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Displaying results 1 to 25 of 152.

  1. Contemporary cinema of Africa and the diaspora
    Author: Prabhu, Anjali
    Published: 2014
    Publisher:  Wiley-Blackwell, Chichester

    "Focuses on art house cinema and discusses commercial African cinema".. more

     

    "Focuses on art house cinema and discusses commercial African cinema"..

     
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  2. Vertov, Snow, Farocki
    machine vision and the posthuman
    Author: Tomas, David
    Published: 2015
    Publisher:  Bloomsbury, New York [u.a.]

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  3. <<A>> body of vision
    representations of the body in recent film and poetry
    Author: Elder, R. Bruce
    Published: 1997
    Publisher:  Wilfrid Laurier Univ. Press, Waterloo, Ontario

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0889202761
    Subjects: Human body in literature; Human body in motion pictures; Experimental films
    Scope: VIII, 400 S.
    Notes:

    Literaturverz. S. 381 - 384
  4. Touch
    sensuous theory and multisensory media
    Author: Marks, Laura U.
    Published: 2002
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0816638888; 0816638896; 9780816638895
    RVK Categories: AP 47950 ; AP 53800 ; AP 53970 ; AP 54200 ; AP 57800
    Subjects: Array; Array; Video art
    Scope: XXII, 259 S., Ill.
    Notes:

    Filmogr. u. Videogr. S. 241 - 245. - Literaturangaben
  5. Maya Deren
    incomplete control
    Author: Keller, Sarah
    Published: [2014]; © 2014
    Publisher:  Columbia University Press, New York, NY

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231538473
    Other identifier:
    Series: Film and Culture Series
    Subjects: Experimental films; Independent filmmakers; Öffentliche Darbietungen, Film, Rundfunk; PHILOSOPHY / Aesthetics; Ästhetik; Experimental films; Independent filmmakers; PERFORMING ARTS; Film
    Other subjects: Deren, Maya (1917-1961)
    Scope: 1 Online-Ressource, Illustrationen
  6. Extreme Cinema
    The Transgressive Rhetoric of Today's Art Film Culture
    Author: Frey, Mattias
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the "taboo-breakers" of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813576527
    Other identifier:
    Subjects: PERFORMING ARTS / General; Art in motion pictures; Experimental films; Motion picture industry; Motion pictures; Marketing; Gewalt <Motiv>; Erotik <Motiv>; Film; Provokation
    Scope: 1 online resource, 25 photographs, 3 tables
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  7. Motion(less) pictures
    the cinema of stasis
    Author: Remes, Justin
    Published: 2015
    Publisher:  Columbia University Press, New York, NY

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    UB Weimar
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231169622; 9780231169639
    RVK Categories: AP 54000
    Series: Film and culture
    Subjects: Experimental films; Avant-garde (Aesthetics)
    Scope: 202 S, Ill
    Notes:

    Includes bibliographical references and index

    Introduction: The filmicSerious immobilities: Andy Warhol, Erik Satie, and the furniture film -- Stasis in fluxus: disappearing music for face and protracted cinema -- Boundless ontologies: Michael Snow, Wittgenstein, and the textual film -- Colored blindness: Derek Jarman's blue and the monochrome film -- Conclusion: Static cinema in the digital age -- Appendix 1. The cinema of stasis -- Appendix 2. Films relevant to understanding the cinema of stasis.
  8. Entering the frame
    cinema and history in the films of Yervant Gianikian and Angela Ricci Lucchi
    Author: Lumley, Robert
    Published: 2011
    Publisher:  Lang, Oxford [u.a.]

    Introduction -- Cinema profumato and independent filmmaking in the 1970s -- Found footage and history: from Mahler's The song of the earth to From the pole to the equator -- Armenia -- The war trilogy : prisoners, war in the mountains, the aftermath... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Introduction -- Cinema profumato and independent filmmaking in the 1970s -- Found footage and history: from Mahler's The song of the earth to From the pole to the equator -- Armenia -- The war trilogy : prisoners, war in the mountains, the aftermath -- Fascism, colonialism : film and installations -- History, the body and the death of cinema -- Illustrations : still images with words by Yervant Gianikian and Angela Ricci Lucchi

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3034301138; 9783034301138
    RVK Categories: AP 44939 ; AP 51400 ; AP 53800 ; AP 54200
    Series: Italian modernities ; 10
    Subjects: Experimental films; Motion pictures and history
    Other subjects: Gianikian, Yervant; Ricci Lucchi, Angela
    Scope: XIX, 192 S., Ill.
    Notes:

    Includes bibliographical references (p. [173]-179) and index -- Includes filmography and installations

    Introduction -- Cinema profumato and independent filmmaking in the 1970s -- Found footage and history: from Mahler's The song of the earth to From the pole to the equator -- Armenia -- The war trilogy : prisoners, war in the mountains, the aftermath -- Fascism, colonialism : film and installations -- History, the body and the death of cinema -- Illustrations : still images with words by Yervant Gianikian and Angela Ricci Lucchi.
  9. Mobility and migration in film and moving-image art
    cinema beyond Europe
    Author: Bayraktar, Nilgün
    Published: 2016
    Publisher:  Routledge, New York ; London

    Location:
    Englisches Seminar der Universität, Bibliothek
    Signature:
    PAA 330:47
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138858831
    RVK Categories: AP 50300
    Series: Routledge advances in film studies ; 45
    Subjects: Emigration and immigration in motion pictures; Identity (Psychology) in motion pictures; Experimental films; Video art; Migration <Motiv>; Videokunst; Film; Europa <Motiv>
    Scope: xvii, 213 Seiten, Illustrationen
  10. The city symphony phenomenon
    cinema, art, and urban modernity between the wars
    Contributor: Jacobs, Steven (Herausgeber); Kinik, Anthony (Herausgeber); Hielscher, Eva (Herausgeber)
    Published: 2019
    Publisher:  Routledge, New York

    Location:
    Universitäts- und Landesbibliothek Münster
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    3K 80031
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    Source: Union catalogues
    Contributor: Jacobs, Steven (Herausgeber); Kinik, Anthony (Herausgeber); Hielscher, Eva (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781138665279
    Series: AFI film readers series
    Film studies
    Subjects: Cities and towns in motion pictures; Experimental films; Musik; Großstadt <Motiv>; Gesellschaft; Großstadt; Film; Kunst
    Scope: xvii, 341 Seiten, Illustrationen, 23 cm
  11. Cinema expanded
    avant-garde film in the age of intermedia
    Author: Walley, Jonathan
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York, NY

    The persistence of cinema -- The two expanded cinemas -- Expanded cinema revis(it)ed -- Cinema as performance -- Cinema as object I -- Cinema as object II -- Cinema as idea -- Conclusion: Reframing expanded cinema. ; Introduction "Cinema Expanded:... more

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    Universitätsbibliothek Paderborn
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    The persistence of cinema -- The two expanded cinemas -- Expanded cinema revis(it)ed -- Cinema as performance -- Cinema as object I -- Cinema as object II -- Cinema as idea -- Conclusion: Reframing expanded cinema. ; Introduction "Cinema Expanded: Avant-Garde Film in the Age of Intermedia a comprehensive historical survey of expanded cinema from the mid-1960s to the present. It offers an historical and theoretical revision of the concept of expanded cinema, placing it in the context of avant-garde/experimental film history rather than the history of new media, intermedia, or multimedia. The book argues that, while expanded cinema has taken an incredible variety of forms (including moving image installation, multi-screen films, live cinematic performance, light shows, shadow plays, computer-generated images, video art, sculptural objects, and texts), it is nonetheless best understood as an ongoing meditation by filmmakers on the nature of cinema, specifically, and on its relationship to the other arts. Cinema Expanded also extends its historical and theoretical scope to avant-garde film culture more generally, placing expanded cinema in that context while also considering what it has to tell us about the moving image in the art world and new media environment"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190938642; 9780190938635
    RVK Categories: AP 53800
    Subjects: Experimental films; Intermediality; New media art; Experimentalfilm; Intermedialität; Avantgarde
    Scope: viii, 561 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  12. Modernist montage
    the obscurity of vision in cinema and literature
    Author: Sitney, P. Adams
    Published: 1990
    Publisher:  Columbia University Press, New York

    Location:
    Hochschule für Bildende Künste Braunschweig, Bibliothek
    Signature:
    M 4.6 Sit 2
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
    Signature:
    Kom 650 055
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    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KMW:KU:3000:Sitn::1990
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    91-30254
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    Universitätsbibliothek Rostock
    Signature:
    93 A 16762
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0231071825; 0231071833
    Subjects: Literature, Experimental; Modernism (Literature); Experimental films
    Scope: X, 250 S., [16] S. of plates, Ill, 24 cm
    Notes:

    Includes bibliographical references (S. 239-246) and index
  13. Motion(less) pictures
    the cinema of stasis
    Author: Remes, Justin
    Published: 2015
    Publisher:  Columbia University Press, New York ; Oxford University Press, Oxford

    This comprehensive study of films that do not move, challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol's 'Empire' (1964), the Fluxus work... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This comprehensive study of films that do not move, challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol's 'Empire' (1964), the Fluxus work 'Disappearing Music for Face' (1965), Michael Snow's 'So Is This' (1982), and Derek Jarman's 'Blue' (1993), it reveals how motionless films defiantly showcase the static while collapsing the boundaries between cinema, photography, painting, and literature.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231538909
    Other identifier:
    RVK Categories: AP 54000
    Series: Film and culture
    Subjects: Experimentalfilm; Stillstand <Motiv>; Ästhetik; Experimental films; Avant-garde (Aesthetics)
    Other subjects: Warhol, Andy (1928-1987); Satie, Erik (1866-1925); Snow, Michael (1928-2023); Jarman, Derek (1942-1994)
    Scope: 1 Online-Ressource, Illustrations (black and white).
    Notes:

    Includes bibliographical references and index
  14. Eine Pfütze in bezug aufs Mehr
    Avantgarde
    Author: Spielmann, Yvonne
    Published: 1991
    Publisher:  Lang, Frankfurt am Main ; Bern ; New York ; Paris

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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3631436521
    Series: Studien zum Theater, Film und Fernsehen ; 12
    Subjects: Avant-garde (Aesthetics); Experimental films; Avantgarde; Experimentalfilm; Frau; Kunst; Avantgardeliteratur; Feministischer Film; Künste
    Scope: II, 203 S.
    Notes:

    Zugl.: Hannover, Univ., Diss., 1989
  15. Modernist Montage
    the obscurity of vision in cinema and literature
    Author: Sitney, P. Adams
    Published: 1990
    Publisher:  Columbia Univ. Pr., New York

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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  16. Mad to be saved
    the Beats, the '50s, and film
    Author: Sterritt, David
    Published: 1998
    Publisher:  Southern Illinois Univ. Press, Carbondale [u.a.]

    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success." "After an introductory overview of the Beat Generation, its history, its antecedents and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers - who were inspired by jazz and other liberating influences - as carnivalesque rebels against what they perceived as a rigid and stifling social order." "Showing the Beats as social critics, Sterritt looks at the work of '50s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films." "Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis, nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries."--BOOK JACKET

     
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  17. Vanguardia española e intermedialidad
    artes escénicas, cine y radio
    Published: 2005
    Publisher:  Iberoamericana [u.a.], Madrid

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Universität Potsdam, Universitätsbibliothek
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  18. Avant-garde film
    Published: 2007
    Publisher:  Rodopi, Amsterdam [u.a.]

    Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film; Frames and Windows: Visual Space in Abstract Cinema; Paris - Berlin - Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920s; Man... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Hans Richter and Viking Eggeling: The Dream of Universal Language and the Birth of The Absolute Film; Frames and Windows: Visual Space in Abstract Cinema; Paris - Berlin - Moscow: On the Montage Aesthetic in the City Symphony Films of the 1920s; Man Ray's Films: From Dada to Surrealism; On Mário Peixoto's Limite; Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac; Mayakovsky: Film: Futurism; The Interiority of Space: Desire and Maya Deren; Stan Brakhage's Film Testament: The Four Faust Films; Light-Play and the Aesthetics of Avant-Garde Film; Paul Sharits: from Cinematic Movement to Nondirectional Motion; Changes in experimental filmmaking between the 1920s and the 1960s: On Luis Buñuel This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scho

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401200035
    Other identifier:
    RVK Categories: EA 1120
    Series: Avant-garde critical studies ; 23
    Subjects: Experimental films; Avant-garde (Aesthetics)
    Scope: Online-Ressource (xi, 405 S.)
    Notes:

    Literaturangaben

    Cover; Title Page; Copyright Page; Table of Contents; Preface; Abstraction, Surrealism, Futurism: The Cinema of the Historical Avant-Garde; Post-War American and European Experiments; New Technologies and Media Convergence: The Contemporary Avant-garde Film; List of Illustrations; About the Authors; Index
  19. Vanguardia española e intermedialidad
    artes escénicas, cine y radio
    Contributor: Albert, Mechthild (Hrsg.)
    Published: 2005
    Publisher:  Iberoamericana [u.a.], Madrid [u.a.] ; Vervuert, Frankfurt am Main

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Albert, Mechthild (Hrsg.)
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9788484892007; 848489200X; 386527210X
    Other identifier:
    9788484892007
    RVK Categories: IP 2150 ; IQ 00165 ; IP 1620 ; IP 2000
    Series: La casa de la riqueza ; 7
    Subjects: Arts; Avant-garde (Aesthetics); Experimental films; Experimental theater; Literature, Experimental
    Scope: 615 S., Ill., graph. Darst., 23 cm
    Notes:

    Literaturangaben
  20. Offenes Erzählen
    Experimente im zeitgenössischen indischen Dokumentarfilm
    Author: Mothes, Ulrike
    Published: [2017]; © 2017
    Publisher:  transcript, Bielefeld

    Der Dokumentarfilm gilt in Indien als kommerziell schwer auswertbares Genre - und stellt dennoch ein Feld dar, in welchem Experimente entstehen können. Angesichts der gegenwärtigen gesellschaftlichen Umbrüche untersucht Ulrike Mothes den aktuellen... more

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    Der Dokumentarfilm gilt in Indien als kommerziell schwer auswertbares Genre - und stellt dennoch ein Feld dar, in welchem Experimente entstehen können. Angesichts der gegenwärtigen gesellschaftlichen Umbrüche untersucht Ulrike Mothes den aktuellen indischen Dokumentarfilm hinsichtlich seiner filmästhetischen Form und betrachtet seine Positionierung zwischen lokalen und globalen Bezugnahmen, politischem Diskurs und kulturellem Ausdruck. Ihr besonderes Augenmerk liegt dabei auf der Beschreibung offener Erzählstrategien, welche die Annahme von Wahrheit als solcher hinterfragen und mehrere Deutungen eines Themas zulassen. The artistic documentary film in India - encompassing local and global references, political discourses, and cultural expression.

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839437872
    Other identifier:
    RVK Categories: AP 59565
    Series: Film
    De Gruyter eBook-Paket Kunst
    Subjects: Documentary films; Experimental films; Ambiguität.; Ästhetik.; Deutung.; Dramaturgie.; Erzählstrategien.; Film.; Gesellschaftliche Umbrüche.; India,Postcolonialism,Dramaturgy,Ambiguity,Aesthetics,Interpretation,Film,Media,Media Aesth.; Indien.; Medien.; Medienästhetik.; Medienwissenschaft.; Postkolonialismus.; Wahrheit.; SOCIAL SCIENCE / Media Studies
    Scope: 1 Online-Ressource (204 Seiten)
    Notes:

    Dissertation, Bauhaus-Universität Weimar,

    Frontmatter -- -- Inhalt -- -- Einleitung -- -- Vorbedingungen des Sprechens -- -- Offenes Erzählen im Dokumentarfilm -- -- Facetten des offenen Dokumentarfilms: Künstlerische Bildstrategien ausgewählter Filmemacher -- -- Fazit -- -- Quellenverzeichnis
  21. Ludus
    cine, arte y deporte en la literatura española de vanguardia
    Published: 2000
    Publisher:  Pre-Textos, Valencia

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    ISBN: 8481912859
    RVK Categories: IP 2000
    Series: Pre-textos ; 433
    Subjects: Experimental films; Games in literature; Literature, Experimental; Motion pictures in literature; Play in literature; Spanish literature; Sports in literature; Spanisch; Film; Avantgarde; Avantgardeliteratur
    Scope: 488 S., Ill.
  22. Allegories of cinema
    American film in the sixties
    Author: James, David E.
    Published: 1989
    Publisher:  Princeton Univ. Pr., Princeton, NJ

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Content information
  23. Art in cinema
    A symposium on the avantgarde film
    Published: 1968
    Publisher:  Arno Pr., New York

    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: AP 54200
    Edition: Authorized repr.ed.
    Series: Arno series of contemporary art ; 21
    Subjects: Film; Ästhetik; Experimental films; Motion pictures
    Scope: 104 S.m.Abb.u.Taf.
  24. Light moving in time
    studies in the visual aesthetics of avant-garde film
    Author: Wees, William C.
    Published: 1992
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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  25. Extreme Cinema
    The Transgressive Rhetoric of Today's Art Film Culture
    Author: Frey, Mattias
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the "taboo-breakers" of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813576527
    Other identifier:
    Subjects: PERFORMING ARTS / General; Art in motion pictures; Experimental films; Motion picture industry; Motion pictures; Marketing; Gewalt <Motiv>; Erotik <Motiv>; Film; Provokation
    Scope: 1 online resource, 25 photographs, 3 tables
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)