Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Last searches

Results for *

Displaying results 1 to 9 of 9.

  1. Conspiracy culture
    post-Soviet paranoia and the Russian imagination
    Author: Livers, Keith A.
    Published: [2020]
    Publisher:  University of Toronto Press, Toronto

  2. The Karamazov Correspondence
    Letters of Vladimir S. Soloviev
    Author: Soloviev, Vladimir S.
    Published: [2019]; © 2019
    Publisher:  Academic Studies Press, Boston, MA

    The Karamazov Correspondence: Letters of Vladimir S. Soloviev represents the first fully annotated and chronologically arranged collection of the Russian philosopher-poet’s most important letters, the vast majority of which have never before been... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    The Karamazov Correspondence: Letters of Vladimir S. Soloviev represents the first fully annotated and chronologically arranged collection of the Russian philosopher-poet’s most important letters, the vast majority of which have never before been translated into English. Soloviev was widely known for his close association with Fyodor M. Dostoevsky in the final years of the novelist’s life, and these letters reflect many of the qualities and contradictions that also personify the title characters of Dostoevsky’s last and greatest novel, The Brothers Karamazov. The selected letters cover all aspects of Soloviev’s life, ranging from vital concerns about human rights and the political and religious turmoil of his day to matters related to family and friends, his love life, and early drafts of his works, including poetic endeavors

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Wozniuk, Vladimir (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781644690543
    Other identifier:
    Series: Studies in Russian and Slavic Literatures, Cultures, and History
    Subjects: Christian ethics; Dostoevsky; Ecumenism; Jewish-Christian relations; Literature and philosophy; Russian Orthodoxy; Russian history; Russian nationalism; Soloviev; Solovyov; Spirituality; The Brothers Karamazov; LITERARY COLLECTIONS / Letters
    Scope: 1 online resource (388 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019)
  3. A picture held us captive
    on aisthesis and interiority in Ludwig Wittgenstein, Fyodor M. Dostoevsky and W.G. Sebald
    Author: Lobo, Tea
    Published: [2019]; © 2019
    Publisher:  De Gruyter, Berlin ; Boston

    While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures)... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Bundeswehr München, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110612301; 9783110610567
    Other identifier:
    RVK Categories: CC 4400 ; CI 5017
    Series: On Wittgenstein ; volume 6
    Subjects: Aisthesis; Dostoevsky; Dostojewski; Pain; Schmerz; Sebald; Wittgenstein; PHILOSOPHY / History & Surveys / Modern; Selbstbeobachtung <Motiv>; Selbstbeobachtung; Roman; Innerlichkeit; Wahrnehmung <Motiv>; Wahrnehmung; Innerlichkeit <Motiv>
    Other subjects: Wittgenstein, Ludwig (1889-1951); Dostoevskij, Fëdor Michajlovič (1821-1881); Sebald, W. G. (1944-2001)
    Scope: 1 Online-Ressource (VIII, 291 Seiten), Illustrationen
    Notes:

    Dissertation, Universität Fribourg, 2017
  4. Conspiracy culture
    post-Soviet paranoia and the Russian imagination
    Author: Livers, Keith A.
    Published: 2020; © 2020
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Contemporary Russia stands apart as one of the most prolific generators of conspiracy theories and paranoid rhetoric. Conspiracy Culture traces the roots of the phenomenon within the sphere of culture and history, examining the long arc of Russian... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Contemporary Russia stands apart as one of the most prolific generators of conspiracy theories and paranoid rhetoric. Conspiracy Culture traces the roots of the phenomenon within the sphere of culture and history, examining the long arc of Russian paranoia from the present moment back to earlier nineteenth-century sources, such as Dostoevsky's anti-nihilist novel Demons. Conspiracy Culture examines the use of conspiracy tropes by contemporary Russian authors and filmmakers including the postmodernist writer Viktor Pelevin, the conservative author and pundit Aleksandr Prokhanov, and the popular director Timur Bekmambetov. It also explores paranoia as an instrument within contemporary Russian political rhetoric, as well as in pseudo-historical works. What stands out is the manner in which popular paranoia is utilized to express broadly shared fears not only of a long-standing anti-Russian conspiracy undertaken by the West, but also about the destruction of the country's cultural and spiritual capital within this imagined "Russophobic" plot

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
  5. Conspiracy culture
    post-Soviet paranoia and the Russian imagination
    Author: Livers, Keith A.
    Published: 2020; © 2020
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Contemporary Russia stands apart as one of the most prolific generators of conspiracy theories and paranoid rhetoric. Conspiracy Culture traces the roots of the phenomenon within the sphere of culture and history, examining the long arc of Russian... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Contemporary Russia stands apart as one of the most prolific generators of conspiracy theories and paranoid rhetoric. Conspiracy Culture traces the roots of the phenomenon within the sphere of culture and history, examining the long arc of Russian paranoia from the present moment back to earlier nineteenth-century sources, such as Dostoevsky's anti-nihilist novel Demons. Conspiracy Culture examines the use of conspiracy tropes by contemporary Russian authors and filmmakers including the postmodernist writer Viktor Pelevin, the conservative author and pundit Aleksandr Prokhanov, and the popular director Timur Bekmambetov. It also explores paranoia as an instrument within contemporary Russian political rhetoric, as well as in pseudo-historical works. What stands out is the manner in which popular paranoia is utilized to express broadly shared fears not only of a long-standing anti-Russian conspiracy undertaken by the West, but also about the destruction of the country's cultural and spiritual capital within this imagined "Russophobic" plot

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
  6. "Ist nicht der Russe der menschlichste Mensch?"
    Thomas Manns Menschlichkeitsbegriff im Kontext russischer Literatur
    Author: Eschenburg, Barbara
    Published: [2022]; © 2022
    Publisher:  Klostermann, Frankfurt am Main

    "Is not the Russian the most human of men?" is the question Thomas Mann asks in his controversial essay "Betrachtungen eines Unpolitischen". At this point, it serves to polarize against France in order to present "the Russian" as a model of humanity... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Is not the Russian the most human of men?" is the question Thomas Mann asks in his controversial essay "Betrachtungen eines Unpolitischen". At this point, it serves to polarize against France in order to present "the Russian" as a model of humanity by contrast. But it also invokes an image of humanity that goes beyond its temporal context, accompanying Thomas Mann's work up to "Doktor Faustus" and informed in particular by his view of two Russian writers: Dostoevsky and Tolstoy. Among other aspects, it is Dostoevsky's ideas of responsibility and Tolstoy's social revolutionary ideas that play a prominent role in shaping Mann's development from an individualistic concept of humanity towards a social humanism. In her book, Barbara Eschenburg finds points of contact between selected works by Tolstoy and Dostoyevsky and Thomas Mann's novels and essays – from "Der Zauberberg" to "Joseph und seine Brüder" and "Doktor Faustus". „Ist nicht der Russe der menschlichste Mensch?“ Thomas Mann stellt diese Frage in seinem umstrittenen Essay "Betrachtungen eines Unpolitischen". Es dient zunächst der Polarisierung gegen Frankreich, „den Russen“ so als Vorbild für Menschlichkeit hinzustellen. Doch über diese Zeitgebundenheit hinaus wird hier auch ein Bild von Menschlichkeit evoziert, das Thomas Manns Werk bis zum "Doktor Faustus" begleitet und sich in besonderem Maße aus seinem Blick auf zwei russische Schriftsteller speist: Dostojewski und Tolstoi. Dostojewskis Verantwortungsideen sowie Tolstois sozialrevolutionäre Vorstellungen sind es unter anderem, die Manns Entwicklung von einem individualistischen Menschlichkeitsbegriff hin zu einem sozialen Humanismus prägen. Barbara Eschenburg findet in ihrer Arbeit Anknüpfungspunkte ausgewählter Werke Tolstois und Dostojewskis zu Thomas Manns Romanen und Essays – vom "Zauberberg" über "Joseph und seine Brüder" bis hin zum "Doktor Faustus".

     
    Export to reference management software   RIS file
      BibTeX file
  7. A picture held us captive
    on aisthesis and interiority in Ludwig Wittgenstein, Fyodor M. Dostoevsky and W.G. Sebald
    Author: Lobo, Tea
    Published: [2019]; © 2019
    Publisher:  De Gruyter, Berlin ; Boston

    While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures)... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Europa-Universität Viadrina, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    While there are publications on Wittgenstein’s interest in Dostoevsky’s novels and the recurring mentions of Wittgenstein in Sebald’s works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein’s treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky’s and Sebald’s works. Dostoevsky’s depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein’s account of interiority's interrelatedness with overt public practices and codes. In Sebald’s Austerlitz, Wittgenstein’s notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110612301; 9783110610567
    Other identifier:
    RVK Categories: CC 4400 ; CI 5017
    Series: On Wittgenstein ; volume 6
    Subjects: Aisthesis; Dostoevsky; Dostojewski; Pain; Schmerz; Sebald; Wittgenstein; PHILOSOPHY / History & Surveys / Modern; Selbstbeobachtung <Motiv>; Selbstbeobachtung; Roman; Innerlichkeit; Wahrnehmung <Motiv>; Wahrnehmung; Innerlichkeit <Motiv>
    Other subjects: Wittgenstein, Ludwig (1889-1951); Dostoevskij, Fëdor Michajlovič (1821-1881); Sebald, W. G. (1944-2001)
    Scope: 1 Online-Ressource (VIII, 291 Seiten), Illustrationen
    Notes:

    Dissertation, Universität Fribourg, 2017
  8. "Ist nicht der Russe der menschlichste Mensch?"
    Thomas Manns Menschlichkeitsbegriff im Kontext russischer Literatur
    Author: Eschenburg, Barbara
    Published: [2022]; © 2022
    Publisher:  Klostermann, Frankfurt am Main

    "Is not the Russian the most human of men?" is the question Thomas Mann asks in his controversial essay "Betrachtungen eines Unpolitischen". At this point, it serves to polarize against France in order to present "the Russian" as a model of humanity... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Inter-library loan:
    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Badische Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Pädagogische Hochschulbibliothek Ludwigsburg
    Signature:
    E-Book Nomos
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    ebook Nomos
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Osnabrück, Bibliothek Campus Westerberg
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Weingarten
    Signature:
    eBook Nomos
    Inter-library loan:
    No inter-library loan

     

    "Is not the Russian the most human of men?" is the question Thomas Mann asks in his controversial essay "Betrachtungen eines Unpolitischen". At this point, it serves to polarize against France in order to present "the Russian" as a model of humanity by contrast. But it also invokes an image of humanity that goes beyond its temporal context, accompanying Thomas Mann's work up to "Doktor Faustus" and informed in particular by his view of two Russian writers: Dostoevsky and Tolstoy. Among other aspects, it is Dostoevsky's ideas of responsibility and Tolstoy's social revolutionary ideas that play a prominent role in shaping Mann's development from an individualistic concept of humanity towards a social humanism. In her book, Barbara Eschenburg finds points of contact between selected works by Tolstoy and Dostoyevsky and Thomas Mann's novels and essays – from "Der Zauberberg" to "Joseph und seine Brüder" and "Doktor Faustus". „Ist nicht der Russe der menschlichste Mensch?“ Thomas Mann stellt diese Frage in seinem umstrittenen Essay "Betrachtungen eines Unpolitischen". Es dient zunächst der Polarisierung gegen Frankreich, „den Russen“ so als Vorbild für Menschlichkeit hinzustellen. Doch über diese Zeitgebundenheit hinaus wird hier auch ein Bild von Menschlichkeit evoziert, das Thomas Manns Werk bis zum "Doktor Faustus" begleitet und sich in besonderem Maße aus seinem Blick auf zwei russische Schriftsteller speist: Dostojewski und Tolstoi. Dostojewskis Verantwortungsideen sowie Tolstois sozialrevolutionäre Vorstellungen sind es unter anderem, die Manns Entwicklung von einem individualistischen Menschlichkeitsbegriff hin zu einem sozialen Humanismus prägen. Barbara Eschenburg findet in ihrer Arbeit Anknüpfungspunkte ausgewählter Werke Tolstois und Dostojewskis zu Thomas Manns Romanen und Essays – vom "Zauberberg" über "Joseph und seine Brüder" bis hin zum "Doktor Faustus".

     
    Export to reference management software   RIS file
      BibTeX file
  9. The illness of narrative: reframing the question of limits
    Author: Greco, Monica; Stenner, Paul
    Published: 2021
    Publisher:  Justus-Liebig-Universität Gießen ; Zentren. Gießener Graduiertenzentrum Kulturwissenschaften

    This paper uses Dostoevsky’s Notes from the Underground as the starting point for a critique of the assumption that engaging with narratives enhances well-being. While the ‘limits of narrative’ have long been an object of critique by scholars... more

     

    This paper uses Dostoevsky’s Notes from the Underground as the starting point for a critique of the assumption that engaging with narratives enhances well-being. While the ‘limits of narrative’ have long been an object of critique by scholars in the medical humanities, the question of limits has been posed primarily in terms of whether nar-rativity can be considered an anthropological universal, and in terms of what (or whom) a privileging of narrativity might exclude. Through Dostoevsky, we reframe this problem by asking whether the construction of selves through narrative can and should be regarded as a ‘healthy’ norm, even for those in whom this activity ap-pears to come naturally. Dostoevsky identified a dark side to the ‘heightened con-sciousness’ associated with supposedly enlightened modern individuals. He critiques a tendency towards ever increasing abstraction from concrete existence and embodies this critique in the character of the “underground man,†a man plagued by sickness and distress, partly because he can only conduct his life on the basis of what he has read. The paper urges those working in the medical humanities today to formulate an adequate response to the paradoxes exhibited in Dostoevsky’s great novel.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800
    Subjects: narrativity; Dostoevsky; medical humanities; narrative medicine; liminality; Literature & rhetoric
    Rights:

    creativecommons.org/licenses/by/4.0/