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  1. Evénement et roman
    une relation critique
    Author: Courtieu, Marc
    Published: 2012
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction -- Catastrophe et Evenement Romanesque -- Les sciences de la vie et la catastrophe Balzac et Cuvier -- L’événement comme élément nécessaire du récit -- De la place de l’événement dans le récit romanesque --... more

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    Preliminary Material -- Introduction -- Catastrophe et Evenement Romanesque -- Les sciences de la vie et la catastrophe Balzac et Cuvier -- L’événement comme élément nécessaire du récit -- De la place de l’événement dans le récit romanesque -- Conclusion. L’événement d’une vie -- Roman de l’evolution et Evolution du roman -- « Natura non facit saltum » -- De Flaubert au naturalisme -- De l’evenement Aventureux: (ou : quel ennui qu’une vie sans ennuis !) -- Sus au naturalisme ! -- La décomposition du monde -- L’immobilité -- L’enfermement -- La mort -- l’amerique, Roman -- Melville et le roman du ‘Nouveau Monde’ -- Un art naissant, un art d’un pays nouveau. L’incipit in medias res -- De la Frontier comme événement -- De l’interprétation des événements -- En Guise D’Intermede: au Commencement. Une Rencontre de Copistes ou : ceci n’est pas un Ecrivain -- Instant Mystique et Evenement Discursif Etudes de cas -- Joyce : le moment épiphanique -- Virginia Woolf, ou l’instant de vie -- Hermann Broch, ou l’instant d’Unicité -- Robert Musil, ou l’instant où l’on échappe à la vie inessentielle -- Nathalie Sarraute, ou la phrase-événement -- Comment ne Plus (se) Raconter d’histoires. le cas Beckett -- Evenement et Commencement. le Present de la Litterature -- Bibliographie -- Table des Matieres. Le récit est généralement défini comme transformation d’un état en un autre, transformation dont l’élément déclenchant est un événement . Or les études narratologiques ont, avec constance, fait comme si cet « atome » narratif était inanalysable. L’objet de ce livre est d’interroger cet impensé, à travers l’exemple du roman. Marc Courtieu s’attache d’abord à spécifier la place centrale de l’événement dans le grand roman du XIXe siècle, puis montre que la révolution opérée notamment par Flaubert et Melville se joue, aussi, sur la contestation d’une telle évidence. A travers différentes études, d’ordre général (sur le naturalisme, le roman d’aventures, le roman américain) ou plus monographique (Joyce, V. Woolf, H. Broch, Musil, N. Sarraute, jusqu’au cas si singulier des « fictions » de Beckett), l’auteur détaille alors la façon dont, autour de cette figure de l’ événement , les codes de l’écriture romanesque ont bougé au cours du XXe siècle, ouvrant la voie à de nouvelles recherches, qui conduisent à concevoir l’événement d’une façon radicalement différente : peut-être n’existe-t-il que du fait même d’être raconté. Plus précisément : ne serait-ce pas dans la relation dialectique qu’ils entretiennent l’un avec l’autre que le récit et l’événement se créent l’un l’autre, l’un par l’autre?

     
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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9789401207942
    Other identifier:
    Series: Faux titre ; 371
    Subjects: Fiction; Events (Philosophy) in literature; Events (Philosophy) in literature; Fiction; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (337 pages)
    Notes:

    Includes bibliographical references (p. 307-334)
  2. Subject of the event
    reagency in the American novel after 2000
    Author: Huber, Sebastian
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501317101; 9781501317095
    Subjects: American fiction; Events (Philosophy) in literature
    Scope: 1 Online-Ressource (316 Seiten)
  3. Subject of the event
    reagency in the American novel after 2000
    Author: Huber, Sebastian
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

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    Universitäts- und Landesbibliothek Düsseldorf
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    angm740.h877
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501317125; 9781501317095
    Subjects: American fiction; Events (Philosophy) in literature
    Scope: 316 Seiten, 23 cm
  4. Subject of the event
    reagency in the American novel after 2000
    Author: Huber, Sebastian
    Published: 2016
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Examines the conception of events and subjects in five contemporary American novels: Cormac McCarthy's The Road (2006), Jess Walter's The Zero (2006), Mark Z. Danielewski's Only Revolutions (2006), Paul Beatty's Slumberland (2008) and Thomas... more

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    "Examines the conception of events and subjects in five contemporary American novels: Cormac McCarthy's The Road (2006), Jess Walter's The Zero (2006), Mark Z. Danielewski's Only Revolutions (2006), Paul Beatty's Slumberland (2008) and Thomas Pynchon's Against the Day (2006)"-- Machine generated contents note: Introduction: America's Subjects of Events -- Chapter 1. The Question of the Event and the Question(s) of the Subject -- Chapter 2. 'You have to carry the fire': The Reactive Subject in Cormac McCarthy's The Road (2006) -- Chapter 3. 'With Us or Against Us': The Obscure Subject in Jess Walter's The Zero (2006) -- Chapter 4. 'Let us go then you and I': The Amorous Subject in Mark Z. Danielewski's Only Revolutions (2006) -- Chapter 5. 'You'll never be passé': The Aesthetico-Political Subject in Paul Beatty's Slumberland (2008) -- Chapter 6. 'There is nothing to compare it to now': The Scientific-Political Subjects in Thomas Pynchon's Against the Day (2006) -- Conclusion: The End as Enjambment

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501317118; 9781501317101; 9781501317095
    Other identifier:
    RVK Categories: HU 1819 ; HU 1810
    Subjects: Events (Philosophy) in literature; Subject (Philosohpy) in literature; American fiction; American fiction; Subject (Philosohpy) in literature; Events (Philosophy) in literature
    Scope: 1 Online-Ressource (ix, 316 p)
    Notes:

    Includes bibliographical references and index
  5. Textures
    processus et événements dans la création poétique moderne et contemporaine
    Contributor: Barda, Jeff (HerausgeberIn); Finch-Race, Daniel A. (HerausgeberIn)
    Published: [2015]
    Publisher:  Lang, Oxford

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Contributor: Barda, Jeff (HerausgeberIn); Finch-Race, Daniel A. (HerausgeberIn)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9783034318983
    RVK Categories: IH 1546
    Series: Modern French identities ; volume 120
    Subjects: French poetry; French poetry; French poetry; Texture (Art); Arts, Modern; Events (Philosophy) in literature
    Scope: VII, 236 Seiten, 23 cm
    Notes:

    Literaturangaben
  6. Textures
    processus et événements dans la création poétique moderne et contemporaine
    Contributor: Barda, Jeff (HerausgeberIn); Finch-Race, Daniel A. (HerausgeberIn)
    Published: [2015]
    Publisher:  Lang, Oxford

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    Source: Staatsbibliothek zu Berlin
    Contributor: Barda, Jeff (HerausgeberIn); Finch-Race, Daniel A. (HerausgeberIn)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9783034318983
    RVK Categories: IH 1546
    Series: Modern French identities ; volume 120
    Subjects: French poetry; French poetry; French poetry; Texture (Art); Arts, Modern; Events (Philosophy) in literature
    Scope: VII, 236 Seiten, 23 cm
    Notes:

    Literaturangaben
  7. Le sens de l'événement dans la littérature française des XIXe et XXe siècles
    actes du colloque international de Klagenfurt, 1er - 3 juin 2005
    Contributor: Glaudes, Pierre (Hrsg.)
    Published: 2008
    Publisher:  Lang, Bern

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Glaudes, Pierre (Hrsg.)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9783039113187; 3039113186
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    9783039113187
    RVK Categories: IG 3950 ; IH 2482
    Series: Littératures de langue française ; Vol. 6
    Subjects: French literature; French literature; History in literature; Literature and history; Events (Philosophy) in literature
    Scope: XII, 296 S., 22,5 cm
  8. Prosaics and other provocations
    empathy, open time, and the novel
    Author: Morson, Gary Saul
    Published: 2013
    Publisher:  Academic Studies Press, Brighton, Massachussetts

    Gary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's... more

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    Gary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's fundamental state is mess. Viewing time as a "field of possibilities," he maintains that contingency and freedom are real. To represent open time, some masterpieces have developed an alternative to structure and require a "prosaics of process." Morson's curmudgeonly alter ego, Alicia Chudo, invents the discipline of misanthropology," which explores human voices from voyeurism to violence. Reflecting on his legendarily popular courses, Morson argues that what literature teaches better than anything else is empathy. Himself an aphorist, Morson offers a witty approach to literature's shortest genres and to quotation in general Part one: Overture -- What is Prosaics? -- Part two: Narrativeness -- The Prosaics of process -- The vision of poetics and product -- The counter-tradition: presentness and process -- Outlining a Prosaics of process -- Part three: What is Misanthropology? -- Misanthropology: Voyeurism and human nature / Alicia Chudo -- Misanthropology, continued: disgust, violence, and more on voyeurism / Alicia Chudo -- Another look at voyeurism -- Identification -- Laughter and disgust -- Misanthropology in verse: an onegin of our times / Alicia Chudo -- Part four: What is literary Education? -- Novelistic empathy, and how to teach it -- Part five: What is wit? -- Contingency, games, and wit

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1618116754; 1618111612; 1618111833; 9781618116758; 9781618111616; 9781618111838
    Series: Ars Rossica
    Subjects: Prose literature; Events (Philosophy) in literature; Empathy in literature; Fiction
    Scope: 1 Online-Ressource (298 pages)
    Notes:

    Includes index
  9. Subject of the event
    reagency in the American novel after 2000
    Author: Huber, Sebastian
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    "Examines the conception of events and subjects in five contemporary American novels: Cormac McCarthy's The Road (2006), Jess Walter's The Zero (2006), Mark Z. Danielewski's Only Revolutions (2006), Paul Beatty's Slumberland (2008) and Thomas... more

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    Universitätsbibliothek der LMU München
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    "Examines the conception of events and subjects in five contemporary American novels: Cormac McCarthy's The Road (2006), Jess Walter's The Zero (2006), Mark Z. Danielewski's Only Revolutions (2006), Paul Beatty's Slumberland (2008) and Thomas Pynchon's Against the Day (2006)"--

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    RVK Categories: HU 1819
    Subjects: American fiction / 21st century / History and criticism; Events (Philosophy) in literature; Subject (Philosohpy) in literature; Subjekt <Philosophie, Motiv>; Roman; Ereignis
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: Introduction: America's Subjects of Events -- Chapter 1. The Question of the Event and the Question(s) of the Subject -- Chapter 2. 'You have to carry the fire': The Reactive Subject in Cormac McCarthy's The Road (2006) -- Chapter 3. 'With Us or Against Us': The Obscure Subject in Jess Walter's The Zero (2006) -- Chapter 4. 'Let us go then you and I': The Amorous Subject in Mark Z. Danielewski's Only Revolutions (2006) -- Chapter 5. 'You'll never be passé': The Aesthetico-Political Subject in Paul Beatty's Slumberland (2008) -- Chapter 6. 'There is nothing to compare it to now': The Scientific-Political Subjects in Thomas Pynchon's Against the Day (2006) -- Conclusion: The End as Enjambment
  10. Subject of the event
    reagency in the American novel after 2000
    Author: Huber, Sebastian
    Published: 2016
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, New York ; London ; Oxford ; New Delhi ; Sydney

    "Examines the conception of events and subjects in five contemporary American novels: Cormac McCarthy's The Road (2006), Jess Walter's The Zero (2006), Mark Z. Danielewski's Only Revolutions (2006), Paul Beatty's Slumberland (2008) and Thomas... more

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    "Examines the conception of events and subjects in five contemporary American novels: Cormac McCarthy's The Road (2006), Jess Walter's The Zero (2006), Mark Z. Danielewski's Only Revolutions (2006), Paul Beatty's Slumberland (2008) and Thomas Pynchon's Against the Day (2006)"...

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9781501317125
    RVK Categories: HU 1819
    Subjects: LITERARY CRITICISM / General; LITERARY CRITICISM / American / General; LITERARY CRITICISM / Semiotics & Theory; American fiction; Events (Philosophy) in literature; Subject (Philosohpy) in literature; LITERARY CRITICISM / General; LITERARY CRITICISM / American / General; LITERARY CRITICISM / Semiotics & Theory; Subjekt <Philosophie, Motiv>; Ereignis; Roman
    Scope: 316 Seiten, Illustration
    Notes:

    Includes bibliographical references and index

    Dissertation, Ludwig-Maximilians Universität München, 2014
  11. Prosaics and other provocations
    empathy, open time, and the novel
    Author: Morson, Gary Saul
    Published: 2013; © 2013
    Publisher:  Academic Studies Press, Brighton, Massachussetts

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781618111616; 9781618111838
    Series: Ars Rossica
    Subjects: Fiction; Prose literature; Events (Philosophy) in literature; Empathy in literature; Ereignis <Motiv>; Einfühlung <Motiv>; Roman
    Scope: 1 online resource (298 pages)
    Notes:

    Includes index

    Description based on online resource; title from PDF title page (ebrary, viewed October 04, 2013)
  12. Subject of the event
    reagency in the American novel after 2000
    Author: Huber, Sebastian
    Published: 2016
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    "Examines the conception of events and subjects in five contemporary American novels: Cormac McCarthy's The Road (2006), Jess Walter's The Zero (2006), Mark Z. Danielewski's Only Revolutions (2006), Paul Beatty's Slumberland (2008) and Thomas... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    "Examines the conception of events and subjects in five contemporary American novels: Cormac McCarthy's The Road (2006), Jess Walter's The Zero (2006), Mark Z. Danielewski's Only Revolutions (2006), Paul Beatty's Slumberland (2008) and Thomas Pynchon's Against the Day (2006)"...

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9781501317101; 9781501317095
    RVK Categories: HU 1819
    Subjects: LITERARY CRITICISM / General; LITERARY CRITICISM / American / General; LITERARY CRITICISM / Semiotics & Theory; American fiction; Events (Philosophy) in literature; Subject (Philosohpy) in literature; LITERARY CRITICISM / General; LITERARY CRITICISM / American / General; LITERARY CRITICISM / Semiotics & Theory; Subjekt <Philosophie, Motiv>; Roman; Ereignis
    Scope: 1 Online-Ressource (316 Seiten)
    Notes:

    Includes bibliographical references and index

    Dissertation, Ludwig-Maximilians Universität München, 2014
  13. Eventfulness in British fiction
    Author: Hühn, Peter
    Published: 2010
    Publisher:  De Gruyter, New York

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110213645
    Subjects: English fiction; English fiction; Events (Philosophy) in literature; Fiction; Narration (Rhetoric); Handlung <Literatur>; Prosa; Ereignis <Motiv>; Englisch; Erzählforschung; Roman
    Scope: viii, 214 p
    Notes:

    Includes bibliographical references
  14. Eventfulness in British fiction
    historical, cultural and social aspects of the tellability of stories
    Published: 2010
    Publisher:  de Gruyter, Berlin [u.a.]

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110213652
    Other identifier:
    RVK Categories: HG 650 ; ET 790 ; HG 680
    Series: Narratologia ; 18
    Subjects: English fiction; English fiction; Events (Philosophy) in literature; Fiction; Narration (Rhetoric); Handlung <Literatur>; Prosa; Ereignis <Motiv>; Englisch; Erzählforschung; Roman
    Scope: 1 Online-Ressource (VIII, 213 S.)
  15. The novel as event
    Author: Ortiz Robles, Mario
    Published: 2010
    Publisher:  Univ. of Michigan Press, Ann Arbor

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780472071135; 9780472051137
    RVK Categories: HL 1331
    Subjects: English fiction; English fiction; Speech acts (Linguistics) in literature; Events (Philosophy) in literature; Performative (Philosophy); Narration (Rhetoric); Sprache; Englisch; Roman
    Scope: XVIII, 253 S.
    Notes:

    Includes bibliographical references and index
  16. Eventfulness in British fiction
    Published: ©2010
    Publisher:  De Gruyter, New York

    An event, defined as the decisive turn, the surprising point in the plot of a narrative, constitutes its tellability, the motivation for reading it. The book describes a framework for a narratological definition of eventfulness and its dependence on... more

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    Hochschule Aalen, Bibliothek
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    An event, defined as the decisive turn, the surprising point in the plot of a narrative, constitutes its tellability, the motivation for reading it. The book describes a framework for a narratological definition of eventfulness and its dependence on the historical, socio-cultural and literary context. The detailed analyses of 15 British novels or tales, from early modern times to the late 20th century, demonstrate how this concept can be put into practice for a new, specifically contextual interpretation of the central relevance of these texts

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110213652; 3110213656; 3110213648; 9783110213645
    Series: Narratologia. Contributions to narrative theory ; 18
    Subjects: English fiction; English fiction; Fiction; Events (Philosophy) in literature; Narration (Rhetoric); English fiction; Fiction; English fiction; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; English fiction; Events (Philosophy) in literature; Fiction; Narration (Rhetoric); Prosa; Handlung; Englisch; Criticism, interpretation, etc; Stories, plots, etc
    Scope: Online Ressource (viii, 213 pages)
    Notes:

    Includes bibliographical references. - Print version record
  17. Événement et roman
    une relation critique
    Published: 2012
    Publisher:  Rodopi, Amsterdam

    Le récit est généralement défini comme transformation d'un état en un autre, transformation dont l'élément déclenchant est un événement . Or les études narratologiques ont, avec constance, fait comme si cet " atome " narratif était inanalysable.... more

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    Le récit est généralement défini comme transformation d'un état en un autre, transformation dont l'élément déclenchant est un événement . Or les études narratologiques ont, avec constance, fait comme si cet " atome " narratif était inanalysable. L'objet de ce livre est d'interroger cet impensé, à travers l'exemple du roman. Marc Courtieu s'attache d'abord à spécifier la place centrale de l'événement dans le grand roman du XIXe siècle, puis montre que la révolution opérée notamment par Flaubert et Melville se joue, aussi, sur la contestation d'une telle évidence. A travers différentes études, d'ordre général (sur le naturalisme, le roman d'aventures, le roman américain) ou plus monographique (Joyce, V. Woolf, H. Broch, Musil, N. Sarraute, jusqu'au cas si singulier des " fictions " de Beckett), l'auteur détaille alors la façon dont, autour de cette figure de l'événement, les codes de l'écriture romanesque ont bougé au cours du XXe siècle, ouvrant la voie à de nouvelles recherches, qui conduisent à concevoir l'événement d'une façon radicalement différente : peut-être n'existe-t-il que du fait même d'être raconté. Plus précisément : ne serait-ce pas dans la relation dialectique qu'ils entretiennent l'un avec l'autre que le récit et l'événement se créent l'un l'autre, l'un par l'autre?

     
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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9789042035195; 9042035196; 9789401207942; 9401207941
    Series: Faux titre ; 371
    Subjects: Fiction; Events (Philosophy) in literature; Fiction; Events (Philosophy) in literature; Fiction; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Criticism, interpretation, etc
    Scope: Online Ressource (337 pages)
    Notes:

    Includes bibliographical references (pages 307-334). - Print version record
  18. Prosaics and other provocations
    empathy, open time, and the novel
    Published: 2013
    Publisher:  Academic Studies Press, Brighton, Massachussetts

    Gary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's... more

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    Gary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's fundamental state is mess. Viewing time as a "field of possibilities," he maintains that contingency and freedom are real. To represent open time, some masterpieces have developed an alternative to structure and require a "prosaics of process." Morson's curmudgeonly alter ego, Alicia Chudo, invents the discipline of misanthropology," which explores human voices from voyeurism to violence. Reflecting on his legendarily popular courses, Morson argues that what literature teaches better than anything else is empathy. Himself an aphorist, Morson offers a witty approach to literature's shortest genres and to quotation in general Part one: Overture -- What is Prosaics? -- Part two: Narrativeness -- The Prosaics of process -- The vision of poetics and product -- The counter-tradition: presentness and process -- Outlining a Prosaics of process -- Part three: What is Misanthropology? -- Misanthropology: Voyeurism and human nature / Alicia Chudo -- Misanthropology, continued: disgust, violence, and more on voyeurism / Alicia Chudo -- Another look at voyeurism -- Identification -- Laughter and disgust -- Misanthropology in verse: an onegin of our times / Alicia Chudo -- Part four: What is literary Education? -- Novelistic empathy, and how to teach it -- Part five: What is wit? -- Contingency, games, and wit.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781618111838; 1618111833
    Series: Ars Rossica
    Subjects: Fiction; Prose literature; Events (Philosophy) in literature; Empathy in literature; Fiction; Prose literature; Events (Philosophy) in literature; Empathy in literature; FICTION ; General; LITERARY CRITICISM ; Russian & Former Soviet Union; FICTION ; General; Empathy in literature; Events (Philosophy) in literature; Fiction; Criticism, interpretation, etc
    Scope: Online Ressource (298 pages)
    Notes:

    Includes index. - Description based on online resource; title from PDF title page (ebrary, viewed October 04, 2013)
  19. Prosaics and other provocations
    empathy, open time, and the novel
    Author: Morson, Gary Saul
    Published: 2013
    Publisher:  Academic Studies Press, Boston

    Part one: Overture -- What is Prosaics? -- Part two: Narrativeness -- The Prosaics of process -- The vision of poetics and product -- The counter-tradition: presentness and process -- Outlining a Prosaics of process -- Part three: What is... more

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    Part one: Overture -- What is Prosaics? -- Part two: Narrativeness -- The Prosaics of process -- The vision of poetics and product -- The counter-tradition: presentness and process -- Outlining a Prosaics of process -- Part three: What is Misanthropology? -- Misanthropology: Voyeurism and human nature / Alicia Chudo -- Misanthropology, continued: disgust, violence, and more on voyeurism / Alicia Chudo -- Another look at voyeurism -- Identification -- Laughter and disgust -- Misanthropology in verse: an onegin of our times / Alicia Chudo -- Part four: What is literary Education? -- Novelistic empathy, and how to teach it -- Part five: What is wit? -- Contingency, games, and wit. Gary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's fundamental state is mess. Viewing time as a "field of possibilities," he maintains that contingency and freedom are real. To represent open time, some masterpieces have developed an alternative to structure and require a "prosaics of process." Morson's curmudgeonly alter ego, Alicia Chudo, invents the discipline of misanthropology," which explores human voices from voyeurism to violence. Reflecting on his legendarily popular courses, Morson argues that what literature teaches better than anything else is empathy. Himself an aphorist, Morson offers a witty approach to literature's shortest genres and to quotation in general

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781618111838; 1618111833; 9781618116758; 1618116754
    Series: Ars Rossica
    Subjects: Fiction; Prose literature; Events (Philosophy) in literature; Empathy in literature; FICTION ; General; LITERARY CRITICISM ; Russian & Former Soviet Union; FICTION ; General; Empathy in literature; Events (Philosophy) in literature; Fiction; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (1 electronic resource (xxiii, 274 pages))
    Notes:

    Includes bibliographical references and index
  20. Prosaics and Other Provocations
    Empathy, Open Time, and the Novel
    Author: Morson, Gary Saul
    Published: [2017]
    Publisher:  Academic Studies Press, Boston, MA

    Frontmatter -- Table of Contents -- Acknowledgements -- Preface / Bethea, David M. -- Abbreviations -- Introduction -- Part One. Overture -- Chapter One. What Is Prosaics? -- Part Two. What Is Open Time? -- Chapter Two. Narrativeness -- Chapter... more

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    Frontmatter -- Table of Contents -- Acknowledgements -- Preface / Bethea, David M. -- Abbreviations -- Introduction -- Part One. Overture -- Chapter One. What Is Prosaics? -- Part Two. What Is Open Time? -- Chapter Two. Narrativeness -- Chapter Three. The Prosaics of Process -- Part Three. What Is Misanthropology? -- Chapter Four. Misanthropology: Voyeurism and Human Nature / Chudo, Alicia -- Chapter Five. Misanthropology, Continued: Disgust, Violence, and More on Voyeurism / Chudo, Alicia -- Chapter Six. Misanthropology in Verse: An Onegin of Our Times / Chudo, Alicia -- Part Four. What Is Literary Education? -- Chapter Seven: Novelistic Empathy, and How to Teach It -- Part Five. What Is Wit? -- Chapter Eight: Contingency, Games, and Wit -- Index This far-ranging study develops Morson's concept of "prosaics," which stresses the importance of ordinary events and the novel's unique ability to portray them. Arguing that time is open and contingency real, Morson develops a "prosaics of process" showing how some masterpieces have found an alternative to structure. His well-known pseudonym Alicia Chudo, the inventor of "misanthropology," explores the disturbing philosophical content of laughter, disgust, and even empathy. Northwestern University's most popular professor, Morson attributes declining student interest in literature to current teaching methods. He argues in favor of showing how literature fosters empathy with people unlike ourselves. Ever playful, Morson explores the relation of games to wit, which expresses the power of the mind to triumph over contingency in the social world

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781618116758
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    Series: Ars Rossica
    Subjects: Events (Philosophy) in literature; Fiction; Prose literature; Empathy in literature; LITERARY CRITICISM / Russian & Former Soviet Union
    Scope: 1 Online-Ressource (300 p)
    Notes:

    Open Access unrestricted online access star
  21. Prosaics and other provocations
    empathy, open time, and the novel
    Author: Morson, Gary Saul
    Published: 2013
    Publisher:  Academic Studies Press, Brighton, Massachussetts

    Gary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's... more

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    Gary Saul Morson's ideas about life and literature have long inspired, annoyed, and provoked specialists and general readers. His work on "prosaics" (his coinage) argues that life's defining events are not grand but ordinary, and that the world's fundamental state is mess. Viewing time as a "field of possibilities," he maintains that contingency and freedom are real. To represent open time, some masterpieces have developed an alternative to structure and require a "prosaics of process." Morson's curmudgeonly alter ego, Alicia Chudo, invents the discipline of misanthropology," which explores human voices from voyeurism to violence. Reflecting on his legendarily popular courses, Morson argues that what literature teaches better than anything else is empathy. Himself an aphorist, Morson offers a witty approach to literature's shortest genres and to quotation in general Part one: Overture -- What is Prosaics? -- Part two: Narrativeness -- The Prosaics of process -- The vision of poetics and product -- The counter-tradition: presentness and process -- Outlining a Prosaics of process -- Part three: What is Misanthropology? -- Misanthropology: Voyeurism and human nature / Alicia Chudo -- Misanthropology, continued: disgust, violence, and more on voyeurism / Alicia Chudo -- Another look at voyeurism -- Identification -- Laughter and disgust -- Misanthropology in verse: an onegin of our times / Alicia Chudo -- Part four: What is literary Education? -- Novelistic empathy, and how to teach it -- Part five: What is wit? -- Contingency, games, and wit.

     
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  22. Signaturen des Geschehens
    Ereignisse zwischen Öffentlichkeit und Latenz
    Contributor: Kulcsár-Szabó, Zoltán (Hrsg.)
    Published: Juli 2014; ©2014
    Publisher:  transcript, Bielefeld

    Biographical note: Zoltán Kulcsár-Szabó (PhD habil.) lehrt Allgemeine und Vergleichende Literaturwissenschaft an der Universität ELTE Budapest. Csongor Lörincz (Prof. Dr.) lehrt Ungarische Literatur- und Kulturwissenschaft an der Humboldt-Universität... more

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    Biographical note: Zoltán Kulcsár-Szabó (PhD habil.) lehrt Allgemeine und Vergleichende Literaturwissenschaft an der Universität ELTE Budapest. Csongor Lörincz (Prof. Dr.) lehrt Ungarische Literatur- und Kulturwissenschaft an der Humboldt-Universität zu Berlin. Main description: How is an incident's flow connected with the structure of a public? What structural difference exists between the public and a hidden, unnoticed, or only subsequently recognized course of an incident? The contributions to this volume show that an event becomes an incident precisely because it is made public if the respective public structure includes all media conditions under which an event appears to be an incident at all. Otherwise it is precisely by surpassing previous limits, habits, and rules of the public - transforming the structure of the public - that the event becomes an incident.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Kulcsár-Szabó, Zoltán (Hrsg.)
    Language: German; English
    Media type: Ebook
    Format: Online
    ISBN: 9783839426067
    Other identifier:
    9783837626063
    RVK Categories: AP 14000 ; EC 5000 ; EC 2410 ; EC 2090
    Series: Lettre
    De Gruyter eBook-Paket Literaturwissenschaft
    Subjects: Mass media and literature; Events (Philosophy) in literature; Literature; Literature; Literature, Media, General Literature Studies, Theory of Literature, Literary Studies; Media; Allgemeine Literaturwissenschaft; Literature; Theory of Literature; Literaturtheorie; Geschichte; General Literature Studies; Krieg; Politische Anthropologie; Medien; Literaturwissenschaft; Literary Studies; Latenz; Öffentlichkeit; Ereignis; Literatur; LITERARY CRITICISM / General
    Scope: Online-Ressource (503 S.)
    Notes:

    Description based upon print version of record

    Cover Signaturen des Geschehens; Inhalt; Einleitung; Das Krumme vor jedem Geraden; Das Geschehen zwischen Wahrnehmung und Latenz; Die Stimmung als Geschehen. Zur literarischen Phänomenologie der »Materialität« der Stimmung; Heideggers Quantifikation von Welt; Ereignis, Öffentlichkeit und Latenz von Literatur. Literaturontologische Überlegungen zu Ar thur Schnit zlers Der Sohn; The Testimony of Reading - Optics and Rhetoric. A Supplement to the Interpretation of À la recherche du temps perdu; Archive, Medien und Ereignishaftigkeit

    »Ruhmlose Archive«, »obskures Leben« und das »Theater des Alltäglichen«. Zur Redaktion und Publikation latenter Fälle zwischen Diskursgeschichte und LiteraturDie Weltgeschichte als literarisches Ereignis. Mediale Verwandlungen des Texts von Imre Madách: Die Tragödie des Menschen - vom Manuskript zur Öffentlichkeit der Bühne; Infame Ereignisse. Leopold von Sacher-Masochs Venus im Pelz; Abbauende Medien - expansive Archive: die Öffentlichkeit der Literatur. Zsigmond Móricz und der Feuilletonroman in den 1930er Jahren

    The Disjunction of Event, Recording, and Experience. The Dilemmas of Reading Ellis' OeuvreMedien zwischen Latenz und Symbol. Der Begriff des Mediums bei Niklas Luhmann; Gewalt, Politik, Öffentlichkeit; Affekt, Körper, Performanz. Der rednerische Vor trag bei Cicero; Geheimnis und Gerücht. Die Geschichte des falschen Agrippa bei Tacitus (Ann. 2,39-40); Grenzen der Gewalt. Heinrich von Kleist: Michael Kohlhaas; Die zwei Körper des Feindes. Repräsentation, Form und Öffentlichkeit bei Carl Schmitt; Öffentlichkeit und Narrativität bei Hannah Arendt; Geschichte, Ereignis, Trauma

    Historical event and structure, and their relationshipTrauma und Mythos. Antigone in der Literatur nach 1945; Die Latenz der Naturgeschichte. Sprache und Zeugenschaf t in W.G. Sebalds Luftkrieg und Literatur; Spur und Monument. Romuald Karmakar: Das Himmler-Projekt; Did It Happen or Not?. Bringing Traumatic Events into the Historical Discourse; Autorinnen und Autoren; Personenregister
  23. Le sens de l'événement dans la littérature française des XIXe et XXe siècles
    actes du colloque international de Klagenfurt, 1er - 3 juin 2005
    Published: 2008
    Publisher:  Lang, Bern [u.a.]

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    Content information
    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9783039113187
    RVK Categories: IG 3720 ; IG 3950 ; IH 1403
    Series: Littératures de langue française ; 6
    Subjects: Events (Philosophy) in literature; French literature; French literature; History in literature; Literature and history; Literatur; Ereignis <Motiv>; Französisch; Erzähltechnik
    Scope: XII, 296 S.
  24. Subject of the event
    reagency in the American novel after 2000
    Author: Huber, Sebastian
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501317101; 9781501317095
    Subjects: American fiction; Events (Philosophy) in literature
    Scope: 1 Online-Ressource (316 Seiten)
  25. Subject of the event
    reagency in the American novel after 2000
    Author: Huber, Sebastian
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501317125; 9781501317095
    Subjects: American fiction; Events (Philosophy) in literature
    Scope: 316 Seiten, 23 cm