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  1. Late Sophocles
    the hero's evolution in Electra, Philoctetes, and Oedipus at Colonus
    Published: 2015
    Publisher:  University of Michigan Press, Ann Arbor

    "Only a few plays by Sophocles--one of the great tragic playwrights from Classical Athens--have survived, and each of them dramatizes events from the rich store of myths that framed literature and art. Sophocles' treatment evokes issues that were... more

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    "Only a few plays by Sophocles--one of the great tragic playwrights from Classical Athens--have survived, and each of them dramatizes events from the rich store of myths that framed literature and art. Sophocles' treatment evokes issues that were vividly contemporary for Athenian audiences of the Periclean age: How could the Athenians incorporate older, aristocratic ideas about human excellence into their new democratic society? Could citizens learn to be morally excellent, or were these qualities only inherited? What did it mean to be a creature who knows that he or she must die? Late Sophocles traces the evolution of the Sophoclean hero through the final three plays, Electra, Philoctetes, and Oedipus at Colonus. The book's main thesis, that Sophocles reimagined the nature of the tragic hero in his last three works, is developed inductively through readings of the plays. This balanced approach, in which a detailed argument about the plays is offered in a format accessible to nonspecialists, is unusual--perhaps unique--in contemporary Classical scholarship on Sophocles. This book will appeal to nonspecialist readers of serious literature as well as scholars of classical and other literatures. While including ample guidance for those not familiar with the plays, Late Sophocles goes beyond a generalized description of "what happens" in the plays to offer a clear, jargon-free argument for the enduring importance of Sophocles' plays. The argument's implications for longstanding interpretational issues will be of interest to specialists. All Greek is translated."--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472121083; 0472121081; 9780472119561; 0472901079; 0472119567; 9780472901074
    Subjects: Sophocles; Electra (Sophocles); Oedipus at Colonus (Sophocles); Philoctetes (Sophocles); DRAMA ; Ancient & Classical; Electronic books; Criticism, interpretation, etc
    Other subjects: Sophocles; Sophocles; Sophocles; Sophocles; Sophocles: Electra; Sophocles; Sophocles: Oedipus at Colonus; Sophocles: Philoctetes
    Scope: 1 Online-Ressource (xiii, 148 pages)
    Notes:

    Includes bibliographical references (pages 139-143) and index

  2. Late Sophocles
    the hero's evolution in Electra, Philoctetes, and Oedipus at Colonus
    Published: 2015
    Publisher:  University of Michigan Press, Ann Arbor

    "Only a few plays by Sophocles--one of the great tragic playwrights from Classical Athens--have survived, and each of them dramatizes events from the rich store of myths that framed literature and art. Sophocles' treatment evokes issues that were... more

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    "Only a few plays by Sophocles--one of the great tragic playwrights from Classical Athens--have survived, and each of them dramatizes events from the rich store of myths that framed literature and art. Sophocles' treatment evokes issues that were vividly contemporary for Athenian audiences of the Periclean age: How could the Athenians incorporate older, aristocratic ideas about human excellence into their new democratic society? Could citizens learn to be morally excellent, or were these qualities only inherited? What did it mean to be a creature who knows that he or she must die? Late Sophocles traces the evolution of the Sophoclean hero through the final three plays, Electra, Philoctetes, and Oedipus at Colonus. The book's main thesis, that Sophocles reimagined the nature of the tragic hero in his last three works, is developed inductively through readings of the plays. This balanced approach, in which a detailed argument about the plays is offered in a format accessible to nonspecialists, is unusual--perhaps unique--in contemporary Classical scholarship on Sophocles. This book will appeal to nonspecialist readers of serious literature as well as scholars of classical and other literatures. While including ample guidance for those not familiar with the plays, Late Sophocles goes beyond a generalized description of "what happens" in the plays to offer a clear, jargon-free argument for the enduring importance of Sophocles' plays. The argument's implications for longstanding interpretational issues will be of interest to specialists. All Greek is translated."--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472121083; 0472121081; 9780472119561; 0472901079; 0472119567; 9780472901074
    Subjects: Sophocles; Electra (Sophocles); Oedipus at Colonus (Sophocles); Philoctetes (Sophocles); DRAMA ; Ancient & Classical; Electronic books; Criticism, interpretation, etc
    Other subjects: Sophocles; Sophocles; Sophocles; Sophocles; Sophocles: Electra; Sophocles; Sophocles: Oedipus at Colonus; Sophocles: Philoctetes
    Scope: 1 Online-Ressource (xiii, 148 pages)
    Notes:

    Includes bibliographical references (pages 139-143) and index

  3. Understanding Terence
    Published: 1986
    Publisher:  Princeton University Press, Princeton, New Jersey

    Frontmatter --CONTENTS --ABBREVIATIONS --PREFACE --I THE CONTEXT --II. THE PROLOGUES --III. THE WELL-MADE PLAY --IV. Contaminatio --V. THE duplex comoedia --VI. THE PRICE OF SIMPLICITY --VII. THE purus sermo --VIII. THE DEATH OF COMEDY --SELECTIVE... more

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    Frontmatter --CONTENTS --ABBREVIATIONS --PREFACE --I THE CONTEXT --II. THE PROLOGUES --III. THE WELL-MADE PLAY --IV. Contaminatio --V. THE duplex comoedia --VI. THE PRICE OF SIMPLICITY --VII. THE purus sermo --VIII. THE DEATH OF COMEDY --SELECTIVE BIBLIOGRAPHY --INDEX. Instead of seeing Terence primarily as an adapter of Greek New Comedy, Sander Goldberg treats him as an innovative dramatist writing for a specifically Roman audience. His book will interest not only students of classical literature but also those concerned with wider problems of critical theory and the comic tradition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400857968; 1400857961
    Series: Princeton legacy library
    Subjects: Latin drama (Comedy); Theater; Theater; Theater; Theater; Latin drama (Comedy); DRAMA ; Ancient & Classical; DRAMA ; Ancient, Classical & Medieval; Latin drama (Comedy); Theater; Criticism, interpretation, etc; History
    Other subjects: Terence; Terence; Terence
    Scope: Online Ressource (247 pages)
    Notes:

    Includes bibliographical references (pages 221-225) and index. - Print version record

  4. The Ancient Quarrel Between Poetry and Philosophy
    Published: 2014
    Publisher:  Princeton University Press, Princeton

    Affecting audiences with depictions of suffering and injustice is a key function of tragedy, and yet it has long been viewed by philosophers as a dubious enterprise. In this book Thomas Gould uses both historical and theoretical approaches to explore... more

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    Affecting audiences with depictions of suffering and injustice is a key function of tragedy, and yet it has long been viewed by philosophers as a dubious enterprise. In this book Thomas Gould uses both historical and theoretical approaches to explore tragedy and its power to gratify readers and audiences. He takes as his starting point Plato's moral and psychological objections to tragedy, and the conflict he recognized between ""poetry""--The exploitation of our yearning to see ourselves as victims--and ""philosophy""--the insistence that all good people are happy. Plato's objections to tr

     

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  5. Written voices, spoken signs
    tradition, performance, and the epic text
    Published: 2010
    Publisher:  Harvard University Press, Cambridge, Mass

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in... more

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    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464
    Series: Center for Hellenic Studies colloquia
    Subjects: Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Poésie épique; Littérature comparée; Littérature comparée; Poésie; Communication écrite; Analyse des formules orales; Tradition orale; Tradition orale; Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; POETRY ; Medieval; DRAMA ; Ancient & Classical; Mythology, Greek, in literature; Oral-formulaic analysis; Oral interpretation of poetry; Oral tradition; Written communication; Mondelinge literatuur; Ilias (Homerus); Odyssea (Homerus); Poésie épique médiévale ; Histoire et critique ; Congrès; Analyse des formules orales ; Congrès; Tradition orale ; Grèce ; Congrès; Poésie épique grecque ; Histoire et critique ; Congrès; Conference papers and proceedings; Criticism, interpretation, etc
    Other subjects: Homer; Homère; Homer; Homer; Homère ; Critique et interprétation ; Congrès; Homer
    Scope: Online Ressource (viii, 305 p.), ill.
    Notes:

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C. - Includes bibliographical references (p. 265-295) and index. - Description based on print version record

  6. The poetics of imitation in the Italian theatre of the Renaissance
    Published: 2013
    Publisher:  University of Toronto Press, Toronto

    "The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates... more

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    "The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations - incuding Machiavelli's Mandragola and Clizia, Cecchi's Assiuolo, Groto's Emilia, and Dolce's Marianna - and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period."--pub. desc

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442667334; 1442667338
    Series: Toronto Italian studies
    Subjects: Italian drama; Classical drama; Imitation in literature; Classical drama; Italian drama; DRAMA ; Continental European; DRAMA ; Ancient & Classical; Imitation in literature; Italian drama; Drama; Italienisch; Nachahmung; Criticism, interpretation, etc
    Scope: Online Ressource (x, 222 pages)
    Notes:

    Includes bibliographical references (pages [199]-212) and index. - Description based on print version record

  7. Late Sophocles
    the hero's evolution in Electra, Philoctetes, and Oedipus at Colonus
    Published: [2015]
    Publisher:  University of Michigan Press, Ann Arbor

    Introduction : The Artist in Old Age -- Electra : Glory Bathed in Tears -- Philoctetes : The Creature in the Cave -- Oedipus at Colonus : Spiritual Geography -- Late Sophocles. "Only a few plays by Sophocles--one of the great tragic playwrights from... more

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    Introduction : The Artist in Old Age -- Electra : Glory Bathed in Tears -- Philoctetes : The Creature in the Cave -- Oedipus at Colonus : Spiritual Geography -- Late Sophocles. "Only a few plays by Sophocles--one of the great tragic playwrights from Classical Athens--have survived, and each of them dramatizes events from the rich store of myths that framed literature and art. Sophocles' treatment evokes issues that were vividly contemporary for Athenian audiences of the Periclean age: How could the Athenians incorporate older, aristocratic ideas about human excellence into their new democratic society? Could citizens learn to be morally excellent, or were these qualities only inherited? What did it mean to be a creature who knows that he or she must die? Late Sophocles traces the evolution of the Sophoclean hero through the final three plays, Electra, Philoctetes, and Oedipus at Colonus. The book's main thesis, that Sophocles reimagined the nature of the tragic hero in his last three works, is developed inductively through readings of the plays. This balanced approach, in which a detailed argument about the plays is offered in a format accessible to nonspecialists, is unusual--perhaps unique--in contemporary Classical scholarship on Sophocles. This book will appeal to nonspecialist readers of serious literature as well as scholars of classical and other literatures. While including ample guidance for those not familiar with the plays, Late Sophocles goes beyond a generalized description of "what happens" in the plays to offer a clear, jargon-free argument for the enduring importance of Sophocles' plays. The argument's implications for longstanding interpretational issues will be of interest to specialists. All Greek is translated." --

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472901074; 0472901079; 0472119567; 9780472119561
    Subjects: DRAMA ; Ancient & Classical; Criticism, interpretation, etc; Electronic books
    Other subjects: Sophocles; Sophocles: Electra; Sophocles: Oedipus at Colonus; Sophocles: Philoctetes; Sophocles
    Scope: 1 Online-Ressource (1 electronic resource (xiii, 148 pages))
    Notes:

    Includes bibliographical references (pages 139-143) and index

  8. Aeschylus
    the earlier plays and related studies
    Published: 2010
    Publisher:  University of Toronto Press, Toronto

    In this volume Conacher provides a detailed running commentary on the three earlier plays (The Persians, The Seven against Thebes, and The Suppliants), as well as an analysis of their themes, structure, and dramatic techniques and devices. In two... more

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    In this volume Conacher provides a detailed running commentary on the three earlier plays (The Persians, The Seven against Thebes, and The Suppliants), as well as an analysis of their themes, structure, and dramatic techniques and devices. In two more general studies he reviews Aeschylus' dramatic uses of the Chorus and of imagery. Conacher's close readings of the text and sensitive analysis of the main problems in the plays will be of benefit to students, especially those encountering these plays for the first time, either in Greek or in translation. He provides a thorough overview of the various interpretative and philological problems and opinions encountered in Aeschylean scholarship, which will be of interest to senior scholars as well as students

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442664678; 1442664673
    Subjects: Mythology, Greek, in literature; Tragedy; Mythology, Greek, in literature; Tragedy; DRAMA ; Ancient, Classical & Medieval; DRAMA ; Ancient & Classical; Tragedies; Criticism, interpretation, etc
    Other subjects: Aeschylus; Eschyle; Eschyle; Aeschylus; Aeschylus; Aeschylus; Eschyle; Eschyle; Aeschylus; Aeschylus
    Scope: Online Ressource (xv, 184 pages)
    Notes:

    Includes bibliographical references (p. [177]-184). - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  9. The living art of Greek tragedy
    Published: 2010
    Publisher:  Indiana University Press, Bloomington

    Aeschylus -- Sophocles -- Euripedes more

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    Aeschylus -- Sophocles -- Euripedes

     

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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780253028280; 0253028280
    Subjects: Greek drama (Tragedy); Greek drama; Tragédie grecque; Théâtre grec; Greek drama; Greek drama (Tragedy); DRAMA ; Ancient, Classical & Medieval; DRAMA ; Ancient & Classical; Greek drama ; Modern presentation; Greek drama (Tragedy); Tragödie; Aufführung; Tragedies; Grieks; Receptie; Traditie; Criticism, interpretation, etc
    Scope: Online Ressource (xii, 224 pages), illustrations, map
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    Includes bibliographical references (pages 209-215) and index. - Print version record

    Use copy Restrictions unspecified star MiAaHDL

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  10. Sophocles' tragic world
    divinity, nature, society
    Published: 1998
    Publisher:  Harvard University Press, Cambridge, Mass

    Annotation Contents -- Preface -- Introduction -- 1. Drama and Perspective in Ajax -- 2. Myth, Poetry, and Heroic Values in the Trachinian Women -- 3. Time, Oracles, and Marriage in the Trachinian Women -- 4. Philoctetes and the Imperishable Piety --... more

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    Annotation Contents -- Preface -- Introduction -- 1. Drama and Perspective in Ajax -- 2. Myth, Poetry, and Heroic Values in the Trachinian Women -- 3. Time, Oracles, and Marriage in the Trachinian Women -- 4. Philoctetes and the Imperishable Piety -- 5. Lament and Closure in Antigone -- 6. Time and Knowledge in the Tragedy of Oedipus -- 7. Freud, Language, and the Unconscious -- 8. The Gods and the Chorus: Zeus in Oedipus Tyrannus -- 9. Earth in Oedipus Tyrannus -- Abbreviations -- Notes -- Index Much has been written about the heroic figures of Sophocles' powerful dramas. Now Charles Segal focuses our attention not on individual heroes and heroines, but on the world that inspired and motivated their actions--a universe of family, city, nature, and the supernatural. He shows how these ancient masterpieces offer insight into the abiding question of tragedy: how one can make sense of a world that involves so much apparently meaningless violence and suffering. In a series of engagingly written interconnected essays, Segal studies five of Sophocles' seven extant plays: Ajax , Oedipus Tyrannus , Philoctetes , Antigone , and the often neglected Trachinian Women . He examines the language and structure of the plays from several interpretive perspectives, drawing both on traditional philological analysis and on current literary and cultural theory. He pays particular attention to the mythic and ritual backgrounds of the plays, noting Sophocles' reinterpretation of the ancient myths. His delineation of the heroes and their tragedies encompasses their relations with city and family, conflicts between men and women, defiance of social institutions, and the interaction of society, nature, and the gods. Segal's analysis sheds new light on Sophocles' plays--among the most widely read works of classical literature--and on their implications for Greek views on the gods, moral life, and sexuality

     

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  11. Late Sophocles
    The Hero’s Evolution in Electra, Philoctetes, and Oedipus at Colonus
    Published: 2015
    Publisher:  University of Michigan Press, Ann Arbor

    "Only a few plays by Sophocles--one of the great tragic playwrights from Classical Athens--have survived, and each of them dramatizes events from the rich store of myths that framed literature and art. Sophocles' treatment evokes issues that were... more

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    "Only a few plays by Sophocles--one of the great tragic playwrights from Classical Athens--have survived, and each of them dramatizes events from the rich store of myths that framed literature and art. Sophocles' treatment evokes issues that were vividly contemporary for Athenian audiences of the Periclean age: How could the Athenians incorporate older, aristocratic ideas about human excellence into their new democratic society? Could citizens learn to be morally excellent, or were these qualities only inherited? What did it mean to be a creature who knows that he or she must die? Late Sophocles traces the evolution of the Sophoclean hero through the final three plays, Electra, Philoctetes, and Oedipus at Colonus. The book's main thesis, that Sophocles reimagined the nature of the tragic hero in his last three works, is developed inductively through readings of the plays. This balanced approach, in which a detailed argument about the plays is offered in a format accessible to nonspecialists, is unusual--perhaps unique--in contemporary Classical scholarship on Sophocles. This book will appeal to nonspecialist readers of serious literature as well as scholars of classical and other literatures. While including ample guidance for those not familiar with the plays, Late Sophocles goes beyond a generalized description of "what happens" in the plays to offer a clear, jargon-free argument for the enduring importance of Sophocles' plays. The argument's implications for longstanding interpretational issues will be of interest to specialists. All Greek is translated." --

     

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