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Displaying results 1 to 7 of 7.

  1. Suprasegmentals, Meter, and the Manuscript of Beowulf
    Author: Stevick, Robert David
    Published: 2017
    Publisher:  De Gruyter, Inc, Berlin/Boston

    Intro; CONTENTS; I. THE NATURE OF NON-SEGMENTAL LINEAR MANUSCRIPT DATA; II. POTENTIALITIES OF NOTATION SYSTEMS FOR PROSODIC FEATURES; III. GRAPHOTACTIC PATTERNS IN SOME FIXED-PHRASE CONSTRUCTIONS; IV. PHONOLOGICAL AND SYNTACTIC CORRELATES OF SOME... more

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    Intro; CONTENTS; I. THE NATURE OF NON-SEGMENTAL LINEAR MANUSCRIPT DATA; II. POTENTIALITIES OF NOTATION SYSTEMS FOR PROSODIC FEATURES; III. GRAPHOTACTIC PATTERNS IN SOME FIXED-PHRASE CONSTRUCTIONS; IV. PHONOLOGICAL AND SYNTACTIC CORRELATES OF SOME GRAPHOTACTIC PATTERNS; V. GRAPHOTACTIC EVIDENCE FOR THE METER OF BEOWULF; VI. THE SUPRASEGMENTALS AND METER OF BEOWULF; REFERENCES CITED; INDEX OF MANUSCRIPT CITATIONS

     
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  2. Beowulf and old Germanic metre
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    1.Introduction --2.The foot --3.The verse --4.Light feet and extrametrical words --5.Metrical archaisms --6.Alliteration --7.Metrical subordination within the foot --8.Resolution --9.Word order and stress within the clause --10.Old Saxon alliterative... more

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    1.Introduction --2.The foot --3.The verse --4.Light feet and extrametrical words --5.Metrical archaisms --6.Alliteration --7.Metrical subordination within the foot --8.Resolution --9.Word order and stress within the clause --10.Old Saxon alliterative verse --11.Hildebrandslied --12.Conclusions --Verses specially discussed. This 1998 book is a clear and accessible account of early Germanic alliterative verse which explains how such verse was treated by the Beowulf poet. There are differences of poetic style between Beowulf and the otherwise similar verse of ancient Scandinavia and continental Europe. Such distinctions have intrigued scholars for over a century, but Russom is the first to provide a systematic explanation of Old English, Old Norse, Old Saxon, and Old High German alliterative metres. The system of alliterative rules described by Russom derives from ordinary language; the rules change with language over historical time, rather than persisting as arbitrary restrictions. Once the relations between language and metre are identified, it is possible to see how language change yielded the divergent metrical practices which gave each tradition its special character. Russom's results should interest scholars of Old English and related Germanic languages, as well as linguists and those concerned with poetic metre

     
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  3. The metre of Beowulf
    a constraint-based approach
    Published: 2002
    Publisher:  Mouton de Gruyter, Berlin

    6.4. Stochastic Optimality TheoryNotes -- References -- Index of subjects -- Index of authors -- Index of verses discussed Chapter 1. Introduction -- 1.1. Preliminaries -- 1.2. Phonological and metrical structures -- 1.3. Sieversian approaches to Old... more

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    6.4. Stochastic Optimality TheoryNotes -- References -- Index of subjects -- Index of authors -- Index of verses discussed Chapter 1. Introduction -- 1.1. Preliminaries -- 1.2. Phonological and metrical structures -- 1.3. Sieversian approaches to Old English alliterative metre -- 1.4. The case for finite verb stress -- 1.5. Materials and methods -- Chapter 2. The stress phonology of Old English -- 2.1. Introduction -- 2.2. Previous approaches -- 2.3. A new model of word-level stress in Old English -- 2.4. Phrasal-level stress in Old English -- 2.5. Summary and departure -- Chapter -- 3.1. Introduction -- 3.2. Arguments for the proposed metrical associations -- 3.3. Summary Chapter 4. Metrical structure at the foot level: Part II4.1. Introduction -- 4.2. Further foot-level metrical constraints -- 4.3. Conclusion -- Chapter 5. Metrical structure at the level of the half-line and long-line -- 5.1. Introduction -- 5.2. Alliteration -- 5.3. Frequencies of metrical patterns: binary-branching half-lines -- 5.4. Frequencies of metrical patterns: ternary-branching half-lines -- 5.5. Conclusion -- Chapter 6. Conclusion -- 6.1. Introduction -- 6.2. Summary of Chapters 1 through 5 -- 6.3. The realization of verb-second syntax

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110905410; 3110905418
    Series: Topics in English linguistics ; 36
    Subjects: English language; English language; English language; English language; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; English language ; Old English ; Rhythm; English language ; Old English ; Versification; Versification
    Scope: Online Ressource (x, 368 pages :), illustrations.
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    Revision of the author's thesis, 1998. - Includes bibliographical references (pages 347-357) and indexes
  4. The written poem
    semiotic conventions from Old to modern English
    Published: 1998
    Publisher:  Cassell, London

    Acknowledgements; Introduction; Part One: Contemporary Poetry; Chapter 1 Poetic Discourse and Genre; Chapter 2 The Seen Poem and Its Semiosis; Chapter 3 The Semiotic of Art and Music; Chapter 4 The Semiotic of the Body; Chapter 5 The Semiotic of... more

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    Acknowledgements; Introduction; Part One: Contemporary Poetry; Chapter 1 Poetic Discourse and Genre; Chapter 2 The Seen Poem and Its Semiosis; Chapter 3 The Semiotic of Art and Music; Chapter 4 The Semiotic of the Body; Chapter 5 The Semiotic of Language; Part Two: From Old English to Contemporary Poetry; Chapter 6 The Origin of the English Line, 1100-1300; Chapter 7 The Transition to a Literate Subject, 1500-1800; Chapter 8 The Reading Subject and the Writing Subject, 1800-1990; Epilogue: The Postmodern Subject and the New Media Poem; Bibliography; Index; A; B; C; D; E; F; G; H; I JK; L; M; N; O; P; R; S; T; V; W; Y; Z This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a ""seen object"" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal und

     
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  5. Authors, audiences, and Old English verse
    Published: c2009
    Publisher:  University of Toronto Press, Toronto [Ont.]

    Authors, Audiences, and Old English Verse re-examines the Anglo-Saxon poetic tradition from the eighth to the eleventh centuries and reconsiders the significance of formulaic parallels and the nature of poetic authorship in Old English more

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    Authors, Audiences, and Old English Verse re-examines the Anglo-Saxon poetic tradition from the eighth to the eleventh centuries and reconsiders the significance of formulaic parallels and the nature of poetic authorship in Old English

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442698413; 1442698411
    Series: Toronto Anglo-Saxon series
    Subjects: English poetry; English language; English language; English poetry; LITERARY CRITICISM ; Medieval; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; English language ; Old English ; Versification; English poetry ; Old English; Criticism, interpretation, etc
    Scope: Online Ressource (xviii, 237 p.)
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    Includes bibliographical references and index
  6. The metrical organization of Beowulf
    prototype and isomorphism
    Author: Suzuki, Seiichi
    Published: 1996
    Publisher:  Mouton de Gruyter, Berlin

    ""3.7. Implications for metrical types and schemes""""3.8. The hierarchy of metrical strength for the heavy drop and its possible correlation with degrees of stress in Old English""; ""3.9. Conclusion""; ""Chapter 4 The normal drop""; ""4.1. The... more

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    ""3.7. Implications for metrical types and schemes""""3.8. The hierarchy of metrical strength for the heavy drop and its possible correlation with degrees of stress in Old English""; ""3.9. Conclusion""; ""Chapter 4 The normal drop""; ""4.1. The first drop of type A1""; ""4.2. The first drop of type B""; ""4.3. The first drop of type C""; ""4.4. The first drop of type D1""; ""4.5. The first drop of type D2b""; ""4.6. The second drop of type B""; ""4.7. The second drop of type E""; ""4.8. Metrical strength of the normal drop""; ""Chapter 5 Resolution"" ""5.1. Resolution and individual metrical positions""""5.2. Resolution and interrelationship of metrical positions""; ""5.3. Resolution and verse distinction""; ""5.4. Resolution and morphophonological conditioning: Kaluza�s Law reconsidered""; ""5.5. Linguistic basis of resolution""; ""5.6. In defense of resolution as a significant metrical device""; ""Chapter 6 Alliteration""; ""6.1. Single versus double alliteration""; ""6.2. Lexical basis of alliteration""; ""6.3. Consonant alliteration""; ""6.4. Vowel alliteration""; ""6.5. Binder of alliteration""; ""Chapter 7 Anacrusis"" ""7.1. Prototypical properties of anacrusis and their explanation""""7.2. In defense of the notion of anacrusis: Critique of Hoover (1985a) and Kendall (1991)""; ""7.3. A related issue: The status of expanded type C""; ""7.4. The mechanism of anacrusis""; ""Chapter 8 The asymmetry between the a-verse and the b-verse, and the organization of the line""; ""8.1. The asymmetry between the a-verse and the b-verse""; ""8.2 The organization of the line: Unity in diversity""; ""Chapter 9 The hypermetric verse""; ""9.1. Prototypical properties of the hypermetric verse and line: An overview"" ""Preface""; ""List of tables""; ""Abbreviations and symbols""; ""Chapter 1 Theoretical background""; ""1.1. Four components of metrical analysis: Metrical scheme, language material, linguistic-metrical association, and actualization""; ""1.2. Manuscript, text, and meter""; ""1.3. The place of meter within a context of text production/reception""; ""1.4. Linguistic foundations of meter: Isomorphism of linguistic and metrical structure""; ""Chapter 2 Metrical types and metrical schemes""; ""2.1. Metrical types in grid representation: An introduction"" ""2.2. Notes on exceptional verses: Vowel parasiting, vowel contraction, too short/too long verses, and emended verses""""2.3. On reducing type D*2 to type D2: Underling versus derived positions""; ""2.4. The status of the foot""; ""2.5. The number of metrical positions in the normal verse""; ""2.6. The number of lifts in the normal verse, and the derived status of type A3""; ""2.7. The derived status of types B and C, and metrical schemes""; ""Chapter 3 The heavy drop""; ""3.1. Type A""; ""3.2. Type B""; ""3.3. Type C""; ""3.4. Type D""; ""3.5. Subtype D*""; ""3.6. Type E""

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3110810492; 9783110810493
    Series: Trends in linguistics. Studies and monographs ; 95
    Subjects: Epic poetry, English (Old); English language; English language; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; English language ; Old English ; Rhythm; English language ; Old English ; Versification; Epic poetry, English (Old); Versification; Beowulf (anoniem); Metriek; Metrik; Isomorphie; Metrum; Anglais (langue) ; 450-1100(vieil anglais) ; Versification; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (xxiv, 537 p)
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    Includes bibliographical references (p. [453]-474) and indexes

    Use copy Restrictions unspecified star MiAaHDL
  7. Alliteration and sound change in early English
    Published: 2003
    Publisher:  Cambridge University Press, Cambridge, UK

    Cover; Half-title; Series-title; Title; Copyright; Contents; Figures; Tables; Abbreviations; Preface; 1 Social and linguistic setting of alliterative verse in Anglo-Saxon and Medieval England; 2 Linguistic structures in English alliterative verse; 3... more

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    Cover; Half-title; Series-title; Title; Copyright; Contents; Figures; Tables; Abbreviations; Preface; 1 Social and linguistic setting of alliterative verse in Anglo-Saxon and Medieval England; 2 Linguistic structures in English alliterative verse; 3 Segmental histories: velar palatalization; 4 Syllable structure; 5 ONSET and cluster alliteration in Old English: the case of sp-, st-, sk-; 6 ONSET and cluster alliteration in Middle English; 7 Verse evidence for cluster simplification in Middle English; References; Index of names; Subject index This study uses evidence from early English verse to reconstruct the course of some central phonological changes in the history of the language. Examination of the behaviour of onset clusters sheds new light on the special treatment of sp-, st-, sk-, and the chronology and motivation of cluster reduction

     
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