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Displaying results 1 to 10 of 10.

  1. Private goes public
    self-narrativisation in Brian Friel’s plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Universität Potsdam, Universitätsbibliothek
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    RVK Categories: HN 3445
    Series: Schweizer anglistische Arbeiten ; Band 140
    Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Beckett; Brian Friel; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Brian Friel
    Scope: 1 Online-Ressource (271 S.)
    Notes:

    Dissertation, University of Zurich, 2013
  2. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Alice Salomon Hochschule Berlin, Bibliothek
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Edition: 1st ed
    Series: Schweizer Anglistische Arbeiten (SAA)
    Subjects: Beckett; Brian Friel; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Selbst <Motiv>; Drama
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
    Notes:

    [1. Auflage]
  3. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  A. Francke Verlag, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Hochschulbibliothek Ansbach
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    Universitätsbibliothek Augsburg
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth

     
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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    RVK Categories: HN 3445
    Edition: [1. Auflage]
    Series: Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Dram; Private / Public; Contemporary Irish Drama; Power; Post-colonia; Drama; Selbst <Motiv>
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
  4. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    Edition: 1. Auflage
    Subjects: Brian Friel; privat; öffentlich; Öffentlichkeit; Irisches Gegenwartsdrama; Macht; postkolonial; Beckett; Edgeworth; Joyce; Fremddarstellung; kolonisiertes Irland; Protagonisten; Methode; narratiiv; Narration; Erzählweise; Darstellung; Literatur; Kunst; Dram; Brian Friel; Private / Public; Contemporary Irish Drama; Power; Post-colonia; Selbst <Motiv>; Drama
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
    Notes:

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth
  5. Private Goes Public: Self-Narrativisation in Brian Friel's Plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto Verlag, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Hochschule Kempten, Hochschulbibliothek
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783772055348
    Edition: 1st ed
    Series: Schweizer Anglistische Arbeiten (SAA)
    Subjects: Beckett; Brian Friel; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Selbst <Motiv>; Drama
    Other subjects: Friel, Brian (1929-2015)
    Scope: 1 Online-Ressource (271 Seiten)
    Notes:

    [1. Auflage]
  6. Il mostro dagli occhi verdi
    Studi sulla gelosia nel teatro antico (e moderno)
    Contributor: De Poli, Mattia (Herausgeber); Vesentin, Pietro (Herausgeber)
    Published: 2022
    Publisher:  Narr Francke Attempto Verlag, Tübingen ; UTB GmbH, Stuttgart

    I personaggi di molte tragedie e commedie antiche, greche e latine (Eschilo, Sofocle, Euripide, Seneca, Menandro, Plauto), ma anche di drammi moderni ispirati al mondo classico (Lorenzo il Magnifico, Antonio Somma) agiscono in preda alla gelosia.... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    I personaggi di molte tragedie e commedie antiche, greche e latine (Eschilo, Sofocle, Euripide, Seneca, Menandro, Plauto), ma anche di drammi moderni ispirati al mondo classico (Lorenzo il Magnifico, Antonio Somma) agiscono in preda alla gelosia. Spesso nell'antichità questa emozione non è stata identificata da una parola specifica, ma la situazione permette comunque di riconoscerla. Dee e dei, donne e uomini ne possono essere affetti e agiscono di conseguenza: l'esito delle loro azioni è spesso catastrofico per sé e per gli altri e non sempre è possibile simpatizzare con le persone gelose. Dodici studi, organizzati in ordine cronologico all'interno di tre sezioni tematiche ("Il lessico della gelosia", "La divina gelosia", "Donne vs. uomini: sesso, sangue e gelosia"), indagano questa comune emozione umana attraverso l'opera teatrale.

     
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    Source: Union catalogues
    Contributor: De Poli, Mattia (Herausgeber); Vesentin, Pietro (Herausgeber)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783823395485
    DDC Categories: 870; 880
    Edition: 1st ed.
    Series: DRAMA – Studien zum antiken Drama und seiner Rezeption ; 22
    Subjects: Griechisch; Latein; Antike; Drama; Eifersucht <Motiv>; Eifersucht; Tragödie; Komödie; Geschlecht; Religion; Anthropologie; griechisch; lateinisch; Menander; Seneca; Persona; Klassik; Plautus; Aischylos; Euripides; Sophokles; Medea; Stata; Dram
    Scope: 1 Online-Ressource (338 p.)
  7. Dionysische Mythopoiesis im dramatischen Werk von Laurent Gaudé
    eine Poetik des rauschhaften Umsturzes
    Author: Müller, Stefan
    Published: [2018]; © 2018
    Publisher:  Narr Francke Attempto, Tübingen

    Seit dem Prix Goncourt im Jahre 2004 ist Laurent Gaudé ein Autor mit steigendem Bekanntheitsgrad. Durch den großen Erfolg seiner Romane, die bereits in über 35 Sprachen übersetzt sind, werden auch seine Dramen nicht nur in Frankreich regelmäßig... more

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    Universitätsbibliothek Osnabrück
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    Universität Potsdam, Universitätsbibliothek
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    Hochschule Zittau / Görlitz, Hochschulbibliothek
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    Seit dem Prix Goncourt im Jahre 2004 ist Laurent Gaudé ein Autor mit steigendem Bekanntheitsgrad. Durch den großen Erfolg seiner Romane, die bereits in über 35 Sprachen übersetzt sind, werden auch seine Dramen nicht nur in Frankreich regelmäßig gespielt überraschenderweise sind sie von der Literaturwissenschaft im deutschsprachigen Raum noch kaum beachtet worden. In seinem Werk hinterfragt Gaudé die Legitimation von Macht und Unterdrückung durch religiösen Fanatismus, geht den Motoren für körperliche und psychische Gewalt auf den Grund und kontrastiert die Auflehnung der Ausgegrenzten mit den Zwängen und Hierarchien der modernen Gesellschaft. Die Schlagkraft von Gaudés subtilen Beobachtungen wird durch die dionysischen Aspekte des Rauschhaften, Zerstörerischen und Grenzüberschreitenden in seinen Figuren erhöht. Verdichtet konstituieren diese Wesenszüge des antiken Dionysos eine Philosophie der Entgrenzung, die sich durch zahlreiche intertextuelle Bezüge auch auf der poetologischen Ebene niederschlägt und Lösungsansätze für die vielen zivilisatorischen Krisen der Gegenwart anbietet.

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783772056734
    Other identifier:
    9783772056734
    RVK Categories: IH 91900
    Series: Mainzer Forschungen zu Drama und Theater ; Band 49
    Subjects: Drama; Intertextualität; Dionysos; Laurent Gaudé; Mythopoiesis; Dram
    Scope: 1 Online-Ressource (301 Seiten)
    Notes:

    Dissertation, Westfälische Wilhelms-Universität Münster, 2015
  8. Dionysische Mythopoiesis im dramatischen Werk von Laurent Gaudé
    eine Poetik des rauschhaften Umsturzes
    Author: Müller, Stefan
    Published: [2018]; © 2018
    Publisher:  Narr Francke Attempto, Tübingen

    Seit dem Prix Goncourt im Jahre 2004 ist Laurent Gaudé ein Autor mit steigendem Bekanntheitsgrad. Durch den großen Erfolg seiner Romane, die bereits in über 35 Sprachen übersetzt sind, werden auch seine Dramen nicht nur in Frankreich regelmäßig... more

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    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Seit dem Prix Goncourt im Jahre 2004 ist Laurent Gaudé ein Autor mit steigendem Bekanntheitsgrad. Durch den großen Erfolg seiner Romane, die bereits in über 35 Sprachen übersetzt sind, werden auch seine Dramen nicht nur in Frankreich regelmäßig gespielt überraschenderweise sind sie von der Literaturwissenschaft im deutschsprachigen Raum noch kaum beachtet worden. In seinem Werk hinterfragt Gaudé die Legitimation von Macht und Unterdrückung durch religiösen Fanatismus, geht den Motoren für körperliche und psychische Gewalt auf den Grund und kontrastiert die Auflehnung der Ausgegrenzten mit den Zwängen und Hierarchien der modernen Gesellschaft. Die Schlagkraft von Gaudés subtilen Beobachtungen wird durch die dionysischen Aspekte des Rauschhaften, Zerstörerischen und Grenzüberschreitenden in seinen Figuren erhöht. Verdichtet konstituieren diese Wesenszüge des antiken Dionysos eine Philosophie der Entgrenzung, die sich durch zahlreiche intertextuelle Bezüge auch auf der poetologischen Ebene niederschlägt und Lösungsansätze für die vielen zivilisatorischen Krisen der Gegenwart anbietet.

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783772056734
    Other identifier:
    9783772056734
    RVK Categories: IH 91900
    Series: Mainzer Forschungen zu Drama und Theater ; Band 49
    Subjects: Drama; Intertextualität; Dionysos; Laurent Gaudé; Mythopoiesis; Dram
    Scope: 1 Online-Ressource (301 Seiten)
    Notes:

    Dissertation, Westfälische Wilhelms-Universität Münster, 2015
  9. The Art of Foreign Language Teaching
    Improvisation and Drama in Teacher Development and Language Learning
    Author: Lutzker, Peter
    Published: 2022
    Publisher:  Narr Francke Attempto Verlag, Tübingen

    The first edition of this work became a standard reference work in the general context of humanistic approaches to foreign language teaching and learning. This new edition gives a brief overview of further developments in relevant fields and... more

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    Hochschule Zittau / Görlitz, Hochschulbibliothek
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    The first edition of this work became a standard reference work in the general context of humanistic approaches to foreign language teaching and learning. This new edition gives a brief overview of further developments in relevant fields and discusses the importance of the concept of teaching as an art in light of the increasing standardization and digitalization of education. Reviews of the 1st edition I believe that the book will become a standard reference point for all those who, against the current tide of 'scientific', objectives-based, test-oriented, control-obsessed, sterile approaches to language teaching, continue to believe that language teaching is indeed an art, and a joyful art at that. Prof. Dr. Alan Maley in English Language Teaching Journal Peter Lutzker is a major educational thinker and has spent half an earthly span living towards this major book. (...) I have placed Peter's book on my shelves next to those of Rogers, Curran, Dufeu and Stevick. Mario Rinvolucri in Humanising Language Teaching

     
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  10. Private goes public
    self-narrativisation in Brian Friel’s plays
    Author: Frey, Gaby
    Published: 2015
    Publisher:  Narr Francke Attempto, Tübingen

    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most... more

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    Evangelische Hochschule Berlin, Bibliothek
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    In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth.

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783772055348
    Other identifier:
    9783772055348
    RVK Categories: HN 3445
    Series: Schweizer anglistische Arbeiten ; Band 140
    Schweizer Anglistische Arbeiten (SAA) ; 140
    Subjects: Beckett; Brian Friel; Contemporary Irish Drama; Darstellung; Dram; Edgeworth; Erzählweise; Fremddarstellung; Irisches Gegenwartsdrama; Joyce; kolonisiertes Irland; Kunst; Literatur; Macht; Methode; narratiiv; Narration; öffentlich; Öffentlichkeit; Post-colonia; postkolonial; Power; privat; Private / Public; Protagonisten; Brian Friel
    Scope: 1 Online-Ressource (271 S.)
    Notes:

    Dissertation, University of Zurich, 2013