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  1. Reading rape
    the rhetoric of sexual violence in American literature and culture, 1790-1990
    Published: 2002
    Publisher:  Princeton University Press, Princeton, N.J

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1400814685
    RVK Categories: HR 1819 ; HR 1704
    Subjects: American fiction - History and criticism; English language - Rhetoric - United States; Feminism and literature - History - United States; Rape - History - United States; Rape in literature; Rape victims in literature; Sex crimes in literature; Violence in literature; Women and literature - History - United States; Englisch; Geschichte; American fiction; English language; Feminism and literature; Rape in literature; Rape victims in literature; Rape; Sex crimes in literature; Violence in literature; Women and literature; Roman; Vergewaltigung <Motiv>; Rhetorik; Literatur; Vergewaltigung; Feminismus
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (viii, 241 Seiten), Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (p. [211]-232) and index

    Seduced and enslaved: sexual violence in antebellum American literature and contemporary feminist discourse. "Rape crisis" or "Crisis in sexual identity"? The feminist rhetoric of rape -- "Guilty passions" and "Foul words": the powers of seduction and the racialization of sexual violence -- The deployment of sexual violence and the "cult of secrecy": historicizing the feminist rhetoric of rape. The rise of the (Black) rapist and the reconstruction of difference; or, "realist" rape. "Black claws into soft white throat" and other bestialities: rapist rhetoric, rivalry, and homosocial desire in Thomas Nelson Page's Red rock, Thomas Dixon's The clansman, and Frank Norris's McTeague -- "A tender lamb snatched from the jaws of a hungry wolf": inversions of rapist rhetoric in Frances E.W. Harper's Iola Leroy -- "The one crime" and "the real 'one crime'": rape, lynching, and mimicry in Sutton E. Griggs's The Hindered hand -- "A thing not to be faced": rape as robbery in Upton Sinclair's The

  2. Reading rape
    the rhetoric of sexual violence in American literature and culture, 1790-1990
    Published: 2002
    Publisher:  Princeton University Press, Princeton, N.J

    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Content information
    Volltext (Deutschlandweit zugänglich)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1400814685
    RVK Categories: HR 1819 ; HR 1704
    Subjects: American fiction - History and criticism; English language - Rhetoric - United States; Feminism and literature - History - United States; Rape - History - United States; Rape in literature; Rape victims in literature; Sex crimes in literature; Violence in literature; Women and literature - History - United States; Englisch; Geschichte; American fiction; English language; Feminism and literature; Rape in literature; Rape victims in literature; Rape; Sex crimes in literature; Violence in literature; Women and literature; Roman; Vergewaltigung <Motiv>; Rhetorik; Literatur; Vergewaltigung; Feminismus
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (viii, 241 Seiten), Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (p. [211]-232) and index

    Seduced and enslaved: sexual violence in antebellum American literature and contemporary feminist discourse. "Rape crisis" or "Crisis in sexual identity"? The feminist rhetoric of rape -- "Guilty passions" and "Foul words": the powers of seduction and the racialization of sexual violence -- The deployment of sexual violence and the "cult of secrecy": historicizing the feminist rhetoric of rape. The rise of the (Black) rapist and the reconstruction of difference; or, "realist" rape. "Black claws into soft white throat" and other bestialities: rapist rhetoric, rivalry, and homosocial desire in Thomas Nelson Page's Red rock, Thomas Dixon's The clansman, and Frank Norris's McTeague -- "A tender lamb snatched from the jaws of a hungry wolf": inversions of rapist rhetoric in Frances E.W. Harper's Iola Leroy -- "The one crime" and "the real 'one crime'": rape, lynching, and mimicry in Sutton E. Griggs's The Hindered hand -- "A thing not to be faced": rape as robbery in Upton Sinclair's The