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Displaying results 1 to 25 of 58.

  1. Out of context
    the uses of modernist fiction
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    How do novels travel through time? How might they endure in a changing world in order to reach the unknowable readers of the future? Modernist writers were obsessed with questions like these, and eager for their books to reach out to people, times,... more

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    How do novels travel through time? How might they endure in a changing world in order to reach the unknowable readers of the future? Modernist writers were obsessed with questions like these, and eager for their books to reach out to people, times, and cultures beyond their own. In recent years, scholars of modernism have focused on pinning them down: putting these books in their context and these authors in their place. We do so because we fear that any ambition to reach the future will make literature disengaged, irresponsible, and apolitical. We worry that literature cannot escape its own moment without also evading the hard truths of history itself. This text argues instead that literature can travel through time: not by transcending history, but by adapting to historical change

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190655426
    Other identifier:
    RVK Categories: EC 5020 ; HM 1071
    Series: Modernist literature & culture
    Subjects: Discourse analysis, Literary; Narration (Rhetoric); Modernism (Literature); Fiction; Time in literature; Modernism (Literature); Fiction ; 20th century ; History and criticism; Time in literature; Narration (Rhetoric); Discourse analysis, Literary
    Scope: 1 Online-Ressource (xv, 268 Seiten)
    Notes:

    Includes bibliographical references and index

    Previously issued in print: 2018

    Zielgruppe - Audience: Specialized

  2. Women writing violence
    the novel and radical feminist imaginaries
    Published: 2013
    Publisher:  SAGE, New Delhi

    'Women Writing Violence' engages with select contemporary novels in which women characters resist violence and redefine notions of community by imagining bonds with the exiled and the disempowered. The author interweaves the literary landscapes of... more

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    Universitätsbibliothek Hildesheim
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    'Women Writing Violence' engages with select contemporary novels in which women characters resist violence and redefine notions of community by imagining bonds with the exiled and the disempowered. The author interweaves the literary landscapes of African-American writer Toni Morrison with the oeuvre of South Asian writers Mridula Garg, Tahmina Durrani, Amrita Pritam Bapsi Sidhwa and Mahasweta Devi. This results in the opening of a new gateway into the thinking about violence and survival through a feminist, transnational lens

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9788132114093; 9788132109082
    Edition: Online-Ausg.
    Subjects: Fiction; Violence in literature; Women in literature; Feminism and literature; Fiction; Fiction ; Women authors ; History and criticism; Violence in literature; Women in literature; Feminism and literature; Fiction ; 20th century ; History and criticism
    Other subjects: Array; Violence in literature; Women in literature; Feminism and literature; Array; Array
    Scope: Online Ressource (xxxix, 269 p.)
    Notes:

    'Women Writing Violence' engages with select contemporary novels in which women characters resist violence and redefine notions of community by imagining bonds with the exiled and the disempowered. The author interweaves the literary landscapes of African-American writer Toni Morrison with the oeuvre of South Asian writers Mridula Garg, Tahmina Durrani, Amrita Pritam Bapsi Sidhwa and Mahasweta Devi. This results in the opening of a new gateway into the thinking about violence and survival through a feminist, transnational lens

    Includes bibliographical references and index

  3. Out of context
    the uses of modernist fiction
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    How do novels travel through time? How might they endure in a changing world in order to reach the unknowable readers of the future? Modernist writers were obsessed with questions like these, and eager for their books to reach out to people, times,... more

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    How do novels travel through time? How might they endure in a changing world in order to reach the unknowable readers of the future? Modernist writers were obsessed with questions like these, and eager for their books to reach out to people, times, and cultures beyond their own. In recent years, scholars of modernism have focused on pinning them down: putting these books in their context and these authors in their place. We do so because we fear that any ambition to reach the future will make literature disengaged, irresponsible, and apolitical. We worry that literature cannot escape its own moment without also evading the hard truths of history itself. This text argues instead that literature can travel through time: not by transcending history, but by adapting to historical change

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190655426
    Other identifier:
    RVK Categories: EC 5020 ; HM 1071
    Series: Modernist literature & culture
    Subjects: Discourse analysis, Literary; Narration (Rhetoric); Modernism (Literature); Fiction; Time in literature; Modernism (Literature); Fiction ; 20th century ; History and criticism; Time in literature; Narration (Rhetoric); Discourse analysis, Literary; Discourse analysis, Literary; Fiction; Modernism (Literature); Narration (Rhetoric); Time in literature; Criticism, interpretation, etc; 1900-1999
    Scope: 1 Online-Ressource (xv, 268 Seiten)
    Notes:

    Includes bibliographical references and index

    Previously issued in print: 2018

    Zielgruppe - Audience: Specialized

  4. Sacrifice and modern war literature
    the battle of Waterloo to the war on terror
    Contributor: Houen, Alex (HerausgeberIn); Schramm, Jan-Melissa (HerausgeberIn)
    Published: 2018
    Publisher:  Oxford University Press, Oxford

    This text explores how writers from the early 19th century to the present have addressed the intimacy of sacrifice and war. Each chapter presents fresh insights into the literature of a particular conflict. The range of literature examined... more

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    This text explores how writers from the early 19th century to the present have addressed the intimacy of sacrifice and war. Each chapter presents fresh insights into the literature of a particular conflict. The range of literature examined complements the rich array of topics related to wartime sacrifice that the contributors discuss

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Houen, Alex (HerausgeberIn); Schramm, Jan-Melissa (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191844126
    Other identifier:
    RVK Categories: HG 435 ; HR 1708
    Edition: First edition
    Subjects: Fiction; Fiction; Fiction; War stories; Sacrifice in literature; War stories ; History and criticism; Sacrifice in literature; Fiction ; 19th century ; History and criticism; Fiction ; 20th century ; History and criticism; Fiction ; 21st century ; History and criticism
    Scope: 1 Online-Ressource (xiv, 282 Seiten), illustrations (black and white)
    Notes:

    Includes bibliographical references and index

    This edition previously issued in print: 2018

    Zielgruppe - Audience: Specialized

  5. Art, history, and postwar fiction
    Published: 2018
    Publisher:  Oxford University Press, Oxford

    'Art, History and Postwar Fiction' explores the ways in which novelists responded to the visual arts from the aftermath of the Second World War to the present day. If art had long served as a foil to enable novelists to reflect on their craft, this... more

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    'Art, History and Postwar Fiction' explores the ways in which novelists responded to the visual arts from the aftermath of the Second World War to the present day. If art had long served as a foil to enable novelists to reflect on their craft, this text argues that in the postwar period, novelists turned to the visual arts to develop new ways of conceptualizing the relationship between literature and history

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191863240
    Other identifier:
    RVK Categories: HN 1293 ; HN 1031
    Edition: First edition
    Series: Oxford English monographs
    Oxford scholarship online
    Subjects: Fiction; Art and literature; Literature and history; Fiction ; 20th century ; History and criticism; Art and literature; Literature and history
    Scope: 1 Online-Ressource (xi, 195 Seiten), illustrations (black and white)
    Notes:

    Includes bibliographical references and index

    This edition previously issued in print: 2018

    Zielgruppe - Audience: Specialized

  6. Street songs
    writers and urban songs and cries, 1800-1925
    Published: 2018
    Publisher:  Oxford University Press, Oxford

    This volume explores the use made by poets and novelists of street songs and cries with a particular focus on 19th and early 20th century writers including William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing,... more

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    This volume explores the use made by poets and novelists of street songs and cries with a particular focus on 19th and early 20th century writers including William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing, James Joyce, Virginia Woolf, and Marcel Proust

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191834363
    Other identifier:
    Edition: First edition
    Series: Clarendon lectures in English
    Oxford scholarship online
    Subjects: Street music in literature; Cries in literature; Music and literature; Poetry; Fiction; Fiction; Poetry; Fiction ; 19th century ; History and criticism; Fiction ; 20th century ; History and criticism; Poetry ; 19th century ; History and criticism; Poetry ; 20th century ; History and criticism; Street music in literature; Cries in literature; Music and literature
    Scope: 1 Online-Ressource (xii, 195 Seiten, 4 ungezählte Seiten, Bildtafeln), illustrations (black and white, and colour)
    Notes:

    Includes bibliographical references and index

    This edition previously issued in print: 2018

    Zielgruppe - Audience: Specialized

  7. The Cambridge companion to the postcolonial novel
    Contributor: Quayson, Ato (HerausgeberIn)
    Published: 2016
    Publisher:  Cambridge University Press, New York, NY

    The Cambridge Companion to the Postcolonial Novel provides an engaging account of the postcolonial novel, from Joseph Conrad to Jean Rhys. Reflecting the development of postcolonial literary studies into a significant and intellectually vibrant... more

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    The Cambridge Companion to the Postcolonial Novel provides an engaging account of the postcolonial novel, from Joseph Conrad to Jean Rhys. Reflecting the development of postcolonial literary studies into a significant and intellectually vibrant field, this Companion explores genres and theoretical movements such as magical realism, crime fiction, ecocriticism, and gender and sexuality. Written by a host of leading scholars in the field, this book offers insight into the representative movements, cultural settings, and critical reception that define the postcolonial novel. Covering subjects from disability and diaspora to the sublime and the city, this Companion reveals the myriad traditions that have shaped the postcolonial literary landscape, and will serve as a valuable resource to students and established scholars alike.

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Quayson, Ato (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316459287
    Other identifier:
    RVK Categories: HP 1145
    Series: Cambridge companions to literature
    The companions to literature and classics
    Cambridge companions online
    Subjects: Postcolonialism in literature; Fiction; Fiction; LITERARY CRITICISM / Semiotics & Theory; Fiction; Postcolonialism in literature; Fiction; Postcolonialism in literature; Fiction; Postcolonialism in literature; Fiction ; 21st century ; History and criticism; Fiction ; 20th century ; History and criticism
    Scope: 1 Online-Ressource (lx, 273 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 26 Jan 2016)

  8. Idling the Engine
    Linguistic Skepticism in and Around Cortazar, Kafka, and Joyce
    Published: 1900
    Publisher:  Catholic University of America Press, Washington

    Intro -- Contents -- Preface -- Acknowledgments -- Abbreviations -- 1. Introduction: Paradise Lost as an Allegory of Finitude -- The Skeptical Threat in Paradise Lost -- Paradise Lost in Light of Gadamer and Wittgenstein: Idling the Engine --... more

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    Intro -- Contents -- Preface -- Acknowledgments -- Abbreviations -- 1. Introduction: Paradise Lost as an Allegory of Finitude -- The Skeptical Threat in Paradise Lost -- Paradise Lost in Light of Gadamer and Wittgenstein: Idling the Engine -- Conclusion -- 2. Skeptical Self-Contradiction in Hopscotch: Knowing, Being, Reading, Writing -- The Self-Contradiction of Cortázar's "Active Spectator": How to Know? How to Be? -- The Confused Hermeneutics of Hopscotch: How to Read? How to Write? -- Conclusion -- 3. Kafka, Wittgenstein, and the Limits of Language -- Wittgensteinian Skepticism in The Castle: Inside and Outside the Language-Game at Once -- "On Parables": The Value of Already Knowing That the Incomprehensible Is Incomprehensible -- Conclusion -- 4. The Skeptic and the Hermeneut in Joyce -- Stephen's Rejection of Finitude -- Bloom's Finite Existence and Hermeneutical Aesthetic, Bloomitas -- Conclusion: Joyce's Choices -- 5. Conclusion: Joyce's Teacup -- Works Cited -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813214412
    Subjects: Cortázar, Julio ; Criticism and interpretation; Fiction ; 20th century ; History and criticism; Joyce, James ; 1882-1941 ; Criticism and interpretation; Kafka, Franz ; 1883-1924 ; Criticism and interpretation; Electronic books
    Scope: Online-Ressource (304 p)
    Notes:

    Description based upon print version of record

    ""Contents""; ""Preface""; ""Acknowledgments""; ""Abbreviations""; ""1. Introduction: Paradise Lost as an Allegory of Finitude""; ""The Skeptical Threat in Paradise Lost""; ""Paradise Lost in Light of Gadamer and Wittgenstein: Idling the Engine""; ""Conclusion""; ""2. Skeptical Self-Contradiction in Hopscotch: Knowing, Being, Reading, Writing""; ""The Self-Contradiction of Cortázar�s “Active Spectator�: How to Know? How to Be?""; ""The Confused Hermeneutics of Hopscotch: How to Read? How to Write?""; ""Conclusion""; ""3. Kafka, Wittgenstein, and the Limits of Language""

    ""Wittgensteinian Skepticism in The Castle: Inside and Outside the Language-Game at Once""""“On Parables�: The Value of Already Knowing That the Incomprehensible Is Incomprehensible""; ""Conclusion""; ""4. The Skeptic and the Hermeneut in Joyce""; ""Stephen�s Rejection of Finitude""; ""Bloom�s Finite Existence and Hermeneutical Aesthetic, Bloomitas ""; ""Conclusion: Joyce�s Choices""; ""5. Conclusion: Joyce�s Teacup""; ""Works Cited""; ""Index""

  9. Narcissistic narrative
    the metafictional paradox
    Published: 1980
    Publisher:  Wilfrid Laurier University Press, Waterloo, Ont.

    Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further... more

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    Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory. Having placed this phenomenon in its historical context Linda Hutcheon uses the insights of various reader-response theories to explore the "paradox" created by metafiction: the reader is, at the same time, co-creator of the self-reflexive text and distanced from it because of its very self-reflexiveness. She illustrates her analysis through the works of novelists such as Fowles, Barth, Nabokov, Calvino, Borges, Carpentier, and Aquin. For the paperback edition of this important book a preface has been added which examines developments since first publication. Intro -- Contents -- Acknowledgments -- Introduction -- CHAPTER ONE: Modes and Forms of Narrative Narcissism: Introduction of a Typology -- CHAPTER TWO: Process and Product: The Implications of Metafiction for the Theory of the Novel as a Mimetic Genre -- CHAPTER THREE: Thematizing Narrative Artifice: Parody, Allegory, and the Mise En Abyme -- CHAPTER FOUR: Freedom Through Artifice: The French Lieutenant's Woman -- CHAPTER FIVE: Actualizing Narrative Structures: Detective Plot, Fantasy, Games, and the Erotic -- CHAPTER SIX: The Language of Fiction: Creating the Heterocosm of Fictive Referents -- CHAPTER SEVEN: The Theme of Linguistic Identity: La Macchina Mondiale -- CHAPTER EIGHT: Generative Word Play: The Outer Limits of the Novel Genre -- CHAPTER NINE: Composite Identity: The Reader, the Writer, the Critic -- Conclusion and Speculations -- Index of Subjects and Names -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781554585021
    RVK Categories: HM 1331
    Series: Canadian review of comparative literature / Library ; 5
    Subjects: Fiction ; 20th century ; History and criticism; Fiction ; Technique; Electronic books
  10. Notions of otherness
    literary essays from Abraham Cahan to Dacia Maraini
    Published: 2019
    Publisher:  Anthem Press, London

    One can approach the notion of otherness or alterity in various ways: politically, aesthetically, ethically, culturally, religiously and sexually. Lilia Melani defines the other as an individual who is perceived by the group as not belonging, as... more

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    One can approach the notion of otherness or alterity in various ways: politically, aesthetically, ethically, culturally, religiously and sexually. Lilia Melani defines the other as an individual who is perceived by the group as not belonging, as being different in some fundamental way, as lacking essential characteristics possessed by the group. The collection of essays 'Notions of Otherness' addresses many of these approaches as ways of interrogating how varied yet how similar they are in relation to the individual literary texts.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781783089291; 9781783089284
    Subjects: Fiction; Other (Philosophy) in literature; Fiction ; 20th century ; History and criticism; Other (Philosophy) in literature
    Scope: 1 online resource (87 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 17 Jul 2019)

  11. Modern dystopian fiction and political thought
    narratives of world politics
    Author: Stock, Adam
    Published: Routledge, Taylor & Francis Group; © 2019

    Machine generated contents note: 1.Troubles began quietly: Tensions of emergence in E. M. Forster's The Machine Stops -- 2.Libraries full of Kants: Heretics, history and Yevgeny Zamyatin's We -- 3.Experiments, with sex and drugs: Aldous Huxley's... more

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Machine generated contents note: 1.Troubles began quietly: Tensions of emergence in E. M. Forster's The Machine Stops -- 2.Libraries full of Kants: Heretics, history and Yevgeny Zamyatin's We -- 3.Experiments, with sex and drugs: Aldous Huxley's Brave New World -- 4.It has happened to Europe before but never to me: Allegory and English exceptionalism in 1930s dystopias -- 5.Nazism, myth and the pastoral in Katharine Burdekin's dystopian fiction -- 6.Dystopia at its limits: The Second World War and history -- 7.Bodies and nobodies: George Orwell's Nineteen Eighty-Four -- 8.Life in all its forms is strife: The Cold War nuclear threat and John Wyndham's pessimistic liberal utopianism.

     

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  12. Magical realism and literature
    Contributor: Warnes, Christopher (HerausgeberIn); Sasser, Kim (HerausgeberIn)
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    Magical realism can lay claim to being one of most recognizable genres of prose writing. It mingles the probable and improbable, the real and the fantastic, and it provided the late-twentieth century novel with an infusion of creative energy in Latin... more

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    Magical realism can lay claim to being one of most recognizable genres of prose writing. It mingles the probable and improbable, the real and the fantastic, and it provided the late-twentieth century novel with an infusion of creative energy in Latin America, Africa, Asia, and beyond. Writers such as Alejo Carpentier, Gabriel García Márquez, Isabel Allende, Salman Rushdie, Ben Okri, and many others harnessed the resources of narrative realism to the representation of folklore, belief, and fantasy. This book sheds new light on magical realism, exploring in detail its global origins and development. It offers new perspectives of the history of the ideas behind this literary tradition, including magic, realism, otherness, primitivism, ethnography, indigeneity, and space and time.

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Warnes, Christopher (HerausgeberIn); Sasser, Kim (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108551601
    Other identifier:
    Series: Cambridge critical concepts
    Subjects: Magic realism (Literature); Fiction; Magic realism (Literature); Fiction ; 20th century ; History and criticism
    Scope: 1 online resource (xiv, 406 pages)
  13. Reading the times
    temporality and history in twentieth-century fiction
    Published: 2018
    Publisher:  Edinburgh University Press, Edinburgh

    From the Prime Meridian Conference of 1884 to the celebration of the millennium in 2000; from the fiction of Joseph Conrad to the novels of William Gibson and W.G. Sebald, Reading the Times offers fresh insight into modern narrative. more

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    From the Prime Meridian Conference of 1884 to the celebration of the millennium in 2000; from the fiction of Joseph Conrad to the novels of William Gibson and W.G. Sebald, Reading the Times offers fresh insight into modern narrative.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474401562; 9781474401555
    Subjects: Time in literature; History in literature; Fiction; Time in literature; History in literature; Fiction ; 20th century ; History and criticism
    Scope: 1 online resource (ix, 262 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 12 Nov 2020)

  14. Literary Sisterhoods
    Imagining Women Artists
    Published: 2014
    Publisher:  McGill-Queen's University Press, Montreal

    Building on scholarship, such as feminist criticism, that has contributed to an awareness of the distinctive perspectives on female experience revealed in women's writing, Heller reveals how women authors construct their female protagonists' quests... more

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Building on scholarship, such as feminist criticism, that has contributed to an awareness of the distinctive perspectives on female experience revealed in women's writing, Heller reveals how women authors construct their female protagonists' quests for creative self-expression. By situating these narrative journeys in their own times and cultures, Literary Sisterhoods shows how they contribute to a common tradition that speaks to readers today. Intro -- Contents -- Introduction Women Artists - Exceptional and Representative Lives -- 1 Tragedy, Sisterhood and Revenge: Mme de Staël's Corinne or Italy -- 2 A Voice from the Margins: George Eliot's Daniel Deronda -- 3 History, Art, and Fiction: Anna Banti's Artemisia -- 4 Getting Loose: Women and Narration in Alice Munro's Friend of My Youth -- 5 The Work of Faith in the Stories of Grace Paley -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- P -- R -- S -- T -- V -- W.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780773528222
    Subjects: Femmes et littérature; Fiction ; 19th century ; History and criticism; Fiction ; 20th century ; History and criticism; Fiction ; Women authors ; History and criticism; Women and literature; Women artists in literature; Women authors in literature; Electronic books
    Scope: Online-Ressource (195 p)
    Notes:

    Description based upon print version of record

    ""Contents""; ""Introduction Women Artists � Exceptional and Representative Lives""; ""1 Tragedy, Sisterhood and Revenge: Mme de Staël's Corinne or Italy""; ""2 A Voice from the Margins: George Eliot's Daniel Deronda""; ""3 History, Art, and Fiction: Anna Banti's Artemisia""; ""4 Getting Loose: Women and Narration in Alice Munro's Friend of My Youth""; ""5 The Work of Faith in the Stories of Grace Paley""; ""Notes""; ""Works Cited""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""P""; ""R""; ""S""; ""T""; ""V""; ""W""

  15. Masculinities Without Men?
    Female Masculinity in Twentieth-Century Fictions
    Published: 2014
    Publisher:  UBC Press, Vancouver

    Intro -- Contents -- Acknowledgments -- Introduction: The New Men of 1998 -- 1 Alibis of Essence and Enemies Within: At the Well of Obscenity -- 2 Passionate Fictions: Radclyffe Hall's The Well Of Loneliness -- 3 Impressions of the Man: Sacred... more

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    Intro -- Contents -- Acknowledgments -- Introduction: The New Men of 1998 -- 1 Alibis of Essence and Enemies Within: At the Well of Obscenity -- 2 Passionate Fictions: Radclyffe Hall's The Well Of Loneliness -- 3 Impressions of the Man: Sacred Countries and the Stone Butch Blues -- 4 Boys Do Cry: Hilary Swank and the Politics of a Pronoun -- 5 Postscript: Notes Towards a Radical (Re)Thinking of the Politics of Gender -- Notes -- References -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- W -- Y -- Z.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780774809962
    Series: Sexuality Studies Series
    Subjects: Fiction ; 20th century ; History and criticism; Gender identity in literature; Lesbianism in literature; Masculinity in literature; Women in motion pictures; Electronic books
    Scope: Online-Ressource (225 p)
    Notes:

    Description based upon print version of record

    ""Contents""; ""Acknowledgments""; ""Introduction: The New Men of 1998""; ""1 Alibis of Essence and Enemies Within: At the Well of Obscenity""; ""2 Passionate Fictions: Radclyffe Hall�s The Well Of Loneliness""; ""3 Impressions of the Man: Sacred Countries and the Stone Butch Blues""; ""4 Boys Do Cry: Hilary Swank and the Politics of a Pronoun""; ""5 Postscript: Notes Towards a Radical (Re)Thinking of the Politics of Gender""; ""Notes""; ""References""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""

    ""S""""T""; ""U""; ""W""; ""Y""; ""Z""

  16. Modernist fiction and vagueness
    philosophy, form, and language
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision... more

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    Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision - led to transformations in both fiction and philosophy in the early twentieth century. Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections between analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction Machine generated contents note: 1. The art of vagueness; 2. The two pragmatisms and Henry James's criticism; 3. 'Guess my riddle': Watch and Ward; 4. The vengeance of the 'great vagueness': 'The Beast in the Jungle'; 5. The bad pragmatist: The Sacred Fount's narrator; 6. 'Vague values': Strether's dilemma in The Ambassadors; 7. Mush and the telescope; 8. Vagueness and vagabonds in 'Craftsmanship'; 9. Night and Day and the 'semi-transparent envelope'; 10. Jacob's shadow; 11. 'I begin to doubt the fixity of tables': solipsism and The Waves; 12. 'The study of languages': logical versus natural languages; 13. Wittgenstein the poet and Joyce the 'philosophist'; 14. Learning vague language: A Portrait of the Artist as a Young Man; 15. Throwing away the ladder, losing the keys: Siopold and Boom in Ulysses; 16. Blasphemy and nonsense: Finnegans Wake in Basic; 17. Eliot's critical influence; 18. Eliot and Russell: 'wobbliness' and 'the scientific paradise'; 19. 'Fuzzy studies' and fuzzy fictions

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316105597
    Other identifier:
    RVK Categories: ER 600
    Subjects: Vagueness (Philosophy); Language and languages in literature; Fiction; Modernism (Literature); Modernism (Literature); Fiction ; 20th century ; History and criticism; Vagueness (Philosophy); Language and languages in literature
    Scope: 1 Online-Ressource (xiv, 228 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  17. The Cambridge introduction to postmodern fiction
    Author: Nicol, Bran
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader has to work to understand its meanings, to think about what fiction is, and to question their own responses. Yet this very challenge makes postmodern... more

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    Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader has to work to understand its meanings, to think about what fiction is, and to question their own responses. Yet this very challenge makes postmodern writing so much fun to read and rewarding to study. Unlike most introductions to postmodernism and fiction, this book places the emphasis on literature rather than theory. It introduces the most prominent British and American novelists associated with postmodernism, from the 'pioneers', Beckett, Borges and Burroughs, to important post-war writers such as Pynchon, Carter, Atwood, Morrison, Gibson, Auster, DeLillo, and Ellis. Designed for students and clearly written, this Introduction explains the preoccupations, styles and techniques that unite postmodern authors. Their work is characterized by a self-reflexive acknowledgement of its status as fiction, and by the various ways in which it challenges readers to question common-sense and commonplace assumptions about literature. Preface: reading postmodern fiction -- Introduction: postmodernism and postmodernity -- Postmodern fiction: theory and practice -- Early postmodern fiction: Beckett, Borges, and Burroughs -- US metafiction: Coover, Barth, Nabokov, Vonnegut, Pynchon -- The postmodern historical novel: Fowles, Barnes, Swift -- Postmodern-postcolonial fiction -- Postmodern fiction by women: Carter, Atwood, Acker -- Two postmodern genres: cyberpunk and 'metaphysical' detective fiction -- Fiction of the 'postmodern condition': Ballard, DeLillo, Ellis

     

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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511816949
    Other identifier:
    RVK Categories: HN 1295 ; HU 1811
    Series: Cambridge introductions to literature
    Subjects: Fiction; Postmodernism (Literature); Postmodernism (Literature); Fiction; Fiction ; 20th century ; History and criticism; Postmodernism (Literature)
    Scope: 1 Online-Ressource (xvii, 220 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  18. Modernism, nationalism, and the novel
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    In Modernism, Nationalism, and the Novel, first published in 2000, Pericles Lewis shows how political debates over the sources and nature of 'national character' prompted radical experiments in narrative form amongst modernist writers. Though critics... more

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    In Modernism, Nationalism, and the Novel, first published in 2000, Pericles Lewis shows how political debates over the sources and nature of 'national character' prompted radical experiments in narrative form amongst modernist writers. Though critics have accused the modern novel of shunning the external world, Lewis suggests that, far from abandoning nineteenth-century realists' concern with politics, the modernists used this emphasis on individual consciousness to address the distinctively political ways in which the modern nation-state shapes the psyche of its subjects. Tracing this theme through Joyce, Proust and Conrad, amongst others, Lewis claims that modern novelists gave life to a whole generation of narrators who forged new social realities in their own images. Their literary techniques - multiple narrators, transcriptions of consciousness, involuntary memory, and arcane symbolism - focused attention on the shaping of the individual by the nation and on the potential of the individual, in time of crisis, to redeem the nation

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511485145
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    Subjects: Fiction; Nationalism and literature; Modernism (Literature); Joyce, James ; 1882-1941 ; Criticism and interpretation; Proust, Marcel ; 1871-1922 ; Criticism and interpretation; Conrad, Joseph ; 1857-1924 ; Criticism and interpretation; Fiction ; 20th century ; History and criticism; Nationalism and literature ; History ; 20th century; Modernism (Literature)
    Other subjects: Conrad, Joseph (1857-1924); Proust, Marcel (1871-1922); Joyce, James (1882-1941)
    Scope: 1 Online-Ressource (x, 241 pages), digital, PDF file(s)
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    1. The modern novelist as redeemer of the nation -- 2. The crisis of liberal nationalism -- 3. "His sympathies were in the right place": Conrad and the discourse of national character -- 4. Citizens of the Plain: Proust and the discourse of national will -- 5. "Il vate nazionale": D'Annunzio and the discourse of embodiment.

  19. Tragedy and the modernist novel
    Published: [2020]; © 2020
    Publisher:  Cambridge University Press, Cambridge

    This study of tragic fiction in European modernism brings together novelists who espoused, in their view, a Greek vision of tragedy and a Darwinian vision of nature. To their minds, both tragedy and natural history disclosed unwarranted suffering at... more

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    This study of tragic fiction in European modernism brings together novelists who espoused, in their view, a Greek vision of tragedy and a Darwinian vision of nature. To their minds, both tragedy and natural history disclosed unwarranted suffering at the center of life. Thomas Hardy, Virginia Woolf, Albert Camus, and Samuel Beckett broke with entrenched philosophical and scientific traditions that sought to exclude chance, undeserved pains from tragedy and evolutionary biology. Tragedy and the Modernist Novel uncovers a temporality central to tragic novels' structure and ethics: that of the moment. These authors made novelistic plot the delivery system for lethal natural and historical forces, and then countered such plot with moments of protest - characters' fleeting dissent against unjustifiable harms.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108865616
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    Subjects: Modernism (Literature); Fiction; Tragic, The, in literature; Nature in literature; Tragedy; Greek drama (Tragedy); Darwin, Charles ; 1809-1882 ; Influence; Modernism (Literature); Fiction ; 20th century ; History and criticism; Tragic, The, in literature; Nature in literature; Tragedy ; History and criticism; Greek drama (Tragedy) ; Influence
    Other subjects: Darwin, Charles (1809-1882)
    Scope: 1 Online-Ressource (x, 241 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 Sep 2020)

  20. Modern dystopian fiction and political thought
    narratives of world politics
    Author: Stock, Adam
    Published: Routledge, Taylor & Francis Group; © 2019

    Machine generated contents note: 1.Troubles began quietly: Tensions of emergence in E. M. Forster's The Machine Stops -- 2.Libraries full of Kants: Heretics, history and Yevgeny Zamyatin's We -- 3.Experiments, with sex and drugs: Aldous Huxley's... more

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    Machine generated contents note: 1.Troubles began quietly: Tensions of emergence in E. M. Forster's The Machine Stops -- 2.Libraries full of Kants: Heretics, history and Yevgeny Zamyatin's We -- 3.Experiments, with sex and drugs: Aldous Huxley's Brave New World -- 4.It has happened to Europe before but never to me: Allegory and English exceptionalism in 1930s dystopias -- 5.Nazism, myth and the pastoral in Katharine Burdekin's dystopian fiction -- 6.Dystopia at its limits: The Second World War and history -- 7.Bodies and nobodies: George Orwell's Nineteen Eighty-Four -- 8.Life in all its forms is strife: The Cold War nuclear threat and John Wyndham's pessimistic liberal utopianism.

     

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  21. Notions of otherness
    literary essays from Abraham Cahan to Dacia Maraini
    Published: 2019
    Publisher:  Anthem Press, London

    One can approach the notion of otherness or alterity in various ways: politically, aesthetically, ethically, culturally, religiously and sexually. Lilia Melani defines the other as an individual who is perceived by the group as not belonging, as... more

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    One can approach the notion of otherness or alterity in various ways: politically, aesthetically, ethically, culturally, religiously and sexually. Lilia Melani defines the other as an individual who is perceived by the group as not belonging, as being different in some fundamental way, as lacking essential characteristics possessed by the group. The collection of essays 'Notions of Otherness' addresses many of these approaches as ways of interrogating how varied yet how similar they are in relation to the individual literary texts.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781783089291; 9781783089284
    Subjects: Fiction; Other (Philosophy) in literature; Fiction ; 20th century ; History and criticism; Other (Philosophy) in literature
    Scope: 1 online resource (87 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 17 Jul 2019)

  22. Sacrifice and modern war literature
    the battle of Waterloo to the war on terror
    Contributor: Houen, Alex (HerausgeberIn); Schramm, Jan-Melissa (HerausgeberIn)
    Published: 2018
    Publisher:  Oxford University Press, Oxford

    This text explores how writers from the early 19th century to the present have addressed the intimacy of sacrifice and war. Each chapter presents fresh insights into the literature of a particular conflict. The range of literature examined... more

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    This text explores how writers from the early 19th century to the present have addressed the intimacy of sacrifice and war. Each chapter presents fresh insights into the literature of a particular conflict. The range of literature examined complements the rich array of topics related to wartime sacrifice that the contributors discuss

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Houen, Alex (HerausgeberIn); Schramm, Jan-Melissa (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191844126
    Other identifier:
    RVK Categories: HG 435 ; HR 1708
    Edition: First edition
    Subjects: Fiction; Fiction; Fiction; War stories; Sacrifice in literature; War stories ; History and criticism; Sacrifice in literature; Fiction ; 19th century ; History and criticism; Fiction ; 20th century ; History and criticism; Fiction ; 21st century ; History and criticism
    Scope: 1 Online-Ressource (xiv, 282 Seiten), illustrations (black and white)
    Notes:

    Includes bibliographical references and index

    This edition previously issued in print: 2018

    Zielgruppe - Audience: Specialized

  23. Art, history, and postwar fiction
    Published: 2018
    Publisher:  Oxford University Press, Oxford

    'Art, History and Postwar Fiction' explores the ways in which novelists responded to the visual arts from the aftermath of the Second World War to the present day. If art had long served as a foil to enable novelists to reflect on their craft, this... more

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    'Art, History and Postwar Fiction' explores the ways in which novelists responded to the visual arts from the aftermath of the Second World War to the present day. If art had long served as a foil to enable novelists to reflect on their craft, this text argues that in the postwar period, novelists turned to the visual arts to develop new ways of conceptualizing the relationship between literature and history

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191863240
    Other identifier:
    RVK Categories: HN 1293 ; HN 1031
    Edition: First edition
    Series: Oxford English monographs
    Oxford scholarship online
    Subjects: Fiction; Art and literature; Literature and history; Fiction ; 20th century ; History and criticism; Art and literature; Literature and history
    Scope: 1 Online-Ressource (xi, 195 Seiten), illustrations (black and white)
    Notes:

    Includes bibliographical references and index

    This edition previously issued in print: 2018

    Zielgruppe - Audience: Specialized

  24. Street songs
    writers and urban songs and cries, 1800-1925
    Published: 2018
    Publisher:  Oxford University Press, Oxford

    This volume explores the use made by poets and novelists of street songs and cries with a particular focus on 19th and early 20th century writers including William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing,... more

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    This volume explores the use made by poets and novelists of street songs and cries with a particular focus on 19th and early 20th century writers including William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing, James Joyce, Virginia Woolf, and Marcel Proust

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191834363
    Other identifier:
    Edition: First edition
    Series: Clarendon lectures in English
    Oxford scholarship online
    Subjects: Street music in literature; Cries in literature; Music and literature; Poetry; Fiction; Fiction; Poetry; Fiction ; 19th century ; History and criticism; Fiction ; 20th century ; History and criticism; Poetry ; 19th century ; History and criticism; Poetry ; 20th century ; History and criticism; Street music in literature; Cries in literature; Music and literature
    Scope: 1 Online-Ressource (xii, 195 Seiten, 4 ungezählte Seiten, Bildtafeln), illustrations (black and white, and colour)
    Notes:

    Includes bibliographical references and index

    This edition previously issued in print: 2018

    Zielgruppe - Audience: Specialized

  25. Modernism, nationalism, and the novel
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge, U.K

    Pericles Lewis examines how changing conceptions of national identity inspired radical experiments with narrative form amongst modernist writers. His study shows how, far from abandoning the political concerns of nineteenth-century realism, writers... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Pericles Lewis examines how changing conceptions of national identity inspired radical experiments with narrative form amongst modernist writers. His study shows how, far from abandoning the political concerns of nineteenth-century realism, writers such as Joyce, Conrad and Proust address the question of nationality through their exploration of individual consciousness

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521661110
    Subjects: Modernism (Literature); Fiction; Nationalism and literature; Fiction ; 20th century ; History and criticism; Electronic books
    Scope: Online-Ressource (x, 241 p), 24 cm
    Notes:

    Includes bibliographical references (p. 233-237) and index

    Electronic reproduction; Available via World Wide Web

    Preliminaries; Contents; Acknowledgments; Note on texts; CHAPTER ONE The modern novelist as redeemer of the nation; CHAPTER TWO The crisis of liberal nationalism; CHAPTER THREE "His sympathies were in the right place": Conrad and the discourse of national character; CHAPTER FOUR Citizens of the Plain: Proust and the discourse of national will; CHAPTER FIVE "Il vate nazionale": D'Annunzio and the discourse of embodiment; Conclusion; Notes; Select bibliography; Index