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  1. Die Farbe Purpur im frühen Griechentum
    beobachtet in der Literatur und in der bildenden Kunst
    Author: Stulz, Heinke
    Published: [1990]
    Publisher:  De Gruyter, Berlin ; Boston

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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  2. The key of green
    passion and perception in Renaissance culture
    Author: Smith, Bruce R.
    Published: 2009
    Publisher:  Univ. of Chicago Press, Chicago, Ill. [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2009:2218:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 726834
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2009 A 7030
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    Universitätsbibliothek Hildesheim
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    ANG 342 : S57
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    Herzog August Bibliothek Wolfenbüttel
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    59.1109
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0226763781; 9780226763781
    Other identifier:
    2008015850
    RVK Categories: HI 1161
    Subjects: English literature; Color in literature; Color; Color (Philosophy); Visual perception in literature; Senses and sensation in literature; Mind and body in literature
    Scope: IX, 326 S., Ill., graph. Darst., Notenbeisp., 24 cm
    Notes:

    Introduction: About green -- Light at 500-510 nanometers and the seventeenth-century crisis of consciousness -- Green stuff -- Between black and white -- Green spectacles -- Listening for green -- The curtain between the theatre and the Globe -- Afterword: Coloring books.
  3. The key of green
    passion and perception in Renaissance culture
    Author: Smith, Bruce R.
    Published: 2009
    Publisher:  University of Chicago Press, Chicago, Ill. ; Oxford University Press, Oxford

    A unique cultural history, 'The Key of Green' considers the significance of the colour in the literature, visual arts, and popular culture of early modern England. Contending that colour is a matter of both sensation and emotion, the author examines... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    A unique cultural history, 'The Key of Green' considers the significance of the colour in the literature, visual arts, and popular culture of early modern England. Contending that colour is a matter of both sensation and emotion, the author examines Renaissance material culture as well as music, theatre and philosophy.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226763811
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    RVK Categories: HI 1161
    Subjects: Englisch; Literatur; Farbe <Motiv>; Visuelle Wahrnehmung <Motiv>; Sinne <Motiv>; English literature; Color in literature; Color; Color (Philosophy); Visual perception in literature; Senses and sensation in literature; Mind and body in literature
    Scope: 1 Online-Ressource (326 p., [16] p. of plates), Ill. (some col.), music.
    Notes:

    Includes bibliographical references and index
  4. Colour and meaning
    art, science and symbolism
    Author: Gage, John
    Published: 1999
    Publisher:  Thames and Hudson, London

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  5. Raffaels "Transfiguration" und der Wettstreit um die Farbe
    koloritgeschichtliche Untersuchung zur römischen Hochrenaissance
    Author: Henning, Andreas
    Published: 2005
    Publisher:  Deutscher Kunstverlag, München

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3422065253
    Other identifier:
    9783422065253
    RVK Categories: LI 70103 ; LI 70109
    Series: Kunstwissenschaftliche Studien ; 125
    Subjects: Color in art; Color (Philosophy); Painting, Italian; Painting, Italian; Painting, Renaissance
    Other subjects: Raphael (1483-1520): Transfiguration; Raphael (1483-1520)
    Scope: 295 S., zahlr. Ill., 24 cm
    Notes:

    Zugl.: Berlin, Freie Univ., Diss., 2002

    Literaturverz. S. 267 - 286
  6. Painting, science, and the perception of coloured shadows
    'the most beautiful blue'
    Author: Smith, Paul
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value. "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value. "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138488090
    Series: Science and the arts since 1750
    Subjects: Color (Philosophy); Shades and shadows; Painting; Shades and shadows in art
    Scope: xiv, 176 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  7. Goethe und die "Rettung der Phänomene"
    philosophische Kritik des naturwissenschaftlichen Weltbilds am Beispiel der Farbenlehre
    Author: Rehbock, Theda
    Published: 1995
    Publisher:  Verl. am Hockgraben, Konstanz

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Hochschule für Philosophie, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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  8. Color codes
    modern theories of color in philosophy, painting and architecture, literature, music, and psychology
    Author: Riley, Charles A.
    Published: 1995
    Publisher:  Univ. Press of New England, Hanover [u.a.]

    Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of... more

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    Universitätsbibliothek Augsburg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Hochschule München, Bibliothek
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    Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating.

     
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  9. Introduction à la couleur
    des discours aux images
    Author: Aumont, Jacques
    Published: 1994
    Publisher:  Colin, Paris

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2200214731
    Series: Collection "Cinema et audiovisuel"
    Subjects: Cinéma en couleurs; Couleur (Philosophie); Couleur; Couleurs; Kleuren; Peinture - Philosophie; Ästhetik; Aesthetics; Color (Philosophy); Color cinematography; Film; Kunst; Farbe
    Scope: 234 S.
  10. La porpora
    realtà e immaginario di un colore simbolico ; atti del convegno di studio, Venezia, 24 e 25 ottobre 1996
    Contributor: Longo, Oddone (Publisher)
    Published: 1998
    Publisher:  Istituto Veneto di Scienze, Lettere ed Arti, Venezia

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    Staats- und Stadtbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Contributor: Longo, Oddone (Publisher)
    Language: Italian
    Media type: Book
    ISBN: 8886166648
    RVK Categories: LC 91005 ; LH 61342
    Subjects: Pourpre - Congrès; Purper; Geschichte; Color (Philosophy); Dyes and dyeing; History, Ancient; Purple; Purpura (Mollusks); Geschichte; Farbe; Farbensymbolik; Purpur; Ästhetik
    Scope: 475 Seiten, zahlreiche Illustrationen, graphische Darstellungen, 24 cm
    Notes:

    Contents: La porpora e il dogado di Andrea Gritti : (1523-1538) : intorno al doge, principe o "rex" / Achille Olivieri. - Variazioni simboliche sul tema della porpora nel Cristianesimo antico / Giovanni Filoramo. - La porpora a Roma / Luigi Bessone. - Il cielo 'di porpora' nella letteratura greca arcaica e il linguaggio delle vesti / Luca Soverini. - Produzione e usi della porpora nell' impero bizantino / Antonio Carile. - Segue: La porpora: catalogo della Mostra promossa in concomitanza al Convegno di studio: Venezia, Palazzo Loredan, campo S. Stefano, 24 ottobre-3 novembre 1996, a cura di Doretta Davanzo Poli In testa al front.: Istituto veneto di scienze, lettere ed arte
  11. Couleurs et vision dans l'Antiquité classique
    Published: 2002
    Publisher:  Univ. de Rouen, Mont-Saint-Aignan

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2877753360
    RVK Categories: FE 3789 ; NH 8575
    Series: Publications de l'Université de Rouen ; 326
    Subjects: Couleur - Histoire - jusqu'à 500; Geschichte; Grec (Langue) - Vocabulaire; Griechisch; Grieks; Kleuren; Letterkunde; Literatur; Médecine ancienne; Philosophie ancienne; Vision - Histoire - Jusqu'à 500; Classical literature; Color (Philosophy); Philosophy, Ancient; Science, Ancient; Vision; Antike; Farbensehen; Farbe
    Scope: 196 S., 24 x 16 cm
    Notes:

    Notes bibliogr. Table des matières. - Nombreuses citations en grec ancien et en latin
  12. A naïve realist theory of colour
    Author: Allen, Keith
    Published: 2016
    Publisher:  Oxford University Press, Oxford

    'A Naïve Realist Theory of Colour' defends the view that colours are mind-independent properties of things in the environment. Keith Allen argues that a naïve realist theory of colour best explains how colours appear to perceiving subjects, and that... more

     

    'A Naïve Realist Theory of Colour' defends the view that colours are mind-independent properties of things in the environment. Keith Allen argues that a naïve realist theory of colour best explains how colours appear to perceiving subjects, and that this view is not undermined by our modern scientific understanding of the world

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191816659
    Other identifier:
    Edition: First edition
    Subjects: Color; Color (Philosophy); Color / Psychological aspects; Farbenlehre; Farbenpsychologie; Visuelle Wahrnehmung; Ästhetik; Farbe
    Notes:

    This edition previously issued in print: 2016

    Includes bibliographical references and index
  13. Die Farbe Purpur im frühen Griechentum
    beobachtet in der Literatur und in der bildenden Kunst
    Author: Stulz, Heinke
    Published: [1990]
    Publisher:  De Gruyter, Berlin ; Boston

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Hochschule Kempten, Hochschulbibliothek
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  14. Le coloris comme expérience poétique
    Author: Lecerf, Guy
    Published: 2014
    Publisher:  L'Harmattan, Paris

    Pourquoi appeler un quartier de Toulouse "Borderouge", dire qu'une façade est sangre de toro ou qu'une rose est cuisse de nymphe émue ? Voilà autant de questions qui se posent lors d'une expérience chromatique quotidienne des couleurs et des... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Pourquoi appeler un quartier de Toulouse "Borderouge", dire qu'une façade est sangre de toro ou qu'une rose est cuisse de nymphe émue ? Voilà autant de questions qui se posent lors d'une expérience chromatique quotidienne des couleurs et des colorations.0Mais qu'en est-il lorsque celle-ci devient plus intense, lorsqu'il s'agit d'une immersion dans le sensible voire d'une perte de repères ? L'expérience devient alors celle d'une poétique dont la respiration alterne les moments faibles du quotidien, ceux des couleurs et colorations, avec des moments forts, plus rares, ceux du coloris.0A partir d'exemples picturaux, urbanistiques, horticoles et cinématographiques, l'objet de cet ouvrage est de suivre au plus près les mouvements voire le souffle de cette expérience poétique du coloris.00

     
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782343036298
    Series: Collection Eidos. Série rétina
    Subjects: Couleur / Dans l'art; Couleur (philosophie); Color in art; Color (Philosophy); Farbe; Ästhetik
    Scope: 188 S., Ill., graph. Darst., 22 cm
    Notes:

    Bibliogr. p. 173-181. Notes bibliogr. Index

    Includes bibliographical references (p. 173-181) and index
  15. The key of green
    passion and perception in Renaissance culture
    Author: Smith, Bruce R.
    Published: 2009
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  16. The key of green
    passion and perception in Renaissance culture
    Author: Smith, Bruce R.
    Published: 2009
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226763781
    Subjects: Psychologie; English literature; Color in literature; Color; Color (Philosophy); Visual perception in literature; Senses and sensation in literature; Mind and body in literature; Literatur; Grün <Motiv>; Farbensymbolik; Kultur; Grün; Farbe; Ästhetik
    Scope: 326 S., Ill., Notenbeisp.
    Notes:

    Includes bibliographical references and index
  17. The key of green
    passion and perception in Renaissance culture
    Published: 2009
    Publisher:  University of Chicago Press, Chicago

    From Shakespeare's "green-eyed monster" to the "green thought in a green shade" in Andrew Marvell's "The Garden," the color green was curiously prominent and resonant in English culture of the sixteenth and seventeenth centuries. Among other things,... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    From Shakespeare's "green-eyed monster" to the "green thought in a green shade" in Andrew Marvell's "The Garden," the color green was curiously prominent and resonant in English culture of the sixteenth and seventeenth centuries. Among other things, green was the most common color of household goods, the recommended wall color against which to view paintings, the hue that was supposed to appear in alchemical processes at the moment base metal turned to gold, and the color most frequently associated with human passions of all sorts. A unique cultural history, The Key of Green considers the sign

     
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  18. The inner nature of color
    studies on the philosophy of the four elements
    Author: Benson, Jack L.
    Published: 2004
    Publisher:  SteinerBooks, Great Barrington, MA

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0880105143
    RVK Categories: CC 6600 ; CC 6900
    Subjects: Anthroposophie; Couleur (Philosophie) - Histoire; Quatre éléments (Philosophie) - Histoire; Geschichte; Color (Philosophy); Four elements (Philosophy); Anthroposophy; Evolutionstheorie; Kunst; Anthroposophie; Farbe; Ästhetik
    Other subjects: Steiner, Rudolf <1861-1925>; Steiner, Rudolf (1861-1925)
    Scope: 224 p., ill. (some col.), 23 cm
    Notes:

    Includes bibliographical references (p. [220]-221)
  19. Raffaels "Transfiguration" und der Wettstreit um die Farbe
    koloritgeschichtliche Untersuchung zur römischen Hochrenaissance
    Author: Henning, Andreas
    Published: 2005
    Publisher:  Dt. Kunstverl., München [u.a.]

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    Staatliche Bibliothek, Schloßbibliothek
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3422065253
    Other identifier:
    9783422065253
    RVK Categories: LI 70103 ; LI 70109
    DDC Categories: 750
    Series: Kunstwissenschaftliche Studien ; 125
    Subjects: Schilderijen; Transfiguratie van Jezus; Malerei; Color (Philosophy); Color in art; Painting, Italian; Painting, Italian; Painting, Renaissance; Ästhetik; Paragone; Farbe; Kunst; Farbgestaltung; Schatten
    Other subjects: Raphael <1483-1520>: Transfiguration; Raphael <1483-1520>; Vasari, Giorgio (1511-1574): Le vite de' più eccellenti architetti, pittori et sculptori italiani da Cimabue insino a' tempi nostri; Raffael (1483-1520): Verklärung Christi
    Scope: 295 S., zahlr. Ill.
    Notes:

    Zugl.: Berlin, Freie Univ., Diss., 2002 u.d.T.: Henning, Andreas: Die Wirkungsästhetik der Farbe in der römischen Hochrenaissance am Beispiel von Raffaels "Transfiguration"
  20. Sprechen über Farbe: Rubens und Poussin
    Bildfarbe und Methoden der Farbforschung im 17. Jahrhundert und heute
    Author: Schütze, Irene
    Published: 2004
    Publisher:  VDG, Weimar

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Location:
    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3897394634
    RVK Categories: LH 70080 ; LI 69060
    Subjects: Kleuren; Kleurtheorie; Geschichte; Color (Philosophy); Color in art; Ästhetik; Farbe; Farbenlehre; Malerei
    Other subjects: Poussin, Nicolas <1594?-1665>; Rubens, Peter Paul <Sir, 1577-1640>; Poussin, Nicolas (1594-1665); Félibien, André (1619-1695); Rubens, Peter Paul (1577-1640)
    Scope: 261 S., Ill.
    Notes:

    Zugl.: Freiburg i. Br., Univ., Diss., 2003
  21. <<The>> key of green
    passion and perception in Renaissance culture
    Author: Smith, Bruce R
    Published: 2009
    Publisher:  Univ. of Chicago Press, Chicago, Ill. [u.a.]

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Location:
    Universitätsbibliothek Siegen
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  22. The key of green
    passion and perception in Renaissance culture
    Author: Smith, Bruce R.
    Published: 2009
    Publisher:  Univ. of Chicago Press, Chicago, Ill. [u.a.]

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signature:
    36A6511
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    Location:
    Universitätsbibliothek Siegen
    Signature:
    11DVUC1253
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  23. The key of green
    passion and perception in Renaissance culture
    Author: Smith, Bruce R.
    Published: 2009
    Publisher:  Univ. of Chicago Press, Chicago, Ill. [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0226763781; 9780226763781
    Other identifier:
    2008015850
    RVK Categories: HI 1161
    Subjects: English literature; Color in literature; Color; Color (Philosophy); Visual perception in literature; Senses and sensation in literature; Mind and body in literature
    Scope: IX, 326 S., Ill., graph. Darst., Notenbeisp., 24 cm
    Notes:

    Introduction: About green -- Light at 500-510 nanometers and the seventeenth-century crisis of consciousness -- Green stuff -- Between black and white -- Green spectacles -- Listening for green -- The curtain between the theatre and the Globe -- Afterword: Coloring books.
  24. Couleurs et vision dans l'Antiquité classique
    Published: 2002
    Publisher:  Univ. de Rouen, Mont-Saint-Aignan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2877753360
    Parent title:
    RVK Categories: FE 3789 ; NH 8575
    Series: Publications de l'Université de Rouen ; 326
    Subjects: Couleur - Histoire - jusqu'à 500; Geschichte; Grec (Langue) - Vocabulaire; Griechisch; Grieks; Kleuren; Letterkunde; Literatur; Médecine ancienne; Philosophie ancienne; Vision - Histoire - Jusqu'à 500; Classical literature; Color (Philosophy); Philosophy, Ancient; Science, Ancient; Vision; Antike; Farbensehen; Farbe
    Scope: 196 S., 24 x 16 cm
    Notes:

    Notes bibliogr. Table des matières. - Nombreuses citations en grec ancien et en latin
  25. La porpora
    realtà e immaginario di un colore simbolico ; atti del convegno di studio, Venezia, 24 e 25 ottobre 1996
    Contributor: Longo, Oddone (Publisher)
    Published: 1998
    Publisher:  Istituto Veneto di Scienze, Lettere ed Arti, Venezia

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Longo, Oddone (Publisher)
    Language: Italian
    Media type: Book
    ISBN: 8886166648
    RVK Categories: LC 91005 ; LH 61342
    Subjects: Pourpre - Congrès; Purper; Geschichte; Color (Philosophy); Dyes and dyeing; History, Ancient; Purple; Purpura (Mollusks); Geschichte; Farbe; Farbensymbolik; Purpur; Ästhetik
    Scope: 475 Seiten, zahlreiche Illustrationen, graphische Darstellungen, 24 cm
    Notes:

    Contents: La porpora e il dogado di Andrea Gritti : (1523-1538) : intorno al doge, principe o "rex" / Achille Olivieri. - Variazioni simboliche sul tema della porpora nel Cristianesimo antico / Giovanni Filoramo. - La porpora a Roma / Luigi Bessone. - Il cielo 'di porpora' nella letteratura greca arcaica e il linguaggio delle vesti / Luca Soverini. - Produzione e usi della porpora nell' impero bizantino / Antonio Carile. - Segue: La porpora: catalogo della Mostra promossa in concomitanza al Convegno di studio: Venezia, Palazzo Loredan, campo S. Stefano, 24 ottobre-3 novembre 1996, a cura di Doretta Davanzo Poli In testa al front.: Istituto veneto di scienze, lettere ed arte