RVK Categories: GN 1411
    Series: Studies in German literature, linguistics, and culture
    Subjects: Philosophie; Literature and morals; German literature; Germans in literature; Germans in motion pictures; Identity (Psychology); Medien; Nationalsozialismus; Literatur; Film; Deutsche <Motiv>; Ethik <Motiv>
    Scope: 1 Online-Ressource (VIII, 261 S.), Ill.
  20. Screening war
    perspectives on German suffering
    Contributor: Cooke, Paul (Publisher)
    Published: 2010
    Publisher:  Camden House, Rochester, NY

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Cooke, Paul (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781571134370; 1571134379
    RVK Categories: AP 44910 ; AP 52700
    Edition: 1. publ.
    Series: Screen cultures
    Subjects: World War, 1939-1945 / Motion pictures and the war; War films / Germany / History / 20th century; Suffering in motion pictures; Psychic trauma in motion pictures; Germans in motion pictures; Geschichte; Weltkrieg (1939-1945); Film; Psychisches Trauma <Motiv>; Deutschlandbild; Zweiter Weltkrieg <Motiv>; Opfer <Sozialpsychologie, Motiv>
    Scope: VI, 304 S., Ill.
    Notes:

    Includes bibliographical references and indexes

    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan

  21. A Nation of victims?
    representations of German wartime suffering from 1945 to the present
    Published: 2010
    Publisher:  Rodopi, Amsterdam

    Introduction : the return of wartime suffering in contemporary German memory culture, literature, and film / Helmut Schmitz -- Germans in the Lager : reports and narratives about imprisonment in post-war Allied internment camps / Gregor Streim --... more

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    Introduction : the return of wartime suffering in contemporary German memory culture, literature, and film / Helmut Schmitz -- Germans in the Lager : reports and narratives about imprisonment in post-war Allied internment camps / Gregor Streim -- "Die, von denen man erzählt hat, dass sie die kleinen Kinder schlachten" : deutsche Leiderfahrung und Bilder von Juden in der deutschen Kultur nach 1945 : zu einigen Texten Wolfgang Weyrauchs / Hans-Joachim Hahn -- The representation of Wehrmacht soldiers as victims in post-war German film : Hunde, wollt ihr ewig leben? and Der Arzt von Stalingrad / Helen Wolfenden -- The German myth of a victim nation : (re- )presenting Germans as victims in the new debate on their flight and explusion from Eastern Europe / Samuel Salzborn -- Implicit equations in constructions of German suffering / Bill Niven -- Dresden and Hamburg : official memory and commemoration of the victims of Allied air raids in the two Germanies / Gilad Margalit -- Regarding and imagining : contrived immediacy of the Allied bombing campaign in photography, novel, and historiography / Heinz-Peter Preusser -- Lost in translations? : the discourse of "german suffering" and W.G. Sebald's Luftkrieg und Literatur / Annette Seidel Arpaci -- Wahrheit und Erinnerung : die Spuren des Jahres 1945 in Texten von Christa Wolf / Odile Jansen -- Historicism, sentimentality, and the problem of empathy : Uwe Timm's Am Beispiel meines Bruders in the context of recent representations of German suffering / Helmut Schmitz -- Literary representations in contemporary German fiction of the expulsions of Germans from the east in 1945 / Stuart Taberner -- Der Untergang (2004) : victims, perpetrators, and the continuing fascination of fascism / Paul Cooke. The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980s. The (international) attention and debates triggered by, for example, W.G. Sebald's Luftkrieg und Literatur , Günter Grass's Im Krebsgang , Jörg Friedrich's Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the 'perpetrator collective' and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781435604933; 1435604938
    Series: German monitor 0144-6355 ; no. 67
    German monitor ; no. 67
    Subjects: World War, 1939-1945; German literature; German literature; Motion pictures; Germans in literature; Germans in motion pictures; Suffering in literature; Suffering in motion pictures; War in literature; German literature; Motion pictures; German literature; World War, 1939-1945; Literature; German literature; German literature; Motion pictures; World War, 1939-1945; Germans in literature; Germans in motion pictures; Suffering in literature; Suffering in motion pictures; War in literature; Motion pictures; War and motion pictures; Oorlogsslachtoffers; Collectief geheugen; Beeldvorming; Tweede Wereldoorlog; Weltkrieg; Leid; LITERARY CRITICISM ; European ; German; German literature; Criticism, interpretation, etc; History
    Scope: Online Ressource (265 pages)
    Notes:

    Includes bibliographical references

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  22. Representing the "good German" in literature and culture after 1945
    altruism and moral ambiguity
    Contributor: Ó Dochartaigh, Pól (Hrsg.)
    Published: 2013
    Publisher:  Camden House, Rochester, NY [u.a.]

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Source: Staatsbibliothek zu Berlin
    Contributor: Ó Dochartaigh, Pól (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1571134980; 9781571134981
    Other identifier:
    978157113498190000
    RVK Categories: GN 1411 ; AP 50300 ; GN 3262 ; GN 3282
    Series: Studies in German literature, linguistics, and culture
    Subjects: Literature and morals; German literature; Germans in literature; Germans in motion pictures; Identity (Psychology)
    Scope: VIII, 261 S., Ill.
    Notes:

    Filmogr. S. [247] - 248

    Includes bibliographical references and index. - Includes filmography

  23. Representing the good German in literature and culture after 1945
    altruism and moral ambiguity
    Published: 2013
    Publisher:  Camden House, Rochester, N.Y

    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137876
    RVK Categories: GN 1411
    Series: Studies in German literature, linguistics, and culture
    Subjects: Germans in motion pictures; Germans in literature; Identity (Psychology); German literature; Literature and morals
    Scope: Online-Ressource (280 S.), Ill.
    Notes:

    Includes bibliographical references, filmography and index

    Electronic reproduction; Available via World Wide Web

  24. Representing the "good German" in literature and culture after 1945
    altruism and moral ambiguity
    Contributor: Schönfeld, Christiane (HerausgeberIn); Ó Dochartaigh, Pól (HerausgeberIn)
    Published: 2013
    Publisher:  Boydell & Brewer, Suffolk

    In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans as evil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting behavior, moral truth, or at the very least civil disobedience. The "good German's" counterhegemonic practice cannot negate or contradict the barbaric reality of Hitler's Germany, but reflects a value system based on humanity and an "other" ideal community. This volume of new essays explores postwar and recent representations of "good Germans" during the Third Reich, analyzing the logic of moral behavior, cultural and moral relativism, and social conformity found in them. It thus draws together discussions of the function and reception of "Good Germans" in Germany and abroad. Contributors: Eoin Bourke, Manuel Bragança, Maeve Cooke, Kevin De Ornellas, Sabine Egger, Joachim Fischer, Coman Hamilton, Jon Hughes, Karina von Lindeiner-Strásky, Alexandra Ludewig, Pól O Dochartaigh, Christiane Schönfeld, Matthias Uecker. Pól O Dochartaigh is Professor of German and Dean of the Faculty of Arts at the University of Ulster, Northern Ireland. Christiane Schönfeld is Senior Lecturer in German and Head of the Department of German Studies at Mary Immaculate College, University of Limerick Re-presenting the good German: philosophical reflections / Maeve Cook -- "Görings glorreichste Günstlinge": the portrayal of Wilhelm Furtwängler and Gustaf Gründgens as good Germans in the West German media since 1945 / Karina von Lindeiner-Stráský -- From Hitler's champion to German of the century: on the representation and reinvention of Max Schmeling / Jon Hughes -- Wilhelm Krützfeld and other "good" constables in police station 16 in Hackescher Markt, Berlin / Eoin Burke -- The "good German" between silence and artistic deconstruction of an inhumane world: Johannes Bobrowski's "Mäusefest" and "Der Tänze malige" / Sabine Egger -- Saints and sinners: the good German and her others in Heinrich Böll's Gruppenbild mit Dame / Matthias Uecker -- Being human: good Germans in postwar German film / Christiane Schönfeld -- "The banality of good"?: good Nazis in contemporary German film / Alexandra Ludewig -- Memories of good and evil in Sophie Scholl-die letzten Tage / Coman Hamilton -- Deconstructing the good German in French bestsellers published in the aftermath of the Second World War / Manuel Bragança -- Macbeth, not Henry V: Shakespearean allegory in the construction of Vercor's good German / Kevin de Ornellas -- A good Irish German: in praise of Hugo Hamilton's mother / Joachim Fischer -- Shades of gray: the beginnings of the postwar moral compromise in Joseph Kanon's The good German / Pól Ó Dochartaigh

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Schönfeld, Christiane (HerausgeberIn); Ó Dochartaigh, Pól (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137876
    RVK Categories: AP 50300 ; GN 1411 ; GN 3262 ; GN 3282
    Subjects: Germans in motion pictures; Identity (Psychology); German literature; Germans in literature; Literature and morals; Literature and morals ; Germany; German literature ; 20th century ; History and criticism; Germans in literature; Germans in motion pictures; Identity (Psychology) ; Germany; Germany ; Civilization ; 20th century ; Philosophy
    Scope: 1 Online-Ressource (viii, 261 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  25. Screening war
    perspectives on German suffering
    Contributor: Cooke, Paul (Hrsg.)
    Published: 2010
    Publisher:  Camden House, Rochester, NY

    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of... more

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    Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Cooke, Paul (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1571134379; 9781571134370
    Other identifier:
    9781571134370
    RVK Categories: AP 52700 ; AP 44910
    Edition: 1. publ.
    Series: Array
    Subjects: World War, 1939-1945; War films; Suffering in motion pictures; Psychic trauma in motion pictures; Germans in motion pictures
    Scope: VI, 304 S., Ill., 23 cm
    Notes:

    Includes bibliographical references (p. [267]-285) and indexes

    Paul Cooke and Marc Silberman: Introduction: German suffering?

    Jennifer M. Kapczynski: Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film

    David Clarke: German martyrs: images of Christianity and resistance to national socialism in German cinema

    Manuel Köppen: The rhetoric of victim narratives in West German films of the 1950s

    Erica Carter: Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy

    Sabine Hake: Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf

    Tim Bergfelder: Shadowlands: the memory of the Ostgebiete in contemporary German film and television

    Rachel Palfreyman: Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode

    Daniela Berghahn: Resistance of the heart: female suffering and victimhood in DEFA's antifascist films

    Brad Prager: Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA

    John E. Davidson: Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement

    Johannes von Moltke: The politics of feeling: Alexander Kluge on war, film, and emotion

    Seán Allan.: Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films