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  1. The museum of broken promises
    enter its doors, and the past will find you
    Published: 2019
    Publisher:  Corvus, London

    Stadt Chemnitz, Kulturbetrieb, Stadtbibliothek
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  2. Poets, Patrons, and Printers
    Crisis of Authority in Late Medieval France
    Published: 1995
    Publisher:  Cornell University Press, Ithaca, NY

    Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship.Examining such paratextual elements of manuscripts as... more

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship.Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.

     

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  3. Markt und intellektuelles Kräftefeld
    Literaturkritik im Feuilleton von "Pariser Tageblatt" und "Pariser Tageszeitung" (1933-1940)
    Published: 1997
    Publisher:  Niemeyer, Tübingen

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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3110937344; 3484350571; 9783110937343; 9783484350571
    Series: Studien und Texte zur Sozialgeschichte der Literatur ; Bd. 57
    Subjects: European literature; Authors, German; Authors, Exiled; Criticism; German literature; Feuilletons; Literatuurkritiek; Authors, German ; Homes and haunts; Criticism; European literature; German literature; Intellectual life; Pariser Tageszeitung; France; France ; Paris; Pariser Tageblatt (dagblad); Criticism, interpretation, etc; History; Pariser Tageszeitung (dagblad)
    Scope: 1 Online-Ressource (viii, 433 pages), illustrations
    Notes:

    Includes bibliographical references (pages 402-423) and index

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  4. Marino Faliero à la Porte Saint-Martin (30 mai 1829)
    histoire d'un (très ?) grand événement littéraire
    Author: Piva, Franco
    Published: 2019
    Publisher:  Honoré Champion éditeur, Paris

    1.Casimir Delavigne à la hauteur de Marino Faliero --2.Le théâtre français en 1829 --3.Marino Faliero à la Porte Saint-Martin --4.Raisons et buts (plus ou moins avoués) d'un choix --5.Pourquoi la Porte Saint-Martin --6.Qui a pris l'initiative ?... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 76751
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Freiburg
    GE 2019/7839
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    Universitätsbibliothek Heidelberg
    2019 A 10513
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    1.Casimir Delavigne à la hauteur de Marino Faliero --2.Le théâtre français en 1829 --3.Marino Faliero à la Porte Saint-Martin --4.Raisons et buts (plus ou moins avoués) d'un choix --5.Pourquoi la Porte Saint-Martin --6.Qui a pris l'initiative ? --7.Vers la création de Marino Faliero --8.Casimir Delavigne et le juste milieu --9.La grande attente --10."Un succès plein, entier, un succès colossal" --11.L'émancipation des théâtres --12.Un écrivain "moderne" --13."Une audace réglée par la raison" --14.Casimir Delavigne et Victor Hugo --15.La carrière de Marino Faliero --16.Casimir Delavigne après Marino Faliero --17.Le vent tourne --18.La mise au ban. "Pourquoi la création de Marino Faliero de Casimir Delavigne à la Porte Saint-Martin le 30 mai 1829, que les contemporains ont unanimement considéré comme un très grand événement tant du point de vue littéraire que du point de vue politique, a-t-elle disparu, assez vite, des histoires du théâtre français du XIXe siècle, alors que, huit mois plus tard, l'Hernani de Victor Hugo, dont l'accueil fut beaucoup moins chaleureux et qui fut même contesté par une partie du public, a-t-il été aussitôt élevé en symbole de la victoire romantique au théâtre? L'enquête qui est à l'origine de cet ouvrage a essayé de répondre à cette question en reconstruisant aussi soigneusement que possible l'histoire de ce 'grand événement littéraire'. Du coup, elle a été amenée à soulever le voile sur une page pratiquement inconnue et fort peu édifiante de ce que nous appelons pompeusement la 'bataille romantique'. Au final, cette enquête nous invite à considérer d'un oeil fort différent un auteur, que la critique officielle a relégué parmi les écrivains 'juste-milieu', mais dont l' 'oeuvre riche et complexe' fait de lui, a-t-on écrit récemment, 'un créateur bien plus original que les clichés parvenus jusqu'à nous'."--Back cover

     

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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782745350954; 2745350951
    RVK Categories: IG 5915
    Series: Romantisme et modernités ; 185
    Subjects: Theater; Delavigne, Casimir; Théâtre de la Porte-Saint-Martin (Paris, France); Theater; France ; Paris; Criticism, interpretation, etc; History
    Other subjects: Delavigne, Casimir (1793-1843): Marino Faliero; Delavigne, Casimir (1793-1843)
    Scope: 533 Seiten, 24 cm
    Notes:

    Includes bibliographical references and index

  5. Le Livre de Judith
    roman
    Published: [2019]
    Publisher:  VLB éditeur, une société de Québecor Média, Montréal (Québec)

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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782896498055; 2896498052
    Subjects: Nazis; Revolutionaries; World War, 1939-1945; World War (1939-1945); Nazis; Revolutionaries; France ; Paris; Fiction
    Scope: 473 pages, 23 cm
  6. Marino Faliero à la Porte Saint-Martin (30 mai 1829)
    histoire d'un (très ?) grand événement littéraire
    Author: Piva, Franco
    Published: 2019
    Publisher:  Honoré Champion éditeur, Paris

    1.Casimir Delavigne à la hauteur de Marino Faliero --2.Le théâtre français en 1829 --3.Marino Faliero à la Porte Saint-Martin --4.Raisons et buts (plus ou moins avoués) d'un choix --5.Pourquoi la Porte Saint-Martin --6.Qui a pris l'initiative ?... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    1.Casimir Delavigne à la hauteur de Marino Faliero --2.Le théâtre français en 1829 --3.Marino Faliero à la Porte Saint-Martin --4.Raisons et buts (plus ou moins avoués) d'un choix --5.Pourquoi la Porte Saint-Martin --6.Qui a pris l'initiative ? --7.Vers la création de Marino Faliero --8.Casimir Delavigne et le juste milieu --9.La grande attente --10."Un succès plein, entier, un succès colossal" --11.L'émancipation des théâtres --12.Un écrivain "moderne" --13."Une audace réglée par la raison" --14.Casimir Delavigne et Victor Hugo --15.La carrière de Marino Faliero --16.Casimir Delavigne après Marino Faliero --17.Le vent tourne --18.La mise au ban. "Pourquoi la création de Marino Faliero de Casimir Delavigne à la Porte Saint-Martin le 30 mai 1829, que les contemporains ont unanimement considéré comme un très grand événement tant du point de vue littéraire que du point de vue politique, a-t-elle disparu, assez vite, des histoires du théâtre français du XIXe siècle, alors que, huit mois plus tard, l'Hernani de Victor Hugo, dont l'accueil fut beaucoup moins chaleureux et qui fut même contesté par une partie du public, a-t-il été aussitôt élevé en symbole de la victoire romantique au théâtre? L'enquête qui est à l'origine de cet ouvrage a essayé de répondre à cette question en reconstruisant aussi soigneusement que possible l'histoire de ce 'grand événement littéraire'. Du coup, elle a été amenée à soulever le voile sur une page pratiquement inconnue et fort peu édifiante de ce que nous appelons pompeusement la 'bataille romantique'. Au final, cette enquête nous invite à considérer d'un oeil fort différent un auteur, que la critique officielle a relégué parmi les écrivains 'juste-milieu', mais dont l' 'oeuvre riche et complexe' fait de lui, a-t-on écrit récemment, 'un créateur bien plus original que les clichés parvenus jusqu'à nous'."--Back cover

     

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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782745350954; 2745350951
    RVK Categories: IG 5915
    Series: Romantisme et modernités ; 185
    Subjects: Theater; Delavigne, Casimir; Théâtre de la Porte-Saint-Martin (Paris, France); Theater; France ; Paris; Criticism, interpretation, etc; History
    Other subjects: Delavigne, Casimir (1793-1843): Marino Faliero; Delavigne, Casimir (1793-1843)
    Scope: 533 Seiten, 24 cm
    Notes:

    Includes bibliographical references and index

  7. Markt und intellektuelles Kräftefeld
    Literaturkritik im Feuilleton von "Pariser Tageblatt" und "Pariser Tageszeitung" (1933-1940)
    Published: 1997
    Publisher:  Niemeyer, Tübingen

    Access:
    Verlag (kostenfrei)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3110937344; 3484350571; 9783110937343; 9783484350571
    Series: Studien und Texte zur Sozialgeschichte der Literatur ; Bd. 57
    Subjects: European literature; Authors, German; Authors, Exiled; Criticism; German literature; Feuilletons; Literatuurkritiek; Authors, German ; Homes and haunts; Criticism; European literature; German literature; Intellectual life; Pariser Tageszeitung; France; France ; Paris; Pariser Tageblatt (dagblad); Criticism, interpretation, etc; History; Pariser Tageszeitung (dagblad)
    Scope: 1 Online-Ressource (viii, 433 pages), illustrations
    Notes:

    Includes bibliographical references (pages 402-423) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

  8. City of darkness, city of light
    émigré filmmakers in Paris 1929-1939
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany more

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    Verlag (kostenfrei)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585498180; 9048505259; 9053566333; 9053566341; 9780585498188; 9789048505258; 9789053566336; 9789053566343
    Series: Film culture in transition
    Subjects: Germans; Motion picture producers and directors; Motion picture producers and directors; Germans; PERFORMING ARTS ; Film & Video ; Reference; The arts; Film, TV and radio; Germans; Motion picture producers and directors; Emigranten; Filmregisseurs; Filmschaffender; Exil; Film; France ; Paris; Paris <Motiv>; Deutsche; Paris; Biographies; History
    Scope: 1 Online-Ressource (253 pages), illustrations, portraits
    Notes:

    Includes bibliographical references (pages 221-241) and index

    Use copy Restrictions unspecified star MiAaHDL

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    1. Introduction. Diversity and Exchange -- Rethinking the National in European Cinema -- Cinema and the City -- Paris and the 1930s -- Paris and French Cinema of the 1930s -- France and the Émigrés -- City of Darkness, City of Light -- 2. The City in Context. An Historical Ambivalence -- Modernity and the City -- National Boundaries and Early European Sound Cinema -- Paris as Staging Ground for the Early Sound Wars -- Berlin as Prestige Model and Place of Work for French Film Industry Professionals -- Patterns of Exile and Emigration in the Pre-Nazi Era: The Russians and their Relationships to Paris and Berlin -- Trade and Economic Emigration from Berlin to Paris before 1933 -- Case Study One: Anatole Litvak -- Case Study Two: Kurt Courant -- The Rise of the Nazis in Berlin and the Politics of Departure -- The Place of Jews in Paris -- Reception: The Émigrés' Arrival in Paris -- Reception: The French Film Industry -- Case Study Three: Erich Pommer -- Case Study Four: Robert Siodmak -- 3. City of Light. Paris as Spectacle -- Paris and the Spectacle of Entertainment -- Parisian Journeys Across Time and Space -- 4. City of Darkness. The Camera Goes Down the Streets: 'The Hidden Spirit Under the Familiar Façade' -- Framing the Urban Decor -- The Émigrés and Poetic Realism -- Spaces of Crime and Pleasure in the City of Darkness -- Parisian Journeys Between the Past and the Present -- 5. Divided City. The Divided City in Context -- Divided Characters, Divided City -- Journeys Across the Divided City -- 6. Conclusion -- Appendices. Tobis In Paris Filmography 1929-1939 -- Osso Filmography 1930-1939 -- Anatole Litvak Filmography 1930-1936 -- Kurt Courant Filmography 1929-1939 -- Erich Pommer French-Language Filmography 1930-1934 -- Robert Siodmak French-Language Filmography 1931-1939 -- Nero Films Filmography 1930-1939 -- La Crise est finie -- La Vie Parisienne -- Mauvaise graine -- Coeur de lilas -- Dans les rues -- Carrefour -- Pièges -- Liliom.

  9. City of darkness, city of light
    émigré filmmakers in Paris 1929-1939
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany more

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    Hochschule Aalen, Bibliothek
    E-Book JSTOR
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    Online
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    eBook JSTOR
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    eBook JSTOR
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    eBook JSTOR
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    eBook
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    A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany

     

    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585498180; 9048505259; 9053566333; 9053566341; 9780585498188; 9789048505258; 9789053566336; 9789053566343
    Series: Film culture in transition
    Subjects: Germans; Motion picture producers and directors; Motion picture producers and directors; Germans; PERFORMING ARTS ; Film & Video ; Reference; The arts; Film, TV and radio; Germans; Motion picture producers and directors; Emigranten; Filmregisseurs; Filmschaffender; Exil; Film; France ; Paris; Paris <Motiv>; Deutsche; Paris; Biographies; History
    Scope: 1 Online-Ressource (253 pages), illustrations, portraits
    Notes:

    Includes bibliographical references (pages 221-241) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

    1. Introduction. Diversity and Exchange -- Rethinking the National in European Cinema -- Cinema and the City -- Paris and the 1930s -- Paris and French Cinema of the 1930s -- France and the Émigrés -- City of Darkness, City of Light -- 2. The City in Context. An Historical Ambivalence -- Modernity and the City -- National Boundaries and Early European Sound Cinema -- Paris as Staging Ground for the Early Sound Wars -- Berlin as Prestige Model and Place of Work for French Film Industry Professionals -- Patterns of Exile and Emigration in the Pre-Nazi Era: The Russians and their Relationships to Paris and Berlin -- Trade and Economic Emigration from Berlin to Paris before 1933 -- Case Study One: Anatole Litvak -- Case Study Two: Kurt Courant -- The Rise of the Nazis in Berlin and the Politics of Departure -- The Place of Jews in Paris -- Reception: The Émigrés' Arrival in Paris -- Reception: The French Film Industry -- Case Study Three: Erich Pommer -- Case Study Four: Robert Siodmak -- 3. City of Light. Paris as Spectacle -- Paris and the Spectacle of Entertainment -- Parisian Journeys Across Time and Space -- 4. City of Darkness. The Camera Goes Down the Streets: 'The Hidden Spirit Under the Familiar Façade' -- Framing the Urban Decor -- The Émigrés and Poetic Realism -- Spaces of Crime and Pleasure in the City of Darkness -- Parisian Journeys Between the Past and the Present -- 5. Divided City. The Divided City in Context -- Divided Characters, Divided City -- Journeys Across the Divided City -- 6. Conclusion -- Appendices. Tobis In Paris Filmography 1929-1939 -- Osso Filmography 1930-1939 -- Anatole Litvak Filmography 1930-1936 -- Kurt Courant Filmography 1929-1939 -- Erich Pommer French-Language Filmography 1930-1934 -- Robert Siodmak French-Language Filmography 1931-1939 -- Nero Films Filmography 1930-1939 -- La Crise est finie -- La Vie Parisienne -- Mauvaise graine -- Coeur de lilas -- Dans les rues -- Carrefour -- Pièges -- Liliom.

  10. The museum of broken promises
    Published: 2020
    Publisher:  Corvus, London

    Welcome to The Museum of Broken Promises, a place of wonder and sadness. And hope. Inside lies a treasure trove of objects - a baby's shoe, a wedding veil, a railway ticket - all revealing real moments of loss and betrayal. It is a place where people... more

    Mathematisches Forschungsinstitut Oberwolfach gGmbH, Bibliothek
    B/Buchan, E
    No loan of volumes, only paper copies will be sent

     

    Welcome to The Museum of Broken Promises, a place of wonder and sadness. And hope. Inside lies a treasure trove of objects - a baby's shoe, a wedding veil, a railway ticket - all revealing real moments of loss and betrayal. It is a place where people come to speak to the ghosts of the past. The owner, Laure, is also one of those people. As a young woman in the 1980s Laure fled to Prague, where her life changed forever. Now, years later, she must confront the origins of her heart-breaking exhibition: A love affair with a dissident musician, a secret life behind the iron curtain, and a broken promise that she will never forget.

     

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