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Displaying results 1 to 13 of 13.

  1. Self-imitation in the eighteenth-century novel
    Published: 1987
    Publisher:  Princeton University Press, Princeton, New Jersey

    Frontmatter --CONTENTS --ACKNOWLEDGMENTS --NOTE ON TRANSLATIONS --INTRODUCTION --CHAPTER ONE. Gil Bias and Moll Flanders Imitation, Disguise, and Mask --CHAPTER TWO. Pamela, La Vie de Marianne, and Le Paysan parvenu: Self-Imitation-The Appearance of... more

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    Frontmatter --CONTENTS --ACKNOWLEDGMENTS --NOTE ON TRANSLATIONS --INTRODUCTION --CHAPTER ONE. Gil Bias and Moll Flanders Imitation, Disguise, and Mask --CHAPTER TWO. Pamela, La Vie de Marianne, and Le Paysan parvenu: Self-Imitation-The Appearance of Reality --CHAPTER THREE. Tristram Shandy Imitation as Paradox and Joke --CONCLUSION --APPENDIX --BIBLIOGRAPHY --INDEX --Backmatter. To the linguistic inquiry associated with Benveniste and to the current preoccupation with the nature of writing. Professor Laden joins a more philosophical probing of the nature of the self. At issue is how language serves the self and whether its role is one of presentation, representation, or generation. The author argues that the self in the works she analyzes comes to appear'' either as a void or as a series of related verbal constructs never wholly adequate or unified. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     
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  2. Realist vision
    Published: c2005
    Publisher:  Yale University Press, New Haven

    Realist Vision explores the claim to represent the world "as it is". Peter Brooks takes a new look at the realist tradition and its intense interest in the visual. Discussing major English and French novels and paintings from the nineteenth and... more

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    Realist Vision explores the claim to represent the world "as it is". Peter Brooks takes a new look at the realist tradition and its intense interest in the visual. Discussing major English and French novels and paintings from the nineteenth and twentieth centuries, Brooks provides a lively and perceptive view of the realist project. Centering each chapter on a single novel or group of paintings, Brooks examines the "invention" of realism beginning with Balzac and Dickens, its apogee in the work of such as Flaubert, Eliot, and Zola, its continuing force in James and modernists such as Woolf. He considers also the painting of Courbet, Manet, Caillebotte, Tissot, and Lucian Freud, and such recent phenomena as "photorealism" and "reality TV." Realism and representation -- Balzac invents the nineteenth century -- Dickens and nonrepresentation -- Flaubert and the scandal of realism -- Courbet's house of realism -- George Eliot's delicate vessels -- Zola's combustion chamber -- Unreal city : Paris and London in Balzac, Zola, and Gissing -- Manet, Caillebotte, and modern life -- Henry James's turn of the novel -- Modernism and realism : Joyce, Proust, Woolf -- The future of reality?

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780300127850; 0300127855
    Subjects: English fiction; French fiction; Comparative literature; Comparative literature; Roman anglais; Réalisme dans la littérature; Roman français; Littérature comparée; Littérature comparée; Realism in literature; French fiction; Comparative literature; Comparative literature; English fiction; Comparative literature; English fiction; Comparative literature; French fiction; Realism in literature; Literature, Comparative; Literature, Comparative; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; LITERARY CRITICISM ; General; Comparative literature ; English and French; Comparative literature ; French and English; English fiction; French fiction; Realism in literature; Letterkunde; Kunst; Engels; Frans; Realisme (letterkunde); Realisme (beeldende kunst); Criticism, interpretation, etc
    Scope: Online Ressource (255 p.), ill.
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    Includes bibliographical references (p. [231]-241) and index. - Description based on print version record

    Realism and representationBalzac invents the nineteenth century -- Dickens and nonrepresentation -- Flaubert and the scandal of realism -- Courbet's house of realism -- George Eliot's delicate vessels -- Zola's combustion chamber -- Unreal city : Paris and London in Balzac, Zola, and Gissing -- Manet, Caillebotte, and modern life -- Henry James's turn of the novel -- Modernism and realism : Joyce, Proust, Woolf -- The future of reality?
  3. Eavesdropping in the novel from Austen to Proust
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, U.K

    I'm all ears: Pride and Prejudice, or the story behind the story -- Eavesdropping and the gentle art of Persuasion -- Household words: Balzac's and Dickens's domestic spaces -- The madwoman outside the attic: eavesdropping and narrative agency in The... more

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    I'm all ears: Pride and Prejudice, or the story behind the story -- Eavesdropping and the gentle art of Persuasion -- Household words: Balzac's and Dickens's domestic spaces -- The madwoman outside the attic: eavesdropping and narrative agency in The Woman in White -- La double entente: eavesdropping and identity in A la recherche du temps perdu -- Conclusion: covert listeners and secret agents. This book investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin analyses eavesdropping in Austen, Balzac, Collins, Dickens and Proust. This innovative study will be of interest to scholars of nineteenth-century English and European literature

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780521815857; 0521815851; 0511042604; 9780511042607; 0511120761; 9780511120763
    Series: Cambridge studies in nineteenth-century literature and culture ; 37
    Subjects: English fiction; Comparative literature; Comparative literature; French fiction; Eavesdropping in literature; Comparative literature; Comparative literature; French fiction; English fiction; English fiction; Eavesdropping in literature; Comparative literature; Comparative literature; French fiction; Literature, Comparative; Literature, Comparative; Electronic books; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Comparative literature ; English and French; Comparative literature ; French and English; Eavesdropping; Eavesdropping in literature; English fiction; French fiction; Criticism, interpretation, etc
    Other subjects: Austen, Jane 1775-1817; Collins, Wilkie 1824-1889; Balzac, Honoré de 1799-1850; Proust, Marcel 1871-1922; Collins, Wilkie (1824-1889); Balzac, Honoré de (1799-1850); Proust, Marcel (1871-1922); Austen, Jane (1775-1817); Proust, Marcel (1871-1922); Balzac, Honoré de (1799-1850); Collins, Wilkie (1824-1889); Austen, Jane (1775-1817); Austen, Jane 1775-1817; Collins, Wilkie 1824-1889; Balzac, Honoré de 1799-1850; Proust, Marcel 1871-1922; Austen, Jane; Balzac, Honoré de; Collins, Wilkie; Proust, Marcel
    Scope: Online Ressource (xi, 241 p.)
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    Includes bibliographical references (p. 222-236) and index. - Description based on print version record

    I'm all ears: Pride and Prejudice, or the story behind the storyEavesdropping and the gentle art of Persuasion -- Household words: Balzac's and Dickens's domestic spaces -- The madwoman outside the attic: eavesdropping and narrative agency in The Woman in White -- La double entente: eavesdropping and identity in A la recherche du temps perdu -- Conclusion: covert listeners and secret agents.
  4. Britain, France and the Gothic, 1764-1820
    the import of terror
    Author: Wright, Angela
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven... more

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    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139524360
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    RVK Categories: HG 673 ; HL 1314
    Series: Cambridge studies in Romanticism ; 99
    Subjects: Romanticism; Comparative literature; Comparative literature; Gothic revival (Literature); Romanticism; Gothic fiction (Literary genre), English; Gothic fiction (Literary genre), English ; History and criticism; Romanticism ; Great Britain; Romanticism ; France; Comparative literature ; English and French; Comparative literature ; French and English; Gothic revival (Literature)
    Scope: 1 Online-Ressource (xii, 214 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 12 Jan 2016)
  5. Eavesdropping in the novel from Austen to Proust
    Author: Gaylin, Ann Elizabeth
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know... more

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    Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know and offers a paradigm of narrative transmission and reception of information among characters, narrators and readers. Gaylin sheds light on the social and psychological effects of the nineteenth-century rise of information technology and accelerated flow of information, as manifested in the anxieties about - and delight in - displays of private life and its secrets. Analysing eavesdropping in Austen, Balzac, Collins, Dickens and Proust, Gaylin demonstrates the flexibility of the scene to produce narrative complication or resolution; to foreground questions of gender and narrative agency; to place the debates of privacy and publicity within the literal and metaphoric spaces of the nineteenth-century novel. This 2003 study will be of interest to scholars of nineteenth-century English and European literature I'm all ears: Pride and Prejudice, or the story behind the story -- Eavesdropping and the gentle art of Persuasion -- Household words: Balzac's and Dickens's domestic spaces -- The madwoman outside the attic: eavesdropping and narrative agency in The Woman in White -- La double entente: eavesdropping and identity in A la recherche du temps perdu -- Conclusion: covert listeners and secret agents

     
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  6. The dialect of the tribe
    speech and community in modern fiction
    Author: Sabin, Margery
    Published: 1987
    Publisher:  Oxford University Press, New York

    The bold careers of Henry James, D.H. Lawrence, James Joyce, and Samuel Beckett--writers with profoundly unsettled cultural identities--spark Margery Sabin's investigation of values carried through inherited forms of speech. The Dialect of the Tribe... more

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    The bold careers of Henry James, D.H. Lawrence, James Joyce, and Samuel Beckett--writers with profoundly unsettled cultural identities--spark Margery Sabin's investigation of values carried through inherited forms of speech. The Dialect of the Tribe offers fresh readings of such great novels as The Golden Bowl, Women in Love, Ulysses, and the Beckett trilogy which illustrate how complex attitudes toward the speech forms of language inform the most varied social, psychological, and aesthetic structures in modern fiction. Sabin explores the powerful tension in these writers between appreciation

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195041534; 9780195041538
    Subjects: Speech in literature; Comparative literature; Comparative literature; English fiction; Beckett, Samuel ; 1906-1989 ; Criticism and interpretation; Comparative literature ; English and French; English fiction ; 20th century ; History and criticism; James, Henry ; 1843-1916 ; Golden bowl; Joyce, James ; 1882-1941 ; Ulysses; Lawrence, D. H ; (David Herbert) ; 1885-1930 ; Criticism and interpretation; Speech in literature; Electronic books
    Other subjects: Joyce, James (1882-1941): Ulysses; Beckett, Samuel (1906-1989); James, Henry (1843-1916): Golden bowl; Lawrence, D. H (1885-1930)
    Scope: Online-Ressource (x, 310 p)
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    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Contents; Introduction; 1 The Life of English Idiom, the Laws of French Cliché; 2 The Community of Intelligence and the Avant-Garde; 3 Competition of Intelligence in The Golden Bowl; 4 Constructing Character: Speech and Will in Women in Love; 5 Near and Far Things in Lawrence's Writing of the Twenties; 6 Postures and Impostures of English in Ulysses; 7 Signs of Life and Death in Beckett's Trilogy; Notes; Index
  7. Vital Signs
    Medical Realism in Nineteenth-Century Fiction
    Author: Rothfield, Lawrence
    Published: 1994
    Publisher:  Princeton University Press, Princeton

    Vital Signs offers both a compelling reinterpretation of the nineteenth-century novel and a methodological challenge to literary historians. Rejecting theories that equate realism with representation, Lawrence Rothfield argues that literary history... more

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    Vital Signs offers both a compelling reinterpretation of the nineteenth-century novel and a methodological challenge to literary historians. Rejecting theories that equate realism with representation, Lawrence Rothfield argues that literary history forms a subset of the history of discourses and their attendant practices. He shows how clinical medicine provided Balzac, Flaubert, Eliot, and others with narrative strategies, epistemological assumptions, and models of professional authority. He also traces the linkages between medicine's eventual decline in scientific and social status and reali

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
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    ISBN: 9780691029542
    Series: Literature in History
    Literature in History Ser
    Subjects: Comparative literature ; English and French; Comparative literature ; French and English; English fiction ; 19th century ; History and criticism; French fiction ; 19th century ; History and criticism; Medicine in literature; Physicians in literature; Realism in literature; Electronic books
    Scope: Online-Ressource (254 p.)
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    Description based upon print version of record

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  8. Realist Vision
    Author: Brooks, Peter
    Published: 1900
    Publisher:  Yale University Press, New Haven

    Intro -- Contents -- Preface -- Realism and Representation -- Balzac Invents the Nineteenth Century -- Dickens and Nonrepresentation -- Flaubert and the Scandal of Realism -- Courbet's House of Realism -- George Eliot's Delicate Vessels -- Zola's... more

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    Intro -- Contents -- Preface -- Realism and Representation -- Balzac Invents the Nineteenth Century -- Dickens and Nonrepresentation -- Flaubert and the Scandal of Realism -- Courbet's House of Realism -- George Eliot's Delicate Vessels -- Zola's Combustion Chamber -- Unreal City -- Manet, Caillebotte, and Modern Life -- Henry James's Turn of the Novel -- Modernism and Realism -- The Future of Reality? -- References and Bibliographical Notes -- Acknowledgments -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780300106800
    Subjects: Comparative literature ; English and French; Comparative literature ; French and English; English fiction ; 19th century ; History and criticism; French fiction ; 19th century ; History and criticism; Realism in literature; Electronic books
    Scope: Online-Ressource (268 p)
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    ""Contents""; ""Preface""; ""Realism and Representation""; ""Balzac Invents the Nineteenth Century""; ""Dickens and Nonrepresentation""; ""Flaubert and the Scandal of Realism""; ""Courbet�s House of Realism""; ""George Eliot�s Delicate Vessels""; ""Zola�s Combustion Chamber""; ""Unreal City""; ""Manet, Caillebotte, and Modern Life""; ""Henry James�s Turn of the Novel""; ""Modernism and Realism""; ""The Future of Reality?""; ""References and Bibliographical Notes""; ""Acknowledgments""; ""Index""
  9. Modernism after postcolonialism
    toward a nonterritorial comparative literature
    Author: De Gennaro, Mara
    Published: 2020
    Publisher:  Johns Hopkins University Press, Baltimore

    "Many previous studies of modernity read colonial or postcolonial texts through the lens of critical theories originating in Europe or North America, but author Mara de Gennaro undertakes a comparative literary approach in which she juxtaposes a... more

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    "Many previous studies of modernity read colonial or postcolonial texts through the lens of critical theories originating in Europe or North America, but author Mara de Gennaro undertakes a comparative literary approach in which she juxtaposes a canonical anglophone modernist writer with an anglophone or francophone postcolonial writer. She models a new critical approach for relating modernism to postcolonialism"-- Introduction: Anxious Mastery and the Forms It Takes -- Troubling Classifications: Unspeakable Figures of Metissage in "Melanctha" and Disgrace -- Troubling Sovereignties: Intimations of Relation in The Waste Land and Cahier d'un retour au pays natal -- Traversing Bounds of Historical Memory: Dethroning the Narrator and Creolizing Testimony in A Passage to India and Texaco -- Traversing Bounds of Solidarity: Poor Analogies and Painful Negotiations in Three Guineas and The Farming of Bones -- Conclusion: The Beauty of a Trembling World.

     
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  10. Britain, France and the Gothic, 1764-1820
    the import of terror
    Author: Wright, Angela
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Explores the development of the Gothic through the history of martial, political and literary conflict between Britain and France The mysterious author Horace Walpole -- The translator cloak'd: Sophia Lee, Clara Reeve and Charlotte Smith -- Versions... more

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    Explores the development of the Gothic through the history of martial, political and literary conflict between Britain and France The mysterious author Horace Walpole -- The translator cloak'd: Sophia Lee, Clara Reeve and Charlotte Smith -- Versions of Gothic and terror -- The castle under threat: Ann Radcliffe's system and the romance of Europe -- 'The Order Disorder'd': French convents and British liberty -- Conclusion: afterlives.

     
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  11. The Intersecting Realities and Fictions of Virginia Woolf and Colette
    Author: Southworth, Helen
    Published: 2004
    Publisher:  Ohio State University Press, Columbus

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  12. Eavesdropping in the novel from Austen to Proust
    Author: Gaylin, Ann Elizabeth
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know... more

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    Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know and offers a paradigm of narrative transmission and reception of information among characters, narrators and readers. Gaylin sheds light on the social and psychological effects of the nineteenth-century rise of information technology and accelerated flow of information, as manifested in the anxieties about - and delight in - displays of private life and its secrets. Analysing eavesdropping in Austen, Balzac, Collins, Dickens and Proust, Gaylin demonstrates the flexibility of the scene to produce narrative complication or resolution; to foreground questions of gender and narrative agency; to place the debates of privacy and publicity within the literal and metaphoric spaces of the nineteenth-century novel. This 2003 study will be of interest to scholars of nineteenth-century English and European literature I'm all ears: Pride and Prejudice, or the story behind the story -- Eavesdropping and the gentle art of Persuasion -- Household words: Balzac's and Dickens's domestic spaces -- The madwoman outside the attic: eavesdropping and narrative agency in The Woman in White -- La double entente: eavesdropping and identity in A la recherche du temps perdu -- Conclusion: covert listeners and secret agents

     
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  13. Britain, France and the Gothic, 1764-1820
    the import of terror
    Author: Wright, Angela
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven... more

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    In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139524360
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    RVK Categories: HG 673 ; HL 1314
    Series: Cambridge studies in Romanticism ; 99
    Subjects: Romanticism; Comparative literature; Comparative literature; Gothic revival (Literature); Romanticism; Gothic fiction (Literary genre), English; Gothic fiction (Literary genre), English ; History and criticism; Romanticism ; Great Britain; Romanticism ; France; Comparative literature ; English and French; Comparative literature ; French and English; Gothic revival (Literature)
    Scope: 1 Online-Ressource (xii, 214 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 12 Jan 2016)