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Song for an Equinox

Publisher: Princeton University Press, Princeton, NJ

"For Perse these lines are brief, but they are as fine as anything he has done." With these words The Times Literary Supplement greeted the publication in France of the last four poems written by the Nobel Prize winner before his death in 1975. This... more

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"For Perse these lines are brief, but they are as fine as anything he has done." With these words The Times Literary Supplement greeted the publication in France of the last four poems written by the Nobel Prize winner before his death in 1975. This volume provides their French texts with an English translation by Richard Howard, completing the publication in Bollingen Series of the collected poetry of St.-John Perse. Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781400886456
Other identifier:	doi: 10.1515/9781400886456
Series:	Works by St.-John Perse
Subjects:	French poetry; French poetry; French poetry.
Scope:	1 Online-Ressource
Notes:	Frontmatter -- -- Contents -- -- Sécheresse / Drouth -- -- Chant pour un Équinoxe / Song for an Equinox -- -- Nocturne / Nocturne -- -- Chanté par Celle Qui Fut Là / Sung by One Who Was There

Knowing Poetry

Verse in Medieval France from the "Rose" to the "Rhétoriqueurs

Author: Armstrong, Adrian

Publisher: Cornell University Press, Ithaca, N.Y.

In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of... more

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Wilhelmshaven: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek

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In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occitan, with the explicit intention of transmitting encyclopedic, political, philosophical, moral, historical, and other forms of knowledge.In Knowing Poetry, Adrian Armstrong and Sarah Kay explore why and how verse continued to be used to transmit and shape knowledge in France. They cover the period between Jean de Meun's Roman de la rose (c. 1270) and the major work of Jean Bouchet, the last of the grands rhétoriqueurs (c. 1530). The authors find that the advent of prose led to a new relationship between poetry and knowledge in which poetry serves as a medium for serious reflection and self-reflection on subjectivity, embodiment, and time. They propose that three major works-the Roman de la rose, the Ovide moralisé, and Boethius' Consolation of Philosophy-form a single influential matrix linking poetry and intellectual inquiry, metaphysical insights, and eroticized knowledge. The trio of thought-world-contingency, poetically represented by Philosophy, Nature, and Fortune, grounds poetic exploration of reality, poetry, and community.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9780801460586
Other identifier:	doi: 10.7591/9780801460586
Subjects:	Knowledge, Theory of, in literature; French poetry; Knowledge, Theory of, in literature; French poetry; French poetry.; Knowledge, Theory of, in literature.
Scope:	1 online resource
Notes:	Frontmatter -- -- Contents -- -- List of Illustrations -- -- Preface and Acknowledgments -- -- Introduction -- -- Part I. Situating Knowledge -- -- Chapter 1. Persistent Presence: Verse after Prose -- -- Chapter 2. Poetry and History -- -- Chapter 3. Poetry and Thought -- -- Part II. Transmitting and Shaping Knowledge -- -- Chapter 4. Knowing the World in Verse Encyclopedias and Encyclopedic Verse -- -- Chapter 5. Knowledge and the Practice of Poetry -- -- Chapter 6. Textual Communities: Poetry and the Social Construction of Knowledge -- -- Conclusion -- -- Bibliography -- -- Index

Sonnets of Louise Labé

Author: Labé, Louise

Publisher: University of Toronto Press, Toronto

The love sonnets of Louise Labé of Lyons and the gilded legend of her life in the early years of the French Renaissance have appealed to the imagination of four centuries.Printed here beside the text of the 1556 edition, the translations of the... more

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Tübingen: Universitätsbibliothek der Eberhard Karls Universität

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Wilhelmshaven: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek

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The love sonnets of Louise Labé of Lyons and the gilded legend of her life in the early years of the French Renaissance have appealed to the imagination of four centuries.Printed here beside the text of the 1556 edition, the translations of the sonnets by Alta Lind Cook follow closely the original version and admirably retain its sweep and movement, its simplicity and melody. The rhyme scheme of the Petrarchan sonnet has been preserved with variations and corresponding to those of the French. With the poems, the translator presents a sketch of the circumstances and background of this unique literary figure of the Sixteenth Century, known in France and outside of France as La Belle Cordière.These translations by Alta Lind Cook are fine poetry; in English as in French the reader finds ";present reality in their hope and their despair, their independence and their impertinence, their tears and their sparkle.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781442653078
Other identifier:	doi: 10.3138/9781442653078
Subjects:	French poetry; French poetry; French poetry.; DISCOUNT-B.
Scope:	1 online resource
Notes:	Frontmatter -- -- Preface -- -- Louise Labe of Lyons -- -- The Sonnets

The Material, the Real, and the Fractured Self

Subjectivity and Representation from Rimbaud to Réda

Author: Harrow, Susan

Publisher: University of Toronto Press, Toronto

In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume... more

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In The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollinaire, Francis Ponge, and Jacques Réda. She demonstrates the richness and the relevance of modern French poetry for today's readers, putting contemporary thought to work on the fractured self emerging in the post-Baudelairian lyric.Harrow addresses the widely perceived marginalization of poetry in the writing/theory debate, demonstrating that the emergence of a self at once shaped by and straining against material, historical, subjective, and cultural impediments reveals fertile relations between theory and poetry. Where purer forms of postmodernist thinking have stressed the dissolution and dispersal of the human subject, new approaches informed by cultural studies, autobiography theory, and gender studies work to recover fictions of experience and retrieve submerged narratives of the self. Probing the activity of textual self-recovery among the debris of history and fantasy, visuality and desire, and culture and corporeality, The Material, the Real, and the Fractured Self imparts something of the startling beauty and the raw urgency of poetry writing across the broad modern period.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781442681705
Other identifier:	doi: 10.3138/9781442681705
Series:	University of Toronto Romance Series
Subjects:	French poetry; French poetry; Modernism (Literature); French poetry.; French poetry.; Modernism (Literature).; French poetry; French poetry; Modernism (Literature)
Scope:	1 online resource

The Lady as Saint

A Collection of French Hagiographic Romances of the Thirteenth Century

Author: Cazelles, Brigitte

Publisher: University of Pennsylvania Press, Philadelphia, Pa

Among the thirteenth-century saints exalted are female martyrs and hermits of early Christianity. In The Lady as Saint, Brigitte Cazelles offers the first English translation of these lives and provides extensive commentary on the portrayal of female... more

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Oldenburg: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek

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Tübingen: Universitätsbibliothek der Eberhard Karls Universität

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Wilhelmshaven: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek

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Among the thirteenth-century saints exalted are female martyrs and hermits of early Christianity. In The Lady as Saint, Brigitte Cazelles offers the first English translation of these lives and provides extensive commentary on the portrayal of female spirituality.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9780812292305
Other identifier:	doi: 10.9783/9780812292305
Series:	The Middle Ages Series
Subjects:	French poetry; Christian women saints; French poetry; Christian women saints; Christian women saints.; French poetry.; Religion, Jewish Studies, Theology.; Theology / Judaism / Religion.; Theology, Jewish Studies and Religious Studies.
Scope:	1 online resource
Notes:	Frontmatter -- -- Contents -- -- Acknowledgments -- -- Part I: Commentary -- -- Introduction -- -- 1. Holy Perfection in the Old French Tradition -- -- 2. Female Sanctity: Trial by Disclosure -- -- 3. Femininity Circumscribed -- -- Part II: Anthology -- -- The Life of Saint Agnes. Version A -- -- The Life of Saint Barbara -- -- The Life of Catherine of Alexandria. Version B -- -- The Life of Saint Christina -- -- The Life of Saint Elizabeth of Hungary -- -- The Life of Saint Euphrosina -- -- The Life of Saint Faith -- -- The Life of Saint Juliana -- -- The Life of Saint Margaret of Antioch -- -- The Life of Saint Marina -- -- The Life of Mary the Egyptian -- -- The Life of Saint Paula -- -- The Life of Saint Thais -- -- Notes -- -- Appendices -- -- The Ninth-Century Sequence of Saint Eulalia -- -- Holy Heroines of Hagiographic Romance: Summary of Information -- -- Selected Bibliography -- -- Index

Shaping Romance

Interpretation, Truth, and Closure in Twelfth-Century French Fictions

Author: Bruckner, Matilda Tomaryn

Publisher: University of Pennsylvania Press, Philadelphia, Pa

Examines a set of five twelfth-century romance texts—complete and fragmentary, canonical and now neglected, long and short—to map out the characteristics and boundaries of the genre in its formative period. more

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Wilhelmshaven: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek

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Examines a set of five twelfth-century romance texts—complete and fragmentary, canonical and now neglected, long and short—to map out the characteristics and boundaries of the genre in its formative period.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781512801057
Other identifier:	doi: 10.9783/9781512801057
Series:	The Middle Ages Series
Subjects:	Narrative poetry, French; French poetry; Arthurian romances; Tristan (Legendary character); Arthurian romances; French poetry; Narrative poetry, French; Tristan (Legendary character); Arthurian romances.; French poetry.; Narrative poetry, French.; Tristan (Legendary character).; Genre Studies, general.; Literary Studies.
Scope:	1 online resource
Notes:	Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- 1. Truth in Disguise: The Voice of Renarration in the Folie Tristan d^Oxford -- -- 2. Putting Off the Ending: Thomas and the Legend of Tristan and Iseut -- -- 3. A Case for mise en abyme: Chretien's Chevalier de la Charrete -- -- 4. The Interplay of Gender and Genres in Partonopeu de Blois -- -- 5. Textual Identity and the Name of a Collection: Marie de France's Lais -- -- Conclusion -- -- Notes -- -- Bibliography of Works Cited -- -- Index -- -- Backmatter

Chaucer & His French Contemporaries

Author: Wimsatt, James I.

Publisher: University of Toronto Press, Toronto

Chaucer and His French Contemporaries synthesizes Winsatt's work on Chaucer's French connections over the past twenty-five years, particularly his studies and editions of Machaut. more

Bochum: Hochschule für Gesundheit, Hochschulbibliothek

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Tübingen: Universitätsbibliothek der Eberhard Karls Universität

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Wilhelmshaven: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek

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Chaucer and His French Contemporaries synthesizes Winsatt's work on Chaucer's French connections over the past twenty-five years, particularly his studies and editions of Machaut.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781442672864
Other identifier:	doi: 10.3138/9781442672864
Subjects:	English poetry; Music and literature; French poetry; French poetry; Music and literature; English poetry; English poetry.; French poetry.; Music and literature.
Scope:	1 online resource
Notes:	Frontmatter -- -- Contents -- -- Preface -- -- 1. Natural Music in Middle French Verse and Chaucer -- -- 2. Poetry in the English Court before Poitiers (1356): Jean de le Mote -- -- 3. Chaucer and Machaut: Man, Poet, Persona -- -- Representations of the Poet, the Persona, and the Audience in Middle French Manuscripts -- -- 4. Machaut's Oeuvre and Chaucer's Early Poems -- -- 5. Machaut and His Tradition: Troilus, the Legend, and the Tales -- -- 6. Chaucer and Jean Froissart -- -- 7. Chaucer and Oton de Granson -- -- 8. Chaucer and Eustache Deschamps -- -- 9. Natural Music in 1400 -- -- Notes -- -- Bibliography -- -- Index

Marian Devotion in Thirteenth-Century French Lyric

Author: O'Sullivan, Daniel E.

Publisher: University of Toronto Press, Toronto

.With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light. more

Bochum: Hochschule für Gesundheit, Hochschulbibliothek

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Tübingen: Universitätsbibliothek der Eberhard Karls Universität

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Wilhelmshaven: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek

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.With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781442677043
Other identifier:	doi: 10.3138/9781442677043
Subjects:	Songs, Old French; Religion and culture; Christian poetry, French; French poetry; French poetry; Religion and culture; Songs, Old French; Christian poetry, French; Christian poetry, French.; French poetry.; Religion and culture.; Songs, Old French.
Scope:	1 online resource
Notes:	Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction: Secular and Religious in Medieval Culture -- -- Gautier de Coinci’s Marian Poetics of Familiar Strangeness -- -- 2. Thibaut de Champagne, Genre, and the Medieval Taste for Hybrids -- -- 3. Voicing Marian Devotion in Women’s Devotional Song -- -- 4. Jacques de Cambrai, Distinctive Traditionalism, and Kaleidoscopic Contrafacta -- -- 5. Rutebeuf: Beyond the World of Marian Song -- -- Conclusion: Contrafacture and Cultural Exchange -- -- Appendix of Textual and Musical Editions of Songs and Poems -- -- Notes -- -- Bibliography -- -- Index

The Language of French Symbolism

Author: Lawler, James R.

Publisher: Princeton University Press, Princeton, NJ

The traits that characterize the “language” of French Symbolism are the center of these essays. In interpreting major or previously neglected compositions by Mallarmé, Verlaine, Rimbaud, Claudel, Valéry, and Apollinaire, the author shows how each of... more

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Oldenburg: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek

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The traits that characterize the “language” of French Symbolism are the center of these essays. In interpreting major or previously neglected compositions by Mallarmé, Verlaine, Rimbaud, Claudel, Valéry, and Apollinaire, the author shows how each of these poets worked with the elements that distinguish this influential group of writers as a whole.Originally published in 1969.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781400879861
Other identifier:	doi: 10.1515/9781400879861
Series:	Princeton Legacy Library
Subjects:	Symbolism (Literary movement); French poetry; Symbolism (Literary movement); French poetry; French poetry.; Symbolism (Literary movement).
Scope:	1 online resource
Notes:	Frontmatter -- -- Preface -- -- Contents -- -- Chapter I. Mallarme and the “Monstre d’or″ -- -- Chapter II. Verlaine’s “Naiveté″ -- -- Chapter III. Rimbaud As Rhetorician -- -- Chapter IV. “Magic″ and “Movement″ in Claudel and Valéry -- -- Chapter V. Claudel’s Art of Composition -- -- Chapter VI. Valery’s “Purete″ -- -- Chapter VII. Music in Apollinaire -- -- Index

Philippus Cancellarius

Die Motettengedichte

Author: Schetter, Barbara

Publisher: Walter de Gruyter GmbH Co.KG, s.l.

In this book the motet lyrics of Philipthe Chancellor (ca. 1165-1236) are subjected to critical editing, translation and comment. While the lyrics treated in the first part can certainly or in all probability be credited to Philip, the second part is... more

Potsdam: Universität Potsdam, Universitätsbibliothek

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In this book the motet lyrics of Philipthe Chancellor (ca. 1165-1236) are subjected to critical editing, translation and comment. While the lyrics treated in the first part can certainly or in all probability be credited to Philip, the second part is devoted to poems in which the assignation is disputed. The commentary is followed by an interpretation that analyses the interplay of music and lyrics combined with arguments regarding the authenticity of the respective lyrics. In doing so, both the religious Latin lyrics with which we are no longer familiar, as well as the motet as a musical-lyri Barbara Schetter

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Source:	Union catalogues
Language:	German
Media type:	Dissertation
Format:	Online
ISBN:	9783110259865
Other identifier:	doi: 10.1515/9783110259872
RVK Categories:	CE 3970 ; BN 2509
Edition:	1. Aufl.
Series:	Beiträge zur Altertumskunde ; 294
Subjects:	French poetry; Motets; French poetry.; Motets.; Lateinische Dichtung.; Mittelalter.; Motettentexte.; Notre-Dame-Epoche.; Philipp der Kanzler.
Notes:	Zugl.: Köln, Univ., Diss., 2009

Representative French Poetry (Second Edition)

Publisher: University of Toronto Press, Toronto

The making of a reasonably comprehensive anthology which is intended to do more than reflect the personal literary tastes of the anthologists is not an easy task, but is certainly an exciting and challenging one. It is important, of course, if it is... more

Berlin: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden

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The making of a reasonably comprehensive anthology which is intended to do more than reflect the personal literary tastes of the anthologists is not an easy task, but is certainly an exciting and challenging one. It is important, of course, if it is to have coherence and validity, that its audience be reasonably well defined and kept in mind as the selection proceeds. The anthology offered by Professor Graham has been prepared carefully to meet the needs of students reading French poetry while in the early years of their university course. It does not attempt to be a bulky sample of the whole field of French poetry but rather to be a judicious selection of the works of poets who may be described as typical of the best in their age. From each of them have been included some well-known selections which students must always meet and also some less well known which are nevertheless equal in quality and whose relative unfamiliarity may give them a special appeal to instructors. A particularly interesting and valuable feature of the anthology is that the editor has in a good many cases chosen poems on similar themes from different authors, and students will thus be able to compare styles of different centuries and different poets as applied to certain specific subjects. (For example, the selection includes Deschamps' "Balade" on "Renart et le Corbaut" and La Fontaine's "Le Corbeau et le Renard'; Lamartine's and also Leconte de Lisle's "Le Lac.")

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Source:	Staatsbibliothek zu Berlin
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781487596033
Other identifier:	doi: 10.3138/9781487596033
Edition:	2nd Edition
Series:	Heritage
Subjects:	French poetry; French poetry.
Scope:	1 Online-Ressource

Sixteenth-Century French Poetry

Author: Graham, Victor E.

Publisher: University of Toronto Press, Toronto

In this anthology an effort has been made to include representative selections from the most significant sixteenth-century French poets. With the exception if a few longer works (mainly those of Ronsard, Du Bartas, and D'Aubigné), poems are given... more

Berlin: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden

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In this anthology an effort has been made to include representative selections from the most significant sixteenth-century French poets. With the exception if a few longer works (mainly those of Ronsard, Du Bartas, and D'Aubigné), poems are given complete. In addition, the original spelling and punctuation have been retained as far as possible, except for the usual editorial modifications (differentiation of u and v, i and j, the addition of accents à, où, replacement of & by et, and so on). The sixteenth century is a period of tremendous poetic activity. It is a period closer in spirit to us in many ways than the intervening centuries, particularly the seventeenth and the eighteenth. Its poetry is still being rediscovered and re-assessed in a way that is just as exciting as the period of foment during which it was written.

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Source:	Staatsbibliothek zu Berlin
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781487596040
Other identifier:	doi: 10.3138/9781487596040
Series:	Heritage
Subjects:	French poetry; French poetry.
Scope:	1 Online-Ressource

Thebenroman - Eneasroman - Trojaroman

Studien zur Rezeption der Antike in der französischen Literatur des 12. Jahrhunderts

Author: Schöning, Udo

Publisher: De Gruyter, Berlin

Thebenroman - Eneasroman - Trojaroman: Studien Zur Rezeption Der Antike in Der Franz Sischen Literatur Des 12. Jahrhunderts more

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Thebenroman - Eneasroman - Trojaroman: Studien Zur Rezeption Der Antike in Der Franz Sischen Literatur Des 12. Jahrhunderts

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Source:	Union catalogues
Language:	German
Media type:	Ebook
Format:	Online
ISBN:	9783110932386
Other identifier:	doi: 10.1515/9783110932386
RVK Categories:	IE 4636 ; IE 6418 ; IE 8223
Series:	Beihefte zur Zeitschrift für romanische Philologie ; 235
Subjects:	Epic poetry, French; Civilization, Ancient, in literature; French poetry; Seven against Thebes (Greek mythology); Civilization, Ancient, in literature.; Epic poetry, French.; French poetry.; Seven against Thebes (Greek mythology).; LITERARY CRITICISM / General
Scope:	Online-Ressource (VI, 368 S.)

Representative French Poetry (Second Edition)

Publisher: University of Toronto Press, Toronto

The making of a reasonably comprehensive anthology which is intended to do more than reflect the personal literary tastes of the anthologists is not an easy task, but is certainly an exciting and challenging one. It is important, of course, if it is... more

Bochum: Hochschule für Gesundheit, Hochschulbibliothek

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The making of a reasonably comprehensive anthology which is intended to do more than reflect the personal literary tastes of the anthologists is not an easy task, but is certainly an exciting and challenging one. It is important, of course, if it is to have coherence and validity, that its audience be reasonably well defined and kept in mind as the selection proceeds. The anthology offered by Professor Graham has been prepared carefully to meet the needs of students reading French poetry while in the early years of their university course. It does not attempt to be a bulky sample of the whole field of French poetry but rather to be a judicious selection of the works of poets who may be described as typical of the best in their age. From each of them have been included some well-known selections which students must always meet and also some less well known which are nevertheless equal in quality and whose relative unfamiliarity may give them a special appeal to instructors. A particularly interesting and valuable feature of the anthology is that the editor has in a good many cases chosen poems on similar themes from different authors, and students will thus be able to compare styles of different centuries and different poets as applied to certain specific subjects. (For example, the selection includes Deschamps' "Balade" on "Renart et le Corbaut" and La Fontaine's "Le Corbeau et le Renard'; Lamartine's and also Leconte de Lisle's "Le Lac.")

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Cover

Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781487596033
Other identifier:	doi: 10.3138/9781487596033
Edition:	2nd Edition
Series:	Heritage
Subjects:	French poetry; French poetry.
Scope:	1 Online-Ressource

Sixteenth-Century French Poetry

Author: Graham, Victor E.

Publisher: University of Toronto Press, Toronto

In this anthology an effort has been made to include representative selections from the most significant sixteenth-century French poets. With the exception if a few longer works (mainly those of Ronsard, Du Bartas, and D'Aubigné), poems are given... more

Bochum: Hochschule für Gesundheit, Hochschulbibliothek

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Wilhelmshaven: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek

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In this anthology an effort has been made to include representative selections from the most significant sixteenth-century French poets. With the exception if a few longer works (mainly those of Ronsard, Du Bartas, and D'Aubigné), poems are given complete. In addition, the original spelling and punctuation have been retained as far as possible, except for the usual editorial modifications (differentiation of u and v, i and j, the addition of accents à, où, replacement of & by et, and so on). The sixteenth century is a period of tremendous poetic activity. It is a period closer in spirit to us in many ways than the intervening centuries, particularly the seventeenth and the eighteenth. Its poetry is still being rediscovered and re-assessed in a way that is just as exciting as the period of foment during which it was written.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781487596040
Other identifier:	doi: 10.3138/9781487596040
Series:	Heritage
Subjects:	French poetry; French poetry.
Scope:	1 Online-Ressource

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Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)

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Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)

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Frontmatter -- PREFACE -- CONTENTS -- I. THE NADIR OF POETRY -- II. A NEW VISION OF POETRY: DIDEROT -- III. SENSE AND SENSIBILITY -- IV. THE ROAD TO ROMANTICISM -- V. THE ROMANTIC REVOLUTION -- VI. POETRY AS ART -- VII. FROM STATEMENT TO SUGGESTION -- VIII. IMAGINATION ENTHRONED: BAUDELAIRE -- NOTES -- INDEX

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Cover

Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9780674368538
Other identifier:	doi: 10.4159/harvard.9780674368538
Subjects:	Lyriktheorie; Französische Literatur; Poésie; Poetry; French poetry; Französische Literatur.; French poetry.; Lyriktheorie.; Poésie.; Poetry.; French poetry.; Literary Studies, general.; Literary Studies.; Poésie française.; LITERARY CRITICISM / General
Scope:	Online-Ressource (XI, 324 S.)

Paul Celans Übersetzungspoetik

Entwicklungslinien in seinen Übertragungen französischer Lyrik

Author: Pennone, Florence

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Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale

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Die Verfasserin untersucht Celans Übersetzungspoetik und deren Wandel ausgehend von seinen Übertragungen französischer Lyrik. Neben den bereits sehr bekannten Übertragungen von Rimbauds »Bateau ivre« (1958) und Valérys »Jeune Parque« (1960) kommen auch die bislang kaum beachteten Übersetzungen von Benjamin Péret (1950), Guillaume Apollinaire (1951–1959), Jules Supervielle (1958–1968) und André du Bouchet (1968) zur Sprache. Während Celan bis etwa 1960 in den Übertragungen die gleichen Stilmittel wie in der Poetik seiner eigenen Lyrik entwickelte, gehen beide ab den sechziger Jahren getrennte Wege. Die Übertragungen emanzipieren sich von der eigenen dichterischen Sprache, werden ›wörtlicher‹, ›treuer‹. Diese Änderung im übersetzerischen Verfahren wird als Konsequenz eines immanenten Widerspruchs in Celans Poetik des Dialogs interpretiert. With reference to Celan’s renderings of French poetry, the author discusses the poetics underlying Paul Celan’s translations and the changes it underwent in the course of time. The study concentrates not only on the well-known translations of Rimbaud's »Bateau ivre« (1958) and Valéry’s »Jeune Parque« (1960) but also pays close attention to the hitherto neglected translations of Benjamin Péret (1950), Guillaume Apollinaire (1951–1959), Jules Supervielle (1958–1968), and André du Bouchet (1968). Up to about 1960 Celan employed largely the same stylistic resources in his translations as in his own poetry. In the 1960s, however, we find a parting of the ways. The translations emancipate themselves from Celan’s personal poetic diction, becoming more ›literal‹ and ›faithful‹. This change in translation procedure is interpreted here as a consequence of an immanent contradiction in Celan’s poetics of dialogue. Review text: "[...] Pennone's study brings much new material to the analysis of Celan's translations, openig up fresh paths of inquiry in a thourough and eloquent study."Charlotte Ryland in: Austrian Studies 16/2008

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Source:	Union catalogues
Language:	German
Media type:	Ebook
Format:	Online
ISBN:	9783110928372
Other identifier:	doi: 10.1515/9783110928372
RVK Categories:	GN 3728
Series:	Untersuchungen zur deutschen Literaturgeschichte ; 128
Subjects:	French poetry; French poetry.; Celan, Paul.; Französisch.; Lyrik.; Übersetzung.; LITERARY CRITICISM / European / German
Scope:	Online-Ressource (XI, 538 S.)

Remy Belleau et l’art de guérir

Author: Braybrook, Jean

Publisher: De Gruyter Open, Warschau

This book starts by asking why a group of doctors produced an edition of Belleau in 1945. It then traces the motifs of sickness and healing in the poet’s work, ranging more widely than critics have hitherto done, and considering La Reconnue and the... more

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Universitätsbibliothek Stuttgart

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Technische Hochschule Ulm, Bibliothek

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eBook DeGruyter Oldenbourg

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Ulm: Universität Ulm, Kommunikations- und Informationszentrum, Bibliotheksservices

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Universität Ulm, Kommunikations- und Informationszentrum, Bibliotheksservices

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Universitätsbibliothek Vechta

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UB Weimar

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Hochschulbibliothek Weingarten

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Source:	Staatsbibliothek zu Berlin
Language:	French
Media type:	Ebook
Format:	Online
ISBN:	9788376560205
Other identifier:	doi: 10.2478/9788376560205
Subjects:	Literary Studies; French poetry; Literary Studies; French poetry.; Literary Studies.; Literary Studies.; Literatur, Rhetorik, Literaturwissenschaft.; LITERARY CRITICISM / European / French
Other subjects:	Academies; Pléiade; Poetry; ecphrasis; faith; gems; healing; humour; love; music
Scope:	1 Online-Ressource (213 Seiten)

Controlling Readers

Guillaume de Machaut and His Late Medieval Audience

Author: McGrady, Deborah L.

Publisher: University of Toronto Press, Toronto

Guillaume de Machaut (1300-1377) was the master poet of fourteenth-century France. He established models for much of the vernacular poetry written by subsequent generations, and he was instrumental in institutionalizing the lay reader. In particular,... more

Bochum: Hochschule für Gesundheit, Hochschulbibliothek

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Hochschule für Gesundheit, Hochschulbibliothek

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Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky

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Universitätsbibliothek Osnabrück

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Pforzheim: Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft

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Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft

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Tübingen: Universitätsbibliothek der Eberhard Karls Universität

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Wilhelmshaven: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek

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Guillaume de Machaut (1300-1377) was the master poet of fourteenth-century France. He established models for much of the vernacular poetry written by subsequent generations, and he was instrumental in institutionalizing the lay reader. In particular, his longest and most important work, the Voir dit, calls attention to the coexistence of public and private reading practices through its intensely hybrid form: sixty-three poems and ten songs invite an oral performance, while forty-six private prose letters as well as elaborate illustration and references to it's own materiality promote a physical encounter with the book.In Controlling Readers, Deborah McGrady uses Machaut's corpus as a case study to explore the impact of lay literacy on the culture of late-medieval Europe. Arguing that Machaut and his bookmakers were responding to contemporary debates surrounding literacy, McGrady first accounts for the formal invention of the lay reader in medieval art and literature, then analyses Machaut and his bookmakers' innovative use of both narrative and bibliographical devices to try to control the responses of his readers and promote intimate and sensual reading practices in place of the more common public performances of court culture. McGrady's erudite and exhaustive study is key to understanding Machaut, his works, and his influence on the history of reading in the fourteenth century and beyond.

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781442668157
Other identifier:	doi: 10.3138/9781442668157
Subjects:	French poetry; French poetry; French poetry.; DISCOUNT-B.
Scope:	1 Online-Ressource
Notes:	Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction: Reading and the Laity -- -- Part One. Inscribed Readers: The Invention of the Lay Reader in Text and Image -- -- 1. Reading between the Lines: Responses to Lay Literacy in Late Medieval Manuscripts -- -- 2. Lay Readers in Guillaume de Machaut’s Voir dit -- -- Part Two. Intermediary Readers and Their Shaping of Machaut’s Voir dit -- -- 3. Instructing Readers: Metatext and the Table of Contents as Sites of Mediation in BnF, MS fr. 1584 -- -- 4. Illustrations and the Shape of Reading: Pictorial Programs in BnF, MS fr. 1584 and MSS fr. 22545–22546 -- -- 5. Layout and the Staging of Performance in BnF, MS fr. 9221 -- -- Part Three. Inventive Readers and the Struggle for Control -- -- 6. Eustache Deschamps as Machaut’s Reader: Staking out Authority in the Master(’s) Text -- -- 7. ‘Nouveleté gaires ne gist’: Jean Froissart’s Reinvention of the Author–Reader Relationship -- -- 8. Reading and Salvation: The Case of Pierpont Morgan, MS M 396 -- -- Conclusion: The Residual Text, the Fading of the Author, and the Role of Technology -- -- Appendix I: Pictorial Content for the Voir Dit in MSS A, F, and Pm -- -- Appendix II: Pm Manuscript Alterations -- -- Appendix III: Illustration Key -- -- Notes -- -- Bibliography -- -- Index

Gesammelte Aufsätze zur altfranzösischen Epik /

Author: Beckmann, Gustav Adolf,

Publisher: De Gruyter,, Berlin ;

Der Band ist vor allem gedacht als companion volume zu Gustav Adolf Beckmanns Onomastik des Rolandsliedes (2017). Wie dort bestimmen auch hier zwei zentrale Aspekte den Großteil des Bildes, doch hier gestreut über die altfranzösische Epik als... more

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Oranienburg: Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek

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Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek

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Der Band ist vor allem gedacht als companion volume zu Gustav Adolf Beckmanns Onomastik des Rolandsliedes (2017). Wie dort bestimmen auch hier zwei zentrale Aspekte den Großteil des Bildes, doch hier gestreut über die altfranzösische Epik als Gattung: Fragen der Onomastik und solche der Historizität des Dargestellten. Auch hier greifen sie meist sogar ineinander: Personennamen wie Audegarius (+ Oscheri) ~ Oggero Spatacurta ~ Ogier, Malduit der Schatzmeister, (Ricardus) Baligan, Nikephóros ~ Hugue li Forz, Witburg ~ Wigburg ~ Guibourc, Alpais, A(da)lgis (→ Malgis/Amalgis), Toponyme wie Belin, Lucena ~ Luiserne, Worms ~ Garmaise, Dortmund ~ Tremoigne, Esch-sur-Sûre ~ Ascane, Avroy ~ Auridon ~ Oridon ~ Dordone, Pierrepont sowie das doppelte Hydronym Rura ~ Rune und Erunia ~ Rune bringen jeweils ein Stück ihrer aufschlussreichen Geschichte mit sich. Die Texte sind in ihrer ursprünglichen Erscheinungsform belassen, doch sämtlich aus der Forschungsperspektive des Jahres 2018 durchgesehen und, wo nötig, mit einem Postskriptum versehen. So entsteht ein facettenreiches Panorama zur Entstehung der älteren Chansons de geste - von der Ogier-, Rolands-, Wilhelms- und Sachsenepik über Pèlerinage de Charlemagne und Berthe au(x) grand(s) Pied(s) bis zu Renaut de Montauban.

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De Gruyter

OAPEN

De Gruyter, Cover

OAPEN

EBSCOhost

Source:	Union catalogues
Media type:	Ebook
Format:	Online
ISBN:	311061569X; 9783110615692
Other identifier:	doi: 10.1515/9783110615692
Series:	De Gruyter Collection ; ; 2
Subjects:	Epic poetry, French; French poetry; Linguistics.; Literary studies: classical, early & medieval.; Literary studies: general.; Literary theory.; Literature: history & criticism.; LITERARY CRITICISM; Epic poetry, French.; French poetry.
Scope:	1 online resource (475 pages)
Notes:	Includes bibliographical references.

Remy Belleau et l’art de guérir

Author: Braybrook, Jean

Publisher: De Gruyter Open, Warschau

This book starts by asking why a group of doctors produced an edition of Belleau in 1945. It then traces the motifs of sickness and healing in the poet’s work, ranging more widely than critics have hitherto done, and considering La Reconnue and the... more

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Berlin: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden

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Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden

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Potsdam: Universität Potsdam, Universitätsbibliothek

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Universität Potsdam, Universitätsbibliothek

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This book starts by asking why a group of doctors produced an edition of Belleau in 1945. It then traces the motifs of sickness and healing in the poet’s work, ranging more widely than critics have hitherto done, and considering La Reconnue and the Dictamen alongside the better-known texts. It suggests that the supposedly frivolous Belleau is a poet-doctor aiming to cure the reader of melancholy and to come to the aid of a war-torn France.

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Source:	Staatsbibliothek zu Berlin
Language:	French
Media type:	Ebook
Format:	Online
ISBN:	9788376560205
Other identifier:	doi: 10.2478/9788376560205
Subjects:	Literary Studies; French poetry; Literary Studies; French poetry.; Literary Studies.; Literary Studies.; Literatur, Rhetorik, Literaturwissenschaft.; LITERARY CRITICISM / European / French
Other subjects:	Academies; Pléiade; Poetry; ecphrasis; faith; gems; healing; humour; love; music
Scope:	1 Online-Ressource (213 Seiten)

Paul Celans Übersetzungspoetik

Entwicklungslinien in seinen Übertragungen französischer Lyrik

Author: Pennone, Florence

Publisher: De Gruyter, Berlin

Die Verfasserin untersucht Celans Übersetzungspoetik und deren Wandel ausgehend von seinen Übertragungen französischer Lyrik. Neben den bereits sehr bekannten Übertragungen von Rimbauds »Bateau ivre« (1958) und Valérys »Jeune Parque« (1960) kommen... more

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Potsdam: Universität Potsdam, Universitätsbibliothek

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Universität Potsdam, Universitätsbibliothek

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Die Verfasserin untersucht Celans Übersetzungspoetik und deren Wandel ausgehend von seinen Übertragungen französischer Lyrik. Neben den bereits sehr bekannten Übertragungen von Rimbauds »Bateau ivre« (1958) und Valérys »Jeune Parque« (1960) kommen auch die bislang kaum beachteten Übersetzungen von Benjamin Péret (1950), Guillaume Apollinaire (1951–1959), Jules Supervielle (1958–1968) und André du Bouchet (1968) zur Sprache. Während Celan bis etwa 1960 in den Übertragungen die gleichen Stilmittel wie in der Poetik seiner eigenen Lyrik entwickelte, gehen beide ab den sechziger Jahren getrennte Wege. Die Übertragungen emanzipieren sich von der eigenen dichterischen Sprache, werden ›wörtlicher‹, ›treuer‹. Diese Änderung im übersetzerischen Verfahren wird als Konsequenz eines immanenten Widerspruchs in Celans Poetik des Dialogs interpretiert. With reference to Celan’s renderings of French poetry, the author discusses the poetics underlying Paul Celan’s translations and the changes it underwent in the course of time. The study concentrates not only on the well-known translations of Rimbaud's »Bateau ivre« (1958) and Valéry’s »Jeune Parque« (1960) but also pays close attention to the hitherto neglected translations of Benjamin Péret (1950), Guillaume Apollinaire (1951–1959), Jules Supervielle (1958–1968), and André du Bouchet (1968). Up to about 1960 Celan employed largely the same stylistic resources in his translations as in his own poetry. In the 1960s, however, we find a parting of the ways. The translations emancipate themselves from Celan’s personal poetic diction, becoming more ›literal‹ and ›faithful‹. This change in translation procedure is interpreted here as a consequence of an immanent contradiction in Celan’s poetics of dialogue. Review text: "[...] Pennone's study brings much new material to the analysis of Celan's translations, openig up fresh paths of inquiry in a thourough and eloquent study."Charlotte Ryland in: Austrian Studies 16/2008

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Source:	Union catalogues
Language:	German
Media type:	Ebook
Format:	Online
ISBN:	9783110928372
Other identifier:	doi: 10.1515/9783110928372
RVK Categories:	GN 3728
Series:	Untersuchungen zur deutschen Literaturgeschichte ; 128
Subjects:	French poetry; French poetry.; Celan, Paul.; Französisch.; Lyrik.; Übersetzung.; LITERARY CRITICISM / European / German
Scope:	Online-Ressource (XI, 538 S.)

Think of Lampedusa

Author: Guébo, Josué

Published: [2017]

Publisher: University of Nebraska Press, Lincoln ; EBSCOhost, London

"A collection of serial poems, Think of Lampedusa addresses the 2013 shipwreck that killed 366 Africans attempting to migrate secretly to Lampedusa, an Italian island in the Mediterranean Sea. The crossing from North Africa to this island and other... more

"A collection of serial poems, Think of Lampedusa addresses the 2013 shipwreck that killed 366 Africans attempting to migrate secretly to Lampedusa, an Italian island in the Mediterranean Sea. The crossing from North Africa to this island and other Mediterranean way stations has become the most dangerous migrant route in the world. Interested in what is producing such epic displacement, Josue Guebo's poems combineelements of history and mythology. Guebo considers the Mediterranean not only as a literal space but also as a space of expectation, anxiety, hope, and anguish for migrants. Hemeditates onthe long history of narratives and bodies trafficked across the Mediterranean Sea. What did it--and what does it--connect and separate? Whose sea is it? Ultimately he is searchingfor what motivates a person to become part of what he calls a "seasonal suicide epidemic." This translation of Guebo's Songe à Lampedusa, winner of the Tchicaya U Tam'si Prize for African Poetry, is a searing work from a major African poet."--

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Source:	Union catalogues
Contributor:	Fredson, Todd; Keene, John
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9781496204714; 9781496204721; 9781496204738
Series:	African poetry book series
Subjects:	French poetry.; African poetry.; Ivoirian poetry (French); POETRY; POETRY; African poetry.; French poetry.; Ivoirian poetry (French)
Scope:	1 Online-Ressource (xvi, 66 Seiten)
Notes:	Cover; Title Page; Copyright Page; Contents; Introduction by John Keene; Translator's Note; Think of Lampedusa; Notes.

Le chansonnier français de la Burgerbibliothek de Berne

Analyse et description du manuscrit et édition de 53 unica anonymes

Author: Unlandt, Nicolaas

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Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale

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ebook

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Hamburg: HafenCity Universität Hamburg, Bibliothek

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HafenCity Universität Hamburg, Bibliothek

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Hamburg: Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek

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Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek

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Hamburg: Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky

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Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky

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Duale Hochschule Baden-Württemberg Mannheim, Bibliothek

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eBook de Gruyter

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Merseburg: Hochschule Merseburg, Bibliothek

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Universitätsbibliothek Osnabrück

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Pforzheim: Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft

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Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft

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Source:	Union catalogues
Language:	French
Media type:	Ebook
Format:	Online
ISBN:	9783110263459
Other identifier:	doi: 10.1515/9783110263459
RVK Categories:	IE 3898
Series:	Beihefte zur Zeitschrift für romanische Philologie ; 368
Subjects:	Songs, French; French poetry; French poetry.; Songs, French.; Altfranzösisch.; French poetry; Songs, French; Chansonnier français.; Edition.; LITERARY CRITICISM / European / French
Other subjects:	Old French
Scope:	Online-Ressource

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Duale Hochschule Baden-Württemberg Mannheim, Bibliothek

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eBook de Gruyter

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Merseburg: Hochschule Merseburg, Bibliothek

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Universitätsbibliothek Osnabrück

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Pforzheim: Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft

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Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft

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eBook de Gruyter

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Tübingen: Universitätsbibliothek der Eberhard Karls Universität

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Universitätsbibliothek der Eberhard Karls Universität

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Wilhelmshaven: Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek

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Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek

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Hochschule Zittau / Görlitz, Hochschulbibliothek

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Brent Hayes Edwards, author of The Practice of Diaspora:With restless, relentless 'attention to the letter,' Carrie Noland demonstrates that the poetic innovations of Césaire and Damas were first of all major modernist interventions, deeply engaged with the textual sphere of experimental print culture in the interwar period. These virtuosic, revisionary readings are an exhilarating model of what it means to do Diasporic literary criticism today. Nick Nesbitt, Princeton University:Carrie Noland's Voices of Negritude in Modernist Print is a landmark work, inaugurating a decisive and crucial advance in our understanding of the poets of Negritude. Noland argues compellingly for a text-centered interpretive practice, one that attends to the determinations of the print medium understood as an aesthetic regime independent of the author's scribal utterance, and the struggle to construct what she terms, following Adorno, an 'aesthetic subjectivity' immanent to the text itself. This path-breaking and original work gathers together the various studies of Negritude poetry of the preceding decades to make an informed, compelling, and necessary intervention into the heart of francophone studies. J. Michael Dash, New York University:Carrie Noland offers a timely warning about the tendency to treat literature as a whole as an adjunct to sociopolitical reality. Voices of Negritude in Modernist Print boldly explores the tensions between formally experimental verse and the prevailing identity politics of postcolonial theory Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized--performed, reiterated, and created anew--by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal--and not merely thematic--elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person

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Source:	Union catalogues
Language:	English
Media type:	Ebook
Format:	Online
ISBN:	9780231538640
Other identifier:	doi: 10.7312/nola16704
Series:	Modernist Latitudes
Subjects:	French poetry; French poetry; African diaspora in literature; French poetry; Negritude (Literary movement); Blacks in literature; Literature; Modernism (Aesthetics); Book industries and trade; French poetry.; French poetry.; African diaspora in literature.; Französische Literatur.; Literary Studies.; Literature in Diverse Languages.; Negritude (Literary movement).; Negritude (Literary movement).; Other Nations and Languages.; Literary Collections.; Literary Criticism.; French poetry; French poetry; LITERARY COLLECTIONS / Caribbean & Latin American
Scope:	1 online resource(344 p.)

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Song for an Equinox

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Chaucer & His French Contemporaries