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  1. The trauma of gender
    a feminist theory of the English novel
    Published: c2001
    Publisher:  University of California Press, Berkeley

    Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of... more

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel princi- pally came into being in order to manage the social and psychological strains of the modern sex-gender system

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520225899; 0520225880
    Subjects: English fiction; Women in literature; Feminist literary criticism; Feminist fiction, English; Sex role in literature; Feminism and literature; English fiction; Sex in literature; Gender identity in literature; English fiction ; 18th century ; History and criticism; English fiction ; Male authors ; History and criticism; Feminism and literature ; Great Britain ; History ; 18th century; Feminist fiction, English ; History and criticism; Gender identity in literature; Sex in literature; Sex role in literature; Electronic books
    Scope: Online-Ressource (x, 216 p), 24 cm
    Notes:

    Includes bibliographical references (p. 185-193) and index

    Electronic reproduction; Available via World Wide Web

    Acknowledgments; Introduction: The Gender Politics of Narrative Modes; 1. Daniel Defoe and the Gendered Subject of Individualism; 2. Clarissa and the Pornographic Imagination; 3. (W)holes and Noses: The Indeterminacies of Tristram Shandy; 4. Horace Walpole and the Nightmare of History; Conclusion: The Relation of Fiction and Theory; Notes; Works Cited; Index

  2. The trauma of gender
    a feminist theory of the English novel
    Published: c2001
    Publisher:  University of California Press, Berkeley

    Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of... more

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel princi- pally came into being in order to manage the social and psychological strains of the modern sex-gender system

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520225899; 0520225880
    Subjects: English fiction; Women in literature; Feminist literary criticism; Feminist fiction, English; Sex role in literature; Feminism and literature; English fiction; Sex in literature; Gender identity in literature; English fiction ; 18th century ; History and criticism; English fiction ; Male authors ; History and criticism; Feminism and literature ; Great Britain ; History ; 18th century; Feminist fiction, English ; History and criticism; Gender identity in literature; Sex in literature; Sex role in literature; Electronic books
    Scope: Online-Ressource (x, 216 p), 24 cm
    Notes:

    Includes bibliographical references (p. 185-193) and index

    Electronic reproduction; Available via World Wide Web

    Acknowledgments; Introduction: The Gender Politics of Narrative Modes; 1. Daniel Defoe and the Gendered Subject of Individualism; 2. Clarissa and the Pornographic Imagination; 3. (W)holes and Noses: The Indeterminacies of Tristram Shandy; 4. Horace Walpole and the Nightmare of History; Conclusion: The Relation of Fiction and Theory; Notes; Works Cited; Index

  3. Fair philosopher
    Eliza Haywood and The female spectator
    Published: c2006
    Publisher:  Bucknell University Press, Lewisburg [Pa.]

    Intro -- Contents -- Acknowledgments -- Introduction -- The Pickering & Chatto Female Spectator: Nearly Four Pounds of Ephemera, Enshrined -- Apollo, Sappho, and-a Grasshopper?! A Note on the Frontispieces to The Female Spectator -- Social... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Intro -- Contents -- Acknowledgments -- Introduction -- The Pickering & Chatto Female Spectator: Nearly Four Pounds of Ephemera, Enshrined -- Apollo, Sappho, and-a Grasshopper?! A Note on the Frontispieces to The Female Spectator -- Social Conservatism, Aesthetic Education, and the Essay Genre in Eliza HaywoodÌs Female Spectator -- Haywood's Spectator and the Female World -- Patriot or Opportunist? Eliza Haywood and the Politics of The Female Spectator -- Too ticklish to meddle with": The Silencing of The Female Spectator's Political Correspondents -- Eliza Haywood, Periodicals, and the Function of Orality -- Injury for Injury" -- or, "The Lady's Revenge": Female Vengeance in Eliza Haywood's Female Spectator -- Reforming the Coquet? Eliza HaywoodÌs Vision of a Female Epistemology -- Measuring the Success of Haywood's Female Spectator ( 1744-46) -- The Female Spectator: A Bibliographic Essay -- Notes on Contributors -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0838756360; 9780838756362
    Series: Bucknell studies in eighteenth-century literature and culture
    Subjects: Women and literature; Feminism and literature; Feminism and literature ; Great Britain ; History ; 18th century; Haywood, Eliza Fowler ; 1693?-1756 ; Female spectator; Women and literature ; Great Britain ; History ; 18th century; Electronic books
    Other subjects: Haywood, Eliza Fowler (1693?-1756): Female spectator
    Scope: Online-Ressource (252 p), ill, 25 cm
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    ""Contents""; ""Acknowledgments""; ""Introduction""; ""The Pickering & Chatto Female Spectator: Nearly Four Pounds of Ephemera, Enshrined""; ""Apollo, Sappho, and-a Grasshopper?! A Note on the Frontispieces to The Female Spectator""; ""Social Conservatism, Aesthetic Education, and the Essay Genre in Eliza HaywoodÌs Female Spectator""; ""Haywood's Spectator and the Female World""; ""Patriot or Opportunist? Eliza Haywood and the Politics of The Female Spectator""; """"Too ticklish to meddle with"": The Silencing of The Female Spectator�s Political Correspondents""

    ""Eliza Haywood, Periodicals, and the Function of Orality""""""Injury for Injury""; or, ""The Lady's Revenge"": Female Vengeance in Eliza Haywood's Female Spectator""; ""Reforming the Coquet? Eliza HaywoodÃŒs Vision of a Female Epistemology""; ""Measuring the Success of Haywood's Female Spectator ( 1744-46)""; ""The Female Spectator: A Bibliographic Essay""; ""Notes on Contributors""; ""Index""

  4. Ingenuous subjection
    compliance and power in the eighteenth-century domestic novel
    Published: c2005
    Publisher:  University of Pennsylvania Press, Philadelphia

    The first study to treat feminine compliance as something other than a passive, politically neutral exercise, Ingenuous SubjectionHelen Thompson recovers in this practice the domestic novel's critical engagement with the limits of Enlightenment... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    The first study to treat feminine compliance as something other than a passive, politically neutral exercise, Ingenuous SubjectionHelen Thompson recovers in this practice the domestic novel's critical engagement with the limits of Enlightenment modernity. Cover -- Title Page -- Copyright Page -- Table of Contents -- Introduction -- Part I. Ingenuous Subjection and Feminine Political Difference -- Chapter 1. Boys, Girls, and Wives: Post-Patriarchal Power and the Problem of Feminine Subjection -- Chapter 2. Mushrooms, Subjects, and Women: The Hobbesian Individual and the Domestic Novel -- Chapter 3. "The Words Command and Obey": Pamela and Domestic Modernity -- Part II. Ingenuous Subjection and the Novel -- Chapter 4. Eliza Haywood's Philosophical Career: Ingenuous Subjection and Moral Physiology -- Chapter 5. Charlotte Lennox and the Agency of Romance: Ingenuous Subjection and Genre -- Chapter 6. Frances Sheridan's "disingenuous girl": Ingenuous Subjection and Epistolary Form -- Conclusion: "Marriage has bastilled me for life": Mary Wollstonecraft's Domestic Novel -- Notes -- Bibliography -- Index -- Acknowledgments.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1283212099; 9781283212090; 9780812203776
    Subjects: Feminism and literature; Women and literature; Domestic fiction, English; Power (Social sciences) in literature; Families in literature; Women in literature; English fiction; Domestic fiction, English ; History and criticism; English fiction ; 18th century ; History and criticism; Families in literature; Feminism and literature ; Great Britain ; History ; 18th century; Power (Social sciences) in literature; Women and literature ; Great Britain ; History ; 18th century; Women in literature; Electronic books
    Scope: Online-Ressource (278 p)
    Notes:

    Includes bibliographical references (p. [255]-268) and index

    ""Cover""; ""Title Page""; ""Copyright Page""; ""Table of Contents""; ""Introduction""; ""Part I. Ingenuous Subjection and Feminine Political Difference ""; ""Chapter 1. Boys, Girls, and Wives: Post-Patriarchal Power and the Problem of Feminine Subjection ""; ""Chapter 2. Mushrooms, Subjects, and Women: The Hobbesian Individual and the Domestic Novel ""; ""Chapter 3. "The Words Command and Obey": Pamela and Domestic Modernity ""; ""Part II. Ingenuous Subjection and the Novel ""; ""Chapter 4. Eliza Haywood's Philosophical Career: Ingenuous Subjection and Moral Physiology ""

    ""Chapter 5. Charlotte Lennox and the Agency of Romance: Ingenuous Subjection and Genre """"Chapter 6. Frances Sheridan's "disingenuous girl": Ingenuous Subjection and Epistolary Form ""; ""Conclusion: "Marriage has bastilled me for life": Mary Wollstonecraft's Domestic Novel""; ""Notes""; ""Bibliography""; ""Index""; ""Acknowledgments""

  5. The Courtship Novel, 1740-1820
    A Feminized Genre
    Published: 2015
    Publisher:  The University Press of Kentucky, Lexington

    The period from her first London assembly to her wedding day was the narrow span of autonomy for a middle-class Englishwoman in the eighteenth and early nineteenth centuries. For many women, as Katherine Sobba Green shows, the new ideal of... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    The period from her first London assembly to her wedding day was the narrow span of autonomy for a middle-class Englishwoman in the eighteenth and early nineteenth centuries. For many women, as Katherine Sobba Green shows, the new ideal of companionate marriage involved such thoroughgoing revisions in self-perception that a new literary form was needed to represent their altered roles.That the choice among suitors ideally depended on love and should not be decided on any other grounds was a principal theme among a group of heroine-centered novels published between 1740 and 1820. During these d

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813117362
    Subjects: Courtship in literature; English fiction ; 18th century ; History and criticism; English fiction ; Women authors ; History and criticism; Feminism and literature ; Great Britain ; History ; 18th century; Feminism and literature ; Great Britain ; History ; 19th century; Women and literature ; Great Britain ; History ; 18th century; Women and literature ; Great Britain ; History ; 19th century; Electronic books
    Scope: Online-Ressource (193 p)
    Notes:

    Description based upon print version of record

    Cover; Title; Copyright; Contents; Acknowledgments; Introduction; Part I. A Feminized Genre; 1. The Courtship Novel: Textual Liberation for Women; 2. Eliza Haywood: A Mid-Career Conversion; 3. Mary Collyer: Genre Experiment; Part II. Feminist Reception Theory; 4. Early Feminist Reception Theory: Clarissa and The Female Quixote; 5. Charlotte Lennox: Henrietta, Runaway Ingenue; 6. Frances Moore Brooke: Emily Montague's Sanctum Sanctorum; Part III. The Commodification of Heroines; 7. The Blazon and the Marriage Act: Beginning for the Commodity Market

    8. Fanny Burney: Cecilia, the Reluctant HeiressPart IV. Educational Reform; 9. Richardson and Wollstonecraft: The ""Learned Lady"" and the New Heroine; 10. Bluestockings, Amazons, Sentimentalists, and Fashionable Women; 11. Jane West: Prudentia Homespun and Educational Reform; 12. Mary Brunton: The Disciplined Heroine; Part V. The Denouement: Courtship and Marriage; 13. Courtship: ""When Nature Pronounces Her Marriageable""; 14. Maria Edgeworth: Belinda and a Healthy Scepticism; 15. Jane Austen: The Blazon Overturned; Conclusion; Chronology of Courtship Novels; Notes; Index; A; B; C; D; E; F

    GH; I; J; K; L; M; N; O; P; R; S; T; W

  6. Revising Women
    Eighteenth-Century Women's Fiction and Social Engagement
    Published: 2000; ©2000
    Publisher:  The Johns Hopkins University Press, Baltimore

    Intro -- Contents -- Preface -- Acknowledgments -- Chapter 1 - The Novel's Gendered Space -- Chapter 2 - The Rise of Gender as Political Category -- Chapter 3 - Renegotiating the Gothic -- Chapter 4 - My Art Belongs to Daddy? Thomas Day, Maria... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Intro -- Contents -- Preface -- Acknowledgments -- Chapter 1 - The Novel's Gendered Space -- Chapter 2 - The Rise of Gender as Political Category -- Chapter 3 - Renegotiating the Gothic -- Chapter 4 - My Art Belongs to Daddy? Thomas Day, Maria Edgeworth, and the Pre-Texts of Belinda: Women Writers and Patriarchal Authority -- Chapter 5 - Jane Austen and the Culture of Circulating Libraries: The Construction of Female Literacy -- Notes -- Contributors -- Index.

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801870958
    Subjects: English fiction ; 18th century ; History and criticism; English fiction ; Women authors ; History and criticism; Feminism and literature ; Great Britain ; History ; 18th century; Feminist fiction, English ; History and criticism; Literature and society ; Great Britain ; History ; 18th century; Women ; Books and reading ; Great Britain ; History ; 18th century; Women and literature ; Great Britain ; History ; 18th century; Electronic books
    Scope: Online-Ressource (296 p)
    Notes:

    Description based upon print version of record

    ""Contents""; ""Preface""; ""Acknowledgments""; ""Chapter 1 - The Novel�s Gendered Space""; ""Chapter 2 - The Rise of Gender as Political Category""; ""Chapter 3 - Renegotiating the Gothic""; ""Chapter 4 - My Art Belongs to Daddy? Thomas Day, Maria Edgeworth, and the Pre-Texts of Belinda: Women Writers and Patriarchal Authority""; ""Chapter 5 - Jane Austen and the Culture of Circulating Libraries: The Construction of Female Literacy""; ""Notes""; ""Contributors""; ""Index""