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Displaying results 1 to 25 of 45.

  1. Sexuality in the field of vision
    Published: 1986
    Publisher:  Verso, London

  2. The desire to desire
    the woman's film of the 1940's
    Published: 1987
    Publisher:  Indiana Univ. Pr., Bloomington u.a.

    Universitätsbibliothek Augsburg
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  3. The acoustic mirror
    the female voice in psychoanalysis and cinema
    Published: c 1988
    Publisher:  Indiana Univ. Press, Bloomington [u.a.]

    Bayerische Staatsbibliothek
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  4. Close encounters
    film, feminism, and Science Fiction
    Contributor: Penley, Constance (Publisher)
    Published: 1991
    Publisher:  University of Minnesota Press, Minneapolis

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    Source: Union catalogues
    Contributor: Penley, Constance (Publisher)
    Language: English
    Media type: Dissertation
    ISBN: 0816619115; 0816619123
    RVK Categories: AP 53900
    Series: A Camera obscura book
    Subjects: Familia en las películas cinematográficas; Famille au cinéma; Feminisme; Femmes au cinéma; Filmkunst; Films de science-fiction - Histoire et critique; Mujeres en las películas cinematográficas; Rôle selon le sexe au cinéma; Science fiction-films; Sekserol; Sexos, Papel de los, en las películas cinematográficas; Feminismus; Film; Families in motion pictures; Science fiction films; Sex role in motion pictures; Women in motion pictures; Geschlechtsunterschied <Motiv>; Geschlechterrolle; Science-Fiction-Film; Feminismus; Fantastischer Film
    Scope: XI, 298 Seiten, Illustrationen, 24 cm
    Notes:

    Child/Alien/Father : patriarchal crisis and generic exchange / Vivian Sobchack -- Androids and Androgyny / Janet Berstrom -- Time travel, primal scene, and the critical dystopia / Constance Penley -- Reimagining the gargoyle : psychoanalytic notes on alien / Harvey R. Greenberg -- Ideal hadaly / Raymond Bellour -- Metropolis : mother-city--"Mittler"--Hitler / Roger Dadoun -- Metropolis, scene 103 / Enno Patalas -- Star Trek rerun, reread, rewritten : fan writing as textual poaching / Henry Jenkins -- From domestic space to outer space : the 1960s fantastic family sitcom / Lynn Spigel -- Friend's deather / Peter Wollen

  5. A feminist reader in early cinema
    Contributor: Bean, Jennifer M. (Publisher); Negra, Diane (Publisher)
    Published: 2002
    Publisher:  Duke University Press, Durham ; London

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    Source: Union catalogues
    Contributor: Bean, Jennifer M. (Publisher); Negra, Diane (Publisher)
    Language: English
    Media type: Dissertation
    ISBN: 9780822329992; 0822330253; 0822329999; 1283063220
    RVK Categories: AP 44600
    Series: A camera obscura book
    Subjects: Critique cinématographique féministe; Femmes au cinéma; Femmes dans l'industrie cinématographique; Féminisme et cinéma; Feminism and motion pictures; Feminist film criticism; Women in motion pictures; Women in the motion picture industry; Stummfilm; Weiblichkeit <Motiv>; Weibliche Filmschaffende; Feministische Filmtheorie
    Scope: 584 Seiten, Illustrationen
    Notes:

    1. Reflecting film authorship: Circuits of memory and history: The memoirs of Alice Guy-Blaché / Amelie Hastie -- Nazimova's veils: Salome at the intersection of film histories / Patricia White -- Of cabbages and authors / Jane M. Gaines -- Reevaluating footnotes: women directors of the silent era / Radha Vatsal -- 2. Ways of looking: The gender of empire: American modernity, masculinity, and Edison's war actualities / Kristen Whissel -- Making ends meet: "welfare films" and the politics of consumption during the progressive era / Constance Balides -- Irma vep, vamp in the city: mapping the criminal feminine in early French serials / Kristine J. Butler -- The flapper film: comedy, dance, and jazz age kinaesthetics / Lori Landay -- 3. Cultural inversions: The queer career of Jim Crow: racial and sexual transformation in a Florida enchantment / Siobhan B. Somerville -- Taking precautions, or regulating early birth-control films / Shelley Stamp -- The new woman and consumer culture: Cecil B. Demille's sex comedies / Sumiko Higashi -- "So real as to seem like life itself": the photoplay fiction of Adela Rogers St. Johns / Anne Morey -- 4. Performing bodies: Oh, "doll divine": Mary Pickford, masquerade, and the pedophilic gaze / Gaylyn Studlar -- Immigrant stardom in imperial America: pola negri and the problem of typology / Diane Negra -- Technologies of early stardom and the extraordinary body / Jennifer M. Bean -- Femininity in flight: androgyny and gynandry in early silent Italian cinema / Angela Dalle Vacche -- Greta Garbo and silent cinema: the actress as art deco icon / Lucy Fischer -- 5. The problem of periodization: An amorous history of the silver screen: the actress as vernacular embodiment in early Chinese film culture / Zhang Zhen -- Technology's body: cinematic vision in modernity / Mary Ann Doane -- Parallax historiography: the Flâneuse as cyberfeminist / Catherine Russell

  6. Hitler's heroines
    stardom and womanhood in Nazi cinema
    Published: 2003
    Publisher:  Temple Univ. Pr., Philadelphia

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    Universitätsbibliothek der LMU München
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  7. Home is where the heart is
    studies in melodrama and the woman's film
    Contributor: Gledhill, Christine (Publisher)
    Published: 1987
    Publisher:  BFI Publ., London

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  8. Between the frames
    thinking about movies
    Published: 1989
    Publisher:  Archon Books, Hamden, Conn.

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  9. In the realm of pleasure
    von Stenrberg, Dietrich, and the masochistic aesthetic
    Published: 1988
    Publisher:  Univ. of Illinois Pr., Urbana u.a.

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  10. Imagining women
    cultural representations and gender
    Published: 1992
    Publisher:  Polity Press, Cambridge

    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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  11. Bad women
    regulating sexuality in early American cinema
    Published: 1995
    Publisher:  Univ. of Minnesota Press, Minneapolis [u.a.]

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  12. Cinematernity
    film, motherhood, genre
    Published: 1996
    Publisher:  Princeton Univ. Press, Princeton, NJ [u.a.]

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  13. Recasting autobiography
    women's counterfictions in contemporary German literature and film
    Published: 1994
    Publisher:  Cornell Univ. Press, Ithaca, NY u.a.

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  14. Fatal women
    lesbian sexuality and the mark of aggression
    Author: Hart, Lynda
    Published: 1994
    Publisher:  Princeton Univ. Press, Princeton, NJ

    In this major contribution to lesbian theory/cultural studies, Lynda Hart analyzes the way violent women have been represented in literature, plays, film, and performance. Starting from the historical link between criminality and sexual deviancy,... more

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    In this major contribution to lesbian theory/cultural studies, Lynda Hart analyzes the way violent women have been represented in literature, plays, film, and performance. Starting from the historical link between criminality and sexual deviancy, Hart builds a complex and original theory in which the shadow of the lesbian animates representations of violent women from the Victorian novel to the recent proliferation of films depicting women who kill This cross-disciplinary study critiques constructions of gender, race, class, sexualities, and the cultural politics of the 1990s in one of the first book-length contributions to lesbian theory. Fatal Women is certain to be widely read by scholars, students, and anyone interested in the politics of representation

     

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  15. American domesticity
    from how-to manual to Hollywood melodrama
    Published: 1999
    Publisher:  Oxford Univ. Press, New York [u.a.]

    Bayerische Staatsbibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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  16. American domesticity
    from how-to manual to Hollywood melodrama
    Published: 1999
    Publisher:  Oxford Univ. Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423760093; 9781423760092; 1602563020; 9781602563025; 0195352726; 9780195352726; 1280470844; 9781280470844
    RVK Categories: HU 1774
    Subjects: Housekeeping in motion pictures; Femmes au cinéma; Féminisme au cinéma; Femmes au foyer au cinéma; Économie domestique au cinéma; PERFORMING ARTS / Film & Video / Reference; Feminism; Feminism and motion pictures; Housekeeping; Motion pictures; Women; Huishoudelijke arbeid; Huisvrouwen; Handboeken; Films; Film; Frau; Women in motion pictures; Housework in motion pictures; Feminism in motion pictures; Feminism and motion pictures; Hausfrau <Motiv>; Film; Häuslichkeit <Motiv>; Hausarbeit
    Scope: 1 Online-Ressource (x, 235 S.)
    Notes:

    Includes bibliographical references and index

    INTRODUCTION: Swept Away: The Truth about Dirt; I: HOUSEKEEPING BY THE BOOK; ONE: Housekeeping by the Book: From Hints to Home Economics; TWO: Making Home, Making Nation: Catharine Beecher's Domestic Economy; THREE: Tayloring the Home: The Fantasy of Domestic Engineering; II: HOUSEKEEPING IN HOLLYWOOD; FOUR: Silent Film, Silent Work: Early Cinema and the Domestic Melodramas of D.W. Griffith; FIVE: Lessons in Labor and Love: The Melodramatic Imperatives of Hollywood Housekeeping; SIX: The Labor of Maternal Melodramas: Converting Angels to Icons; III: HOUSEKEEPING AGAINST THE GRAIN.

    This work considers American representations of domesticity and domestic labour over the last two centuries in historical, popular and feminist texts. The author asserts that the political power and effectivity of the idea of "normative domestic femininity" cannot be overestimated

  17. The acoustic mirror
    the female voice in psychoanalysis and cinema
    Published: ©1988
    Publisher:  Indiana University Press, Bloomington

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0253204747; 0253302846; 0585001340; 9780253302847; 9780585001340
    RVK Categories: AP 45200 ; AP 45600 ; AP 47950 ; MS 3000
    Series: Theories of representation and difference
    Subjects: Cinematografía / Aspectos psicológicos; Psicoanálisis; Femmes au cinéma; Féminisme et cinéma; Femmes et psychanalyse; Femmes / Communication; Cinéma / Aspect psychologique; PERFORMING ARTS / Film & Video / Reference; Films; Vrouwen; Psychologische aspecten; Stem; Feminism and motion pictures; Motion pictures and women; Motion pictures / Psychological aspects; Women; Women and psychoanalysis; Women / Communication; Women in motion pictures; Film; Frau; Psychologie; Women in motion pictures; Motion pictures and women; Feminism and motion pictures; Motion pictures; Women and psychoanalysis; Women; Geschlechterrolle; Psychologie; Frauenstimme <Motiv>; Film; Frauensingstimme
    Other subjects: Freud, Sigmund / 1856-1939 / Et les femmes; Freud, Sigmund / 1856-1939; Freud, Sigmund (1856-1939)
    Scope: 1 Online-Ressource (x, 257 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 235-253) and index

    Lost Objects And Mistaken Subjects: A Prologue -- Body Talk -- The Fantasy Of The Maternal Voice: Paranoia And Compensation -- The Fantasy Of The Maternal Voice: Female Subjectivity And The Negative Oedipus Complex -- Disembodying The Female Voice: Irigaray, Experimental Feminist Cinema, And Femininity -- The Female Authorial Voice

  18. Sex, the self, and the sacred
    women in the cinema of Pier Paolo Pasolini
    Published: [2007]; © 2007
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442684775
    Other identifier:
    RVK Categories: AP 51265 ; IV 39361
    Series: Toronto Italian studies
    Subjects: Femmes au cinéma; Sexualité au cinéma; Féminisme et cinéma; PERFORMING ARTS / Film & Video / General; PERFORMING ARTS / Reference; Feminism and motion pictures; Sex in motion pictures; Women in motion pictures; Women in motion pictures; Sex in motion pictures; Feminism and motion pictures; Frau <Motiv>; Film
    Other subjects: Pasolini, Pier Paolo / 1922-1975 / Critique et interprétation; Pasolini, Pier Paolo / 1922-1975; Pasolini, Pier Paolo / 1922-1975; Pasolini, Pier Paolo (1922-1975); Pasolini, Pier Paolo (1922-1975)
    Scope: 1 Online-Ressource (x, 297 Seiten, 8 ungezählte Seiten), Illustrationen
    Notes:

    Erscheinungsdatum E-Book: September 2017

    Filmografie: Seite 227

    Enthält Index

  19. Masculine singular
    French new wave cinema
    Published: 2008
    Publisher:  Duke Univ. Press, Durham [u.a.]

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Subjects: Motion pictures / France / History; New wave films / France / History and criticism; Femmes au cinéma; Nouvelle Vague (Cinéma) - France; Sexisme au cinéma; Film; Geschichte; Motion pictures; New wave films; Nouvelle vague; Geschlecht <Motiv>
    Scope: VI, 269 S., Ill., 23 cm
    Notes:

    Translated from the French

    Includes bibliographical references (p. [245]-251) and index

  20. Reel women
    an international directory of contemporary feature films about women
    Published: 2007
    Publisher:  Scarecrow Press, Lanham, Md. [u.a.]

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780810857384; 0810858940
    Subjects: Femmes au cinéma; Femmes au cinéma - Catalogues; Women in motion pictures; Women in motion pictures; Frau <Motiv>; Film
    Scope: L, 435 S.
    Notes:

    Includes indexes.

    Filmography: p

  21. Theory of the image
    capitalism, contemporary film, and women
    Author: Kibbey, Ann
    Published: 2005
    Publisher:  Indiana Univ. Press, Bloomington [u.a.]

    Ann Kibbey's 'Theory of the Image' is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct. more

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    Ann Kibbey's 'Theory of the Image' is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0253344697; 0253217466
    RVK Categories: AP 50300
    Subjects: Capitalisme - Philosophie; Capitalisme; Cinéma - Philosophie; Cinéma; Femme; Femmes au cinéma; Image (Philosophie); Image; Philosophie; Thème cinématographique; aWomen in motion pictures; aImage (Philosophy); Array; Array; Frau <Motiv>; Kapitalismus; Philosophie; Film; Weltbild
    Scope: X, 240 S., Ill.
    Notes:

    Includes bibliographical references and indexes

    The capitalist theory of the image -- Liberating a woman from her image -- Relief from the production of certainties.

  22. Sex, the self, and the sacred
    women in the cinema of Pier Paolo Pasolini
    Published: 2007
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies... more

    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies - was becoming endangered, and he used his films to denounce the social and ideological forces he felt were responsible for its decline. Rather than protest with overtly political films, however, Pasolini vested ideological impetus in his principal film characters, many of whom were women." "Drawing upon Italy's distinct sociocultural history as well as feminist and psychoanalytic approaches to film, Colleen Ryan-Scheutz explores the ways in which Pasolini's representations of women reveal his concerns about the corruption of modern society. She demonstrates how Pasolini used his female protagonists to challenge dominant social values and to propose a range of alternatives to the increasingly sterile and capitalistic world of Italy and the West."--BOOK JACKET.

     

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  23. Sexuality in the field of vision
    Published: 1986
    Publisher:  Verso, London

    Universitätsbibliothek Augsburg
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  24. The wages of sin
    censorship and the fallen woman film ; 1928 - 1942
    Author: Jacobs, Lea
    Published: 1991
    Publisher:  Univ. of Wisconsin Press, Madison, Wis.

    Bayerische Staatsbibliothek
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  25. Women and film
    Published: 1988
    Publisher:  Holmes & Meier, New York [u.a.]

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