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  1. The world to come
    art in the age of the anthropocene
    Contributor: Oliver-Smith, Kerry (Herausgeber)
    Published: [2018]
    Publisher:  Samuel P. Harn Museum of Art, University of Florida, Gainesville

    The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical... more

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    Signature:
    03/LH 84956 O48
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    The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical alliances in human-non-human relations. It also explores the realms of justice, aesthetics, ethics, and the role of technology while considering the possibilities for a vibrant future. The stories in this essay are structured by seven intersecting themes of the exhibition: Raw Material, Consumption, Deluge, Extinction, Synthesis, Justice, and Imaginary Futures Foreword / Rebecca Nagy -- Acknowledgments / Kerry Oliver-Smith -- Introduction / Kerry Oliver-Smith -- The world to come / Kerry Oliver-Smith -- Feminist counter-apocalypse: an ethical proposal for the anthropocene / Joanna Zylinska -- A world of our making / T. J. Demos -- Uncommoning nature / Marisol de la Cadena -- How to grow livable worlds: ten not-so-easy steps / Natasha Myers -- The ethics of deep time / Trevor Paglen

     
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    Source: Union catalogues
    Contributor: Oliver-Smith, Kerry (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780983308584
    RVK Categories: LH 65880 ; LH 84956
    Subjects: Kunst; Fotografie; Klimaänderung <Motiv>; Umweltschaden <Motiv>; Human ecology in art; Art, Modern; Future in art; History in art; Photography, Artistic
    Scope: xi, 169 Seiten
    Notes:

    Published in conjunction with the exhibition The World to Come: Art in the Age of the Anthropocene, organized by the Samuel P. Harn Museum of Art, University of Florida. Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL September 18, 2ß18-March 3, 2019, University of Michigan Museum of Art, University of Michigan, Ann Arbor, MI April 27, 2019-July 28, 2019."
  2. Where's my space age?
    the rise and fall of futuristic design
    Author: Topham, Sean
    Published: 2003
    Publisher:  Prestel, Munich

    Location:
    Hochschule für Angewandte Wissenschaften Hof - Hochschule Hof, Bibliothek
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    Bayerische Staatsbibliothek
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    Die Neue Sammlung, Staatliches Museum für angewandte Kunst, Design in der Pinakothek der Moderne, Bibliothek
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    Technische Universität München, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 3791328441
    Subjects: Design; Future in art; Future in popular culture; Space and time in art; Design; Geschichte; Raumfahrt <Motiv>; Alltagsgegenstand
    Scope: 160 S., überw. Ill. : 25 cm
  3. Where's my space age?: the rise and fall of futuristic design
    Author: Topham, Sean
    Published: 2003
    Publisher:  Prestel, Munich

    Location:
    Rat für Formgebung - German Design Council, Bibliothek
    Signature:
    621.138.4/.9 TOP
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    Location:
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    Signature:
    A 18655
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    HAWK Hochschule für angewandte Wissenschaft und Kunst Hildesheim/Holzminden/Göttingen, Bibliothek, Elektronische Ressourcen
    Signature:
    KUN 5020/86
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    Location:
    Universitätsbibliothek Ilmenau
    Signature:
    TEC ZG 9148 T674
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    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KUN:SO:0100:::2003
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    Location:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signature:
    Df 0017
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    Location:
    Hochschule Anhalt , Hochschulbibliothek
    Signature:
    DEI D19909
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    Location:
    Hochschule für Gestaltung Schwäbisch Gmünd, Bibliothek
    Signature:
    7.013(091) 68er Top
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    Location:
    Staatliche Akademie der Bildenden Künste Stuttgart, Bibliothek
    Signature:
    Fg 940 Whe
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    Location:
    Universitätsbibliothek Vechta
    Signature:
    350248
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    Location:
    Vitra Design Museum, Bibliothek
    Signature:
    Kc 5082/02
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    Location:
    UB Weimar
    Signature:
    199 927
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    Source: Union catalogues
    Language: English; German
    Media type: Book
    Format: Print
    ISBN: 3791328441
    Other identifier:
    9783791328447
    RVK Categories: LH 79680
    Subjects: Design; Future in art; Future, The, in popular culture; Space and time in art
    Scope: 160 S, zahlr. Ill, 25 cm
    Notes:

    Literaturverz. S. 158 - 159
  4. Shine
    wensdroom en toekomstvisioen in de hedendaagse kunst ; wishful fantasies and visions of the future in contemporary art ; [Tentoonstelling SHINE, gehouden van 22 februari t/m 21 april 2003 in Museum Bijmans Van Beunungen, Rotterdam]
    Contributor: Cox, Paul (Ill.)
    Published: 2003
    Publisher:  NAi Publ., Rotterdam

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    KIOSK:589::::
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    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Location:
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    Signature:
    B 13923
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    Content information
    Source: Union catalogues
    Contributor: Cox, Paul (Ill.)
    Language: English; Dutch
    Media type: Book
    Format: Print
    ISBN: 9056623087
    Other identifier:
    9789056623081
    RVK Categories: LH 65827
    Subjects: Future in art; Art, Modern
    Scope: 133 S, zahlr. Ill
  5. Future perfect
    vintage futuristic graphics
    Published: c2002
    Publisher:  Taschen, Köln [u.a.]

    Location:
    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
    Signature:
    Me.163
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    Source: Union catalogues
    Language: English; German; French
    Media type: Book
    Format: Print
    ISBN: 3822815667
    Series: Icons
    Subjects: Future in art; Science fiction in art
    Scope: [200] p, chiefly ill. (col.), 20 cm
    Notes:

    Text in English, German and French
  6. Facing forward
    art & theory from a future perspective
    Contributor: Folkerts, Hendrik (Hrsg.)
    Published: 2015
    Publisher:  Amsterdam University Pr., Amsterdam

    "The project 'Facing Forward' started with a collaboration between five institutions: the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel arts centre, W139, the Stedelijk Museum Bureau... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "The project 'Facing Forward' started with a collaboration between five institutions: the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel arts centre, W139, the Stedelijk Museum Bureau Amsterdam and the art magazine Metroplis M. Having previously organized the lecture series and publications 'Right About Now: Art & Theory in the 1990s' (2005/2006) and 'Now is the Time: Art & Theory in the 21st Century' (2008/2009), the organizing committee decided to take the final step in this timeline and turn its attention to the far horizon. Informed by a shared interest in the role that history, speculation, and utopianism play in the field of contemporary art and design (as well as the larger context of global, socio-economic and political developments), a selection of seven themes emerged from the conversations of the initial organizers. These would eventually shape the seven lecture and discussions events - collected in this volume of essays - publicized under the banner Art & Theory From a Future Perspective. A great number of internationally renowned speakers were invited to reflect on the proposed themes during often sold-out events, which were presented at the Oude Lutherse Kerk in Amsterdam in 2011/2012. Yet, however compelling our desire as organizers to go beyond the framework of contemporary events and the current interest, well-nigh obsession, with history, it is obviously an illusion to think that we can escape the past by means of a turn towards the future."--Page 8

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Folkerts, Hendrik (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9089647996; 9789089647993
    Other identifier:
    9789089647993
    RVK Categories: LH 61020
    Subjects: Future in art; Art, Modern; Art
    Scope: 179 S., Ill., 24 cm
  7. El futuro
    XXXI coloquio internacional de historia del arte ; [Oaxaca, 15 al 18 de octubre en 2007]
    Contributor: Dallal, Alberto (Hrsg.)
    Published: 2010
    Publisher:  Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, México, D.F.

    Compilations of conference papers presented at the Colloquium organized Oct. 15-18, 2007 in the city of Oaxaca. Papers centered on the theme of the future in the arts and architecture more

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Compilations of conference papers presented at the Colloquium organized Oct. 15-18, 2007 in the city of Oaxaca. Papers centered on the theme of the future in the arts and architecture

     
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    Source: Union catalogues
    Contributor: Dallal, Alberto (Hrsg.)
    Language: Spanish; English
    Media type: Book
    Format: Print
    ISBN: 9786070214646; 6070214641
    Edition: 1. ed.
    Subjects: Future in art
    Scope: 471 S., Ill., 23 cm
    Notes:

    Includes bibliographical references. - Beitr. teilw. span., teilw. engl

    Arturo Pascual Soto Nota del Editor I. La Figuración del Mañana, Medios y Contextos: Presentación

    Georges Roque: Expresiones y modalidades del futuro de la imagen fija

    Peter Leech: Future Space. Aesthetics. Construction in the Early Twentieth Century painting

    Harper Montgomery: Future and Gloss: Making the Woodcut Modern in Mexico City, 1924-1928

    Olga Sáenz: Los panoramas esotéricos en la modernidad

    Miguel Ángel Fernández Delgado: Crononauta: La propuesta de ciencia ficción pánica de Robert Rebetez y Alejandro Jodorowsky

    Arnulfo Herrera: La visión del futuro en una novela mexicana

    Julieta Ortiz Gaitán: La formulación del edén prometido. Publicidad y diseño: los heraldos del futuro

    Itala Schmelz y Ernesto Peñaloza: Luis Márquez en la Feria Mundial de Nueva York, 1939-1940

    Alejandro Duarte Aguilar: Infinitos y galaxias: El futuro del hombre en la obra pintora de Rufino Tamayo

    Jorge Alberto Manrique: Nuestra "Maravillosa" civilización

    Guillermo Bernal Romero y Erick Velásquez García: El antiguo futuro del k'atun: Imagen, texto y contexto de las profecías mayas

    Ellen Hoobler: The Future in Past, The Past in the Future: Monte Albán and the Zapotecs

    Arturo Pascual Soto II. La Estética del Porvenir o Esquemas Estéticos de la Visión del Futuro: La reconquista del orden: proyecciones del futuro en la visión de un gobernante postrero de El Tajín

    Luiz Renato Martins: Noción por revolución o el poder concreto de la forma. El hemiciclo como templo político y cosmos laico

    Kathryn E. O'Rourke: Imaginig the Future in Architecture and Urban Form: Parque México and the Lindbergh

    Martha Fernández: La imagen del paraíso en los conjuntos conventuales del siglo XVI. Los elementos de la naturaleza

    María José González Madrid: Genealogías y ginecotopías: Las ciudades de las mujeres

    Deborah Dorotinsky: Preñar el futuro

    Gustavo Prado III. La Descomposición del Imaginario del Futuro: Pixeles y neuronas hacia una imagen autoconsciente

    Miguel Ángel Rosas: Es esto el mañana? Prefiguraciones de la ciudad hacia el 2000

    Daniel Garza Usabiaga: Nueva Babilonia y la arquitectura del espectáculo

    Maria Konta: "A Utopia Minus A Bonus": Robert Smithson's Conception of Future

    / Juan Antonio Ramírez.: La espiral ascendente del porvenir: Babel, Tatlin, Smithson
  8. Futur antérieur
    rétrofuturisme, steampunk, archéomodernisme = Perfect future
    Published: [2012]
    Publisher:  Le Mot et le Reste, [Marseille] ; Galerie du Jour Agnès B, [Paris]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: French; English
    Media type: Book
    Format: Print
    ISBN: 2360540610; 9782360540617
    Subjects: Art, Modern; Future in art; Fantasy in art; Technology in art; Steampunk culture
    Scope: 183 p, ill. (chiefly col.), 28 cm
    Notes:

    Exposition, Paris, Galerie du jour Agnès B., 24 mars-26 mai 2012
  9. Shine
    wensdroom en toekomstvisioen in de hedendaagse kunst ; wishful fantasies and visions of the future in contemporary art ; [Tentoonstelling SHINE, gehouden van 22 februari t/m 21 april 2003 in Museum Bijmans Van Beunungen, Rotterdam]
    Contributor: Cox, Paul (Ill.)
    Published: 2003
    Publisher:  NAi Publ., Rotterdam

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: Cox, Paul (Ill.)
    Language: English; Dutch
    Media type: Book
    Format: Print
    ISBN: 9056623087
    Other identifier:
    9789056623081
    RVK Categories: LH 65827
    Subjects: Future in art; Art, Modern
    Scope: 133 S, zahlr. Ill
  10. S.F.
    art, science & fiction ; [... à l'occasion de l'Exposition S.F. - Art, Science & Fiction présentée au Musée des Arts Contemporains du Grand-Hornu du 18 novembre 2012 au 17 février 2013]
    Published: 2012
    Publisher:  Musée des Arts Contemporains, Hornu

    Si le cosmos est un mystère, que dire de l'art qui tente de le représenter et de la science qui cherche à en prendre la mesure? 'Art, Science & Fiction' sont trois termes indissociables à bien des égards, tant dans l'histoire de l'humanité que dans... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Si le cosmos est un mystère, que dire de l'art qui tente de le représenter et de la science qui cherche à en prendre la mesure? 'Art, Science & Fiction' sont trois termes indissociables à bien des égards, tant dans l'histoire de l'humanité que dans l'histoire de l'art. Dans ce livre, Denis Gielen met en relation des images, des réflexions et des propos qui se rencontrent, se confondent ou se bousculent au-delà de ce qui est communément appelé aujourd'hui la science-fiction. Par des analyses précises de termes tels que: la quatrième dimension, rencontre du troisième type, le monde perdu, au-delà du réel l'auteur nous entraîne dans des champs d'investigation que les artistes aussi bien que les scientifiques ont largement traités durant les dernières décennies et où leurs propos se confrontent. Exhibition: MAC's, Grand-Hornu, Belgium (18.11.2012-17.2.2013)

     
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2930368543; 9782930368542
    RVK Categories: LH 65020
    Subjects: Science fiction in art; Science fiction; Future in art; Cosmology in art
    Scope: 267 S., zahlr. Ill.
    Notes:

    Erscheinungsjahr in Vorlageform:2012
  11. The world to come
    art in the age of the anthropocene
    Contributor: Oliver-Smith, Kerry (HerausgeberIn)
    Published: [2018]
    Publisher:  Samuel P. Harn Museum of Art, University of Florida, Gainesville

    The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical alliances in human-non-human relations. It also explores the realms of justice, aesthetics, ethics, and the role of technology while considering the possibilities for a vibrant future. The stories in this essay are structured by seven intersecting themes of the exhibition: Raw Material, Consumption, Deluge, Extinction, Synthesis, Justice, and Imaginary Futures Foreword / Rebecca Nagy -- Acknowledgments / Kerry Oliver-Smith -- Introduction / Kerry Oliver-Smith -- The world to come / Kerry Oliver-Smith -- Feminist counter-apocalypse: an ethical proposal for the anthropocene / Joanna Zylinska -- A world of our making / T. J. Demos -- Uncommoning nature / Marisol de la Cadena -- How to grow livable worlds: ten not-so-easy steps / Natasha Myers -- The ethics of deep time / Trevor Paglen

     
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    Source: Union catalogues
    Contributor: Oliver-Smith, Kerry (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780983308584
    RVK Categories: LH 65880
    Subjects: Human ecology in art; Art, Modern; Future in art; History in art; Photography, Artistic
    Scope: 169 Seiten
    Notes:

    Published in conjunction with the exhibition The World to Come: Art in the Age of the Anthropocene, organized by the Samuel P. Harn Museum of Art, University of Florida. Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL September 18, 2ß18-March 3, 2019, University of Michigan Museum of Art, University of Michigan, Ann Arbor, MI April 27, 2019-July 28, 2019."
  12. Future shock
    artists Doug Aitken, Patrick Bernatchez, Andreas Gursky ... [und 7 andere]
    Author: Hofmann, Irene
    Published: [2017]; ©2017
    Publisher:  SITE Santa Fe, Santa Fe, New Mexico

    The title is inspired by Alvin Toffler's prophetic book 'Future Shock' (published in 1970), in which he describes the profound impact of the acceleration of technological, social and structural change in contemporary life. Themes explored in the... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    The title is inspired by Alvin Toffler's prophetic book 'Future Shock' (published in 1970), in which he describes the profound impact of the acceleration of technological, social and structural change in contemporary life. Themes explored in the exhibition include: the role of technology in our lives and the effects of globalism, population growth, surveillance, privacy and the Anthropocene. With Toffler's predictions and warnings as a backdrop, this exhibition brings together a group of artists whose works imagine a range of visions of our present and future. Future Shock includes works by Tom Sachs, Lynn Hershman-Leeson, Doug Aitken, Alexis Rockman, Andreas Gursky, Rafael Lozano-Hemmer, Patrick Bernatchez, Dario Robleto, Regina Silveira and Andrea Zittel

     
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    Source: Union catalogues
    Contributor: Caoba, Brandee (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0985660244; 9780985660246
    RVK Categories: LH 65880
    Subjects: Art, Modern; Future in art; Forecasting; Art, Modern; Forecasting; Future in art; Art, Modern; Forecasting; Future in art; Toffler, Alvin
    Other subjects: Toffler, Alvin; Toffler, Alvin
    Scope: 141 Seiten, 29 cm
    Notes:

    Letzte Seite: "The catalogue accompanies the exhibition Future Shock, SITE Santa Fe, New Mexico, October 7, 2017-May 20, 2018."
  13. Out of time
    designs for the twentieth-century future ; [in conjunction with the exhibition "Out of Time..." organized by the Smithsonian Institution ...]
    Contributor: Brosterman, Norman (Publisher)
    Published: 2000
    Publisher:  Harry N. Abrams, New York

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    Source: Union catalogues
    Contributor: Brosterman, Norman (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0810929392
    RVK Categories: LH 84958
    Subjects: Future in art; Science fiction in art
    Scope: 95 S., zahlr. Ill., 25cm
    Notes:

    Literaturverz. S. [96]
  14. Where's my space age?
    the rise and fall of futuristic design
    Author: Topham, Sean
    Published: 2003
    Publisher:  Prestel, Munich

    Location:
    Kunsthochschule Berlin-Weißensee, Bibliothek
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    Location:
    Fachhochschule Potsdam, Hochschulbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 3791328441
    Subjects: Design; Future in art; Future in popular culture; Space and time in art; Design; Geschichte; Raumfahrt <Motiv>; Alltagsgegenstand
    Scope: 160 S., überw. Ill. : 25 cm
  15. El futuro
    XXXI coloquio internacional de historia del arte ; [Oaxaca, 15 al 18 de octubre en 2007]
    Contributor: Dallal, Alberto (Hrsg.)
    Published: 2010
    Publisher:  Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, México, D.F.

    Compilations of conference papers presented at the Colloquium organized Oct. 15-18, 2007 in the city of Oaxaca. Papers centered on the theme of the future in the arts and architecture more

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Signature:
    A 11 / 12210
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2011:3790:
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2013 C 788
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    Compilations of conference papers presented at the Colloquium organized Oct. 15-18, 2007 in the city of Oaxaca. Papers centered on the theme of the future in the arts and architecture

     
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    Content information
    Source: Union catalogues
    Contributor: Dallal, Alberto (Hrsg.)
    Language: Spanish; English
    Media type: Book
    Format: Print
    ISBN: 9786070214646; 6070214641
    Edition: 1. ed.
    Subjects: Future in art
    Scope: 471 S., Ill., 23 cm
    Notes:

    Includes bibliographical references. - Beitr. teilw. span., teilw. engl

    Arturo Pascual Soto Nota del Editor I. La Figuración del Mañana, Medios y Contextos: Presentación

    Georges Roque: Expresiones y modalidades del futuro de la imagen fija

    Peter Leech: Future Space. Aesthetics. Construction in the Early Twentieth Century painting

    Harper Montgomery: Future and Gloss: Making the Woodcut Modern in Mexico City, 1924-1928

    Olga Sáenz: Los panoramas esotéricos en la modernidad

    Miguel Ángel Fernández Delgado: Crononauta: La propuesta de ciencia ficción pánica de Robert Rebetez y Alejandro Jodorowsky

    Arnulfo Herrera: La visión del futuro en una novela mexicana

    Julieta Ortiz Gaitán: La formulación del edén prometido. Publicidad y diseño: los heraldos del futuro

    Itala Schmelz y Ernesto Peñaloza: Luis Márquez en la Feria Mundial de Nueva York, 1939-1940

    Alejandro Duarte Aguilar: Infinitos y galaxias: El futuro del hombre en la obra pintora de Rufino Tamayo

    Jorge Alberto Manrique: Nuestra "Maravillosa" civilización

    Guillermo Bernal Romero y Erick Velásquez García: El antiguo futuro del k'atun: Imagen, texto y contexto de las profecías mayas

    Ellen Hoobler: The Future in Past, The Past in the Future: Monte Albán and the Zapotecs

    Arturo Pascual Soto II. La Estética del Porvenir o Esquemas Estéticos de la Visión del Futuro: La reconquista del orden: proyecciones del futuro en la visión de un gobernante postrero de El Tajín

    Luiz Renato Martins: Noción por revolución o el poder concreto de la forma. El hemiciclo como templo político y cosmos laico

    Kathryn E. O'Rourke: Imaginig the Future in Architecture and Urban Form: Parque México and the Lindbergh

    Martha Fernández: La imagen del paraíso en los conjuntos conventuales del siglo XVI. Los elementos de la naturaleza

    María José González Madrid: Genealogías y ginecotopías: Las ciudades de las mujeres

    Deborah Dorotinsky: Preñar el futuro

    Gustavo Prado III. La Descomposición del Imaginario del Futuro: Pixeles y neuronas hacia una imagen autoconsciente

    Miguel Ángel Rosas: Es esto el mañana? Prefiguraciones de la ciudad hacia el 2000

    Daniel Garza Usabiaga: Nueva Babilonia y la arquitectura del espectáculo

    Maria Konta: "A Utopia Minus A Bonus": Robert Smithson's Conception of Future

    / Juan Antonio Ramírez.: La espiral ascendente del porvenir: Babel, Tatlin, Smithson
  16. Futur antérieur
    rétrofuturisme, steampunk, archéomodernisme = Perfect future
    Published: [2012]
    Publisher:  Le Mot et le Reste, [Marseille] ; Galerie du Jour Agnès B, [Paris]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 148266
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    Source: Staatsbibliothek zu Berlin
    Language: French; English
    Media type: Book
    Format: Print
    ISBN: 2360540610; 9782360540617
    Subjects: Art, Modern; Future in art; Fantasy in art; Technology in art; Steampunk culture
    Scope: 183 p, ill. (chiefly col.), 28 cm
    Notes:

    Exposition, Paris, Galerie du jour Agnès B., 24 mars-26 mai 2012
  17. S.F.
    art, science & fiction ; [... à l'occasion de l'Exposition S.F. - Art, Science & Fiction présentée au Musée des Arts Contemporains du Grand-Hornu du 18 novembre 2012 au 17 février 2013]
    Published: 2012
    Publisher:  Musée des Arts Contemporains, Hornu

    Si le cosmos est un mystère, que dire de l'art qui tente de le représenter et de la science qui cherche à en prendre la mesure? 'Art, Science & Fiction' sont trois termes indissociables à bien des égards, tant dans l'histoire de l'humanité que dans... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2013:2900:
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    Si le cosmos est un mystère, que dire de l'art qui tente de le représenter et de la science qui cherche à en prendre la mesure? 'Art, Science & Fiction' sont trois termes indissociables à bien des égards, tant dans l'histoire de l'humanité que dans l'histoire de l'art. Dans ce livre, Denis Gielen met en relation des images, des réflexions et des propos qui se rencontrent, se confondent ou se bousculent au-delà de ce qui est communément appelé aujourd'hui la science-fiction. Par des analyses précises de termes tels que: la quatrième dimension, rencontre du troisième type, le monde perdu, au-delà du réel l'auteur nous entraîne dans des champs d'investigation que les artistes aussi bien que les scientifiques ont largement traités durant les dernières décennies et où leurs propos se confrontent. Exhibition: MAC's, Grand-Hornu, Belgium (18.11.2012-17.2.2013)

     
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    Content information
    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2930368543; 9782930368542
    RVK Categories: LH 65020
    Subjects: Science fiction in art; Science fiction; Future in art; Cosmology in art
    Scope: 267 S., zahlr. Ill.
    Notes:

    Erscheinungsjahr in Vorlageform:2012
  18. Facing forward
    art & theory from a future perspective
    Contributor: Folkerts, Hendrik (Hrsg.)
    Published: 2015
    Publisher:  Amsterdam University Pr., Amsterdam

    "The project 'Facing Forward' started with a collaboration between five institutions: the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel arts centre, W139, the Stedelijk Museum Bureau... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2015:4014:
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 943712
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    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
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    14.20 2015
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    "The project 'Facing Forward' started with a collaboration between five institutions: the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel arts centre, W139, the Stedelijk Museum Bureau Amsterdam and the art magazine Metroplis M. Having previously organized the lecture series and publications 'Right About Now: Art & Theory in the 1990s' (2005/2006) and 'Now is the Time: Art & Theory in the 21st Century' (2008/2009), the organizing committee decided to take the final step in this timeline and turn its attention to the far horizon. Informed by a shared interest in the role that history, speculation, and utopianism play in the field of contemporary art and design (as well as the larger context of global, socio-economic and political developments), a selection of seven themes emerged from the conversations of the initial organizers. These would eventually shape the seven lecture and discussions events - collected in this volume of essays - publicized under the banner Art & Theory From a Future Perspective. A great number of internationally renowned speakers were invited to reflect on the proposed themes during often sold-out events, which were presented at the Oude Lutherse Kerk in Amsterdam in 2011/2012. Yet, however compelling our desire as organizers to go beyond the framework of contemporary events and the current interest, well-nigh obsession, with history, it is obviously an illusion to think that we can escape the past by means of a turn towards the future."--Page 8

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Folkerts, Hendrik (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9089647996; 9789089647993
    Other identifier:
    9789089647993
    RVK Categories: LH 61020
    Subjects: Future in art; Art, Modern; Art
    Scope: 179 S., Ill., 24 cm
  19. The world to come
    art in the age of the anthropocene
    Contributor: Oliver-Smith, Kerry (HerausgeberIn)
    Published: [2018]
    Publisher:  Samuel P. Harn Museum of Art, University of Florida, Gainesville

    The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2020:399:
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    The World to Come is organized around overlapping trajectories, constituting a network of ecologies and stories within stories. The narrative traces states of being and becoming, from rupture, disaster and loss to the emergence of nonhierarchical alliances in human-non-human relations. It also explores the realms of justice, aesthetics, ethics, and the role of technology while considering the possibilities for a vibrant future. The stories in this essay are structured by seven intersecting themes of the exhibition: Raw Material, Consumption, Deluge, Extinction, Synthesis, Justice, and Imaginary Futures Foreword / Rebecca Nagy -- Acknowledgments / Kerry Oliver-Smith -- Introduction / Kerry Oliver-Smith -- The world to come / Kerry Oliver-Smith -- Feminist counter-apocalypse: an ethical proposal for the anthropocene / Joanna Zylinska -- A world of our making / T. J. Demos -- Uncommoning nature / Marisol de la Cadena -- How to grow livable worlds: ten not-so-easy steps / Natasha Myers -- The ethics of deep time / Trevor Paglen

     
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    Source: Union catalogues
    Contributor: Oliver-Smith, Kerry (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780983308584
    RVK Categories: LH 65880
    Subjects: Human ecology in art; Art, Modern; Future in art; History in art; Photography, Artistic
    Scope: 169 Seiten
    Notes:

    Published in conjunction with the exhibition The World to Come: Art in the Age of the Anthropocene, organized by the Samuel P. Harn Museum of Art, University of Florida. Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL September 18, 2ß18-March 3, 2019, University of Michigan Museum of Art, University of Michigan, Ann Arbor, MI April 27, 2019-July 28, 2019."
  20. Future shock
    artists Doug Aitken, Patrick Bernatchez, Andreas Gursky ... [und 7 andere]
    Author: Hofmann, Irene
    Published: [2017]; ©2017
    Publisher:  SITE Santa Fe, Santa Fe, New Mexico

    The title is inspired by Alvin Toffler's prophetic book 'Future Shock' (published in 1970), in which he describes the profound impact of the acceleration of technological, social and structural change in contemporary life. Themes explored in the... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2018:1166:
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    The title is inspired by Alvin Toffler's prophetic book 'Future Shock' (published in 1970), in which he describes the profound impact of the acceleration of technological, social and structural change in contemporary life. Themes explored in the exhibition include: the role of technology in our lives and the effects of globalism, population growth, surveillance, privacy and the Anthropocene. With Toffler's predictions and warnings as a backdrop, this exhibition brings together a group of artists whose works imagine a range of visions of our present and future. Future Shock includes works by Tom Sachs, Lynn Hershman-Leeson, Doug Aitken, Alexis Rockman, Andreas Gursky, Rafael Lozano-Hemmer, Patrick Bernatchez, Dario Robleto, Regina Silveira and Andrea Zittel

     
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    Source: Union catalogues
    Contributor: Caoba, Brandee (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0985660244; 9780985660246
    RVK Categories: LH 65880
    Subjects: Art, Modern; Future in art; Forecasting; Art, Modern; Forecasting; Future in art; Art, Modern; Forecasting; Future in art; Toffler, Alvin
    Other subjects: Toffler, Alvin; Toffler, Alvin
    Scope: 141 Seiten, 29 cm
    Notes:

    Letzte Seite: "The catalogue accompanies the exhibition Future Shock, SITE Santa Fe, New Mexico, October 7, 2017-May 20, 2018."