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  1. Women, writing, and travel in the eighteenth century
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore

    The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just... more

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just how women in the eighteenth century experienced travel, but also how travel writing facilitated their participation in literary and political culture. She canvases a range of accounts by intrepid women, including Lady Mary Wortley Montagu's Turkish Embassy Letters, Lady Craven's Journey through the Crimea to Constantinople, Eliza Justice's A Voyage to Russia, and Anna Maria Falconbridge's Narrative of Two Voyages to the River Sierra Leone. Moving from Ottoman courts to theatres of war, O'Loughlin shows how gender frames access to people and spaces outside Enlightenment and Romantic Britain, and how travel provides women with a powerful cultural form for re-imagining their place in the world

     

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  2. British women travellers
    empire and beyond, 1770-1870
    Contributor: Dutta, Sutapa (Publisher)
    Published: 2020; © 2020
    Publisher:  Routledge, New York, NY

    "This book studies the exclusive refractive perspectives of British women who took up the twin challenges of travel and writing when Britain was establishing itself as the greatest empire on earth. Contributors explore the ways in which travel... more

     

    "This book studies the exclusive refractive perspectives of British women who took up the twin challenges of travel and writing when Britain was establishing itself as the greatest empire on earth. Contributors explore the ways in which travel writing has defined women's engagement with Empire and British identity, and was inextricably linked with the issue of identity formation. With a capacious geographical canvas, this volume examines the multifaceted relations and negotiations of British women travellers in a range of different imperial contexts across continents from America, Africa, Europe to Australia"--

     

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    Source: Union catalogues
    Contributor: Dutta, Sutapa (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429325069; 0429325061
    Series: Routledge research in gender and history
    Routledge research in gender and history
    Subjects: Travelers' writings, English / History and criticism; English prose literature / 18th century / History and criticism; English prose literature / 19th century / History and criticism; Women travelers / Great Britain / History / 18th century; Women travelers / Great Britain / History / 19th century; Colonies in literature; Imperialism in literature
    Scope: 1 online resource (viii, 246 pages :, illustrations.)
    Notes:

    Description based on print version record

  3. Caught between Worlds
    British Captivity Narratives in Fact and Fiction
    Author: Snader, Joe
    Published: 2015
    Publisher:  The University Press of Kentucky, Lexington

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813149533; 9780813149530
    Subjects: English fiction / 18th century / History and criticism; English prose literature / 18th century / History and criticism; English prose literature / Early modern, 1500-1700 / History and criticism; English-speaking countries / Intellectual life / 18th century; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; American literature / English influences; Captivity narratives; English fiction; English prose literature; English prose literature / Early modern; Intellectual life; Narration (Rhetoric); English prose literature; English prose literature; English fiction; Captivity narratives; American literature; Narration (Rhetoric); Autobiografie; Bibliografie; Slave; Literatur; Schwarze
    Scope: 1 online resource (350 pages)
    Notes:

    Print version record

    Cover; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction; Part 1: Narratives of Fact; 1. Travel, Travail, and the British Captivity Tradition; 2. The Captive as Hero; 3. The Perils and the Powers of Cultural Conversion; Part 2: Narratives of Fiction; 4. Mastering Captivity; 5. Resisting Americans in British Novels of American Captivity; 6. Utopian Captivities and other ""African"" Paradoxes; Conclusion; Notes; Primary Bibliography; Secondary Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y.

    The captivity narrative has always been a literary genre associated with America. Joe Snader argues, however, that captivity narratives emerged much earlier in Britain, coinciding with European colonial expansion, the development of anthropology, and the rise of liberal political thought. Stories of Europeans held captive in the Middle East, America, Africa, and Southeast Asia appeared in the British press from the late sixteenth through the late eighteenth centuries, and captivity narratives were frequently featured during the early development of the novel. Until the mid-eighteenth century

  4. Performing authorship in eighteenth-century English periodicals
    Published: 2014
    Publisher:  Bucknell Univ. Press, Lewisburg

    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781611485950
    RVK Categories: HK 1340
    Edition: 1. paperback ed.
    Series: Transits ; 11
    Subjects: English periodicals / History / 18th century; English prose literature / 18th century / History and criticism; Periodicals / Publishing / Great Britain / History / 18th century; Geschichte; English periodicals; English prose literature; Periodicals; Autorschaft; Englisch; Zeitschrift
    Scope: XII, 291 S., Ill., 23 cm
    Notes:

    Includes bibliographical references (p. 263-278) and index

  5. The evolution of English prose, 1700-1800
    style, politeness, and print culture
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    Between 1700 and 1800 English prose became more polite and less closely tied to speech. A large scale feminisation of literary and other values coincided with the development of a mature print culture; these two historical trends make themselves felt... more

    Universitätsbibliothek Bamberg
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    Between 1700 and 1800 English prose became more polite and less closely tied to speech. A large scale feminisation of literary and other values coincided with the development of a mature print culture; these two historical trends make themselves felt in the evolution of prose. In this book Carey McIntosh explores oral dimensions of written texts not only in writers such as Swift, Defoe and Astell, who have a strong colloquial base, but also in more bookish writers, including Shaftesbury, Johnson and Burke. After 1760, McIntosh argues, prose became more dignified and more self-consciously rhetorical. He examines the new correctness, sponsored by prescriptive grammars and Scottish rhetorics of the third quarter of the century; the new politeness, sponsored by women writers; and standardisation, which by definition encouraged precision and abstractness in language. This book offers support for a hypothesis that these are not only stylistic changes but also major events in the history of the language

     

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  6. Women travel writers and the language of aesthetics, 1716-1818
    Published: 1995
    Publisher:  Cambridge University Press, Cambridge

    British readers of the eighteenth and early nineteenth centuries eagerly consumed books of travel in an age of imperial expansion that was also the formative period of modern aesthetics. Beauty, sublimity, sensuous surfaces, and scenic views became... more

    Universitätsbibliothek Bamberg
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    British readers of the eighteenth and early nineteenth centuries eagerly consumed books of travel in an age of imperial expansion that was also the formative period of modern aesthetics. Beauty, sublimity, sensuous surfaces, and scenic views became conventions of travel writing as Britons applied familiar terms to unfamiliar places around the globe. The social logic of aesthetics, argues Elizabeth Bohls, constructed women, the labouring classes, and non-Europeans as foils against which to define the 'man of taste' as an educated, property-owning gentleman. Women writers from Mary Wortley Montagu to Mary Shelley resisted this exclusion from gentlemanly privilege, and their writings re-examine and question aesthetic conventions such as the concept of disinterested contemplation, subtly but insistently exposing its vested interests. Bohls' study expands our awareness of women's intellectual presence in Romantic literature, and suggests Romanticism's sources at the peripheries of empire rather than at its centre

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511582646
    Other identifier:
    RVK Categories: HG 730 ; HK 1129 ; HK 1341 ; HL 1301 ; HL 1361
    Series: Cambridge studies in Romanticism ; 13
    Subjects: Englisch; Geschichte; Travelers' writings, English / History and criticism; Women travelers / Great Britain / Biography / History and criticism; English prose literature / Women authors / History and criticism; English prose literature / 18th century / History and criticism; English prose literature / 19th century / History and criticism; Women and literature / Great Britain / History / 18th century; Women and literature / Great Britain / History / 19th century; Aesthetics, British / 18th century; Aesthetics, British / 19th century; Landscapes in literature; English language / 18th century / Style; English language / 19th century / Style; Travel writing / History; Schriftstellerin; Reiseliteratur; Englisch; Ästhetik; Frauenliteratur; Landschaftsbild
    Scope: 1 online resource (x, 309 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Aesthetics and Orientalism in Mary Wortley Montagu's letters -- Janet Schaw and the aesthetics of colonialism -- Landscape aesthetics and the paradox of the female picturesque -- Helen Maria Williams' revolutionary landscapes -- Mary Wollstonecraft's anti-aesthetics -- Dorothy Wordsworth and the cultural politics of scenic tourism -- The picturesque and the female sublime in Ann Radcliffe's Mysteries of Udolpho -- Aesthetics, gender, and empire in Mary Shelley's Frankenstein

  7. Women's reading in Britain, 1750-1835
    a dangerous recreation
    Published: 1999
    Publisher:  Cambridge University Press, Cambridge

    The growth of female reading audiences from the mid-eighteenth century to the early Victorian era represents both a vital episode in women's history and a highly significant factor in shaping the literary production of the period. This book offers... more

    Universitätsbibliothek Bamberg
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    The growth of female reading audiences from the mid-eighteenth century to the early Victorian era represents both a vital episode in women's history and a highly significant factor in shaping the literary production of the period. This book offers for the first time a broad overview and detailed analysis of this growing readership, its representation in literature, and the extent of its influence. It examines both historical women readers, including Laetitia Pilkington, Elizabeth Carter, Frances Burney and Jane Austen, and a wide range of texts in which the figure of the woman reader is important, from Gothic (and other) novels to conduct books and educational works, letters, journals and memoirs, political and economic works, and texts on history and science. Jacqueline Pearson's study offers illuminating insights which help to make sense of the ambivalent and contradictory attitudes of the age to the key figure of the woman reader

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511582899
    Other identifier:
    RVK Categories: AN 39100 ; HK 1020 ; HL 1023
    Subjects: Frau; Geschichte; Literatur; English prose literature / 18th century / History and criticism; Women / Books and reading / Great Britain / History / 18th century; English prose literature / 19th century / History and criticism; Women / Books and reading / Great Britain / History / 19th century; Women and literature / Great Britain / History / 18th century; Women and literature / Great Britain / History / 19th century; Authors and readers / Great Britain / History / 18th century; Authors and readers / Great Britain / History / 19th century; Literature / Appreciation / Great Britain / History; Books and reading in literature; Lektüre; Frau; Leseverhalten
    Scope: 1 online resource (x, 300 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. Pygmalionesses and the pencil under the petticoat: Richardson, Johnson and Byron -- 2. What should girls and women read? -- 3. The pleasures and perils of reading -- 4. Pleasures and perils of reading: some case histories -- 5. Where and how should women read? -- 6. Preparing for equality: class, gender, reading -- 7. A dangerous recreation: women and novel-reading

  8. Unfelt
    the language of affect in the British Enlightenment
    Published: 2020
    Publisher:  Cornell University Press, Ithaca

    "Offers a new account of feeling in British Enlightenment literature, showing how writers discreetly evoke a hidden layer of affect that supports and intensifies our strongly felt passions and sentiments"-- more

    Universitätsbibliothek Trier
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    "Offers a new account of feeling in British Enlightenment literature, showing how writers discreetly evoke a hidden layer of affect that supports and intensifies our strongly felt passions and sentiments"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501747120; 1501747126
    Subjects: English prose literature / 18th century / History and criticism; Emotions in literature; Enlightenment / Great Britain
    Scope: xi, 266 Seiten, Diagramme
    Notes:

    Literaturverzeichnis: Seite 241-258

  9. Women, writing, and travel in the eighteenth century
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, USA ; Port Melbourne, Australia ; New Delhi, India ; Singapore

    The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just how women in the eighteenth century experienced travel, but also how travel writing facilitated their participation in literary and political culture. She canvases a range of accounts by intrepid women, including Lady Mary Wortley Montagu's Turkish Embassy Letters, Lady Craven's Journey through the Crimea to Constantinople, Eliza Justice's A Voyage to Russia, and Anna Maria Falconbridge's Narrative of Two Voyages to the River Sierra Leone. Moving from Ottoman courts to theatres of war, O'Loughlin shows how gender frames access to people and spaces outside Enlightenment and Romantic Britain, and how travel provides women with a powerful cultural form for re-imagining their place in the world

     

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