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Displaying results 1 to 25 of 41.

  1. Mes secrets d'écrivain
    lettre à une future romancière
    Published: 2021
    Publisher:  L'Écritoire, Mérignac, Nouvelle-Aquitaine

    «Cette lettre à une future romancière contient mes vingt secrets d'écrivain, sept conseils d'artisan pour mieux s'approprier sa phrase ainsi que des pistes afin de ne jamais laisser au réel le dernier mots. Devenir soi en écrivant doit demeurer un... more

     

    «Cette lettre à une future romancière contient mes vingt secrets d'écrivain, sept conseils d'artisan pour mieux s'approprier sa phrase ainsi que des pistes afin de ne jamais laisser au réel le dernier mots. Devenir soi en écrivant doit demeurer un risque majeur, une liberté dingo, une révolte. Un bon livre arrache l'écorce se soi. Écrire n'est pas un hobby, c'est une façon d'être extrêmement soi-même. C'est s'accorder le droit extraordinaire de contester la réalité, de la corriger. N'habitez plus le monde des autres, écrivez «votre livre»!» -- Source : page 4 de la couverture

     

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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782383650003; 2383650005
    Subjects: Fiction; Fiction ; Authorship; Roman ; Technique
    Scope: 142 pages, 18 cm
  2. Literature against criticism
    university English and contemporary fiction in conflict
    Published: 2016
    Publisher:  Open Book Publishers, Cambridge, UK

    "This is a book about the power game currently being played out between two symbiotic cultural institutions: the university and the novel. As the number of hyper-knowledgeable literary fans grows, students and researchers in English departments waver... more

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    "This is a book about the power game currently being played out between two symbiotic cultural institutions: the university and the novel. As the number of hyper-knowledgeable literary fans grows, students and researchers in English departments waver between dismissing and harnessing voices outside the academy. Meanwhile, the role that the university plays in contemporary literary fiction is becoming increasingly complex and metafictional, moving far beyond the 'campus novel' of the mid-twentieth century. Martin Paul Eve's engaging and far-reaching study explores the novel's contribution to the ongoing displacement of cultural authority away from university English. Spanning the works of Jennifer Egan, Ishmael Reed, Tom McCarthy, Sarah Waters, Percival Everett, Roberto Bolaño and many others, Literature Against Criticism forces us to re-think our previous notions about the relationship between those who write literary fiction and those who critique it."--Publisher's website About the Author; Style; Acknowledgements; Part I: Introduction; 1. Authors, Institutions, and Markets; 2. What, Where?; Part II: Critique; 3. Aesthetic Critique; 4. Political Critique; Part III: Legitimation; 5. Sincerity and Truth; 6. Labour and Theory; Part IV: Discipline; 7. Genre and Class; 8. Discipline and Publish; Part V: The End; 9. Conclusion; Bibliography; Index

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781783742752; 1783742755; 1783742739; 9781783742738
    Other identifier:
    9781783742738
    Subjects: Fiction; Fiction; Criticism; Criticism; Fiction; Literature; Popular literature; Literature; Electronic books; Language; linguistics; Literacy; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; FICTION ; Literary; Fiction ; History and criticism ; Theory, etc; Criticism; Popular literature; Literature ; Study and teaching (Higher); Literature; Fiction ; Authorship; Criticism ; Authorship; Criticism; Criticism, interpretation, etc
    Scope: Online Ressource (237 pages)
    Notes:

    Includes bibliographical references (pages 209-225) and index. - Description based on print version record

  3. Writing for love and money
    Published: 2010
    Publisher:  University of Arkansas Press, Fayetteville

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781610753890; 1610753895
    Subjects: Popular literature; Fiction; Ghostwriters; Authors; Popular literature; Fiction; Ghostwriters; Authors; FICTION ; General; Authors; Fiction ; Authorship; Ghostwriters; Popular literature ; Authorship; Fiction; Romans à clef; Humorous fiction
    Scope: Online Ressource (119 pages)
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    Print version record

  4. Narrative progression in the short story
    a corpus stylistic approach
    Published: c2009
    Publisher:  John Benjamins Pub. Co, Amsterdam

    One of our most valuable capacities is our ability partly to predict what will come next in a text. But linguistic understanding of this remains very limited, especially in genres such as the short story where there is a staging of the clash between... more

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    One of our most valuable capacities is our ability partly to predict what will come next in a text. But linguistic understanding of this remains very limited, especially in genres such as the short story where there is a staging of the clash between predictability and unpredictability. This book proposes that a matrix of narrativity-furthering textual features is crucial to the reader's forming of expectations about how a literary story will continue to its close. Toolan uses corpus linguistic software and methods, and stylistic and narratological theory, in the course of delineating the matrix of eight parameters that he sees as crucial to creating narrative progression and expectation. --From publisher's description

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789027290618; 902729061X
    Series: Linguistic approaches to literature 1569-3112 ; vol. 6
    Linguistic approaches to literature ; vol. 6
    Subjects: Short story; Fiction; Narration (Rhetoric); Short story; Fiction; LANGUAGE ARTS & DISCIPLINES ; Rhetoric; REFERENCE ; Writing Skills; LANGUAGE ARTS & DISCIPLINES ; Composition & Creative Writing; Fiction ; Authorship; Narration (Rhetoric); Short story ; Technique
    Scope: Online Ressource (x, 212 p.)
    Notes:

    Includes bibliographical references (p. [201]-208) and indexes. - Description based on print version record

  5. Vivid and continuous
    essays and exercises for writing fiction
    Published: 2013
    Publisher:  University of Iowa Press, Iowa City

    Acknowledgments; Introduction; Writing; The Ideal Reader; Subject Matter; Beginnings; Titles; The Narrator's Likeability; Minor Characters; Immediacy; Pop Culture; Humor; Neighborhoods; The Imitative Fallacy; Subtext; Gestation; Humility; Further... more

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    Acknowledgments; Introduction; Writing; The Ideal Reader; Subject Matter; Beginnings; Titles; The Narrator's Likeability; Minor Characters; Immediacy; Pop Culture; Humor; Neighborhoods; The Imitative Fallacy; Subtext; Gestation; Humility; Further Reading; Index Taking off from The Creative Writer's Survival Guide, John McNally'srelentlessly blunt, bracingly cheerful, and immensely helpful map to being a writer, Vivid and Continuousis an equally blunt, cheerful, and helpful map to learning to be a writer. While acknowledging that many fine books cover such essentials of fiction writing as point of view, characterization, and setting, McNally sets out in this new book-intended as a supplement to beginning fiction-writing classes or as the sole text for upper-level or graduate courses-to solve the tricky second-tier

     

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  6. Dreaming out loud
    African American novelists at work
    Contributor: Porter, Horace A. (HerausgeberIn)
    Published: [2015]
    Publisher:  University of Iowa Press, Iowa City

    Bois, Ralph Ellison, Ernest Gaines, Chester Himes, Langston Hughes, Zora Neale Hurston, Charles Johnson, James Weldon Johnson, Gayl Jones, Terry McMillan, James Alan McPherson, Toni Morrison, Walter Mosley, Ishmael Reed, Martha Southgate, Alice... more

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    Bois, Ralph Ellison, Ernest Gaines, Chester Himes, Langston Hughes, Zora Neale Hurston, Charles Johnson, James Weldon Johnson, Gayl Jones, Terry McMillan, James Alan McPherson, Toni Morrison, Walter Mosley, Ishmael Reed, Martha Southgate, Alice Walker, Margaret Walker, John Edgar Wideman, Richard Wright Dreaming Out Loud brings together essays by many of the most well-known and respected African American writers of the twentieth and twenty-first centuries, discussing various aspects of the vocation, craft, and art of writing fiction. Though many of the writers included here are also accomplished poets, essayists, and playwrights, this collection and the essays it contains remains focused on the novel as a genre and an art form. Some essays explore the challenges of being an African American writer in the United States, broadly addressing aesthetic and racial prejudice in American publishing and literature and its changing face over the decades. Others are more specific and personal, recounting how the authors came to be a reader and writer in a culture that did not always encourage them to do so. Some are more general and focus on practice and craft, while still other essays offer detailed behind-the-scenes accounts of how famous novels, such as Native Son, Invisible Man, The Autobiography of Miss Jane Pittman, and The Color Purple, came to life. Ranging from the Harlem Renaissance, through the Civil Rights movement, and into the twenty-first century, this anthology explores what it has meant to be an African American novelist over the past hundred years. Found within are essays by twenty-one African American novelists, including Nobel Prize-winner Toni Morrison, National Book Award-winners Ralph Ellison and Charles Johnson, Pulitzer Prize-winners Alice Walker and James Alan McPherson, and well-known canonical writers such as W.E.B. Du Bois, James Weldon Johnson, Langston Hughes, Richard Wright, Zora Neale Hurston, and Margaret Walker. Dreaming Out Loud seeks to inspire writers and readers alike, while offering a fascinating and important portrait of novelists at work in their own words. CONTRIBUTORS James Baldwin, Arna Bontemps, W.E.B. Du Preface -- Acknowledgments -- Introduction -- Part One. On Becoming African American Novelists -- James Baldwin (1924-1987) -- Why I Stopped Hating Shakespeare (1964) -- Arna Bontemps (1902-1973) -- Introduction to Black Thunder (1968) -- Langston Hughes (1902-1967) -- From The Big Sea (1940) -- Richard Wright (1908-1960) -- From Black Boy (1945) -- James Baldwin -- From The Devil Finds Work (1976) -- Chester Himes (1909-1984) -- From The Quality of Hurt (1973) -- Ishmael Reed (1938- ) -- Boxing on Paper: Thirty-Seven Years Later (1988) -- James Alan McPherson (1943- ) -- On Becoming an American Writer (1978) -- Terry McMillan (1951- ) -- Introduction to Breaking Ice (1990) -- John Edgar Wideman (1941- ) -- From Brothers and Keepers (1984) -- Part Two. On Aesthetics, Craft, and Publication -- W.E.B. Du Bois (1868-1963) -- Criteria of Negro Art (1926) -- Langston Hughes -- The Negro Artist and the Racial Mountain (1926) -- Gayl Jones (1949- ) -- About My Work (1988) -- James Weldon Johnson (1871-1938) -- Negro Authors and White Publishers (1929) -- Zora Neale Hurston (1891-1960) -- What White Publishers Won't Print (1950) -- John Edgar Wideman -- Preface to Breaking Ice (1990) -- Martha Southgate (1960- ) -- Writers Like Me (2007) -- Charles Johnson (1948- ) -- The Writer's Notebook: A Note on Working Methods (1999) -- Walter Mosley (1952- ) -- For Authors, Fragile Ideas Need Loving Every Day (2001) -- Part Three. On Writing Major Novels -- Richard Wright -- From "How 'Bigger' Was Born" (1940) -- Ralph Ellison (1913-1994) -- From "Introduction to the Thirtieth Anniversary Edition of Invisible Man" (1981) -- Margaret Walker (1915-1998) -- From "How I Wrote Jubilee" (1972) -- Ernest J. Gaines (1933- ) -- Miss Jane and I (1978) -- Alice Walker (1944- ) -- Writing The Color Purple (1982) -- Ernest J. Gaines -- Writing A Lesson Before Dying (2005). Toni Morrison (1931- ) -- Nobel Lecture (December 7, 1993) -- List of Contributors' Novels and Short Stories -- Notes -- Sources and Permissions -- Index.

     

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  7. The textuality of soulwork
    Jack Kerouac's quest for spontaneous prose
    Author: Hunt, Tim
    Published: ©2014
    Publisher:  University of Michigan Press, Ann Arbor

    Introduction -- On the road -- "The roar of time" -- "A book always has a voice" -- "That's not writing, that's typewriting" -- Visions of Cody -- "Blow as deep as you want" -- "Dead Eye Dick Black Dan" -- Epilogue. Tim Hunt's The Textuality of... more

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    Introduction -- On the road -- "The roar of time" -- "A book always has a voice" -- "That's not writing, that's typewriting" -- Visions of Cody -- "Blow as deep as you want" -- "Dead Eye Dick Black Dan" -- Epilogue. Tim Hunt's The Textuality of Soulwork: Jack Kerouac's Quest for Spontaneous Prose examines Kerouac's work from a new critical perspective with a focus on the author's unique methods of creating and working with text. Additionally, The Textuality of Soulwork delineates Kerouac's development of "Spontaneous Prose" to differentiate the preliminary experiment of On the Road from the more radical experiment of Visions of Cody, and to demonstrate Kerouac's transition from working within the textual paradigm of modern print to the textual paradigm of secondary orality. From these perspectives, Tim Hunt crafts a new critical approach to Beat poetics and textual theory, marking an important contribution to the current revival of Kerouac and Beat studies underway at universities in the U.S. and abroad, as reflected by a growing number of conferences, courses, and a renewal in scholarship. -- Publisher

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0472120328; 1306585171; 9780472120321; 9781306585170
    Series: Editorial theory and literary criticism
    Subjects: Fiction; Fiction; LITERARY CRITICISM ; American ; General; Fiction ; Authorship; Fiction ; Technique; Technique; English; Languages & Literatures; American Literature
    Other subjects: Kerouac, Jack (1922-1969); Kerouac, Jack
    Scope: 1 Online-Ressource
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    Includes bibliographical references (pages 193-214) and index

  8. Detecting detection
    international perspectives on the uses of a plot
    Published: 2012
    Publisher:  Continuum, New York

    We indulge our fascination with detection in many ways, only some of which occur in the detective story. In fact, modern fiction regularly uses elements of a detective narrative to tell another story altogether, to engage characters, narrators, and... more

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    We indulge our fascination with detection in many ways, only some of which occur in the detective story. In fact, modern fiction regularly uses elements of a detective narrative to tell another story altogether, to engage characters, narrators, and readers with questions of identity, with examinations of moral and ethical reasoning, with critiques of social and political injustices, and with the metaphysics of meaning itself. Detective plots cross cultural and national boundaries and occur in different ways and different genres. Taken together, they suggest important contemporary understanding

     

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  9. Conceptualisation and exposition
    a theory of character construction
    Published: 2019
    Publisher:  Routledge,, New York, NY

    Cover; Half Title; Series Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgements; 1 Introduction; 2 The Fictional Character; 2.1 Notions of Personality and Personhood; 2.2 The Fictional Character: Concept and Function; 2.3 The... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Cover; Half Title; Series Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgements; 1 Introduction; 2 The Fictional Character; 2.1 Notions of Personality and Personhood; 2.2 The Fictional Character: Concept and Function; 2.3 The Character Schema; 2.3.1 The Uniqueness of Character; 2.3.2 Character as a Psychological Construct; 2.4 Fictional Identities; 2.4.1 Proper Name; 2.4.2 Physical Embodiment; 2.4.3 Past Identities; 2.4.4 Society and Environment; 2.4.5 The Inner Self; 2.5 Summary of Conclusions; 3 Character and the Reader; 3.1 The Reader of Fiction

     

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  10. Novel ideas
    contemporary authors share the creative process
    Published: 2009
    Publisher:  University of Georgia Press, Athens

    From the Publisher: Novel Ideas provides a substantial introduction to the elements of fiction followed by in-depth interviews with successful novelists who speak with candor and insight into the complex process by which a novel is made. This... more

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    From the Publisher: Novel Ideas provides a substantial introduction to the elements of fiction followed by in-depth interviews with successful novelists who speak with candor and insight into the complex process by which a novel is made. This edition includes new and updated interviews as well as writing exercises to enhance its use in the writing classroom. Dorothy Allison recalls "deliciously self-indulgent" days of writing in her bathrobe, wrapped in misery and exultation; Peter Cameron explains how he made the move from short fiction to the novel with the aid of a music composer's notebook to track the movement of his characters. Writers as different as Ha Jin, Jill McCorkle, Richard Ford, and Michael Chabon describe their unique approaches to their work while consistently affirming the necessity of committing to the hard effort of it while also remaining open to surprise. Aspiring novelists will find hands-on strategies for beginning, working through, and revising a novel; accomplished novelists will discover new ways to solve the problems they face in process; and serious readers of contemporary fiction will enjoy a glimpse into the way novels are made. Includes interviews with: Dorothy Allison; Larry Brown; Peter Cameron; Michael Chabon; Michael Cunningham; Robb Forman Dew; Richard Ford; Ha Jin; Patricia Henley; Charles Johnson; Wally Lamb; Valerie Martin; Jill McCorkle; Sena Jeter Naslund; Lewis Nordan; Sheri Reynolds; S. J. Rozan; Jane Smiley; Lee Smith; and Theodore Weesner

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780820346281; 0820346284
    Edition: 2nd ed.
    Subjects: Fiction; Fiction; Novelists, American; Fiction; Novelists, American; Fiction; LANGUAGE ARTS & DISCIPLINES ; Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES ; Rhetoric; REFERENCE ; Writing Skills; Fiction ; Authorship; Fiction ; Technique; Novelists, American; Schriftsteller; Literarische Technik; Interviews
    Scope: Online Ressource (viii, 333 p.)
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    Includes bibliographical references and index. - Description based on print version record

  11. Most of what follows is true
    places imagined and real
    Published: 2019
    Publisher:  The University of Alberta Press, Edmonton, Alberta, Canada

    "Most of What Follows Is True is an examination of the complex relationship between fact and fiction, between the "real world" and the stories we tell to explain the world to ourselves. Drawing on his own experience appropriating historical... more

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    "Most of What Follows Is True is an examination of the complex relationship between fact and fiction, between the "real world" and the stories we tell to explain the world to ourselves. Drawing on his own experience appropriating historical characters to fictional ends, Michael Crummey brings forward important questions about how writers use history and real-life figures to animate fictional stories. Is there a limit to the liberties a writer can take with the real world? Is there a point at which a fictionalization of history becomes a falsification of history? What responsibilities do writers have to their readers, and to the historical and cultural materials they exploit as sources? Crummey offers thoughtful, witty views on the deep and timely conversation around appropriation."--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Edition: First electronic edition, 2019
    Series: CLC Kreisel lecture series
    Subjects: Fiction; History in literature; LANGUAGE ARTS & DISCIPLINES ; Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES ; Rhetoric; REFERENCE ; Writing Skills; Fiction ; Authorship; History in literature
    Scope: 1 Online-Ressource (1 online resource)
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    Co-published by CLC, Canadian Literature Centre = Centre de littérature canadienne

  12. The white man's guide to white male writers of the Western canon
    Published: [2019]
    Publisher:  Harper Perennial, New York

    Introduction -- White male writers -- Afterword -- The white man's guide to white male writers of the Western canon reading list. How can you tell your Faulkner from your Franzen if you haven't actually read either? Schwartz expounds on the most... more

     

    Introduction -- White male writers -- Afterword -- The white man's guide to white male writers of the Western canon reading list. How can you tell your Faulkner from your Franzen if you haven't actually read either? Schwartz expounds on the most important (aka white male) writers of western literature. From Shakespeare's greatest mystery to the true meaning of Kafkaesque, she tests your knowledge of which Jonathan-- Franzen, Lethem, or Safran Foer-- hates Twitter and lives in Brooklyn. So instead of politely nodding along next time you make an acquaintance at a housewarming party in Brooklyn, you can roll up your sleeves and get to work schooling them in character arcs and the experimental form of your next great American novel. -- adapted from back cover

     

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    Source: Union catalogues
    Contributor: Katzenstein, Jason Adam (IllustratorIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780062867872; 0062867873
    Edition: First edition
    Subjects: Fiction; Literature; Fiction; Sex role in literature; Sex role in literature; Literature; Fiction ; Authorship; Humor; Criticism, interpretation, etc
    Scope: xvii, 241 pages, illustrations, 21 cm
  13. Narratologie und Epistemologie
    Studien zu Goethes frühen Erzählungen
    Published: [2019]
    Publisher:  De Gruyter, Berlin

    Frontmatter --Inhalt --Einleitung --I. Systematik --1. Funktionen des Erzählens I: Probleme der Narratologie --2. Erzählen um 1770: Aufstieg und Krise einer Darstellungsform --3. Erkennen um 1770: Skizze eines Paradigmenwechsels --4. Funktionen des... more

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    Frontmatter --Inhalt --Einleitung --I. Systematik --1. Funktionen des Erzählens I: Probleme der Narratologie --2. Erzählen um 1770: Aufstieg und Krise einer Darstellungsform --3. Erkennen um 1770: Skizze eines Paradigmenwechsels --4. Funktionen des Erzählens II: Epistemologie der Narratologie --II. Ort --Einleitung --1. Der Ort der Natur: Geologische Schriften --2. Der Ort der Literatur: ‚Die Leiden des jungen Werthers' --3. Fazit: Die Orte des Erzählens --III. Folge --Einleitung --1. Die Folge der Natur: Biologische Schriften --2. Die Folge der Literatur: Wilhelm Meister --3. Fazit: Die Folgen des Erzählens --IV. Modus --Einleitung --1. Die Modi der Natur: Optische Schriften --2. Die Modi der Literatur: ‚Unterhaltungen deutscher Ausgewanderten' --3. Fazit: Die Modi des Erzählens --Fazit --Literaturverzeichnis --Personenregister --Werkregister --Nachwort Kein Erzählen ohne Erkennen - keine Narratologie ohne Epistemologie. Jede Erzählung bildet nicht nur eine Geschichte ab, sondern weist permanent auf die Voraussetzungen des Erzählens hin, die im Zugriff auf die Erzählinhalte bestehen. Eine Narratologie, die nicht blind für diese Dimension des Erzählens ist, muss ihr Verhältnis zur Epistemologie ausloten. Dieses Verhältnis hat einen historischen Index, den die Arbeit im 18. Jahrhundert verortet. Sie legt in einem ersten Schritt eine historische Narratologie der Aufklärung vor, die zeitgenössische Überlegungen zum Erzählen (Lessing, Blanckenburg, Engel) mit zeitgenössischen Epistemologien (Baumgarten, Herder, Kant) konfrontiert. Das Verhältnis von Erzählen und Erkennen stellt sich exemplarisch in Goethes frühen Erzählungen. Die Arbeit untersucht deshalb in einem zweiten Schritt die Austauschbeziehungen zwischen Literatur und Naturwissenschaft: Geologie und Briefroman, Biologie und Bildungsroman sowie Optik und Novellensammlung bilden drei Konstellationen: Ihr gemeinsamer Nenner sind epistemologisch strukturierte Erzählverfahren, mit denen Goethe das moderne Erzählen begründet

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110585698; 3110585693
    Other identifier:
    9783110583090
    Series: Studien zur deutschen Literatur ; Band 219
    Subjects: German literature; Fiction; Knowledge, Theory of; Authorship; Fiction ; Authorship; German literature; Knowledge, Theory of; Criticism, interpretation, etc
    Other subjects: Goethe, Johann Wolfgang von (1749-1832); Goethe, Johann Wolfgang von
    Scope: 1 Online-Ressource (424 pages)
    Notes:

    Includes bibliographical references (pages [385]-410) and indexes

  14. Conceptualisation and exposition
    a theory of character construction
    Published: 2019
    Publisher:  Routledge,, New York, NY

    Cover; Half Title; Series Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgements; 1 Introduction; 2 The Fictional Character; 2.1 Notions of Personality and Personhood; 2.2 The Fictional Character: Concept and Function; 2.3 The... more

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    Cover; Half Title; Series Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgements; 1 Introduction; 2 The Fictional Character; 2.1 Notions of Personality and Personhood; 2.2 The Fictional Character: Concept and Function; 2.3 The Character Schema; 2.3.1 The Uniqueness of Character; 2.3.2 Character as a Psychological Construct; 2.4 Fictional Identities; 2.4.1 Proper Name; 2.4.2 Physical Embodiment; 2.4.3 Past Identities; 2.4.4 Society and Environment; 2.4.5 The Inner Self; 2.5 Summary of Conclusions; 3 Character and the Reader; 3.1 The Reader of Fiction

     

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  15. Gay fiction speaks
    conversations with gay novelists
    Published: c2000
    Publisher:  Columbia University Press, New York

    A collection of in-depth analytical interviews with twelve of the best-known gay novelists writing in English today, including Armistead Maupin, David Leavitt, Alan Garganus, and others Foreword by David Bergman; Introduction; 1. James Purdy; 2. John... more

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    A collection of in-depth analytical interviews with twelve of the best-known gay novelists writing in English today, including Armistead Maupin, David Leavitt, Alan Garganus, and others Foreword by David Bergman; Introduction; 1. James Purdy; 2. John Rechy; 3. Edmund White; 4. Andrew Holleran; 5. Armistead Maupin; 6. Felice Picano; 7. Allan Gurganus; 8. Ethan Mordden; 9. Dennis Cooper; 10. Alan Hollinghurst; 11. David Leavitt; 12. Patrick Gale.

     

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  16. Writing fiction and poetry
    essays by twelve North Carolina writers
    Published: c1995
    Publisher:  Boson Books, Raleigh, N.C

    & Quot;Our meddling intellect misshapes the beauteous forms of things; we murder to dissect," Wordsworth cautioned at the dawning of a new age of science and technology. It is a caution that, in addition to applying to the study of art and nature,... more

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    & Quot;Our meddling intellect misshapes the beauteous forms of things; we murder to dissect," Wordsworth cautioned at the dawning of a new age of science and technology. It is a caution that, in addition to applying to the study of art and nature, might also apply to our investigation of the creative process, which has engaged the meddling minds of many. ... the process involved in literary creation, in particular, has fascinated many ordinary people, as well as a great many psychologists and philosophers, from Plato on ... The variety of approach and style in Writing Fiction and Poetry extends

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1886420084; 9781886420083
    Subjects: Fiction; Fiction; Fiction; Fiction; Fiction; Fiction; LANGUAGE ARTS & DISCIPLINES ; Rhetoric; REFERENCE ; Writing Skills; LANGUAGE ARTS & DISCIPLINES ; Composition & Creative Writing; Fiction ; Authorship; Fiction ; Technique
    Scope: Online Ressource (170 p.)
    Notes:

    Description based on print version record

    Cover; Preliminaries; Preface; Acknowledgements; Contents; "Re-visioning" by Fred Chappell; "A Single Line" by Elizabeth Cox; "Willing to Wait: A Writer at Work" by Candace Flynt; "Departures: A Story of Re-visioning" by Jill McCorkle; "Snakes, Drunks, and Meteors: Writing Beyond the Romantic Illusion" by Tim McLaurin; "Levitation" by Robert Watson; "Permanent Enchantment" by Betty Adcock; "The Knowledge and Act of Poetry" by James Applewhite; "The Wind Passing Through" by Kathryn Stripling Byer; "Who Knows" by Michael McFee; "Pinning the Bright Syllables" by Heather Ross Miller.

  17. The life and opinions of Tristram Shandy, gentleman
    Volumes I-IV
    Published: 2010
    Publisher:  Floating Press, [Waiheke Island]

    Chapter XV -- Chapter XVI -- Chapter XVII -- Chapter XVIII -- Chapter XIX -- Chapter XX -- Chapter XXI -- Chapter XXII -- Chapter XXIII -- Chapter XXIV -- Chapter XXV -- Chapter XXVI -- Chapter XXVII -- Chapter XXVIII -- Chapter XXIX -- Chapter XXX... more

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    Chapter XV -- Chapter XVI -- Chapter XVII -- Chapter XVIII -- Chapter XIX -- Chapter XX -- Chapter XXI -- Chapter XXII -- Chapter XXIII -- Chapter XXIV -- Chapter XXV -- Chapter XXVI -- Chapter XXVII -- Chapter XXVIII -- Chapter XXIX -- Chapter XXX -- Chapter XXXI -- Chapter XXXII -- Chapter XXXIII -- Chapter XXXIV -- Chapter XXXV -- Chapter XXXVI -- Chapter XXXVII -- Chapter XXXVIII -- Chapter XXXIX -- Chapter XL -- Chapter XLI -- Chapter XLII -- Chapter XLIII -- Chapter XLIV -- Chapter XLV -- Chapter XLVI -- Chapter XLVII -- Chapter XVLIII -- Chapter XLIX -- Chapter L -- Chapter LI. Chapter LII -- Chapter LIII -- Chapter LIV -- Chapter LV -- Chapter LVI -- Chapter LVII -- Chapter LVIII -- Chapter LX -- Chapter LXI -- Chapter LXII -- Chapter LXIII -- Chapter LXIV -- Chapter LXV -- Chapter LXVI -- Chapter LXVII -- THE LIFE AND OPINIONS OF TRISTRAM SHANDY, GENT- VOLUME THE THIRD -- Chapter I -- Chapter II -- Chapter III -- Chapter IV -- Chapter V -- Chapter VI -- Chapter VII -- Chapter VIII -- Chapter IX -- Chapter X -- Chapter XI -- Chapter XII -- Chapter XIII -- Chapter XIV -- Chapter XV -- Chapter XVI -- Chapter XVII -- Chapter XVIII -- Chapter XIX -- Chapter XX. Chapter XXXIII -- Chapter XXXIV -- Chapter XXXV -- Chapter XXXVI -- Chapter XXXVII -- Chapter XXXVIII -- Chapter XXXIX -- Chapter XL -- Chapter XLI -- Chapter XLII -- Chapter XLIII -- Chapter XLIV -- Chapter XLV -- Chapter XLVI -- Chapter XLVII -- Chapter XLVIII -- Chapter XLIX -- Chapter L -- Chapter LI -- Chapter LII -- THE LIFE AND OPINIONS OF TRISTRAM SHANDY, GENT- VOLUME THE SECOND -- Chapter I -- Chapter II -- Chapter III -- Chapter IV -- Chapter V -- Chapter VI -- Chapter VII -- Chapter VIII -- Chapter IX -- Chapter X -- Chapter XI -- Chapter XII -- Chapter XIII -- Chapter XIV. Chapter XXI -- Chapter XXII -- Chapter XXIII -- Chapter XXIV -- Chapter XXV -- Chapter XXVI -- Chapter XXVII -- Chapter XXVIII -- Chapter XXIX -- Chapter XXX -- Chapter XXXI -- Chapter XXXII -- Chapter XXXIII -- Chapter XXXIV -- Chapter XXXV -- Chapter XXXVI -- Chapter XXXVII -- Chapter XXXVIII -- Chapter XXXIX -- Chapter XL -- Chapter XLI -- Chapter XLII -- Chapter XLIII -- Chapter XLIV -- Chapter XLV -- Chapter XLVI -- Chapter XLVII -- Chapter XLVIII -- Chapter XLIX -- Chapter L -- Chapter LI -- Chapter LII -- Chapter LIII -- Chapter LIV -- Chapter LV -- Chapter LVI -- Chapter LVII. Title -- Contents -- Dedication -- THE LIFE AND OPINIONS OF TRISTRAM SHANDY, GENT- VOLUME THE FIRST -- Chapter I -- Chapter II -- Chapter III -- Chapter IV -- Chapter V -- Chapter VI -- Chapter VII -- Chapter VIII -- Chapter IX -- Chapter X -- Chapter XI -- Chapter XII -- Chapter XIII -- Chapter XIV -- Chapter XV -- Chapter XVI -- Chapter XVII -- Chapter XVIII -- Chapter XIX -- Chapter XX -- Chapter XXI -- Chapter XXII -- Chapter XXIII -- Chapter XXIV -- Chapter XXV -- Chapter XXVI -- Chapter XXVII -- Chapter XXVIII -- Chapter XXIX -- Chapter XXX -- Chapter XXXI -- Chapter XXXII. This multi-volume comic masterpiece is a must-read for fans of literary humor writing. An inventive pastiche of a staggering array of eighteenth-century thinkers, writers, and artists, Tristram Shandy combines intellectual allusions with rollicking -- and sometimes bawdy -- humor

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781775419198; 1775419193
    Subjects: Fiction; Fiction; Fiction; FICTION ; General; Fiction ; Authorship; English; Languages & Literatures; English Literature; Fiction
    Scope: Online Ressource (1007 p.)
    Notes:

    "First published in 1759"--P. 2. - Title from PDF title page (viewed Apr. 12, 2011)

    Title from PDF title page (viewed Apr. 12, 2011)

  18. On the origin of stories
    evolution, cognition, and fiction
    Published: 2009
    Publisher:  Belknap Press of Harvard University Press, Cambridge, Mass

    Book II.From Zeus to Seuss: Origins of Stories --Part 4.Phylogeny: The Odyssey --14.Earning Attention (1): Natural Patterns: Character and Plot --15.Earning Attention (2): Open-Ended Patterns: Ironies of Structure --16.The Evolution of Intelligence... more

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    Book II.From Zeus to Seuss: Origins of Stories --Part 4.Phylogeny: The Odyssey --14.Earning Attention (1): Natural Patterns: Character and Plot --15.Earning Attention (2): Open-Ended Patterns: Ironies of Structure --16.The Evolution of Intelligence (1): In the Here and Now --17.The Evolution of Intelligence (2): Beyond the Here and Now --18.The Evolution of Cooperation (1): Expanding the Circle --19.The Evolution of Cooperation (2): Punishment Introduction: Animal, Human, Art, Story --Book I.Evolution, Art, and Fiction --Part 1.Evolution and Nature --1.Evolution and Human Nature? --2.Evolution, Adaptation, and Adapted Minds --3.The Evolution of Intelligence --4.The Evolution of Cooperation Part 5.Ontogeny: Horton Hears a Who! --20.Problems and Solutions: Working at Play --21.Levels of Explanation: Universal, Local, and Individual --22.Levels of Explanation: Individuality Again --23.Levels of Explanation: Particular --24.Meanings --Conclusion: Retrospect and Prospects: Evolution, Literature, Criticism --Afterword: Evolution, Art, Story, Purpose --Notes. Part 2.Evolution and Art --5.Art as Adaptation? --6.Art as Cognitive Play --7.Art and Attention --8.From Tradition to Innovation Part 3.Evolution and Fiction --9.Art, Narrative, Fiction --10.Understanding and Recalling Events --11.Narrative: Representing Events --12.Fiction: Inventing Events --13.Fiction as Adaptation

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674053595; 0674053591; 0674033574; 9780674033573
    RVK Categories: EC 2490 ; EC 2430 ; EC 4500
    Subjects: Fiction; Fiction; Roman; Roman; Fiction; Fiction; Fiction; TRAVEL ; Special Interest ; Literary; LITERARY CRITICISM ; General; LITERARY CRITICISM ; Semiotics & Theory; Fiction; Fiction ; Authorship; Erzählen; Evolutionspsychologie; Literatur ; Evolution; Evolution ; Literatur; Criticism, interpretation, etc
    Scope: Online Ressource (xii, 540 p.), ill.
    Notes:

    Includes bibliographical references (p. 457-507) and index. - Description based on print version record

  19. Before you write your novel
    essential skills for the first-time novelist
    Published: 2016
    Publisher:  Routledge, Milton Park, Abingdon, Oxon

    1. Readiness -- 2. The idea -- 3. Building story -- 4. Construction -- 5. Narrative approaches -- 6. Case study : plotting a novel -- 7. Troubleshooting -- 8. Before you write a word more

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    1. Readiness -- 2. The idea -- 3. Building story -- 4. Construction -- 5. Narrative approaches -- 6. Case study : plotting a novel -- 7. Troubleshooting -- 8. Before you write a word

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781138186729; 9781138186736; 9781315643649; 9781317286615; 9781317286622; 9781317286639
    Other identifier:
    Subjects: Fiction; Fiction; Authorship; Fiction; Fiction; Fiction ; Authorship; Fiction ; Technique; Authorship
    Scope: Online-Ressource (1 online resource (xv, 197 pages)), illustrations, text file, PDF
    Notes:

    Includes bibliographical references and index

  20. On the origin of stories
    evolution, cognition, and fiction
    Author: Boyd, Brian
    Published: 2009
    Publisher:  Belknap Press of Harvard University Press, Cambridge, Massachusetts

    Intro -- Contents -- Illustrations -- Acknowledgments -- Introduction: Animal, Human, Art, Story -- Book I: Evolution, Art, and Fiction -- Part 1: Evolution and Nature -- 1. Evolution and Human Nature? -- 2. Evolution, Adaptation, and Adapted Minds... more

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    Intro -- Contents -- Illustrations -- Acknowledgments -- Introduction: Animal, Human, Art, Story -- Book I: Evolution, Art, and Fiction -- Part 1: Evolution and Nature -- 1. Evolution and Human Nature? -- 2. Evolution, Adaptation, and Adapted Minds -- 3. The Evolution of Intelligence -- 4. The Evolution of Cooperation -- Part 2: Evolution and Art -- 5. Art as Adaptation? -- 6. Art as Cognitive Play -- 7. Art and Attention -- 8. From Tradition to Innovation -- Part 3: Evolution and Fiction -- 9. Art, Narrative, Fiction -- 10. Understanding and Recalling Events -- 11. Narrative: Representing Events -- 12. Fiction: Inventing Events -- 13. Fiction as Adaptation -- Book II: From Zeus to Seuss: Origins of Stories -- Part 4: Phylogeny: The Odyssey -- 14. Earning Attention (1): Natural Patterns: Character and Plot -- 15. Earning Attention (2): Open-Ended Patterns: Ironies of Structure -- 16. The Evolution of Intelligence (1): In the Here and Now -- 17. The Evolution of Intelligence (2): Beyond the Here and Now -- 18. The Evolution of Cooperation (1): Expanding the Circle -- 19. The Evolution of Cooperation (2): Punishment -- Part 5: Ontogeny: Horton Hears a Who! -- 20. Problems and Solutions: Working at Play -- 21. Levels of Explanation: Universal, Local, and Individual -- 22. Levels of Explanation: Individuality Again -- 23. Levels of Explanation: Particular -- 24. Meanings -- Conclusion: Retrospect and Prospects: Evolution, Literature, Criticism -- Afterword: Evolution, Art, Story, Purpose -- Notes -- Bibliography -- Index.

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674053595
    RVK Categories: EC 2490 ; EC 2430 ; EC 4500
    Subjects: Fiction-History and criticism-Theory, etc; Fiction-Authorship; Storytelling; Evolutionary psychology; Psychology and literature; Fiction ; Authorship; Fiction ; History and criticism ; Theory, etc; Electronic books
    Scope: 1 Online-Ressource (xii, 540 Seiten)
  21. Writing
    the craft of creative fiction
    Author: Ruhen, Olaf
    Published: 1964
    Publisher:  F.W. Cheshire, Melbourne

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    79 A 21051
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    Subjects: Fiction; Fiction ; Authorship
    Scope: 112 p, 22 cm
    Notes:

    Author born and educated in New Zealand

    Includes bibliographical references

  22. Spanish Perspectives on Chicano Literature
    Literary and Cultural Essays
    Published: [2017]
    Publisher:  The Ohio State University Press, Columbus

    Spanish Perspectives on Chicano Literature and Culture: Literary and Cultural Essays explores how Spanish literary critics from the U.S. and Spain view and study Chicano literature and culture, and reflects on Chicano literature's literary place in... more

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Spanish Perspectives on Chicano Literature and Culture: Literary and Cultural Essays explores how Spanish literary critics from the U.S. and Spain view and study Chicano literature and culture, and reflects on Chicano literature's literary place in 21st century America and its transnational aspirations.

     

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  23. Xiao shuo ke tang
    Author: Wang, Anyi
    Published: 2018
    Publisher:  Ren min wen xue chu ban she, Bei jing shi

    Universität Freiburg, Orientalisches Seminar, Bibliothek
    Frei 29: China/KB/33
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: Chinese
    Media type: Book
    Format: Print
    ISBN: 9787020141920; 7020141927
    Edition: Di 1 ban
    Series: 99 du shu ren
    Subjects: Fiction; Chinese fiction; Fiction; Chinese fiction; Fiction; Fiction ; Authorship; Criticism, interpretation, etc
    Scope: 332 Seiten, 21 cm
  24. Creative Manoeuvres
    Writing, Making, Being
    Author: Webb, Jen
    Published: 2014; ©2014.
    Publisher:  Cambridge Scholars Publishing, Newcastle-upon-Tyne

    Creative Manoeuvres is a collection of new writings on a topic of enduring interest: the role of creative practice in the formation of knowledge. The contributors to this collection are primarily creative writers, working in poetry, fiction,... more

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    Creative Manoeuvres is a collection of new writings on a topic of enduring interest: the role of creative practice in the formation of knowledge. The contributors to this collection are primarily creative writers, working in poetry, fiction, nonfiction and ethnography. Many include the visual or performing arts within their practice; and all are academics as well as creative writers. Their chapters move the study of creative writing beyond subjective accounts of 'how I write' towards broader ... Intro -- Table of Contents -- Acknowledgements -- Introduction -- Self extraction -- Circles and intersections -- In the footsteps of the Ancestors -- Sonqoqui -- Writing and the 'moved' subject -- Write this down -- Spectral bodies of thought -- The collaborative interview -- David Shields' way of making -- Situating the creative response -- Elder-flowering -- Small stories from two decades -- Contributors -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443864640
    Edition: 1st ed.
    Subjects: Creative writing; Fiction ; Authorship; Knowledge, Theory of; Electronic books
    Scope: 1 online resource (194 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Table of Contents; Acknowledgements; Introduction; Self extraction; Circles and intersections; In the footsteps of the Ancestors; Sonqoqui; Writing and the 'moved' subject; Write this down; Spectral bodies of thought; The collaborative interview; David Shields' way of making; Situating the creative response; Elder-flowering; Small stories from two decades; Contributors; Index

  25. Novel Ideas
    Contemporary Authors Share the Creative Process
    Published: 2009; ©2009.
    Publisher:  University of Georgia Press, Athens

    Intro -- Contents -- Preface to the Second Edition -- Writing a Novel -- Introduction -- The Book in the Mind -- The Elements of Fiction -- Seeing It Through -- Revision -- The Interviews -- Dorothy Allison -- Larry Brown -- Peter Cameron -- Michael... more

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    Intro -- Contents -- Preface to the Second Edition -- Writing a Novel -- Introduction -- The Book in the Mind -- The Elements of Fiction -- Seeing It Through -- Revision -- The Interviews -- Dorothy Allison -- Larry Brown -- Peter Cameron -- Michael Chabon -- Michael Cunningham -- Robb Forman Dew -- Richard Ford -- Ha Jin -- Patricia Henley -- Charles Johnson -- Wally Lamb -- Valerie Martin -- Jill McCorkle -- Sena Jeter Naslund -- Lewis Nordan -- Sheri Reynolds -- S. J. Rozan -- Jane Smiley -- Lee Smith -- Theodore Weesner -- Writing Exercises.

     

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    Source: Union catalogues
    Contributor: Denman, Margaret-Love (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780820346281; 0820346284
    Edition: 2nd ed.
    Subjects: Fiction; Novelists, American; Fiction; Fiction ; Authorship; Novelists, American ; 20th century ; Interviews; Electronic books
    Scope: 1 online resource (343 pages)
    Notes:

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    Preface to the second editionWriting a novel -- Introduction -- Book in the mind -- Elements of fiction -- Seeing it through -- Revision -- Interviews: Dorothy Allison -- Larry Brown -- Peter Cameron -- Michael Chabon -- Michael Cunningham -- Robb Forman Dew -- Richard Ford -- Ha Jin -- Patricia Henley -- Charles Johnson -- Wally Lamb -- Valerie Martin -- Jill McCorkle -- Sena Jeter Naslund -- Lewis Nordan -- Sheri Reynolds -- S J Rozan -- Jane Smiley -- Lee Smith -- Theodore Weesner -- Writing exercises.